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The French Through Their Films
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Book Synopsis Using French by : Ronald Ernest Batchelor
Download or read book Using French written by Ronald Ernest Batchelor and published by Cambridge University Press. This book was released on 2000-05 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an extensively revised and substantially enlarged 2000 edition of the acclaimed Using French.
Book Synopsis A History of the French New Wave Cinema by : Richard Neupert
Download or read book A History of the French New Wave Cinema written by Richard Neupert and published by Univ of Wisconsin Press. This book was released on 2007-04-20 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Book Synopsis The Companion to French Cinema by : Ginette Vincendeau
Download or read book The Companion to French Cinema written by Ginette Vincendeau and published by Burns & Oates. This book was released on 1996 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: A handbook of French cinema
Book Synopsis View England, Japan, and France through their movie stories by : Nomadsirius
Download or read book View England, Japan, and France through their movie stories written by Nomadsirius and published by 펜립. This book was released on 2024-07-31 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Prologue. Romanticism despaired over the destructive and dark aspects of reason that became evident after the French Revolution of 1789. When radical and cruel reason shattered and collapsed all principles and orders, it bred a deep distrust and skepticism toward reason. Amid the ruins of the mind, Romanticism turned inward, seeking individuality and emotion based on self-confirmation and human instinctive desires. While Romanticism clearly emerged as a reaction against Enlightenment and Neoclassicism, it neither ignored nor rejected reason. Instead, it viewed absolute and universal reason as something that evolves with historical flow, perceiving society as an organism undergoing birth, growth, decline, and extinction. Just as Romanticism rebelled against the norms of the Age of Reason, scientific rationalism, and the Industrial Revolution, Realism opposed the exaggerated emotionalism and subjectivism of Romanticism. Focusing on the unpleasant and ugly realities revealed by the February Revolution of 1848, Realism aimed to objectify the lives of the middle and lower classes. It posited that uncomfortable truths are inherent in human conceptual systems and linguistic practices. Realism concerned itself with how things appear in order to view unidealized subjects and events. Thus, it attempted to depict and faithfully express facts existing in third-person objective reality according to secular and empirical rules, without embellishment or interpretation. This book approaches 15 films from the UK, Japan, and France through the intersection of emotion and thought. It contemplates the universal human emotions and experiences contained within the precarious spectacles of these three nations\' histories. By breaking free from prescribed emotional lines and the uncomfortable framework of fixed thought, this book reads the UK, Japan, and France through their cinematic narratives. Even when the film ends, it remains an unsettling stimulus with an unknown conclusion.
Book Synopsis The Cinema of France by : Phil Powrie
Download or read book The Cinema of France written by Phil Powrie and published by Wallflower Press. This book was released on 2006 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).
Book Synopsis Cinema and Sensation by : Martine Beugnet
Download or read book Cinema and Sensation written by Martine Beugnet and published by SIU Press. This book was released on 2007 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Cinema and Sensation: " "French Film and the Art of Transgression" looks at a much-debated phenomenon in contemporary cinema: the reemergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema s sensory impact and transgressive nature: "Adieu"; "A ma soeur"; "Baise-moi"; "Beau Travail"; "La Blessure"; "La Captive"; "Dans ma peau"; "Demonlover"; "L Humanite"; "Flandres"; "L Intrus"; "Les Invisibles"; "Lady Chatterley"; "Lecons de tenebres"; "Romance"; "Sombre"; "Tiresia"; "Trouble Every Day"; "Twentynine Palms"; "Vendredi soir"; "La Vie nouvelle"; "Wild Side"; and "Zidane, un portrait du XXIeme siecle." These films, among others, typify a willingness to explore cinema s unique capacity to move us both viscerally and intellectually.Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and motifs that allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching today s most burning sociocultural debatesfrom the growing supremacy of technology, to globalization, exile, and exclusion."
Book Synopsis The French Road Movie by : Neil Archer
Download or read book The French Road Movie written by Neil Archer and published by Berghahn Books. This book was released on 2012-11-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context – liberty, identity and citizenship, masculinity, femininity, border-crossing – followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.
Download or read book French Film written by Susan Hayward and published by Routledge. This book was released on 2014-04-23 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
Download or read book France on Film written by Lucy Mazdon and published by Wallflower Press. This book was released on 2001 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of new essays is a comprehensive introduction to the concerns and styles which characterise contemporary popular French film.
Download or read book The Bressonians written by Codruţa Morari and published by Berghahn Books. This book was released on 2017-07-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Book Synopsis Handbook of French Popular Culture by : Pierre L. Horn
Download or read book Handbook of French Popular Culture written by Pierre L. Horn and published by Bloomsbury Publishing USA. This book was released on 1991-05-21 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the world, there has been much scholarly and general interest in French popular culture, but very little has been written on the subject in English. The authors of this book address that lack in a series of highly readable and well-documented essays describing French life styles, attitudes, and entertainments as well as the writers and performers currently favored by the French public. Several chapters explore French tastes in popular literature and other reading matter, including comics, cartoons, mystery and spy fiction, newspapers and magazines, and science fiction. Film, popular music, radio, and television are also discussed in detail, and influences from other cultures--particularly American imports--are assessed. The remaining essays examine French sports, the use of leisure time, the French style of eating and drinking, and relations between men and women and their attitudes toward romantic love. Each chapter provides up-to-date historical and bibliographic information that will enable the reader to pursue subjects of particular interest. Written by an international group of specialists, this handbook offers the benefits of broad coverage, a variety of viewpoints, and solid scholarship.
Book Synopsis The A to Z of French Cinema by : Dayna Oscherwitz
Download or read book The A to Z of French Cinema written by Dayna Oscherwitz and published by Scarecrow Press. This book was released on 2009-09-02 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.
Book Synopsis The French Cinema Book by : Michael Temple
Download or read book The French Cinema Book written by Michael Temple and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 743 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Book Synopsis French Film Theory and Criticism by : Richard Abel
Download or read book French Film Theory and Criticism written by Richard Abel and published by Princeton University Press. This book was released on 1993-09-12 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Book Synopsis French Cinema by : Rémi Fournier Lanzoni
Download or read book French Cinema written by Rémi Fournier Lanzoni and published by Bloomsbury Publishing USA. This book was released on 2015-10-22 with total page 633 pages. Available in PDF, EPUB and Kindle. Book excerpt: To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
Download or read book Film Noir written by Ian Brookes and published by Bloomsbury Publishing USA. This book was released on 2017-03-09 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir may seem a familiar term to many, with its use of a complex narrative structure, flashbacks and voiceover narration, and with such archetypal characterisations as the femme fatale and private eye. But this introduction is not so much an account of what film noir is, but more an interrogation of the ways in which the term came to be applied to a particular group of American films of the 1940s and 1950s. Ian Brookes asks: 'What is film noir?' With this sharply focused question active throughout the book, students will benefit from an introductory text designed to provide a sophisticated treatment of the problems inherent in the category. This will be the first critical introduction to film noir which takes into account the complexity of the term and the difficulties of straightforward definition and classification.
Book Synopsis French Comedy on Screen by : R. Lanzoni
Download or read book French Comedy on Screen written by R. Lanzoni and published by Springer. This book was released on 2014-10-30 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: French comedy films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. This book investigates the different methods in which these comedies textually inscribed and exemplified a variety of cultural and historical landmarks.
