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Author : Marco Lori
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (111 download)
Download or read book Stan Brakhage's Spiritual Imperative written by Marco Lori and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 0889208166
Total Pages : 585 pages
Book Rating : 4.8/5 (892 download)
Download or read book The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson written by R. Bruce Elder and published by Wilfrid Laurier Univ. Press. This book was released on 2011-08-26 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage’s oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage’s films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
Author : Marco Lori
Publisher : Indiana University Press
ISBN 13 : 0861969405
Total Pages : 292 pages
Book Rating : 4.8/5 (619 download)
Download or read book Stan Brakhage written by Marco Lori and published by Indiana University Press. This book was released on 2018-01-10 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on the work of this iconic experimental filmmaker from a variety of scholars. Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception. This project sets out from the assumption that Brakhage’s art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage’s art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalized. Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the ‘it’ within the ‘itself’ of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophize in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realizing Deleuze’s image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book not only addresses scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney, and Marco Lori.
Author : Stan Brakhage
Publisher : Hassell Street Press
ISBN 13 : 9781014493781
Total Pages : 96 pages
Book Rating : 4.4/5 (937 download)
Download or read book Metaphors on Vision written by Stan Brakhage and published by Hassell Street Press. This book was released on 2021-09-09 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Cornell University
Publisher :
ISBN 13 :
Total Pages : 714 pages
Book Rating : 4.E/5 ( download)
Download or read book Cornell University Courses of Study written by Cornell University and published by . This book was released on 2007 with total page 714 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jerry White
Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 1771123060
Total Pages : 1145 pages
Book Rating : 4.7/5 (711 download)
Download or read book Stan Brakhage in Rolling Stock, 1980-1990 written by Jerry White and published by Wilfrid Laurier Univ. Press. This book was released on 2018-04-19 with total page 1145 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jürgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The book's appendices reprint letters Brakhage wrote to Stella Pence (Telluride's co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.
Author : James Miller
Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 0889209278
Total Pages : 576 pages
Book Rating : 4.8/5 (892 download)
Download or read book Dante & the Unorthodox written by James Miller and published by Wilfrid Laurier Univ. Press. This book was released on 2006-01-01 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: During his lifetime, Dante was condemned as corrupt and banned from Florence on pain of death. But in 1329, eight years after his death, he was again viciously condemned—this time as a heretic and false prophet—by Friar Guido Vernani. From Vernani’s inquisitorial viewpoint, the author of the Commedia “seduced” his readers by offering them “a vessel of demonic poison” mixed with poetic fantasies designed to destroy the “healthful truth” of Catholicism. Thanks to such pious vituperations, a sulphurous fume of unorthodoxy has persistently clung to the mantle of Dante’s poetic fame. The primary critical purpose of Dante & the Unorthodox is to examine the aesthetic impulses behind the theological and political reasons for Dante’s allegory of mid-life divergence from the papally prescribed “way of salvation.” Marking the septicentennial of his exile, the book’s eighteen critical essays, three excerpts from an allegorical drama, and a portfolio of fourteen contemporary artworks address the issue of the poet’s conflicted relation to orthodoxy. By bringing the unorthodox out of the realm of “secret things,” by uncensoring them at every turn, Dante dared to oppose the censorious regime of Latin Christianity with a transgressive zeal more threatening to papal authority than the demonic hostility feared by Friar Vernani.
Author : David James
Publisher : Temple University Press
ISBN 13 : 1439905290
Total Pages : 250 pages
Book Rating : 4.4/5 (399 download)
Download or read book Stan Brakhage written by David James and published by Temple University Press. This book was released on 2011-01-19 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art and legacy of a towering figure in the independent film movement.
