Russian Music Since 1917

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Author :
Publisher : Proceedings of the British Aca
ISBN 13 : 9780197266151
Total Pages : 434 pages
Book Rating : 4.2/5 (661 download)

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Book Synopsis Russian Music Since 1917 by : Patrick Zuk

Download or read book Russian Music Since 1917 written by Patrick Zuk and published by Proceedings of the British Aca. This book was released on 2017 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.

Russians on Russian Music, 1880–1917

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1139441191
Total Pages : 287 pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis Russians on Russian Music, 1880–1917 by :

Download or read book Russians on Russian Music, 1880–1917 written by and published by Cambridge University Press. This book was released on 2003-08-14 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second anthology of Russian writing on Russian music begins in 1880 (where the first volume concluded) and ends in 1917. It brings the thoughts of leading Russian music critics to an English-speaking readership as they react to the Russian music that is new to them, during a period when all aspects of musical life were developing rapidly. Music criticism had become more sure-footed, if no less opinionated. These reviews demonstrate greater awareness both of music history and of contemporary music abroad. The period covers the late careers of Tchaikovsky and Rimsky-Korsakov as well as late works by Borodin and Balakirev, and the emergence of Mussorgsky's compositions. Works by the intervening generation, including Arensky, Glazunov and Lyadov, are also reviewed and the book concludes with coverage of works by the Moscow School, including Medtner, Rachmaninoff and Skryabin and the early compositions of Stravinsky and Prokoviev.

Music and Soviet Power, 1917-1932

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Author :
Publisher :
ISBN 13 : 9781843837039
Total Pages : 404 pages
Book Rating : 4.8/5 (37 download)

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Book Synopsis Music and Soviet Power, 1917-1932 by : Marina Frolova-Walker

Download or read book Music and Soviet Power, 1917-1932 written by Marina Frolova-Walker and published by . This book was released on 2012 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout.

On Russian Music

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Publisher : Univ of California Press
ISBN 13 : 0520268067
Total Pages : 416 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis On Russian Music by : Richard Taruskin

Download or read book On Russian Music written by Richard Taruskin and published by Univ of California Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.

Music and Musical Life in Soviet Russia

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Publisher :
ISBN 13 :
Total Pages : 744 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Music and Musical Life in Soviet Russia by : Boris Schwarz

Download or read book Music and Musical Life in Soviet Russia written by Boris Schwarz and published by . This book was released on 1983 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Classics for the Masses

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Publisher : Yale University Press
ISBN 13 : 0300219431
Total Pages : 297 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Classics for the Masses by : Pauline Fairclough

Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-05-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

Beethoven in Russia

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Publisher : Indiana University Press
ISBN 13 : 025306306X
Total Pages : 346 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Beethoven in Russia by : Frederick W. Skinner

Download or read book Beethoven in Russia written by Frederick W. Skinner and published by Indiana University Press. This book was released on 2022-11 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.

Jascha Heifetz

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Publisher : Indiana University Press
ISBN 13 : 0253010896
Total Pages : 504 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Jascha Heifetz by : Galina Kopytova

Download or read book Jascha Heifetz written by Galina Kopytova and published by Indiana University Press. This book was released on 2013-11-13 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.

Music for the Revolution

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Author :
Publisher : Penn State Press
ISBN 13 : 0271046198
Total Pages : 350 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Music for the Revolution by : Amy Nelson

Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.

Music of the Soviet Era: 1917-1991

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Author :
Publisher : Routledge
ISBN 13 : 1317091868
Total Pages : 613 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music of the Soviet Era: 1917-1991 by : Levon Hakobian

Download or read book Music of the Soviet Era: 1917-1991 written by Levon Hakobian and published by Routledge. This book was released on 2016-11-25 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.

Nikolay Myaskovsky

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Publisher : Rowman & Littlefield
ISBN 13 : 1442231335
Total Pages : 439 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Nikolay Myaskovsky by : Gregor Tassie

Download or read book Nikolay Myaskovsky written by Gregor Tassie and published by Rowman & Littlefield. This book was released on 2014-05-05 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.

Composing for the State

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Publisher : Routledge
ISBN 13 : 1317162641
Total Pages : 235 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Composing for the State by : Esteban Buch

Download or read book Composing for the State written by Esteban Buch and published by Routledge. This book was released on 2016-01-27 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.

The Lost Pianos of Siberia

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Author :
Publisher : Grove Press
ISBN 13 : 0802149308
Total Pages : 443 pages
Book Rating : 4.8/5 (21 download)

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Book Synopsis The Lost Pianos of Siberia by : Sophy Roberts

Download or read book The Lost Pianos of Siberia written by Sophy Roberts and published by Grove Press. This book was released on 2020-08-04 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux

Consuming Russia

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Author :
Publisher : Duke University Press
ISBN 13 : 9780822323136
Total Pages : 492 pages
Book Rating : 4.3/5 (231 download)

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Book Synopsis Consuming Russia by : Adele Marie Barker

Download or read book Consuming Russia written by Adele Marie Barker and published by Duke University Press. This book was released on 1999 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: A timely study of the "new Russia" at the end of the twentieth century.

Red and Hot

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Publisher : Amadeus Press
ISBN 13 :
Total Pages : 370 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Red and Hot by : S. Frederick Starr

Download or read book Red and Hot written by S. Frederick Starr and published by Amadeus Press. This book was released on 1985 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Stalin's Music Prize

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Publisher : Yale University Press
ISBN 13 : 0300208847
Total Pages : 382 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Stalin's Music Prize by : Marina Frolova-Walker

Download or read book Stalin's Music Prize written by Marina Frolova-Walker and published by Yale University Press. This book was released on 2016-01-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.

The Russian Jewish Diaspora and European Culture, 1917-1937

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Author :
Publisher : BRILL
ISBN 13 : 9004227148
Total Pages : 457 pages
Book Rating : 4.0/5 (42 download)

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Book Synopsis The Russian Jewish Diaspora and European Culture, 1917-1937 by : Jörg Schulte

Download or read book The Russian Jewish Diaspora and European Culture, 1917-1937 written by Jörg Schulte and published by BRILL. This book was released on 2012-04-03 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the impact on Jewish culture in Western Europe of the migration of Russian Jews following the 1917 Revolution as they enabled the creation of a single sphere of Jewish culture common to all parts of the European diaspora.