A History of African American Theatre

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521624435
Total Pages : 652 pages
Book Rating : 4.6/5 (244 download)

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Book Synopsis A History of African American Theatre by : Errol G. Hill

Download or read book A History of African American Theatre written by Errol G. Hill and published by Cambridge University Press. This book was released on 2003-07-17 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents

The Roots of African American Drama

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Publisher : Wayne State University Press
ISBN 13 : 081433847X
Total Pages : 460 pages
Book Rating : 4.8/5 (143 download)

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Book Synopsis The Roots of African American Drama by : James V. Hatch

Download or read book The Roots of African American Drama written by James V. Hatch and published by Wayne State University Press. This book was released on 1992-01-04 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biographic information and a bibliographyof other plays follow each script, providing readers with added sources for study.

The Chip Woman's Fortune

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Publisher : Independently Published
ISBN 13 : 9781795287630
Total Pages : 33 pages
Book Rating : 4.2/5 (876 download)

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Book Synopsis The Chip Woman's Fortune by : Willis Richardson

Download or read book The Chip Woman's Fortune written by Willis Richardson and published by Independently Published. This book was released on 2019-02-03 with total page 33 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1922, Willis Richardson wrote The Chip Woman's Fortune. On January 29, 1923, the play was performed by the Ethiopian Art Players in Chicago. In April 1923, the play moved to New York. On May 7, 1923, The Chip Woman's Fortune had a short run at the Lafayette Theatre in Harlem. Eight days later, it became the first play by an African American to reach Broadway. The chip woman, in The Chip Woman's Fortune, is named Aunt Nancy. She contributes to the household where she resides by picking up chips of wood and lumps of coal from the streets. We find her living with Silas and caring for his ill wife, Liza, whom we learn is making a steady recovery under Aunt Nancy's care. Silas learns that the family's greatest treasure, a Victrola record player, is about to be repossessed because of financial strain that has left him unable to make payments on the outstanding debt owed on the machine. After learning that, Aunt Nancy has managed to save some money from street donations she receives, Silas decides that it is time for her to contribute more than the nursing care provided to his wife, and the wood chips and coal lumps she collects for use by the family.

The Roots Of African American Drama: an Anthology Of Early Plays, 1858-1938

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Author :
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (116 download)

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Book Synopsis The Roots Of African American Drama: an Anthology Of Early Plays, 1858-1938 by :

Download or read book The Roots Of African American Drama: an Anthology Of Early Plays, 1858-1938 written by and published by . This book was released on 1991 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Routledge Companion to African American Theatre and Performance

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Publisher : Routledge
ISBN 13 : 1351751433
Total Pages : 566 pages
Book Rating : 4.3/5 (517 download)

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Book Synopsis The Routledge Companion to African American Theatre and Performance by : Kathy A. Perkins

Download or read book The Routledge Companion to African American Theatre and Performance written by Kathy A. Perkins and published by Routledge. This book was released on 2018-12-07 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Radical Black Theatre in the New Deal

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Publisher : UNC Press Books
ISBN 13 : 1469654431
Total Pages : 359 pages
Book Rating : 4.4/5 (696 download)

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Book Synopsis Radical Black Theatre in the New Deal by : Kate Dossett

Download or read book Radical Black Theatre in the New Deal written by Kate Dossett and published by UNC Press Books. This book was released on 2020-01-29 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.

African American Performance and Theater History

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Author :
Publisher : Oxford University Press
ISBN 13 : 0198029284
Total Pages : 382 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis African American Performance and Theater History by : Harry J. Elam

Download or read book African American Performance and Theater History written by Harry J. Elam and published by Oxford University Press. This book was released on 2001-01-18 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enact continual social, cultural, and political dialogues. Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articles gathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersections of Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, and contemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in the field--James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson. Revealing the dynamic relationship between race and theater, this volume illustrates how the social and historical contexts of production critically affect theatrical performances of blackness and their meanings and, at the same time, how African American cultural, social, and political struggles have been profoundly affected by theatrical representations and performances. This one-volume collection is sure to become an important reference for those studying black theater and an engrossing survey for all readers of African American literature.

Slavery and Resistance

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Author :
Publisher : Marshall Cavendish
ISBN 13 : 9780761421788
Total Pages : 88 pages
Book Rating : 4.4/5 (217 download)

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Book Synopsis Slavery and Resistance by : Anne Devereaux Jordan

Download or read book Slavery and Resistance written by Anne Devereaux Jordan and published by Marshall Cavendish. This book was released on 2007 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Describes slavery in the United States from colonial times up to the Civil War"--Provided by publisher.

Contemporary African American Theater

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Author :
Publisher : Routledge
ISBN 13 : 1136614230
Total Pages : 226 pages
Book Rating : 4.1/5 (366 download)

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Book Synopsis Contemporary African American Theater by : Nilgun Anadolu-Okur

Download or read book Contemporary African American Theater written by Nilgun Anadolu-Okur and published by Routledge. This book was released on 2013-01-11 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Black Arts Movement was sparked by the Civil Rights movement and the urge to produce and revitalize functional, realistic, and holistic symbols to express African American creativity. When Larry Neal began his quest for a new dramatic form to epitomize African American self-determination he laid the foundation upon which his friends and compatriots-Amiri Baraka and Charles Fuller-would build. Expressing their individual protests through their writings, these artists soon united in their attack against Eurocentrism, which traditionally minimized or neglected the roles played by Africans and African Americans on the world stage. Their writings signaled a radical change in the form and content of African American writing, particularly drama. In this insightful examination of African American cultural history, the author explores the heart of the dramatic imagination of African Americans during the turbulent years of the Civil Rights and Black Power movements. The analysis of the works of these three important dramatists reveals the roots of an Afrocentric approach to the theater, and introduces a new methodology for exploring Afrocentrism that is particularly suited to classes in African American drama and literature.ࠁ

Black Theater, City Life

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Publisher : Northwestern University Press
ISBN 13 : 0810145162
Total Pages : 355 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Black Theater, City Life by : Macelle Mahala

Download or read book Black Theater, City Life written by Macelle Mahala and published by Northwestern University Press. This book was released on 2022-08-15 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration. Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.

