Theatre and Identity in Imperial Russia

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Publisher : University of Iowa Press
ISBN 13 : 1587298473
Total Pages : 340 pages
Book Rating : 4.5/5 (872 download)

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Book Synopsis Theatre and Identity in Imperial Russia by : Catherine A. Schuler

Download or read book Theatre and Identity in Imperial Russia written by Catherine A. Schuler and published by University of Iowa Press. This book was released on 2009-05-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.

Bloody Tyrants and Little Pickles

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Publisher : University of Iowa Press
ISBN 13 : 1609387368
Total Pages : 300 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Bloody Tyrants and Little Pickles by : Marlis Schweitzer

Download or read book Bloody Tyrants and Little Pickles written by Marlis Schweitzer and published by University of Iowa Press. This book was released on 2020-11-02 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.

Rehearsing Revolutions

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Publisher : University of Iowa Press
ISBN 13 : 1609386426
Total Pages : 277 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Rehearsing Revolutions by : Mary McAvoy

Download or read book Rehearsing Revolutions written by Mary McAvoy and published by University of Iowa Press. This book was released on 2019-06-03 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Choice Outstanding Academic Title, 2019 George Freedley Memorial Award Finalist, 2020 Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America. Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.

Women Adapting

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Publisher : University of Iowa Press
ISBN 13 : 1609386493
Total Pages : 301 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Women Adapting by : Bethany Wood

Download or read book Women Adapting written by Bethany Wood and published by University of Iowa Press. This book was released on 2019-05-29 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: When most of us hear the title Gentlemen Prefer Blondes, we think of Marilyn Monroe and Jane Russell’s iconic film performance. Few, however, are aware that the movie was based on Anita Loos’s 1925 comic novel by the same name. What does it mean, Women Adapting asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what, if anything, is lost? Bethany Wood examines three well-known stories that debuted as women’s magazine serials—Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat—and traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. She documents the formation of adaptation systems and how they involved women’s voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window of time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management. These days, when filmic adaptations seem endless and perhaps even unoriginal, Women Adapting challenges us to rethink the popular platitude, “The book is always better than the movie.”

Feminist Rehearsals

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Publisher : University of Iowa Press
ISBN 13 : 1609388798
Total Pages : 302 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Feminist Rehearsals by : May Summer Farnsworth

Download or read book Feminist Rehearsals written by May Summer Farnsworth and published by University of Iowa Press. This book was released on 2023-03-29 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An exploration of gender at the theatre in early twentieth century Argentina and Mexico"--

Vows, Veils, and Masks

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Publisher : University of Iowa Press
ISBN 13 : 1609389042
Total Pages : 232 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Vows, Veils, and Masks by : Beth Wynstra

Download or read book Vows, Veils, and Masks written by Beth Wynstra and published by University of Iowa Press. This book was released on 2023-07-07 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vows, Veils, and Masks offers a bold and timely approach to the plays of Eugene O’Neill with its attention to the engagements, weddings, and marriages so crucial to the tragic action in O’Neill’s works. Specifically, the book examines the culturally sanctioned traditions and gender roles that underscored marital life in the early twentieth century, and that still haunt and define love and partnership in the modern age. Weaving in artifacts like advice columns, advertisements, theatrical reviews, and even the lived experiences of the actors who brought O’Neill’s wife characters to life, Beth Wynstra points to new ways of seeing and empathizing with those who are betrothed and new possibilities for reading marriage in literary and dramatic works. She suggests that the various ways women were, and still are, expected to divert from their true ambitions, desires, and selves in the service of appropriate wifely behavior is a detrimental performance and one at the crux of O’Neill’s marital tragedies. This book invites more inclusive and nuanced ways of thinking about the choices married characters must make and the roles they play, both on and off the stage.

