Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Download Theatre Complet full books in PDF, epub, and Kindle. Read online Theatre Complet ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author :
Publisher :
ISBN 13 :
Total Pages : 330 pages
Book Rating : 4.3/5 (2 download)
Download or read book Theatre Complet De Alex Dumas written by and published by . This book was released on 1899 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Pierre Carlet de Chamblain de Marivaux
Publisher :
ISBN 13 :
Total Pages : 404 pages
Book Rating : 4.0/5 ( download)
Download or read book Théâtre Complet written by Pierre Carlet de Chamblain de Marivaux and published by . This book was released on 1946 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Kiki Gounaridou
Publisher : McFarland
ISBN 13 : 0786456663
Total Pages : 215 pages
Book Rating : 4.7/5 (864 download)
Download or read book Text & Presentation, 2009 written by Kiki Gounaridou and published by McFarland. This book was released on 2010-03-16 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This edition includes papers from the 33rd annual conference held in Los Angeles, California. Topics covered include Bernard Shaw's use of gardens and libraries in Widowers' Houses, Northern Ireland emergency law in Brian Friel's The Freedom of the City, cannibalism and surrogation in Hamletmachine, Sergei Eisenstein's and Charlie Chaplin's use of the "montage of attraction," and adaptations of classic Greek tragedy in Mexico and Taiwan, among other topics.
Author : Jean Racine
Publisher :
ISBN 13 :
Total Pages : 960 pages
Book Rating : 4.3/5 (91 download)
Download or read book Théâtre complet written by Jean Racine and published by . This book was released on 1980 with total page 960 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Carl Lavery
Publisher : Manchester University Press
ISBN 13 : 1526130408
Total Pages : 265 pages
Book Rating : 4.5/5 (261 download)
Download or read book The politics of Jean Genet's late theatre written by Carl Lavery and published by Manchester University Press. This book was released on 2017-10-03 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jean Genet and the politics of theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Rancière and Alain Badiou. By doing so, the monograph positions Genet as a revolutionary playwright, interested in producing progressive forms of democracy. This original and interdisciplinary reading of Genet’s late work will be of interest to students and practitioners of Theatre, as well as those interested in French and History.
Author :
Publisher : Liverpool University Press
ISBN 13 : 1836241313
Total Pages : 345 pages
Book Rating : 4.8/5 (362 download)
Download or read book Theatre Sciences written by and published by Liverpool University Press. This book was released on 2015-06-26 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional theatre semiotics promoted a scientific approach to theatre studies, albeit viewing semiotics as the unique discipline of research. Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies suggests instead a multi-disciplinary approach, including the following theoretical disciplines: narratology, mythology, pragmatics, ethics, theatre irony, theory of genres, aesthetics, semiotics, theory of non-verbal figures of speech, rhetoric, psychoanalysis, reception theory, history, and sociology -- with semiotics being only one among equals. These disciplines are presented from the perspective of their possible contributions to a sound methodology of theatre-texts analysis. Traditional theatre semiotics, moreover, holds the view that the actual performance on stage is the genuine text of theatre, instead of the play-script. Despite this paradigmatic shift, however, this viewpoint has failed to produce commendable analyses of such texts. The alternative presupposition put forward in this volume entails a series of novel perceptions of the theatre-text and its possible impact on the experiencing spectator, whose role in reading, interpreting and experiencing the theatre-text is not less crucial than that of the text itself. This view presupposes that the theatre-text is a description of a fictional world generated by the theatre medium. The author also contests the age-old view that a theatre/fictional-text reflects a simple narrative structure, and suggests instead a complexity that consists of seven layers: personified, mythical, praxical, naive, ironic, modal and aesthetic -- with each one of them re-structuring the previous layer. Professor Rozik also presents and describes a semiotic layer that lends communicative capacity to the description of a fictional world, and two additional metaphoric and rhetoric layers, which structure the theatre experience. The underlying purpose is to illustrate the application of the aforementioned disciplines to these fictional layers, and eventually their joint application to entire theatre / fictional texts. Organisation of the book reflects the structure of a university course.
Author : Sos Eltis
Publisher : OUP Oxford
ISBN 13 : 0191653063
Total Pages : 281 pages
Book Rating : 4.1/5 (916 download)
Download or read book Acts of Desire written by Sos Eltis and published by OUP Oxford. This book was released on 2013-04-18 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: From seduced maidens to adulterous wives, bigamists, courtesans, kept women and streetwalkers, the so-called 'fallen woman' was a ubiquitous and enduring figure on the Victorian and Edwardian stage. Acts of Desire traces the theatrical representation of illicit female sexuality from early nineteenth-century melodramas, through sensation dramas, Ibsenite sex-problem plays and suffrage dramas, to early social realism and the well-made plays of Pinero, Jones, Maugham, and Coward. This study reveals and analyses enduring plot lines and tropes that continue to influence contemporary theatre and film. Women's illicit desires became a theatrical focus for anxieties and debates surrounding gender roles, women's rights, sexual morality, class conflict, economics, eugenics, and female employment. The theatre played a central role in both establishing and challenging sexual norms, and many playwrights exploited the ambiguities and implications of performance to stage disruptive spectacles of female desire, agency, energy, and resourcefulness, using ingenuity and skill to evade the control of that ever watchful state censor, the Lord Chamberlain. Covering an astonishing range of theatrical, social, literary, and political texts, this study challenges the currency and validity of the long-established critical term 'the fallen woman', and establishes the centrality of the theatre to cultural and sexual debates throughout the period. Acts of Desire encompasses published and unpublished plays, archival material, censorship records, and contemporary reviews to reveal the surprising continuities, complex debates, covert meanings, and exuberant spectacles which marked the history of theatrical representations of female sexuality. Engaging with popular and 'high art' performances, this study also reveals the vital connections between theatre and its sister arts, tracing the exchange of influences between Victorian drama, narrative painting and the novel, and showing theatre to be a crucial but neglected element in the cultural history of women's sexuality.
