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Shii Islam In Iranian Cinema
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Book Synopsis Shii Islam in Iranian Cinema by : Nacim Pak-Shiraz
Download or read book Shii Islam in Iranian Cinema written by Nacim Pak-Shiraz and published by Bloomsbury Publishing. This book was released on 1999-07-01 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years there has been a remarkable surge in Iranian films expressing contentious issues which would otherwise be very difficult to discuss publicly inside the Islamic Republic of Iran - such as the role of clergy in Iranian society. Nacim Pak-Shiraz here highlights how many Iranian film directors concern themselves with the content of the religious and historical narratives of culture and society, sparking debate about the medium's compatibility or incongruity with religion and spirituality. She explores the various ways that Shi'i discourse emerges on screen, and offers groundbreaking insights into both the role of film in Iranian culture and society, and how it has become a medium for exploring what it means to be Iranian and Muslim after thirty years of Islamic rule. This is invaluable reading students and scholars of Film Studies and contemporary Iranian cinema, but also of the culture and identity of Iran more widely.
Download or read book Shi'ism and Film written by Nacim Pak and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What constitutes a serious engagement of religion and spirituality in film remains a contentious topic in Western academia. The small body of literature dedicated to the study of religion and spirituality in Iranian cinema focuses largely on propaganda films exalting the Islamic Republic and its aspirations. My research examines ways in which other films participate and engage with Shi'i expressions of Islam. I have explored official and popular discourses within Shi'ism, and applied a philosophical framework to understand other engagements of film with religion. Moreover, I have situated the films I study within the larger socio-historical context of Iran and thereby located filmic discourses within a much longer-standing and continuing discourse on religion and spirituality in Iranian cinema. I study the various debates by Iranian academics, clerics and critics on film's compatibility or incongruity with religion and spirituality, and examine their relevance to the study of religion and spirituality in Iranian cinema. I examine films that debate contemporary official and formalistic religious discourses, drawing parallels between these films and the discourses of Iranian intellectuals, and thereby situating them within these wider debates. In order to demonstrate the more mystical approaches within Shi'a Islam, I explore how Majidi's films lend themselves to Sufi interpretations. I also analyse how Kiarostami's films are poetic philosophies that invite viewers to rethink their existing ideas, thoughts and beliefs, be they rooted in scientific or theological approaches to religion. Finally, I demonstrate how cinema acts as a reservoir for popular, yet threatened traditions such as ta 'ziyeh, which faces increased pressure from both intellectuals and clerics. As a medium that has received little serious attention in the analysis and understanding of Shi'i religious expressions and articulations, my study situates film as a valid and important tool in understanding many of the current debates within Iran.
Book Synopsis The development of Iranian cinema after the Islamic Revolution by : Sophie Duhnkrack
Download or read book The development of Iranian cinema after the Islamic Revolution written by Sophie Duhnkrack and published by GRIN Verlag. This book was released on 2009-05-28 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Islamic Studies, grade: 85, Ben Gurion University, course: The 1979 Iranian Revolution: A Thirty-Year Perspective, language: English, abstract: An analysis of the recent development of Iranian Cinema should primarily mention its origins and history, especially since Iranian cinema always has been so closely linked to the political circumstances dominating the social reality. Its outset is generally accepted to have begun around 1900, when Mirza Ebrahim Khan Akkas Bashi, the official photographer of Muzaffar al-Din Shah, shot the first Iranian documentary.... As Richard Tapper states in his work, The New Iranian Cinema, “both government and religious authorities sought to control the images to be shown publicly.” ‘Formal censorship’ began in the 1920s, when the imported films exhibiting women, sex and amusement dominated the Iranian market. In contrast to this permissive attitude, depicting the political or social reality critically in local productions was taboo. Until the Second World War “nothing worthy of being called ‘national cinema’” was produced. In these decades, Iranian films were mainly remakes of foreign works, mainly Indian or Egyptian, and normally they lacked artistic quality. This genre of films is known as “Film Farsi.” Along with the development of film comes the history of censorship, which tries to curb the freedom of expression in increasingly institutionalized manners. Indeed, in 1950 a committee for the supervision of locally produced or imported films was established. This might have contributed to the fact that in the 1950s and 1960s, next to the import of American and Indian films, only “commercial films” were famous in Iran, whose sole aim was to entertain and to fill the cash tills. In this period too, the censorship worried more about the expression of political opinions than about the demonstration of sex. However, on the edge of mainstream productions slowly evolved few other interesting and formative films. “1969 is generally agreed to mark the birth of Iranian art cinema, called the New Wave.” In the following period various films were successfully presented to international film festivals. However, from its beginning on, the evolution of Iranian cinema was constantly accompanied by a consistent religious opposition. Through the lens of many Iranian clerics, films were immoral. They denounced cinema as a tool to access corrupt western influence into Iran. This suspicion and aversion against cinema, which was deep-rooted in many Iranian clergymen found later on as well expression in the Islamic Republic.
