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The Harmonious Musick Of John Jenkins
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Book Synopsis The Harmonious Musick of John Jenkins II - Volume Two: the Fantasia-Suites by : Andrew Ashbee
Download or read book The Harmonious Musick of John Jenkins II - Volume Two: the Fantasia-Suites written by Andrew Ashbee and published by Toccata Press. This book was released on 2020-02-21 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The long-awaited sequel to Andrew Ashbee's pioneering study of the life and music of John Jenkins (1592-1678). The primary focus of this second volume is Jenkins' huge output of fantasia-suites, but his vocal music also comes under examination, and a complete source-list of Jenkins' music is provided.
Book Synopsis The Harmonious Musick of John Jenkins by : Andrew Ashbee
Download or read book The Harmonious Musick of John Jenkins written by Andrew Ashbee and published by . This book was released on 1992 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in a two-volume study of Jenkins and his music. It concerns itself exclusively with the superb consorts for viols which dominate the early part of the composer's career.
Book Synopsis The Harmonious Musick of John Jenkins by : Andrew Ashbee
Download or read book The Harmonious Musick of John Jenkins written by Andrew Ashbee and published by . This book was released on 1992 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in a two-volume study of Jenkins and his music. It concerns itself exclusively with the superb consorts for viols which dominate the early part of the composer's career.
Book Synopsis John Jenkins and His Time by : Andrew Ashbee
Download or read book John Jenkins and His Time written by Andrew Ashbee and published by Oxford University Press on Demand. This book was released on 1996 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Jenkins (1592-1678) was acknowledged by his English contemporaries as a supreme composer of instrumental music. A conference held in 1992 to commemorate the four-hundredth anniversary of his birth, rather than focusing only on his life and work, set these in a wider context. Some of thepapers included here were first presented at the conference, but are supplemented by others giving a broad conspectus of current work by leading scholars in the field of English consort music. The collection embraces various aspects not only of Jenkin's work, but also some of his contemporaries(Gibbons, Ferrabosco II, Mico, Cobbold), instruments (lute, lyre, viol, organ), and consort manuscripts, including their patrons and copyists.
Book Synopsis The Sonatas of Henry Purcell by : Alon Schab
Download or read book The Sonatas of Henry Purcell written by Alon Schab and published by Boydell & Brewer. This book was released on 2018 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
Book Synopsis The Consort Music of William Lawes, 1602-1645 by : John Patrick Cunningham
Download or read book The Consort Music of William Lawes, 1602-1645 written by John Patrick Cunningham and published by Boydell & Brewer. This book was released on 2010 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Download or read book Life After Death written by Peter Holman and published by Boydell & Brewer. This book was released on 2010 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Book Synopsis Early English Viols: Instruments, Makers and Music by : Michael Fleming
Download or read book Early English Viols: Instruments, Makers and Music written by Michael Fleming and published by Taylor & Francis. This book was released on 2016-11-18 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Book Synopsis A History of Baroque Music by : George J. Buelow
Download or read book A History of Baroque Music written by George J. Buelow and published by Indiana University Press. This book was released on 2004-11-23 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Book Synopsis Orlando Gibbons and the Gibbons Family of Musicians by : John Harley
Download or read book Orlando Gibbons and the Gibbons Family of Musicians written by John Harley and published by Routledge. This book was released on 2018-12-21 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, this volume is the first full-length study to deal with the life and music of Orlando Gibbons since E.H. Fellowes’s short book, originally published in 1923. John Harley investigates in detail the family and musical background from which Orlando Gibbons emerged, and gives a fascinating account of the activities of his father, William Gibbons, as a wait in Oxford and Cambridge. He traces, too, the activities of Orlando’s brothers – Edward, who was the master of the choristers at King’s College, Cambridge and later at Exeter Cathedral; Ferdinando, who may have taken over from his father as head of the Cambridge waits, and who became a wait in Lincoln; and Ellis, who contributed two madrigals to Thomas Morley’s collection of 1601, The Triumphs of Oriana. Attention naturally focuses principally on Orlando Gibbons. A full record is given of his remarkably youthful appointment as an organist of the Chapel Royal (he was probably less than twenty at the time) and of his life at court. His additional appointments as one of Prince Charles’s musicians and as organist of Westminster Abbey are also described, as is his sudden and premature death in his early forties. Gibbons’s music is carefully examined in a series of chapters dealing with his pieces for keyboard and for viols, his songs, his full and verse anthems, and his works for the Anglican liturgy. His development as a composer within these genres is followed, and the character of particular pieces is considered. John Harley concludes that whereas, at one time, Gibbons ‘tended to be admired as a successor to Tallis and Byrd, working in a style not essentially different from theirs’, it is now ‘easier to view him as a pioneer, whose work was cut short by his untimely death’. Orlando Gibbons’s son Christopher was only a child when his father died, but he became one of the foremost composers and keyboard players of his generation, writing and performing chamber works and music for the stage during the Commonwealth. Following the Restoration of King Charles II, Christopher Gibbons gained his father’s former posts at the Chapel Royal and Westminster Abbey, for which establishments he wrote a number of anthems. His importance is recognized by the inclusion of a long chapter on his life and works.
