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Rhythmic Proportions In Early Medieval Ecclesiastical Chant By Dr J W A Vollaerts 2d Edition Posthumous Foreword By Abbe A M A Vollaerts
Download Rhythmic Proportions In Early Medieval Ecclesiastical Chant By Dr J W A Vollaerts 2d Edition Posthumous Foreword By Abbe A M A Vollaerts full books in PDF, epub, and Kindle. Read online Rhythmic Proportions In Early Medieval Ecclesiastical Chant By Dr J W A Vollaerts 2d Edition Posthumous Foreword By Abbe A M A Vollaerts ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Rhythmic Proportions in Early Medieval Ecclesiastical Chant by : Jan W. A. Vollaerts
Download or read book Rhythmic Proportions in Early Medieval Ecclesiastical Chant written by Jan W. A. Vollaerts and published by Brill Archive. This book was released on 1958 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A summary of the various writings, original musical compositions, and arrangements, by the late Dr. J. Vollaerts, S.J." : p.237-240.
Book Synopsis Gregorian Chant, According to the Manuscripts by : Gregory Murray
Download or read book Gregorian Chant, According to the Manuscripts written by Gregory Murray and published by . This book was released on 1963 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Medieval Liturgical Chant and Patristic Exegesis by : Emma Hornby
Download or read book Medieval Liturgical Chant and Patristic Exegesis written by Emma Hornby and published by . This book was released on 2009 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sensitive and detailed investigation of the complex relationship between text and music in medieval chant. How do text and melody relate in western liturgical chant? Is the music simply an abstract vehicle for the text, or does it articulate textual structure and meaning? These questions are addressed here through a case study of the second-mode tracts, lengthy and complex solo chants for Lent, which were created in the papal choir of Rome before the mid-eighth century. These partially formulaic chants function as exegesis, with non-syntactical text divisions and emphatic musical phrases promoting certain directions of inner meditation in both performers and listeners. Dr Hornby compares the four second-mode tracts representing the core repertory to related ninth-century Frankish chants, showing that their structural and aesthetic principles are neither Frankish nor a function of their notation in the earliest extant manuscripts, but are instead a well-remembered written reflection of a long oral tradition, stemming from Rome. Dr EMMA HORNBY teaches in the Department of Music at the University of Bristol.
