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The Camera Tells The Story Alfred Hitchcocks Rear Window
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Book Synopsis The Camera tells the Story. Alfred Hitchcock’s "Rear Window" by : Sandra Miller
Download or read book The Camera tells the Story. Alfred Hitchcock’s "Rear Window" written by Sandra Miller and published by GRIN Verlag. This book was released on 2015-03-09 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2003 in the subject Communications - Movies and Television, grade: High Distinction, James Cook University (James Cook University), course: Communication, Information & Society, language: English, abstract: Alfred Hitchcock used non-verbal communication extensively in his filmmaking to convey meaning and to create suspension for the audience. His critical and disparaging opinion of dialogue in film shows clearly that he did not consider language to be a privileged cinematic medium for communication - quite the opposite and he remarks that language “should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms” (Hitchcock in Truffaut 272). The possibilities of the camera for conveying meaning was paramount to Hitchcock’s storytelling. As a film-maker, he is widely acknowledged for his use of point-of-view shots, tracking shots, and other techniques that reinforce the power of looking or the role of the gaze in cinema. A well-known example of his use of camera movement is Rear Window (1954), a film that evokes a viewing experience for the spectator in the form of “a mental process, done by the use of the visual” (Spoto 224). As director, Hitchcock makes intensive use of his prerogative to manipulate points of view thereby controlling the viewer’s gaze with narrative frames. The directing of the gaze is both an exercise of power and an imposition on those whom it captures. Theatrical and cinematic effects dominate in his work with the use of proxemics, stance and gestures of actors. Other visual clues are clothes and accessories worn by actresses. In Rear Window, most of the female’s protagonist’s dresses are mirrored in the dresses worn by other women. By coding dresses in such a way and juxtaposing them in different frames, they signify different states of mind and intentions; they act as emotional referents that connect the women through their visual appearance.
Book Synopsis The Camera Tells the Story. Alfred Hitchcock's "Rear Window" by : Sandra Miller
Download or read book The Camera Tells the Story. Alfred Hitchcock's "Rear Window" written by Sandra Miller and published by . This book was released on 2015-03-11 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2003 in the subject Communications - Movies and Television, grade: High Distinction, James Cook University (James Cook University), course: Communication, Information & Society, language: English, comment: Marker's comment: well organized and a pleasure to read., abstract: Alfred Hitchcock used non-verbal communication extensively in his filmmaking to convey meaning and to create suspension for the audience. His critical and disparaging opinion of dialogue in film shows clearly that he did not consider language to be a privileged cinematic medium for communication - quite the opposite and he remarks that language "should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms" (Hitchcock in Truffaut 272). The possibilities of the camera for conveying meaning was paramount to Hitchcock's storytelling. As a film-maker, he is widely acknowledged for his use of point-of-view shots, tracking shots, and other techniques that reinforce the power of looking or the role of the gaze in cinema. A well-known example of his use of camera movement is Rear Window (1954), a film that evokes a viewing experience for the spectator in the form of "a mental process, done by the use of the visual" (Spoto 224). As director, Hitchcock makes intensive use of his prerogative to manipulate points of view thereby controlling the viewer's gaze with narrative frames. The directing of the gaze is both an exercise of power and an imposition on those whom it captures. Theatrical and cinematic effects dominate in his work with the use of proxemics, stance and gestures of actors. Other visual clues are clothes and accessories worn by actresses. In Rear Window, most of the female's protagonist's dresses are mirrored in the dresses worn by other women. By coding dresses in such a way and juxtaposing them in different frames, they signify different states of mind and intentions; they act as
Book Synopsis Alfred Hitchcock's Rear Window by : John Belton
Download or read book Alfred Hitchcock's Rear Window written by John Belton and published by Cambridge University Press. This book was released on 2000 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a fresh examination of Rear Window from a variety of perspectives.
Book Synopsis Hitchcock's Rear Window by : John Fawell
Download or read book Hitchcock's Rear Window written by John Fawell and published by SIU Press. This book was released on 2004-11-22 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.
Book Synopsis The Art of Looking in Hitchcock's Rear Window by : Stefan Sharff
Download or read book The Art of Looking in Hitchcock's Rear Window written by Stefan Sharff and published by Hal Leonard Corporation. This book was released on 1997 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrated throughout with stills from the film, The Art of Looking is a unique appreciation of the art of Alfred Hitchcock, made even more valuable by the first publication in any form of the full dialogue of a screen masterpiece.
Book Synopsis It's Only a Movie by : Charlotte Chandler
Download or read book It's Only a Movie written by Charlotte Chandler and published by Simon and Schuster. This book was released on 2008-12-09 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Book Synopsis The Cornell Woolrich Omnibus by : Cornell Woolrich
Download or read book The Cornell Woolrich Omnibus written by Cornell Woolrich and published by Penguin (Non-Classics). This book was released on 1998 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Including the complete novels "I Married a Dead Man" and "Waltz into Darkness" plus "Rear Window" and four other short stories, "The Cornell Woolrich Omnibus" provides a thrilling collection of classic works from the quintessential master of noir fiction.
Download or read book The Wrong House written by Steven Jacobs and published by 010 Publishers. This book was released on 2007 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architecture plays an important role In the films of Alfred Hitchcock. Steven Jacobs devotes lengthy discussion to a series of domestic buildings with the help of a number of reconstructed floor plans made specially for this book.