Book Synopsis Shi`a Islamist Regime’s Propaganda Machine in Iran by : Majid Mohammadi
Download or read book Shi`a Islamist Regime’s Propaganda Machine in Iran written by Majid Mohammadi and published by Dan & Mo Publishers. This book was released on 2021-07-06 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: All news agencies, major newspapers, widely visited news websites, major film production companies, major publishing houses, and most of the theatres and libraries in Iran are state-owned, state-run, or state-sponsored structures. In this book, you will find facts and reports on Iranian culture and art that no one has disclosed to Western readers. I will present them as they are. Iranian-descent faculty members in Western universities and journalists of the leftist media usually do not report the ugly side of the Iranian cultural and art production that is their connection to the state propaganda machine.
Book Synopsis Iranian Cinema and Philosophy by : Farhang Erfani
Download or read book Iranian Cinema and Philosophy written by Farhang Erfani and published by Springer. This book was released on 2012-01-02 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
Book Synopsis The Films of Makhmalbaf by : Eric Egan
Download or read book The Films of Makhmalbaf written by Eric Egan and published by . This book was released on 2005 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the close and volatile relationship between a highly popular art form, the production of culture and the politics of power in society. Through a critical analysis the book reveals the social and political context of Iran's national cinema under the Islamic Republic. It tracks the emergence of Iranian cinema since the Islamic Revolution, as Makhmalbaf, one of Iran's most influential filmmakers, and a committed artist whose work is provocative and never far from controversy, sought to engage the dramatic social and political upheavals that have taken place over the past twenty-four years. Makhmalbaf's films have always been reflexive meditations on the nature of cinema and art within a society, and Makhmalbaf's art, as part of that system provides a view of film as an extension of its political environment.
Book Synopsis The Art and Material Culture of Iranian Shi’ism by : Pedram Khosronejad
Download or read book The Art and Material Culture of Iranian Shi’ism written by Pedram Khosronejad and published by Bloomsbury Publishing. This book was released on 2011-11-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.
Book Synopsis A Social History of Iranian Cinema, Volume 1 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 1 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Book Synopsis Apocalyptic Islam and Iranian Shi'ism by : Abbas Amanat
Download or read book Apocalyptic Islam and Iranian Shi'ism written by Abbas Amanat and published by Bloomsbury Publishing. This book was released on 2009-02-19 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interest in Shi'i Islam is running at unprecedented levels. International tensions over Iran, where the largest number of Shi'i Muslims live, as well as the political resurgence of the Shi'i in Iraq and Lebanon, have created an urgent need to understand the background, beliefs and motivations of this dynamic vision of Islam. Abbas Amanat is one of the leading scholars of Shi'ism. And in this powerful book, a showcase for some of his most influential writing in the field, he addresses the colourful and diverse history of Shi' Islam in both premodern and contemporary times.Focusing specifically on the importance of apocalypticism in the development of modern Shi'i theology, he shows how an immersion in messianic ideas has shaped the conservative character of much Shi'i thinking, and has prevented it from taking a more progressive course. Tracing the continuity of apocalyptic trends from the Middle Ages to the present, Amanat addresses such topics as the early influence on Shi'ism of Zoroastrianism; manifestations of apocalyptic ideology during the Iranian Revolution of 1979; and the rise of the Shi'i clerical establishment during the 19th and 20th centuries. His book will be an essential resource for students and scholars of both religious studies and Middle Eastern history.
