Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Download Recueil Factice Dart De Presse Sur La Messe Est Dite De Marcel Achard full books in PDF, epub, and Kindle. Read online Recueil Factice Dart De Presse Sur La Messe Est Dite De Marcel Achard ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Download or read book Recueil factice d'art. de presse sur "La Messe est dite" de Marcel Achard written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 12 pages
Book Rating : 4.:/5 (493 download)
Download or read book Recueil factice d'art. de presse sur "Pétrus", de Marcel Achard written by and published by . This book was released on with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 6 pages
Book Rating : 4.:/5 (493 download)
Download or read book Recueil factice d'articles de presse sur Marcel Achard, 1930-1940 written by and published by . This book was released on with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 42 pages
Book Rating : 4.:/5 (493 download)
Download or read book Recueil factice de progr. et d'art. de presse sur "Le Rendez-vous", comédie gaie en 3 actes de Marcel Achard Th. Edouard VII, 3 octobre 1930 written by and published by . This book was released on with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Caroline Potter
Publisher : Routledge
ISBN 13 : 1317141792
Total Pages : 368 pages
Book Rating : 4.3/5 (171 download)
Download or read book Erik Satie: Music, Art and Literature written by Caroline Potter and published by Routledge. This book was released on 2016-05-13 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Jillian C. Rogers
Publisher : Oxford University Press
ISBN 13 : 0190658290
Total Pages : 401 pages
Book Rating : 4.1/5 (96 download)
Download or read book Resonant Recoveries written by Jillian C. Rogers and published by Oxford University Press. This book was released on 2021 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: "French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Author : Erik Satie
Publisher : Atlas Press (GB)
ISBN 13 : 9781900565660
Total Pages : 223 pages
Book Rating : 4.5/5 (656 download)
Download or read book A Mammal's Notebook written by Erik Satie and published by Atlas Press (GB). This book was released on 2014 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the largest selection, in any language, of the writings of Erik Satie. Although he was dismissed as an eccentric by many, Satie has come to be seen as a key influence on modern music. The appeal of his writings, however, go far beyond their musical value. He is revealed as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear, but with a strong streak of Dadaism (a movement with which he collaborated).
Author : Robert Orledge
Publisher : Cambridge University Press
ISBN 13 : 9780521350372
Total Pages : 456 pages
Book Rating : 4.3/5 (53 download)
Download or read book Satie the Composer written by Robert Orledge and published by Cambridge University Press. This book was released on 1990-10-26 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.
Author : Robert Orledge
Publisher : Hal Leonard Corporation
ISBN 13 : 9781574670004
Total Pages : 284 pages
Book Rating : 4.6/5 (7 download)
Download or read book Satie Remembered written by Robert Orledge and published by Hal Leonard Corporation. This book was released on 1995 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acquaintances, friends, fellow artists, and even antagonists share their recollections of the acknowledged leader of the French musical avant-garde. HARDCOVER.
Author : Caroline Potter
Publisher : Routledge
ISBN 13 : 1351566474
Total Pages : 388 pages
Book Rating : 4.3/5 (515 download)
Download or read book French Music Since Berlioz written by Caroline Potter and published by Routledge. This book was released on 2017-07-05 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author : Simon Shaw-Miller
Publisher : Yale University Press
ISBN 13 : 9780300107531
Total Pages : 308 pages
Book Rating : 4.1/5 (75 download)
Download or read book Visible Deeds of Music written by Simon Shaw-Miller and published by Yale University Press. This book was released on 2002-01-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text explores the relationship between music and the visual arts in the late 19th and 20th centuries, focusing on the modernist period. It argues that the boundaries between art and music were permeable at this time.