Book Synopsis Hitchcock's Rear Window by : John Wesley Fawell
Download or read book Hitchcock's Rear Window written by John Wesley Fawell and published by . This book was released on 2001 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Hitchcock on Hitchcock by : Alfred Hitchcock
Download or read book Hitchcock on Hitchcock written by Alfred Hitchcock and published by Univ of California Press. This book was released on 1997-11-04 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitchcock writings about himself and his films
Book Synopsis The Cambridge Companion to Alfred Hitchcock by : Jonathan Freedman
Download or read book The Cambridge Companion to Alfred Hitchcock written by Jonathan Freedman and published by Cambridge University Press. This book was released on 2015-07-08 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender, and desire over his thirty-year American career.
Download or read book Alfred Hitchcock written by Gene Adair and published by Oxford University Press. This book was released on 2002-06-06 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alfred Hitchcock is a fascinating look at the life of one of the most influential filmmakers in the world -- a man known for his portly profile and distinct, leery voice almost as much as for his groundbreaking movies. From Hitchcock's first film, Blackmail -- the first British movie with sound -- to his blockbuster Hollywood successes, Psycho, The Birds, Rear Window, and Vertigo. Alfred Hitchcock chronicles the Master of Suspense's close working relationship with his wife, Alma, who was an integral part of his filmmaking process, and the struggle to gain full artistic control over his work. With illustrations throughout and sidebars showcasing Hitchcocks techniques and directing style, Alfred Hitchcock reveals how some of the greatest films ever created came to be through the life and work of one of the most admired filmmakers ever. Oxford Portraits are informative and insightful biographies of people whose lives shaped their times and continue to influence ours. Based on the most recent scholarship, they draw heavily on primary sources, including writings by and about their subjects. Each book is illustrated with a wealth of photographs, documents, memorabilia, framing the personality and achievements of its subject against the backdrop of history.
Book Synopsis Hitchcock and the Making of Marnie by : Tony Lee Moral
Download or read book Hitchcock and the Making of Marnie written by Tony Lee Moral and published by Manchester University Press. This book was released on 2002 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.
Download or read book Hitchcock written by Francois Truffaut and published by Simon and Schuster. This book was released on 2015-12-04 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iconic, groundbreaking interviews of Alfred Hitchcock by film critic François Truffaut—providing insight into the cinematic method, the history of film, and one of the greatest directors of all time. In Hitchcock, film critic François Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema’s greats is a must-read for all film aficionados.
Book Synopsis The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense by : Edward White
Download or read book The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense written by Edward White and published by W. W. Norton & Company. This book was released on 2021-04-13 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.
Book Synopsis Writing with Hitchcock by : Steven DeRosa
Download or read book Writing with Hitchcock written by Steven DeRosa and published by . This book was released on 2001 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: An entertaining, in-depth look at the films, including Rear Window, made by Alfred Hitchcock with screenwriter John Michael Hayes. In spring 1953, the great director Alfred Hitchcock decided to take a chance and work with a young writer, John Michael Hayes. The decision turned out to be a pivotal one, for the four films that Hitchcock made with Hayes over the next several years -- Rear Window, To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much -- represented an extraordinarily successful change of style. Each of the movies was distinguished by a combination of glamorous stars, sophisticated dialogue, and inventive plots -- James Stewart and Grace Kelly trading barbs in the tensely plotted Rear Window, Cary Grant and Grace Kelly engaging in witty repartee in To Catch a Thief -- and resulted in some of Hitchcock's most distinctive and intimate work, based in large part on Hayes's exceptional scripts. Exploring for the first time the details of this collaboration, Steven DeRosa follows Hitchcock and Hayes through each film from initial discussions to completed picture and presents an analysis of each screenplay. He also reveals the personal story -- filled with inspiration and humor, jealousy and frustration -- of the initial synergy between the two very different men before their relationship fell apart. Writing with Hitchcock not only provides new insight into four films from a master but also sheds light on the process through which classic motion pictures are created.
Book Synopsis The Best Old Movies for Families by : Ty Burr
Download or read book The Best Old Movies for Families written by Ty Burr and published by Anchor. This book was released on 2008-12-10 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: If a child can watch Barney, can’t that same child also enjoy watching Charlie Chaplin or the Marx Brothers? And as they get older, wouldn’t they grow to like screwball comedies (His Girl Friday), women’s weepies (Imitation of Life), and westerns (The Searchers)? The answer is that they’ll follow because they’ll have learned that “old” does not necessarily mean “next channel, please.”Here is an impassioned and eminently readable guide that introduces the delights of the golden age of movies. Ty Burr has come up with a winning prescription for children brought up on Hollywood junk food. FOR THE LITTLE ONES (Ages 3—6): Fast-paced movies that are simple without being unsophisticated, plainspoken without being dumbed down. Singin’ in the Rain and Bringing Up Baby are perfect.FOR THE ONES IN BETWEEN (Ages 7—12): “Killer stories,” placing easily grasped characters in situations that start simply and then throw curveballs. The African Queen and Some Like It Hot do the job well.FOR THE OLDER ONES (Ages 13+): Burr recommends relating old movies to teens’ contemporary favorites: without Hitchcock, there could be no The Texas Chainsaw Massacre, without Brando, no Johnny Depp.
