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The Rhetoric Of Music A Theoretical Synthesis
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Book Synopsis The Rhetoric of Music: A Theoretical Synthesis by :
Download or read book The Rhetoric of Music: A Theoretical Synthesis written by and published by Bailey. This book was released on with total page 17 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Schenker's Argument and the Claims of Music Theory by : Leslie David Blasius
Download or read book Schenker's Argument and the Claims of Music Theory written by Leslie David Blasius and published by Cambridge University Press. This book was released on 1996-10-03 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.
Book Synopsis Musical-rhetorical Theory by : Michael A. Nealon
Download or read book Musical-rhetorical Theory written by Michael A. Nealon and published by . This book was released on 1985 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Organ Works of Dietrich Buxtehude (1637-1707) and Musical-rhetorical Analysis and Theory by : Leon W. Couch
Download or read book The Organ Works of Dietrich Buxtehude (1637-1707) and Musical-rhetorical Analysis and Theory written by Leon W. Couch and published by . This book was released on 2002 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout history, rhetoricians, philosophers, poets, and musicians have extolled the relationship between language and music. Between the sixteenth and eighteenth centuries, music theorists applied rhetorical principles to melodic design, harmony, and form in order to harness the power of rhetoric in music. Teachers in Germany often instructed their young students to use musical rhetoric in hopes of moving audiences to various passions. This first part of this study summarizes the musica poetica tradition. In the second part, I examine modern adaptations of these historical theories and modern musical-rhetorical analyses of Dietrich Buxtehude's organ works. From these approaches and more modern theories, I synthesize an analytical approach that addresses musical rhetoric in Buxtehude's organ works. The thesis culminates with some exemplary analyses and suggestions for future research.
Author :Cary C Boshamer Distinguished Professor Mark Evan Bonds Publisher : ISBN 13 :9780674733404 Total Pages :248 pages Book Rating :4.7/5 (334 download)
Book Synopsis Wordless Rhetoric by : Cary C Boshamer Distinguished Professor Mark Evan Bonds
Download or read book Wordless Rhetoric written by Cary C Boshamer Distinguished Professor Mark Evan Bonds and published by . This book was released on 1991-01-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Rhetoric of Music by : Mortimer Wilson
Download or read book The Rhetoric of Music written by Mortimer Wilson and published by . This book was released on 1907 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Wordless Rhetoric by : Mark Evan Bonds
Download or read book Wordless Rhetoric written by Mark Evan Bonds and published by . This book was released on 1991 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores evolving ideas of musical form from a historical perspective and sheds light on current conceptualizations of music. The author examines the image--dominant among 18th-century composers and analysts--of music as a language, a kind of wordless discourse, which could move audiences. In his account of these changing perspectives, the author draws on the writings of a broad range of 18th- and 19th-century theorists. His analyses focus on specific sonata form movements by Haydn, Mozart, and Beethoven and are informed by the theoretical premises that characterize the composers' own times. In a final synthesis, the 18th-century rhetorical model - with its focus on the structural function of musical ideas and the role of the listener--emerges as a forerunner of today's listener-orientated and plot theories about musical form. The author makes use of literary theory to develop his innovative evaluation of musical form. In addition to the text, there are several musical examples included.
Book Synopsis Theory, Analysis and Meaning in Music by : Anthony Pople
Download or read book Theory, Analysis and Meaning in Music written by Anthony Pople and published by Cambridge University Press. This book was released on 2006-11-02 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.
Book Synopsis Music as Discourse by : Victor Kofi Agawu
Download or read book Music as Discourse written by Victor Kofi Agawu and published by Oxford University Press. This book was released on 2009 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself.
Book Synopsis Musical Rhetoric by : Patrick Saint-Dizier
Download or read book Musical Rhetoric written by Patrick Saint-Dizier and published by John Wiley & Sons. This book was released on 2014-10-06 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discourse analysis and rhetoric are very much developed in communication, linguistics, cognitive science and artificial intelligence. Besides theoretical investigations, discourse analysis is central in a number of application areas such as dialogue and negotiation, the semantic web, question answering or authoring systems. Music is also a natural language, more abstract and mathematical, which follows very strict construction principles. However, there is very limited and no recent literature on Music Discourse analysis using computational principles. This book aims at developing a central issue in musical discourse: modeling rhetoric and argumentation. It also contributes to the development of high-level multimedia annotation schemes for non-verbal communication.
Book Synopsis Contemporary Music by : Max Paddison
Download or read book Contemporary Music written by Max Paddison and published by Ashgate Publishing, Ltd.. This book was released on 2010 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music. Part III offers creative perspectives, with new essays and interviews from important contemporary composers. A concluding essay by Alastair Williams provides a postlude to the book, while the whole collection is prefaced by an extended introductory chapter by Max Paddison which provides a context of ideas, and traces many of the issues discussed back to Adorno's seminal notion of une musique informelle.