Collusions of Fact and Fiction

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Publisher : University of Iowa Press
ISBN 13 : 1609387791
Total Pages : 273 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Collusions of Fact and Fiction by : Ilka Saal

Download or read book Collusions of Fact and Fiction written by Ilka Saal and published by University of Iowa Press. This book was released on 2021-12-15 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collusions of Fact and Fiction traces a generational shift in late twentieth-century African American cultural engagements with the history and legacies of transatlantic slavery. With a focus on works by playwright Suzan-Lori Parks and visual artist Kara Walker, the book explores how, in comparison to the first wave of neo-slave narratives of the 1970s and 1980s, artists of the 1990s and early 2000s tend to approach the past from the vantage point of a liberal entanglement of fact and fiction as well as a highly playful, often humorous, and sometimes irreverent signifying on entrenched motifs, iconographies, and historiographies. Saal argues that the attempt to reconstruct or recuperate the experience of African Americans under slavery is no longer at stake in the works of artists growing up in the post–Civil Rights era. Instead, they lay bare the discursive dimension of our contemporary understanding of the past and address the continued impact of its various verbal and visual signs upon contemporary identities. In this manner, Parks and Walker stake out new possibilities for engaging the past and inhabiting the present and future.

Representing the Past

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Publisher : University of Iowa Press
ISBN 13 : 1587299380
Total Pages : 429 pages
Book Rating : 4.5/5 (872 download)

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Book Synopsis Representing the Past by : Charlotte M. Canning

Download or read book Representing the Past written by Charlotte M. Canning and published by University of Iowa Press. This book was released on 2010-04-15 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --

Traveler, There Is No Road

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Publisher : University of Iowa Press
ISBN 13 : 1609384911
Total Pages : 265 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Traveler, There Is No Road by : Lisa Jackson-Schebetta

Download or read book Traveler, There Is No Road written by Lisa Jackson-Schebetta and published by University of Iowa Press. This book was released on 2017-06-15 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936–1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere’s longest-lived colonial power, Spain.

Performing the Progressive Era

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Publisher : University of Iowa Press
ISBN 13 : 1609386477
Total Pages : 305 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Performing the Progressive Era by : Max Shulman

Download or read book Performing the Progressive Era written by Max Shulman and published by University of Iowa Press. This book was released on 2019-05-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The American Progressive Era, which spanned from the 1880s to the 1920s, is generally regarded as a dynamic period of political reform and social activism. In Performing the Progressive Era, editors Max Shulman and Chris Westgate bring together top scholars in nineteenth- and twentieth-century theatre studies to examine the burst of diverse performance venues and styles of the time, revealing how they shaped national narratives surrounding immigration and urban life. Contributors analyze performances in urban centers (New York, Chicago, Cleveland) in comedy shows, melodramas, Broadway shows, operas, and others. They pay special attention to performances by and for those outside mainstream society: immigrants, the working-class, and bohemians, to name a few. Showcasing both lesser-known and famous productions, the essayists argue that the explosion of performance helped bring the Progressive Era into being, and defined its legacy in terms of gender, ethnicity, immigration, and even medical ethics.

Stagestruck Filmmaker

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Publisher : University of Iowa Press
ISBN 13 : 1587298406
Total Pages : 311 pages
Book Rating : 4.5/5 (872 download)

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Book Synopsis Stagestruck Filmmaker by : David Mayer

Download or read book Stagestruck Filmmaker written by David Mayer and published by University of Iowa Press. This book was released on 2009-03-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.

Symptoms of the Self

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Publisher : University of Iowa Press
ISBN 13 : 1609388615
Total Pages : 313 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Symptoms of the Self by : Roberta Barker

