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The Legal Framework For International Co Productions
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Book Synopsis The Legal Framework for International Co-Productions by : European Audiovisual Observatory
Download or read book The Legal Framework for International Co-Productions written by European Audiovisual Observatory and published by . This book was released on 2019-02-06 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication aims at providing an overview of many relevant issues concernimng the co-production of films and other audiovisual works in Europe, including market figures, interntional and national rules, funds supporting co-production, the intricate drafting contracts for thus type of joint adventure or the joys and sorrows of court quarrelling
Book Synopsis European Film and Television Co-production by : Julia Hammett-Jamart
Download or read book European Film and Television Co-production written by Julia Hammett-Jamart and published by Springer. This book was released on 2019-01-28 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
Book Synopsis The Pocket Lawyer for Filmmakers by : Thomas A. Crowell, Esq.
Download or read book The Pocket Lawyer for Filmmakers written by Thomas A. Crowell, Esq. and published by Taylor & Francis. This book was released on 2022-08-30 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film. Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to: Protect the copyright to your work. Finance your film and watch out for common financing traps. Understand how tax credits and other incentives are used in film financing. Work with other screenwriters, and protect your script ideas. Adapt a book or comic into a screenplay. Know how to spot the difference between copyright infringement and fair use. Hire crew members, actors, and post-production staff. Draft a production services agreement or a license to use someone else’s work. License music for soundtracks. Negotiate a distribution agreement or understand how to distribute your film alone. Learn how to best position your film for Netflix. Make money from YouTube. And much more! Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.
Book Synopsis Ownership of Rights in Audiovisual Productions by : Marjut Salokannel
Download or read book Ownership of Rights in Audiovisual Productions written by Marjut Salokannel and published by Martinus Nijhoff Publishers. This book was released on 1997-05-28 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a single generation audiovisual production technology has made two enormous leaps: interactivity and digital exploitation. Any law that deals with satellite transmission must take into account the ownership rights in audiovisual productions, and maintain a clear perspective on how existing laws in the field have been adapted - and will continue to be adapted - to protect authors. Who owns the digital exploitation rights in the audiovisual work? Who is entitled to collect remunerations collected from private copying? How do moral rights affect the licensing of rights in audiovisual works? These are some of the most contentious questions dealt with in this book. The book provides a comprehensive comparative framework for analysis of the regulation of ownership of rights in audiovisual productions in Europe. It is the first presentation that examines these issues in the light of revised Nordic copyright laws and the respective national regulations of Germany, France, Belgium, the United Kingdom and the United States. In addition, the book explains in detail how international and European Community regulations affect rights owners in audiovisual productions. The audiovisual sector is also an area where the differences between the civil law systems of author's rights and common law based copyright systems are particularly pronounced. This book clarifies some of the common misunderstandings encountered in this respect.
Book Synopsis Global Media Dialogues by : Lee Artz
Download or read book Global Media Dialogues written by Lee Artz and published by Taylor & Francis. This book was released on 2023-07-24 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, the first of its kind, brings together leading scholars from multiple perspectives in a serious dialogue about continuity and change in global media production and content. Looking at a wide swath of the world, these authors show the emergence of transnational collaboration in global television and film production across national borders that seem to transcend national cultures and identities. At the same time, traditional class analysis of such phenomena is reframed within the rise of myriad social movements for equality, democracy, human rights, and defense of the environment. What are the effects of media, local or global? Does the West continue to dominate or is cultural imperialism waning? With original chapters written by leading scholars from a variety of disciplines, this book will appeal to students and scholars interested in global media communication, cultural studies, and international political economy.
Book Synopsis Hollywood and the Law by : Paul McDonald
Download or read book Hollywood and the Law written by Paul McDonald and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen. In this comprehensive collection, international experts offer chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the Law provides readers with a wide range of perspectives on how legal frameworks shape the culture and commerce of popular film.
Book Synopsis European Coproduction in Film and Television by : Jürgen Becker
Download or read book European Coproduction in Film and Television written by Jürgen Becker and published by . This book was released on 1989 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Global Entertainment Media by : Tanner Mirrlees
Download or read book Global Entertainment Media written by Tanner Mirrlees and published by Routledge. This book was released on 2013 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow. The new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions. The economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media. The cross-cultural reception and effects of TV shows and films. The World Wide Web, digitization and convergence culture.