Reading Contemporary African American Drama

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Author :
Publisher : Peter Lang
ISBN 13 : 9780820488868
Total Pages : 252 pages
Book Rating : 4.4/5 (888 download)

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Book Synopsis Reading Contemporary African American Drama by : Trudier Harris

Download or read book Reading Contemporary African American Drama written by Trudier Harris and published by Peter Lang. This book was released on 2007 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Textbook

White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour

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Publisher : Univ of North Carolina Press
ISBN 13 : 9780807854501
Total Pages : 260 pages
Book Rating : 4.8/5 (545 download)

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Book Synopsis White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour by : Marvin Edward McAllister

Download or read book White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour written by Marvin Edward McAllister and published by Univ of North Carolina Press. This book was released on 2003 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.

The Theater of Black Americans

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Publisher : Hal Leonard Corporation
ISBN 13 : 9780936839271
Total Pages : 388 pages
Book Rating : 4.8/5 (392 download)

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Book Synopsis The Theater of Black Americans by : Errol Hill

Download or read book The Theater of Black Americans written by Errol Hill and published by Hal Leonard Corporation. This book was released on 1987 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Books). From the origins of the Negro spiritual and the birth of the Harlem Renaissance to the emergence of a national black theatre movement, The Theatre of Black Americans offers a penetrating look at a black art form that has exploded into an American cultural institution. Among the essays: James Hatch Some African Influences on the Afro-American Theatre; Shelby Steele Notes on Ritual in the New Black Theatre; Sister M. Francesca Thompson OSF The Lafayette Players; Ronald Ross The Role of Blacks in the Federal Theatre.

African American Theatre

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Publisher : Cambridge University Press
ISBN 13 : 9780521465854
Total Pages : 308 pages
Book Rating : 4.4/5 (658 download)

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Book Synopsis African American Theatre by : Samuel A. Hay

Download or read book African American Theatre written by Samuel A. Hay and published by Cambridge University Press. This book was released on 1994-03-25 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the history of African American theatre from its beginnings to the present.

Living with Lynching

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Publisher : University of Illinois Press
ISBN 13 : 0252093526
Total Pages : 274 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Living with Lynching by : Koritha Mitchell

Download or read book Living with Lynching written by Koritha Mitchell and published by University of Illinois Press. This book was released on 2011-10-01 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens. The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.

Willis Richardson, Forgotten Pioneer of African-American Drama

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Author :
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313000921
Total Pages : 156 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis Willis Richardson, Forgotten Pioneer of African-American Drama by : Christine R. Gray

Download or read book Willis Richardson, Forgotten Pioneer of African-American Drama written by Christine R. Gray and published by Bloomsbury Publishing USA. This book was released on 1999-12-30 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1920s and 1930s, Willis Richardson (1889-1977) was highly respected as a leading African-American playwright and drama anthologist. His plays were performed by numerous black high school, college, and university drama groups and by theater companies in Chicago, New York, Washington D.C., Cleveland, Baltimore, and Atlanta. With the opening of The Chip Woman's Fortune (1923), he became the first African American to have a play produced on Broadway. Several of his 46 plays were published in assorted magazines, and in his essays, he urged black Americans to seek their dramatic material in their own lives and circumstances. In addition, he edited three anthologies of plays by African-Americans. But between 1940 and his death in 1977, Richardson came to realize that his plays were period pieces and that they no longer reflected the problems and situations of African-Americans. In the years before his death, he attempted vigorously yet unsuccessfully to preserve several of his plays through publication, if not production. But the man who has been called the father of African-American drama and who was considered the hope and promise of African-American drama died in obscurity. Richardson has even been neglected by the scholarly community. This critical biography, the first extensive consideration of his life and work, firmly reestablishes his pioneering role in American theater. The book begins with a detailed chronology, followed by a thoughtful biographical essay. The volume then examines the nature of African-American drama in the 1920s, the period during which Richardson was most productive, and it analyzes his approach to drama as a means of educating African-American audiences. It then explores the African-American community as the central theme in Richardson's plays, for Richardson typically looks at the consequences of refusals by blacks to help one another. The work additionally considers Richardson's history plays, his anthologies, his dramas intended for black children, and his essays. A concluding chapter summarizes his lasting influence; the book closes with a listing of his plays and an extensive bibliography.

The Ground on which I Stand

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Publisher : Theatre Communications Grou
ISBN 13 : 9781559361873
Total Pages : 54 pages
Book Rating : 4.3/5 (618 download)

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Book Synopsis The Ground on which I Stand by : August Wilson

Download or read book The Ground on which I Stand written by August Wilson and published by Theatre Communications Grou. This book was released on 2001 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: August Wilson's radical and provocative call to arms.