Download or read book Symptoms of the Self written by Roberta Barker and published by University of Iowa Press. This book was released on 2023-01-04 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Symptoms of the Self offers the first full study of one of the most paradoxically popular figures in transatlantic theatre history: the stage consumptive. Consumption, or tuberculosis, remains one of the world's most deadly epidemic diseases; in the nineteenth and early twentieth centuries in France, Britain, and North America, it was a leading killer, responsible for the deaths of as many as one in four members of the population. Despite-or perhaps because of-their horrific experiences of tubercular mortality, throughout the nineteenth and well into the twentieth century audiences in these same countries flocked to see consumptive characters love, suffer, and die onstage. Beginning with the origins of the stage consumptive in Romantic-era France and ranging through to the queer theatres of New York City in the 1970s, this book explores famous plays such as La dame aux camélias (Camille) and Uncle Tom's Cabin alongside rediscovered sentimental dramas, frontier melodramas, and naturalistic problem plays. It shows how theatre artists used the symptoms of tuberculosis to perform the inward emotions and experiences of the modern self, and how the new theatrical vocabulary of realism emerged out of the innovations of the sentimental stage. In the theatre, the consumptive character became a vehicle through which-for better and for worse-standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self aims to uncover some of the wellsprings of modern Western theatrical practice-and of ideas about the self that still affect the way human beings live and die"--

Stage Fright

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Publisher : Penn State Press
ISBN 13 : 0271048077
Total Pages : 306 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Stage Fright by : Paul Du Quenoy

Download or read book Stage Fright written by Paul Du Quenoy and published by Penn State Press. This book was released on 2010-11 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.

Russian Performances

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Publisher : University of Wisconsin Press
ISBN 13 : 0299318303
Total Pages : 357 pages
Book Rating : 4.2/5 (993 download)

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Book Synopsis Russian Performances by : Julie Buckler

Download or read book Russian Performances written by Julie Buckler and published by University of Wisconsin Press. This book was released on 2018-09-18 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialog for the first time and shows that performance is a vital means for understanding Russia's culture from the reign of Peter the Great to the era of Putin. These twenty-seven essays encompass a diverse range of topics, from dance and classical music to live poetry and from viral video to public jubilees and political protest. As a whole they comprise an integrated, compelling intervention in Russian studies. Challenging the primacy of the written word in this field, the volume fosters a larger intellectual community informed by theories and practices of performance from anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology.

London's West End Actresses and the Origins of Celebrity Charity, 1880-1920

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Publisher : University of Iowa Press
ISBN 13 : 1609384253
Total Pages : 261 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis London's West End Actresses and the Origins of Celebrity Charity, 1880-1920 by : Catherine Hindson

Download or read book London's West End Actresses and the Origins of Celebrity Charity, 1880-1920 written by Catherine Hindson and published by University of Iowa Press. This book was released on 2016-06 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chapter 6. "Killing Kruger with Your Mouth" | The Actress, Charity Recitations, and the Second Anglo Boer War -- Chapter 7. The "Comforteers" | Actresses and Charity Activity during the First World War -- Conclusion | "Get an Actress First. If You Can't Get an Actress Then Get a Duchess."--Notes -- Bibliography -- Index

Susan Glaspell's Poetics and Politics of Rebellion

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Publisher : University of Iowa Press
ISBN 13 : 160938508X
Total Pages : 279 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Susan Glaspell's Poetics and Politics of Rebellion by : Emeline Jouve

Download or read book Susan Glaspell's Poetics and Politics of Rebellion written by Emeline Jouve and published by University of Iowa Press. This book was released on 2017-07 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing plays from the early Trifles (1916) through Springs Eternal (1943) and the undated, incomplete Wings, author Emeline Jouve illustrates the way that Susan Glaspell's dramas addressed issues of sexism, the impact of World War I on American values, and the relationship between individuals and their communities, among other concerns. Jouve argues that Glaspell turns the playhouse into a courthouse, putting the hypocrisy of American democracy on trial. A must for students of Glaspell and her contemporaries, as well as scholars of American theatre and literature of the first half of the twentieth century.

Rowdy Carousals

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Publisher : University of Iowa Press
ISBN 13 : 1609389476
Total Pages : 297 pages
Book Rating : 4.6/5 (93 download)

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Book Synopsis Rowdy Carousals by : J. Chris Westgate

Download or read book Rowdy Carousals written by J. Chris Westgate and published by University of Iowa Press. This book was released on 2024 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. The book's examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy and further explores links between the Bowery Boy's rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.