Book Synopsis Musical Rhetoric in the Multi-voice Chansons of Josquin Des Prez and His Contemporaries (c. 1500-c. 1520) by :
Download or read book Musical Rhetoric in the Multi-voice Chansons of Josquin Des Prez and His Contemporaries (c. 1500-c. 1520) written by and published by . This book was released on 2008 with total page 553 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first quarter of the sixteenth century witnessed tightening connections between rhetoric, poetry, and music. In theoretical writings, composers of this period are evaluated according to their ability to reflect successfully the emotions and meaning of the text set in musical terms. The same period also witnessed the rise of the five- and six-voice chanson, whose most important exponents are Josquin des Prez, Pierre de La Rue, and Jean Mouton. The new expanded textures posed several compositional challenges but also offered greater opportunities for text expression. Rhetorical analysis is particularly suitable for this repertory as it is justified by the composers' contacts with humanistic ideals and the newer text-expressive approach. Especially Josquin's exposure to humanism must have been extensive during his long-lasting residence in Italy, before returning to Northern France, where he most likely composed his multi-voice chansons. The present dissertation explores the musico-rhetorical resources that demonstrate how composers read and interpreted contemporary poetic texts in conjunction with their efforts to accommodate larger textures in the secular domain. Musical rhetoric is thus understood as the totality of musical gestures that aim to secure a successful delivery of musical speech. Musico-rhetorical analysis of the repertory demonstrates that composers of the time read more in the poetry they set than the rhyme scheme and the syntax of the verses. They responded, albeit by various and subtle musical means, to the semantic implications of the text, its bawdy, serious, or mixed register, to the changes from indirect speech to personal declaration or third-person address, to the sonorous quality of the verse and its projection through the expanded polyphonic fabric, and to the resonances of the text with other texts or musical settings. Especially in chansons in the courtly register, composers frequently employed gestures derived form classical rhetoric either to alert the listener to a specific textual point or to weave meaningful connections that project the larger argument of the text. The expanded texture functioned as a multi-layered canvas on which multiple readings of the text were juxtaposed in intricate relationships.
Book Synopsis Creativity and Captivity by : Uday Balasundaram
Download or read book Creativity and Captivity written by Uday Balasundaram and published by Wipf and Stock Publishers. This book was released on 2021-12-02 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ultimately, what really does it mean to be creative? How can we see ourselves as participating in the creativity of God for mission? All people are creative. Sadly, however, for many, creativity is stifled and remains stunted due to several reasons—social, economic, political, cultural, and even spiritual. This study explores how ICMs—indigenous cosmopolitan musicians—negotiate their creativity amid the liminal spaces they occupy as they share in the creativity of God for mission through their music. But what exactly does it mean to share in the creativity of God for mission? Contrary to popular notion, ICMs evidence that creativity is not merely innovation; it is not a psychological metric for measuring human potential; it is certainly not the “icing on the cake” reserved for a few so-called creatives or artists. Rather, “theological creativity” is participation in the creatio Dei; it is theologically prior to mission. As a missiological framework, creatio Dei is understood here in terms of creative being, creative construction (design), and creative performance. Hopefully, this book can help clarify and expand our understanding of what it means to be truly creative and, thereby, with the help of the Creator, put into practice principles of theological creativity as we share in the creativity of God in the world, with others.
Book Synopsis The Epistemic Music of Rhetoric by : Steven B. Katz
Download or read book The Epistemic Music of Rhetoric written by Steven B. Katz and published by SIU Press. This book was released on 1996 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Katz (English, North Carolina State U.) examines the correlation between Reader Response Criticism and the philosophy of science engendered by the Copenhagen School of New Physics, and assesses the scientific empiricism that controls the parameters of reading and writing theory to look at the possibility of teaching reading and writing as "rhetorical music." He reinterprets Cicero's rhetorical theory in light of recent revisionist scholarship, and sketches a temporal model of affective response in reading and writing. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Music Inside Out written by John Rahn and published by Routledge. This book was released on 2014-03-18 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Rahn's prolific activities as a composer-theorist-teacher, inventor of computer sound-synthesis software, editor of Perspectives of New Music during the 1980s and 90s, and author of an exemplary text on atonal theory are conspicuously in the foreground of the academic music-intellectual world. This collection of essays charts Rahn's progression from the construal of music's data structures to the articulation of its experiential structures, leading to the question of its moral infrastructures and its value systems of the internal and external worlds. This book shows Rahn's remarkable intellectual evolution, culminating in the recognition that the pressure bearing on discourse can only be contained by thought formulated in the non-referential language of the arts themselves. Also includes 18 musical examples.
Book Synopsis The Cambridge History of Western Music Theory by : Thomas Christensen
Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen and published by Cambridge University Press. This book was released on 2006-04-20 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Book Synopsis Between Grammar and Rhetoric by : Casper de Jonge
Download or read book Between Grammar and Rhetoric written by Casper de Jonge and published by BRILL. This book was released on 2008-10-31 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dionysius of Halicarnassus has long been regarded as a rather mediocre critic. This book rehabilitates the Greek rhetorician by demonstrating the creative ways in which he integrated theories from different linguistic disciplines into a coherent programme of rhetoric.