Author :
Publisher :
ISBN 13 :
Total Pages : 534 pages
Book Rating : 4.F/5 ( download)
Download or read book The Independent written by and published by . This book was released on 1990 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Malcolm Turvey
Publisher : Oxford University Press
ISBN 13 : 0199717575
Total Pages : 160 pages
Book Rating : 4.1/5 (997 download)
Download or read book Doubting Vision written by Malcolm Turvey and published by Oxford University Press. This book was released on 2008-07-31 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: The film theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have long been studied separately from each other. In Doubting Vision, film scholar Malcolm Turvey argues that their work constitutes a distinct, hitherto neglected tradition, which he calls revelationism, and which differs in important ways from modernism and realism. For these four theorists and filmmakers, the cinema is an art of mass enlightenment because it escapes the limits of human sight and reveals the true nature of reality. Turvey provides a detailed exegesis of this tradition, pointing to its sources in Romanticism, the philosophy of Henri Bergson, modern science, and other intellectual currents. He also shows how profoundly it has influenced contemporary film theory by examining the work of psychoanalytical-semiotic theorists of the 1970s, Stanley Cavell, the modern-day followers of Kracauer and Walter Benjamin, and Gilles Deleuze. Throughout, Turvey offers a trenchant critique of revelationism and its descendants. Combining the close analysis of theoretical texts with the philosophical method of conceptual clarification pioneered by the later Wittgenstein, he shows how the arguments theorists and filmmakers have made about human vision and the cinema's revelatory powers often traffic in conceptual confusion. Having identified and extricated these confusions, Turvey builds on the work of Epstein, Vertov, Balazs, and Kracauer as well as contemporary philosophers of film to clarify some legitimate senses in which the cinema is a revelatory art using examples from the films of filmmakers such as Alfred Hitchcock and Jacques Tati.
Author : Jennifer DeClue
Publisher : Duke University Press
ISBN 13 : 1478023791
Total Pages : 156 pages
Book Rating : 4.4/5 (78 download)
Download or read book Visitation written by Jennifer DeClue and published by Duke University Press. This book was released on 2022-10-24 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers—including Kara Walker, Kara Lynch, Tourmaline, and Ja’Tovia Gary—create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history. Duke University Press Scholars of Color First Book Award recipient
Author : Robin Blaetz
Publisher : Duke University Press
ISBN 13 : 9780822340447
Total Pages : 436 pages
Book Rating : 4.3/5 (44 download)
Download or read book Women's Experimental Cinema written by Robin Blaetz and published by Duke University Press. This book was released on 2007-10-16 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers introductions to the work of fifteen avant-garde American women filmmakers.
Author : William Charles Wees
Publisher :
ISBN 13 : 9780520073685
Total Pages : 199 pages
Book Rating : 4.0/5 (736 download)
Download or read book Light Moving in Time written by William Charles Wees and published by . This book was released on 1992 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art. To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.
Author : Adrian J. Ivakhiv
Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 1554589061
Total Pages : 433 pages
Book Rating : 4.5/5 (545 download)
Download or read book Ecologies of the Moving Image written by Adrian J. Ivakhiv and published by Wilfrid Laurier Univ. Press. This book was released on 2013-10-07 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.
Author : A.L. Rees
Publisher : Bloomsbury Publishing
ISBN 13 : 1838714197
Total Pages : 208 pages
Book Rating : 4.8/5 (387 download)
Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Author : Marco Lori
Publisher : Indiana University Press
ISBN 13 : 0861969472
Total Pages : 231 pages
Book Rating : 4.8/5 (619 download)
Download or read book Stan Brakhage written by Marco Lori and published by Indiana University Press. This book was released on 2018 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on the work of this iconic experimental filmmaker from a variety of scholars. Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse, and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception. This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalized. Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocular centrism by mingling sight with other senses such as touch, films that can actually philosophize in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realizing Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation, this book not only addresses scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney, and Marco Lori.
Author : Peter Michelson
Publisher : SUNY Press
ISBN 13 : 9780791412237
Total Pages : 330 pages
Book Rating : 4.4/5 (122 download)
Download or read book Speaking the Unspeakable written by Peter Michelson and published by SUNY Press. This book was released on 1993-01-01 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the literary and cinematic functions of the pornographic as a development from a poetics of obscenity. It focuses on the developments of French, British, and American artistic pornography since the eighteenth century. Discussing female literary figures including Hall, Wharton, Nin, "Reage," Jong, and Shulman; such men as Cleland, Sade, Beardsley, Lawrence, Joyce, and Miller; and film makers such as Brakhage, Jack Smith, Bruce Conner, Bertolucci, Oshima, and Wertmuller; Michelson analyzes both the use of aesthetic pornography and the philosophical, cultural, and legal implications of its use. He proposes that realizing the obscene --in the sense of speaking the unspeakable-- is the principle aesthetic function of pornography.