Book Synopsis Council of Europe Convention on Cinematographic Co-Production (revised) (CETS No.220). by :
Download or read book Council of Europe Convention on Cinematographic Co-Production (revised) (CETS No.220). written by and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In common with many other creative industries, the film industry now operates as part of a worldwide content market. Digital technology has made this possible by reshaping not only how films are made, but how they reach their audience.To respond to these challenges, the Council of Europe opens for signature a new Convention on Cinematographic Co-Production on 30 January 2017. The opening ceremony took place during the 46th edition of the International Film Festival in Rotterdam.This new Convention builds on the success story of the 1992 European Convention on Cinematographic Co-production, and provides an updated legal and financial framework for producers from different countries wishing to co-operate on the production of a film.
Author :Council of Europe. Council for Cultural Co-operation Publisher :Council of Europe ISBN 13 : Total Pages :36 pages Book Rating :4.X/5 (4 download)
Book Synopsis European Convention on Cinematographic Co-production by : Council of Europe. Council for Cultural Co-operation
Download or read book European Convention on Cinematographic Co-production written by Council of Europe. Council for Cultural Co-operation and published by Council of Europe. This book was released on 1996 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt: On cover: Treaties and reports
Book Synopsis Transnational Cinema in Europe by : Manuel Palacio
Download or read book Transnational Cinema in Europe written by Manuel Palacio and published by LIT Verlag Münster. This book was released on 2013 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to produce films for the international market has led to lively exchanges and meeting points between local and national identity discourses and global processes of identity formation. Co-productions alone can no longer be seen as an incentive for national cultural production. Rather, it is necessary to regard co-productions as a privileged site for an analysis of the relations between identity, nation, and culture. Transnational Cinema in Europe is the result of a collaboration of two research groups in Madrid and Vienna. The book consists of articles by members of both research groups, as well as by several other experts. (Series: Contributions to the European Theater, Film and Media Studies / Beitrage zur europaischen Theater-, Film- und Medienwissenschaft - Vol. 4)
Book Synopsis European Film Policies in EU and International Law by : Anna Herold
Download or read book European Film Policies in EU and International Law written by Anna Herold and published by ISBS. This book was released on 2010 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents, in a comprehensive fashion, European film policies in the context of both EU and international law. It relies on a broad survey of national and EU film policy measures; EU practice in the areas of state aid, antitrust, and merger law with respect to the sector; and the application of international trade law to film policy instruments. These three different bodies of law are systematically analyzed to assess how cultural policy considerations underlying film policy can be married to market forces. The EU experience is studied in depth, as the book argues that it can effectively serve as a model to reconcile these sometimes conflicting goals in the global trade arena. This justifies the attention paid to the way in which cultural objectives of film policies are accommodated within the EU competition law framework. The book contributes valuably to the current debate on cultural diversity and free trade by providing a more harmonious, if not a symbiotic, vision of this relationship.
Book Synopsis Brexit and the Digital Single Market by : Alison Harcourt
Download or read book Brexit and the Digital Single Market written by Alison Harcourt and published by Oxford University Press. This book was released on 2023-07-02 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Digital Single Market (DSM) 2014-19 was the largest component of the European Union's Single Market programme, comprising numerous Directives, Regulations, and instruments aimed at facilitating cross-border digital services. With one-fifth of service exports stemming from the digital sector, the DSM was vital for the UK, with the EU representing its largest export market. Brexit and the Digital Single Market examines the important historical role of the UK in DSM development, the consequences of Brexit for the UK's digital sector, and future EU and UK policy trajectories. Assessing both vertical sectors and horizontal policies, this book demonstrates how the UK acted as a policy entrepreneur in pushing for a deregulatory framework by exploiting temporal events historically. The current challenges presented by Brexit are discussed in detail, closely observing topics such as the loss of the country of origin principle and freedom of movement, changes to copyright and VAT regimes, complications with cross-border data transfer, administrative procedures, and international taxes on digital products and services. Brexit and the Digital Single Market illuminates how the UK continues to innovate in the digital sector but is constrained by external factors both at EU and global levels. It also considers how EU policy is taking a new direction in its 2020 Digital Strategy programme, which leans towards greater protection of European champions and digital sovereignty, a tightening of its data protection regime, and greater regulatory intervention in digital markets. Timely and unprecedented, Brexit and the Digital Single Market is the first volume to comprehensively cover the implications of Brexit for the EU's DSM. This is an essential read for students and academics in political science and law and those from the civil service and government working within the digital sector.