Book Synopsis Silence, Music, Silent Music by : Nicky Losseff
Download or read book Silence, Music, Silent Music written by Nicky Losseff and published by Routledge. This book was released on 2017-07-05 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.
Book Synopsis Roger L'Estrange and the Making of Restoration Culture by : Beth Lynch
Download or read book Roger L'Estrange and the Making of Restoration Culture written by Beth Lynch and published by Routledge. This book was released on 2017-03-02 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roger L'Estrange (1616-1704) was one of the most remarkable, significant and colourful figures in seventeenth-century England. Whilst there has been regular, if often cursory, scholarly interest in his activities as Licenser and Stuart apologist, this is the first sustained book-length study of the man for almost a century. L'Estrange's engagement on the Royalist side during the Civil war, and his energetic pamphleteering for the return of the King in the months preceding the Restoration earned him a reputation as one of the most radical royalist apologists. As Licenser for the Press under Charles II, he was charged with preventing the printing and publication of dissenting writings; his additional role as Surveyor of the Press authorised him to search the premises of printers and booksellers on the mere suspicion of such activity. He was also a tireless pamphleteer, journalist, and controversialist in the conformist cause, all of which made him the bête noire of Whigs and non-conformists. This collection of essays by leading scholars of the period highlights the instrumental role L'Estrange played in the shaping of the political, literary, and print cultures of the Restoration period. Taking an interdisciplinary approach the volume covers all the major aspects of his career, as well as situating them in their broader historical and literary context. By examining his career in this way the book offers insights that will prove of worth to political, social, religious and cultural historians, as well as those interested in seventeenth-century literary and book history.
Download or read book Collected Works written by Walter Porter and published by A-R Editions, Inc.. This book was released on 2017-01-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together, for the first time in a critical edition, the complete works of the English composer Walter Porter (ca. 1587/ca. 15951659). One of a small number of English composers from the first half of the seventeenth century who embraced progressive Italianate methods of composition, Porter is further worthy of mention in histories of music for two reasons: he was the composer of the last book of English madrigals, and he claimed to have been the pupil of Claudio Monteverdi. His works survive primarily in two printed collections: Madrigales and Ayres (1632) and Mottets of Two Voyces (1657). Six of the 1657 Mottets also appear in York Minster Library, MS M. 5/13(S). One strophic song and three catches may also be attributed to Walter Porter and are included in an appendix.
Book Synopsis With Mornefull Musique by : K. Dawn Grapes
Download or read book With Mornefull Musique written by K. Dawn Grapes and published by Music in Britain. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the musical culture of death in early modern England. This book looks at the musical culture of death in early modern England. In particular, it examines musical funeral elegies and the people related to commemorative tribute - the departed, the composer, potential patrons, and friends and family of the deceased - to determine the place these musical-poetic texts held in a society in which issues of death were discussed regularly, producing a constant, pervasive shadow over everyday life. The composition of these songs reached a peak at the end of the sixteenth and the beginning of the seventeenth centuries. Thomas Weelkes and Thomas Morley both composed musical elegies, as did William Byrd, Thomas Campion, John Coprario, and many others. Like the literary genre from which these musical gems emerged, there was wide variety in form, style, length, and vocabulary used. Embedded within them are clear messages regarding the social expectations, patronage traditions, and class hierarchy of late Elizabethan and early Jacobean England. En masse, they offer a glimpse into the complex relationship that existed between those who died, those who grieved, and attitudes toward both death and life. K. DAWN GRAPES is Assistant Professor of Music History at Colorado State University.
Book Synopsis Compositional Artifice in the Music of Henry Purcell by : Alan Howard
Download or read book Compositional Artifice in the Music of Henry Purcell written by Alan Howard and published by Cambridge University Press. This book was released on 2019-10-17 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major study to propose an analytical approach to Purcell's music beginning from contemporary compositional aims and techniques.
Download or read book Purcell written by Jonathan Keates and published by UPNE. This book was released on 1996 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henry Purcell (1659-1695) is the greatest of all English composers and a pivotal figure in European musical history. In this rich and colorful biography, Jonathan Keates deftly traces Purcell's life and artistry against the backdrop of the turbulent political, religious, theatrical, and social movements of his time. Purcell's musical genius both embraced and transcended the variable moods and tensions of Restoration England, and gave the period and the culture an unforgettable voice. With great skill and historical understanding, Keates follows Purcell through his extraordinarily prolific career, from chorister at the Chapel Royal, to composer for the theater and the court, to writer of sacred music, chamber music, and the triumphant Dido and Aeneas, the first British opera. Keates considers Purcell's musical studies with Pelham Humfrey and John Blow as well as his adaptation of Matthew Locke's innovative and colorful style. He provides a superb critical appreciation of Purcell's music in all its forms. Keates also discusses the musical history of the period, including the influence of French and Italian composers, whose music blended with and modified native traditions.
Book Synopsis Concepts of Creativity in Seventeenth-century England by : Rebecca Herissone
Download or read book Concepts of Creativity in Seventeenth-century England written by Rebecca Herissone and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.
