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Toscanello In Music
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Download or read book Toscanello in music. Book 1 written by and published by . This book was released on 1970 with total page 59 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toscanello in Music by : Pietro Aron
Download or read book Toscanello in Music written by Pietro Aron and published by . This book was released on 1970 with total page 55 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toscanello in Music by : Pietro Aron
Download or read book Toscanello in Music written by Pietro Aron and published by . This book was released on 1970 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toscanello in music (Toscanello in musica, engl.) Transl. by Peter Bergquist by : Pietro Aron
Download or read book Toscanello in music (Toscanello in musica, engl.) Transl. by Peter Bergquist written by Pietro Aron and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toscanello in Music: chapters Xxxvii-Xxxx, supplement by : Pietro Aaron
Download or read book Toscanello in Music: chapters Xxxvii-Xxxx, supplement written by Pietro Aaron and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toscanello in Music by : Pietro Aaron
Download or read book Toscanello in Music written by Pietro Aaron and published by . This book was released on 1970 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Reading Renaissance Music Theory by : Cristle Collins Judd
Download or read book Reading Renaissance Music Theory written by Cristle Collins Judd and published by Cambridge University Press. This book was released on 2000-11-30 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Book Synopsis European Music, 1520-1640 by : James Haar
Download or read book European Music, 1520-1640 written by James Haar and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
Book Synopsis Early Music History by : Iain Fenlon
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fifteen include: Costanzo Festa's Gradus ad Parnassum; Scenes from the life of Silvia Galiarti Manni, a seventeenth-century virtuosa; Galeazzo Maria Sforza and musical patronage in Milan: Compere, Weerbeke and Josquin.
Book Synopsis Early Music History: Volume 21 by : Iain Fenlon
Download or read book Early Music History: Volume 21 written by Iain Fenlon and published by Cambridge University Press. This book was released on 2002-11-21 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.
Book Synopsis Counterpoint, Composition and Musica Ficta by : Margaret Bent
Download or read book Counterpoint, Composition and Musica Ficta written by Margaret Bent and published by Routledge. This book was released on 2013-10-28 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Book Synopsis Tonal Space in the Music of Antonio Vivaldi by : Bella Brover-Lubovsky
Download or read book Tonal Space in the Music of Antonio Vivaldi written by Bella Brover-Lubovsky and published by Indiana University Press. This book was released on 2008-06-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Book Synopsis Music as Concept and Practice in the Late Middle Ages by : Reinhard Strohm
Download or read book Music as Concept and Practice in the Late Middle Ages written by Reinhard Strohm and published by . This book was released on 2001 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Book Synopsis Counterpoints on a Cantus Firmus by : Costanzo Festa
Download or read book Counterpoints on a Cantus Firmus written by Costanzo Festa and published by A-R Editions, Inc.. This book was released on 1997-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Music of the Spheres in the Western Imagination by : David J. Kendall
Download or read book The Music of the Spheres in the Western Imagination written by David J. Kendall and published by Rowman & Littlefield. This book was released on 2022-10-31 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Music of the Spheres in the Western Imagination describes various systematic musical ecologies of the cosmos by examining attempts over time to define Western theoretical musical systems, whether practical, human, nonhuman, or celestial. This book focuses on the theoretical, theological, philosophical, physical, and mathematical concepts of a cosmic musical order and how these concepts have changed in order to fit different worldviews through the imaginations of theologians, theorists, and authors of fiction, as well as the practical performance of music. Special attention is given to music theory treatises between the ninth and sixteenth centuries, English-language hymnody from the eighteenth century to the present, polemical works on music and worship from the last hundred years, the Divine Comedy of Dante, nineteenth- and twentieth-century English-language fiction, the fictional works of C. S. Lewis, and the legendarium of J. R. R. Tolkien.
Download or read book The Trombone written by Trevor Herbert and published by Yale University Press. This book was released on 2006-01-01 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.
Book Synopsis Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court by : Honey Meconi
Download or read book Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court written by Honey Meconi and published by Oxford University Press, USA. This book was released on 2003 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.