Author : Steven Moore Whiting
Publisher : Clarendon Press
ISBN 13 : 0191584525
Total Pages : 610 pages
Book Rating : 4.1/5 (915 download)
Download or read book Satie the Bohemian written by Steven Moore Whiting and published by Clarendon Press. This book was released on 1999-02-18 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Author : Simon Shaw-Miller
Publisher : Manchester University Press
ISBN 13 : 9780719036095
Total Pages : 208 pages
Book Rating : 4.0/5 (36 download)
Download or read book The Last Post written by Simon Shaw-Miller and published by Manchester University Press. This book was released on 1993 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Simon Shaw-Miller
Publisher : PHP研究所
ISBN 13 : 9781409426448
Total Pages : 236 pages
Book Rating : 4.4/5 (264 download)
Download or read book Eye HEar the Visual in Music written by Simon Shaw-Miller and published by PHP研究所. This book was released on 2013 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music's multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.
Author : Katherine Bergeron
Publisher : University of Chicago Press
ISBN 13 : 9780226043685
Total Pages : 248 pages
Book Rating : 4.0/5 (436 download)
Download or read book Disciplining Music written by Katherine Bergeron and published by University of Chicago Press. This book was released on 1992-06-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons—rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music. "Fortunately, in a blaze of good-humored . . . scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."—Laurence Vittes, Los Angeles Reader "These essays will force us to rethink our position on many issues. . . [and] advance musicology into the twenty-first century."—Giulio Ongaro, American Music Teacher With essays by Katherine Bergeron, Philip V. Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.
Author : Erik Satie
Publisher : Marion Boyars Publishers
ISBN 13 : 9780714529806
Total Pages : 0 pages
Book Rating : 4.5/5 (298 download)
Download or read book Satie Seen Through His Letters written by Erik Satie and published by Marion Boyars Publishers. This book was released on 1989 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This whimsical book about the eccentric Parisian composer Erik Alfred Leslie Satie (1866-1925) confirms his position as one of the most bizarre personalities in music history. Gathered by a determined iconographer, thedirector of the Satie Foundation in Paris, and arranged somewhat chronologically by topic, such as "Friends," and "Lawsuits," these lettersto Cocteau, Debussy, Milhaud, Picasso, Ravel and Stravinsky, among others,many of which have not been previously published, give us a picture of Satie the friend, student, neighbor, composer and musical influence, and of the only adherent to a religion that he founded. Illustrated with line line drawings by Cocteau, Magritte and Picasso, as well as Satie's own musical scores and logos, this book will entrance and delight those interested in Parisian cultural life in the early 20th century.
Author : Maria Cizmic
Publisher : OUP USA
ISBN 13 : 0199734607
Total Pages : 246 pages
Book Rating : 4.1/5 (997 download)
Download or read book Performing Pain written by Maria Cizmic and published by OUP USA. This book was released on 2012-01-12 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Time after time, people turn to music when coping with traumatic life events. Music can help process emotions, interpret memories, and create a sense of collective identity. In Performing Pain, author Maria Cizmic focuses on the late 20th century in Eastern Europe as she uncovers music's relationships to trauma and grief. The 1970s and 1980s witnessed a cultural preoccupation in this region with the meanings of historical suffering, particularly surrounding the Second World War and the Stalinist era. Journalists, historians, writers, artists, and filmmakers frequently negotiated themes related to pain and memory, truth and history, morality and spirituality during glasnost and the years leading up to it. Performing Pain considers how works by composers Alfred Schnittke, Galina Ustvolskaya, Arvo Part, and Henryk Gorecki musically address contemporary concerns regarding history and suffering through composition, performance, and reception.Taking theoretical cues from psychology, sociology, and literary and cultural studies, Cizmic offers a set of hermeneutic essays that demonstrate the ways in which people employ music in order to make sense of historical traumas and losses. Seemingly postmodern compositional choices--such as quotation, fragmentation, and stasis--create musical analogies to psychological and emotional responses to trauma and grief, and the physical realities of their embodied performance focus attention on the ethics of pain and representation. Furthermore, as film music, these works participate in contemporary debates regarding memory and trauma. A comprehensive and innovative study, Performing Pain will fascinate scholars interested in the music of Eastern Europe and in aesthetic articulations of suffering.