Author : Jean Racine
Publisher :
ISBN 13 :
Total Pages : 798 pages
Book Rating : 4.3/5 ( download)
Download or read book Théâtre complet written by Jean Racine and published by . This book was released on 1960 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jean Chothia
Publisher : Cambridge University Press
ISBN 13 : 0521252199
Total Pages : 231 pages
Book Rating : 4.5/5 (212 download)
Download or read book André Antoine written by Jean Chothia and published by Cambridge University Press. This book was released on 1991-03-07 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates Antoine's exploration of the possibilities and limitations of stage realism, his concept of a workshop theatre for new writing and acting, his experiments and achievements in the mise en scene at the Théâtre Libre and Théâtre Antoine, in the classics at the Odéon and in the early silent film.
Author : Mary Ann Frese Witt
Publisher : Rowman & Littlefield
ISBN 13 : 1611475384
Total Pages : 203 pages
Book Rating : 4.6/5 (114 download)
Download or read book Metatheater and Modernity written by Mary Ann Frese Witt and published by Rowman & Littlefield. This book was released on 2013 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion comique with Tony Kushner's The Illusion; Gian Lorenzo Bernini's The Impresario with Luigi Pirandello's theater-in-theater trilogy; Shakespeare's Hamlet with Pirandello's Henry IV and Tom Stoppard's Rosencrantz and Guildenstern are Dead; Moli re's Impromptu de Versailles with "impromptus" by Jean Cocteau, Jean Giraudoux, and Eug ne Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
Author : J. Thomas Rimer
Publisher : Princeton University Press
ISBN 13 : 1400870879
Total Pages : 324 pages
Book Rating : 4.4/5 (8 download)
Download or read book Toward a Modern Japanese Theatre written by J. Thomas Rimer and published by Princeton University Press. This book was released on 2015-03-08 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Long accustomed to writing in the tradition of the flamboyant kabuki, Japanese dramatists had a more difficult struggle in modernizing their art than did writers of fiction and poetry. The work of Kishida Kunio, however, established and matured modern Japanese drama, modeled on the western psychological drama of Ibsen and Chekhov. J. Thomas Rimer traces the initial modernization efforts undertaken by the first generation of Japanese playwrights of the shingeki, or "New Theatre.'" His study then concentrates on the work of Kishida Kunio, the most important figure in the Japanese theatre of the 1930s and 1940s. Kishida, who studied with the well-known French director Jacques Copeau in 1921, returned to Japan with the goal of establishing a modern drama of psychological dimensions for the Japanese theatre. His work demonstrated his talent as a playwright and laid the foundation for later modern Japanese playwrights. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : Patrice Brasseur
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443821845
Total Pages : 380 pages
Book Rating : 4.4/5 (438 download)
Download or read book Authenticity and Legitimacy in Minority Theatre written by Patrice Brasseur and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.
Author : C. Finburgh
Publisher : Springer
ISBN 13 : 0230305660
Total Pages : 255 pages
Book Rating : 4.2/5 (33 download)
Download or read book Contemporary French Theatre and Performance written by C. Finburgh and published by Springer. This book was released on 2011-05-17 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France.
Author : Martin Esslin
Publisher : Vintage
ISBN 13 : 0307548015
Total Pages : 480 pages
Book Rating : 4.3/5 (75 download)
Download or read book The Theatre of the Absurd written by Martin Esslin and published by Vintage. This book was released on 2009-04-02 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition. Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.
Author : Marvin A. Carlson
Publisher : Cornell University Press
ISBN 13 : 1501726889
Total Pages : 554 pages
Book Rating : 4.5/5 (17 download)
Download or read book Theories of the Theatre written by Marvin A. Carlson and published by Cornell University Press. This book was released on 2018-07-05 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.
Author : Geoff Willcocks
Publisher : Routledge
ISBN 13 : 1351938266
Total Pages : 812 pages
Book Rating : 4.3/5 (519 download)
Download or read book European Theatre Performance Practice, 1900 to the Present written by Geoff Willcocks and published by Routledge. This book was released on 2016-12-05 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume captures the rich diversity of European performance practice evident in the twentieth and early part of the twenty-first century. Written by leading directors, actors, dancers, scenographers and academics from across Europe, the collection spans a broad range of subject areas including dance, theatre, live art, multimedia performance and street protest. The essays are divided into three sections on: performers and performing; staging performance; representation and reception, and document innovations in acting, performance and stagecraft by key practitioners. Articles also explore the ways that performance has been used to stage debates around major preoccupations of the age such as war, the human condition, globalization, the impact of new technologies and identity politics. This volume, which features previously published performance manifestoes, articles, and book chapters on the most frequently discussed and debated topics in the field, is an indispensable reference work for both academics and students.
Author : Susan McCready
Publisher : Durham Modern Languages
ISBN 13 : 9780907310594
Total Pages : 158 pages
Book Rating : 4.3/5 (15 download)
Download or read book The Limits of Performance in the French Romantic Theatre written by Susan McCready and published by Durham Modern Languages. This book was released on 2007 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume analyzes major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theater rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal "proving ground" that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theater scholarship while proposing a fresh direction in the study of text and performance. The Limits of Performance challenges conventional wisdom, offering a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general, combined with eminently readable and, therefore, compelling analysis of plays - a thought-provoking addition to work in the field (Glyn Hambrook, Modern and Contemporary France, November 2008).
