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Songs Of The Restoration Theatre
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Book Synopsis Songs of the Restoration Theatre by : Philip John Stead
Download or read book Songs of the Restoration Theatre written by Philip John Stead and published by . This book was released on 1948 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Business of English Restoration Theatre, 1660–1700 by : Deborah C. Payne
Download or read book The Business of English Restoration Theatre, 1660–1700 written by Deborah C. Payne and published by Cambridge University Press. This book was released on 2024-05-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Book Synopsis Music in the Restoration Theatre by : Curtis Alexander Price
Download or read book Music in the Restoration Theatre written by Curtis Alexander Price and published by . This book was released on 1979 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Classical Spanish Drama in Restoration English (1660-1700) by : Jorge Braga Riera
Download or read book Classical Spanish Drama in Restoration English (1660-1700) written by Jorge Braga Riera and published by John Benjamins Publishing. This book was released on 2009 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Book Synopsis Restoration Comedy in Performance by : J. L. Styan
Download or read book Restoration Comedy in Performance written by J. L. Styan and published by Cambridge University Press. This book was released on 1986-08-29 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
Book Synopsis The Cambridge Companion to English Restoration Theatre by : Deborah Payne Fisk
Download or read book The Cambridge Companion to English Restoration Theatre written by Deborah Payne Fisk and published by Cambridge University Press. This book was released on 2000-05-11 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Book Synopsis A History of English Drama, 1660-1900: Restoration drama, 1660-1700. 4th ed by : Allardyce Nicoll
Download or read book A History of English Drama, 1660-1900: Restoration drama, 1660-1700. 4th ed written by Allardyce Nicoll and published by . This book was released on 1952 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A History of English Drama, 1660-1900: Restoration drama, 1660-1700. (Chapter 1, The Theatre) Introductory by : Allardyce Nicoll
Download or read book A History of English Drama, 1660-1900: Restoration drama, 1660-1700. (Chapter 1, The Theatre) Introductory written by Allardyce Nicoll and published by . This book was released on 1952 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music for the Melodramatic Theatre in Nineteenth-Century London and New York by : Michael V. Pisani
Download or read book Music for the Melodramatic Theatre in Nineteenth-Century London and New York written by Michael V. Pisani and published by University of Iowa Press. This book was released on 2014-06-01 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Book Synopsis Music and Musicians on the London Stage, 1695-1705 by : Kathryn Lowerre
Download or read book Music and Musicians on the London Stage, 1695-1705 written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis Opera and Politics in Queen Anne's Britain, 1705-1714 by : Thomas McGeary
Download or read book Opera and Politics in Queen Anne's Britain, 1705-1714 written by Thomas McGeary and published by Boydell & Brewer. This book was released on 2022-07-26 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Book Synopsis The Cambridge Bibliography of English Literature by : Frederick Wilse Bateson
Download or read book The Cambridge Bibliography of English Literature written by Frederick Wilse Bateson and published by CUP Archive. This book was released on 1940 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis "Music and Musicians on the London Stage, 1695?705 " by : Kathryn Lowerre
Download or read book "Music and Musicians on the London Stage, 1695?705 " written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis Masque and Opera in England, 1656-1688 by : Andrew R. Walkling
Download or read book Masque and Opera in England, 1656-1688 written by Andrew R. Walkling and published by Taylor & Francis. This book was released on 2016-08-25 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.
Book Synopsis The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800 by : George Watson
Download or read book The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800 written by George Watson and published by Cambridge University Press. This book was released on 1971-07-02 with total page 1698 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Book Synopsis Music in the Seventeenth Century by : Lorenzo Bianconi
Download or read book Music in the Seventeenth Century written by Lorenzo Bianconi and published by Cambridge University Press. This book was released on 1987-11-26 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines musical life in the seventeenth century, a period of profound change in the history of music.
Book Synopsis Music in English Children's Drama of the Later Renaissance by : Linda Phyllis Austern
Download or read book Music in English Children's Drama of the Later Renaissance written by Linda Phyllis Austern and published by Taylor & Francis. This book was released on 2024-09-30 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1992, Music in English Children’s Drama of the Later Renaissance is the first book-length study to examine the Elizabethan and Jacobean children’s drama, not only from a musicological perspective, but also drawing on the histories of literature, culture, and the theater. It gives the children’s companies new historical significance, showing that they were an integral and ultimately influential part of the London theatrical world. These companies originated important features of later drama, such as music before and between acts, and the exploitation of different timbres for specific effects. Those interested in music history, English literature, theater history, and cultural history will find this a comprehensive and fascinating study. Of special note are the appendices, which offer a unique and important reference source by providing the only definitive list of the plays and songs used by the children.