Book Synopsis Displaced Allegories by : Negar Mottahedeh
Download or read book Displaced Allegories written by Negar Mottahedeh and published by Duke University Press. This book was released on 2008-11-14 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera’s adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman’s cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Book Synopsis Animating Eroded Landscapes by : Ramin S Khanjani
Download or read book Animating Eroded Landscapes written by Ramin S Khanjani and published by H&S Media. This book was released on 2014 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis An Analysis of Hamid Dabashi's Theology of Discontent by : Magdalena C. Delgado
Download or read book An Analysis of Hamid Dabashi's Theology of Discontent written by Magdalena C. Delgado and published by CRC Press. This book was released on 2017-07-05 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hamid Dabashi’s 1997 work Theology of Discontent reveals a creative thinker capable not only of understanding how an argument is built, but also of redefining old issues in new ways. The Iranian Revolution of 1978–9 was front-page news in the West, and in some ways remains so today. Though it was an uprising against authoritarian royal rule, with a coalition of modernisers and Islamists, the revolution saw the birth of a new Islamic Republic that seemed to reject pro-Western democracy. Dabashi wanted to analyze the real reasons for this change, while examining how Islamic ideologies contributed to the revolution and the republic that followed. Theology of Discontent examines different Islamic thinkers, analyzing how views with seemingly little in common contributed to the modern Iranian belief system. Beyond its insightful analytical dissection of these eight thinkers, Theology of Discontent also shows Dabashi’s creative thinking skills. Reframing the debates about Iran’s relationship with the West, he traced the ways in which Iranian identity formed in reactive opposition to Western ideas. In many ways, Dabashi suggested, Iran was trapped in a cycle of deliberately asserting its difference from the West, a process that was fundamental to the development of its own unique brand of revolutionary Islamism.
Book Synopsis In the Eye of the Storm by : Mahnaz Afkhami
Download or read book In the Eye of the Storm written by Mahnaz Afkhami and published by Syracuse University Press. This book was released on 1994 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Iranian Islam written by Fereshteh Ahmadi and published by Springer. This book was released on 1998-10-07 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author examines from different perspectives (theological and philosophical as well as socio-political and historical) the significance of the concept of the individual in the ways of thinking of Iranians. This book establishes that the mystical dimension of Islamic thought, the divine nature of Islamic law and, the mode of relationship between ruler and the ruled, in combination, counteracted growth of concern for the individual self in Iranian thought.
Book Synopsis A Social History of Iranian Cinema, Volume 4 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 4 written by Hamid Naficy and published by Duke University Press. This book was released on 2011 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
Book Synopsis The World is My Home by : Andrew Davison
Download or read book The World is My Home written by Andrew Davison and published by Routledge. This book was released on 2017-09-08 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: As recent events indicate, Iranian, Middle Eastern, and Islamic politics more broadly have been deeply influential in world affairs. Hamid Dabashi has been a highly visible and prominent commentator on these affairs, explaining, interpreting, and providing a critical perspective. This volume gathers together his most influential and insightful writings. As one of the foremost contemporary public intellectuals and scholars of our time, Dabashi's interests and writings span subjects ranging from Islamic philosophy and political ideology to Iranian art and Persian literature, from Sufism and Orientalism to Iranian and world cinema and contemporary Arab and Muslim visual arts; and from postcolonial theory and globalization to imperialism and public affairs. There is a direct connection between his theoretical innovations and the angle of his public interventions on the urgent global issues of the day. This book brings together some of his most important writings, especially those that offer new ways of understanding Islam, Iran, Islamist ideology, global art, and the condition of global modernity. The book shows the underlying conceptual themes that unify Dabashi's wide-ranging and brilliantly insightful corpus. Dabashi combines deep knowledge of the subject matter about which he writes, and highly refined sociological, hermeneutical, and cultural interpretive skills, moving far beyond the limiting, distorted, and intellectually stifling character of reigning absolutist conventions. He places existing authoritative frameworks under close scrutiny in order to produce novel and penetrating insights. These essays reflect historical and geographical worlds that are best viewed when Hamid Dabashi's work is read as a whole, which this one- volume work makes possible for the first time.
Book Synopsis A Social History of Iranian Cinema, Volume 2 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 2 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