Book Synopsis After Capitalism by : Kennan Ferguson
Download or read book After Capitalism written by Kennan Ferguson and published by Rutgers University Press. This book was released on 2016-07-05 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Thomas Piketty to David Harvey, scholars are increasingly questioning whether we are entering into a post-capitalist era. If so, does this new epoch signal the failure of capitalism and emergence of alternative systems? Or does it mark the ultimate triumph of capitalism as it evolves into an unstoppable entity that takes new forms as it engulfs its opposition? After Capitalism brings together leading scholars from across the academy to offer competing perspectives on capitalism’s past incarnations, present conditions, and possible futures. Some contributors reassess classic theorizations of capitalism in light of recent trends, including real estate bubbles, debt relief protests, and the rise of a global creditocracy. Others examine Marx’s writings, unemployment, hoarding, “capitalist realism,” and coyote (trickster) capitalism, among many other topics. Media and design trends locate the key ideologies of the current economic moment, with authors considering everything from the austerity aesthetics of reality TV to the seductive smoothness of liquid crystal. Even as it draws momentous conclusions about global economic phenomena, After Capitalism also pays close attention to locales as varied as Cuba, India, and Latvia, examining the very different ways that economic conditions have affected the relationship between the state and its citizens. Collectively, these essays raise provocative questions about how we should imagine capitalism in the twenty-first century. Will capitalism, like all economic systems, come to an end, or does there exist in history or elsewhere a hidden world that is already post-capitalist, offering alternative possibilities for thought and action?
Book Synopsis The Routledge Dictionary of Turkish Cinema by : Gonul Donmez-Colin
Download or read book The Routledge Dictionary of Turkish Cinema written by Gonul Donmez-Colin and published by Routledge. This book was released on 2013-12-04 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.
Book Synopsis The Rise of Co-productions in the Film Industry by : Norbet Morawetz
Download or read book The Rise of Co-productions in the Film Industry written by Norbet Morawetz and published by . This book was released on 2009 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The main aim of this study is to examine the interrelationship of finance and government intervention in explaining the rise of co-productions in the international film industry in the time period between 1997 and 2004. Mainstream economic geography literature presents the film industry typically as a case study for embeddedness and agglomeration effects, with successful industry clusters drawing their strength from process knowledge, networks and local interaction. However, there is an increasing disparity in the literature between what mainstream theory suggests, and what empirical studies find with respect to the importance of cluster-external relations and dynamics. This, as I will argue, is particularly evident when looking at the picture of the whole film industry production system that emerges from the literature, which fails to include the alternative and complimentary pattern of co-productions. Co-productions are collaborations between film producers from at least two different countries, pooling their resources across distance to produce a feature film project. In the past fifteen years, the number of films made as co-productions has risen continuously in Europe, with co-productions accounting for more than 30 per cent of European film production activity. As a mode of production based on temporary, cross-border collaboration that is supported in its coordination by temporary clusters, such as trade fairs and industry events, the coproduction phenomenon poses a conundrum to economic geography literature and challenges its explanatory framework. As I will argue, in order to arrive at a satisfactory understanding of the phenomenon, it is necessary to look beyond social factors associated with locality, and to examine instead dynamics impacting on the industrial organization of the whole production system. I will argue that in the context of the pervasive demand uncertainty characterizing the film industry, the analytical focus should be on financial dynamics, as production activity and its organizational form are ultimately dependent on finance as an enabling force. Based on a description of the film financing process as the primary process in which the relationship between the economic categories of financial and production capital are played out, I propose that in order to explain the growth of co-productions empirically, it is necessary to examine changes in the film financing environments of the increasingly interrelated European and US film industries. As the State is the most important provider of financial capital in the European film industry through the provision of public aid, the focus will lie in particular on the consequences of a paradigm change in the rationale of State intervention in Europe moving away from funding film for cultural reason, to supporting the industry on economic grounds since the mid 1990s. As will be shown, the most important consequence of this paradigm change has been the introduction of tax incentives to encourage investment into film in a number of European and international countries within a short period of time. As will be demonstrated, this has led to the formation of significant, locally confined capital pools that can dis-embed production; and to the emergence of a distinct capital cycle in international film financing, which has strongly impacted on the productive system of the film industry. Finally, a dynamic explanation for the growth of co-productions in Europe in the time period between 1997 and 2004 will be provided. I will argue that co-productions have firstly grown in order to overcome a lack of finance, but have in the context of a capital cycle based on tax incentives from Germany and the UK, increasingly become driven by the opposite dynamic, namely an abundance of financial capital seeking profitable investment opportunities. The study will conclude with a discussion of policy implications, a summary of contributions to the literature and a brief overview of future research opportunities.
Book Synopsis International Specialization and Co-operation Carried Out by the CMEA Member Countries by :
Download or read book International Specialization and Co-operation Carried Out by the CMEA Member Countries written by and published by . This book was released on 1983 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
