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The Roots Of Visual Depiction In Art
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Book Synopsis The Roots of Visual Depiction in Art by : Derek Hodgson
Download or read book The Roots of Visual Depiction in Art written by Derek Hodgson and published by Cambridge Scholars Publishing. This book was released on 2019-04-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why ancient humans first began to represent animals is a question that has led to a bewildering number of theories since cave art was discovered in the 19th century. Drawing on insights from visual science, evolution, and art theory, the book takes the reader on a unique and intriguing journey showing how the development of visual imagery in the human brain throughout evolution eventually led to the first figurative depictions of animals 37,000 years ago.
Book Synopsis The Roots of Visual Depiction in Art by : Derek Hodgson
Download or read book The Roots of Visual Depiction in Art written by Derek Hodgson and published by Cambridge Scholars Publishing. This book was released on 2021-02 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Why ancient humans first began to represent animals is a question that has led to a bewildering number of theories since cave art was discovered in the 19th century. Drawing on insights from visual science, evolution, and art theory, the book takes the reader on a unique and intriguing journey showing how the development of visual imagery in the human brain throughout evolution eventually led to the first figurative depictions of animals 37,000 years ago.
Download or read book Visual Time written by Keith Moxey and published by Duke University Press. This book was released on 2013-06-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Book Synopsis Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence by :
Download or read book Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence written by and published by Penn State Press. This book was released on with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Book Synopsis The Documented Image by : Gabriel P. Weisberg
Download or read book The Documented Image written by Gabriel P. Weisberg and published by Syracuse University Press. This book was released on 1987-12-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Aesthetics and History in the Visual Arts by : Bernard Berenson
Download or read book Aesthetics and History in the Visual Arts written by Bernard Berenson and published by New York : Pantheon. This book was released on 1948 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Dealing with the Visual by : Caroline van Eck
Download or read book Dealing with the Visual written by Caroline van Eck and published by Routledge. This book was released on 2017-11-30 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.
Book Synopsis The Rise of the Image by : Thomas Frangenberg
Download or read book The Rise of the Image written by Thomas Frangenberg and published by Routledge. This book was released on 2017-07-05 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.
Book Synopsis Language in the Visual Arts by : Leslie Ross
Download or read book Language in the Visual Arts written by Leslie Ross and published by McFarland. This book was released on 2014-07-02 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses text and image relationships in the history of art from ancient times to the contemporary period across a diversity of cultures and geographic areas. Focusing on the use of words in art and words as art forms, thematic chapters include "Pictures in Words/Words in Pictures," "Word/Picture Puzzles," "Picture/Word Puzzles," "Words as Images," "The Power of the Word," and "Monumental and Moving Words." Chapter subsections further explore cross-cultural themes. Examining text and image relationships from the obvious to the elusive, the puzzling to the profound, the minor to the major, the book demonstrates the diverse ways in which images and writing have been combined through the ages, and explores the interplay between visual and written communication in a wide range of thought-provoking examples. A color insert is included. Instructors considering this book for use in a course may request an examination copy here.
Download or read book Art for All written by Liz Byron and published by Cast, Incorporated. This book was released on 2018-10 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artist and teacher Liz Byron demonstrates how to design lessons and instruction in the visual arts using the inclusive principles of Universal Design for Learning (UDL). Readers learn to set meaningful goals, measure progress, customize instruction, and engage all learners across grades.
Book Synopsis Interpreting Visual Art by : Catherine Weir
Download or read book Interpreting Visual Art written by Catherine Weir and published by Routledge. This book was released on 2017-09-08 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information, this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people to "see" the art. Cognitive processes have a major role in how people interpret artworks because attention, memory, and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement - balance, symmetry, color, line, and shape - from an empirical point of view as opposed to more philosophical and speculative approaches. Then, they explore the perceptual process, paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology, neuroscience, and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock, readers are introduced to a research-oriented understanding of how art has been perceived, interpreted, and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history, psychology, and neuroscience.
Download or read book Framing Art written by Michael Carter and published by . This book was released on 1990 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a senior lecturer in art history at the University of Sydney, this is an introduction to art theory and criticism, and the creation and selling of art commodities. Suitable for secondary and tertiary art students, and the general reader.
Book Synopsis A History of Modern Art by : H.H. Arnason
Download or read book A History of Modern Art written by H.H. Arnason and published by . This book was released on 1982 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis World War I and the Visual Arts by : Jennifer Farrell
Download or read book World War I and the Visual Arts written by Jennifer Farrell and published by Metropolitan Museum of Art. This book was released on 2017-11-02 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Book Synopsis Image in the Making by : Katherine Thomson-Jones
Download or read book Image in the Making written by Katherine Thomson-Jones and published by Oxford University Press. This book was released on 2021-05-14 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. Katherine Thomson-Jones makes the case for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form - from digital video installation to net art to digital cinema - there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us as human beings.
Download or read book Image and Spirit written by Karen Stone and published by Augsburg Fortress Publishing. This book was released on 2003 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handy guidebook provides an overview of the elements of art and helps readers develop the ability to interpret and appreciate art or all styles from a spiritual perspective.
Book Synopsis W.J.T. Mitchell's Image Theory by : Krešimir Purgar
Download or read book W.J.T. Mitchell's Image Theory written by Krešimir Purgar and published by Taylor & Francis. This book was released on 2016-11-25 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
