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Readings In Nineteenth Century Art
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Book Synopsis Readings in Nineteenth Century Art by : Detlef Stiebeling
Download or read book Readings in Nineteenth Century Art written by Detlef Stiebeling and published by . This book was released on 1988 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Readings in Nineteenth-century Art by : Janis A. Tomlinson
Download or read book Readings in Nineteenth-century Art written by Janis A. Tomlinson and published by Pearson College Division. This book was released on 1996 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: This chronological anthology of recent critical scholarship on 19th-century European art represents a wide range of current methodologies and issues. KEY TOPICS: The book features recent scholarship -- since the mid-1980s; represents a diversity of methods; deals with major figures of 19th-century art; emphasizes French art -- reflecting the interests of recent scholarship and a contemporary focus; and focuses on the concerns of recent scholarship -- e.g., the recurrence of themes such as the female nude, the role of the critic, and exhibitions and institutions.
Book Synopsis 19th-century Art by : Robert Rosenblum
Download or read book 19th-century Art written by Robert Rosenblum and published by Discontinued 3pd. This book was released on 2005 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published twenty years ago, "Nineteenth Century Art, Second Edition "remains true to the original, with its superior survey of Western painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century. This book draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music. For nineteenth century art enthusiasts.
Book Synopsis An Introduction to Nineteenth Century Art by : Michelle Facos
Download or read book An Introduction to Nineteenth Century Art written by Michelle Facos and published by . This book was released on 2011 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
Book Synopsis Fashioned Texts and Painted Books by : Erin E. Edgington
Download or read book Fashioned Texts and Painted Books written by Erin E. Edgington and published by UNC Press Books. This book was released on 2017-10-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fashioned Texts and Painted Books examines the folding fan's multiple roles in fin-de-siecle and early twentieth-century French literature. Focusing on the fan's identity as a symbol of feminine sexuality, as a collectible art object, and, especially, as an alternative book form well suited to the reception of poetic texts, the study highlights the fan's suitability as a substrate for verse, deriving from its myriad associations with coquetry and sex, flight, air, and breath. Close readings of Stephane Mallarme's eventails of the 1880s and 1890s and Paul Claudel's Cent phrases pour eventails (1927) consider both text and paratext as they underscore the significant visual interest of this poetry. Works in prose and in verse by Octave Uzanne, Guy de Maupassant, and Marcel Proust, along with fan leaves by Edgar Degas, Edouard Manet, Berthe Morisot, and Paul Gauguin, serve as points of comparison that deepen our understanding of the complex interplay of text and image that characterizes this occasional subgenre. Through its interrogation of the correspondences between form and content in fan poetry, this study demonstrates that the fan was, in addition to being a ubiquitous fashion accessory, a significant literary and art historical object straddling the boundary between East and West, past and present, and high and low art.
Download or read book Critical Shift written by Karen L. Georgi and published by Penn State Press. This book was released on 2015-06-29 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.
Book Synopsis Critical Readings in Impressionism and Post-Impressionism by : Mary Tompkins Lewis
Download or read book Critical Readings in Impressionism and Post-Impressionism written by Mary Tompkins Lewis and published by Univ of California Press. This book was released on 2023-12-22 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Book Synopsis Pictures-within-Pictures in Nineteenth-Century Britain by : Catherine Roach
Download or read book Pictures-within-Pictures in Nineteenth-Century Britain written by Catherine Roach and published by Routledge. This book was released on 2017-07-05 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Repainting the work of another into one?s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. Artists working in nineteenth-century London were in a peculiar position: based in an imperial metropole, yet undervalued by their competitors in continental Europe. Many claimed that Britain had yet to produce a viable national school of art. Using pictures-within-pictures, British painters challenged these claims and asserted their role in an ongoing visual tradition. By transforming pre-existing works of art, they also asserted their own painterly abilities. Recognizing these statements provided viewers with pleasure, in the form of a witty visual puzzle solved, and with prestige, in the form of cultural knowledge demonstrated. At stake for both artist and audience in such exchanges was status: the status of the painter relative to other artists, and the status of the viewer relative to other audience members. By considering these issues, this book demonstrates a new approach to images of historic displays. Through examinations of works by J.M.W. Turner, John Everett Millais, John Scarlett Davis, Emma Brownlow King, and William Powell Frith, this book reveals how these small passages of paint conveyed both personal and national meanings.
Download or read book A Forest of Symbols written by Andrei Pop and published by Zone Books. This book was released on 2019-10-22 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period—the problem of subjectivity in particular. In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell—filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Book Synopsis Victorian Heroines by : Kimberley Reynolds
Download or read book Victorian Heroines written by Kimberley Reynolds and published by NYU Press. This book was released on 1993-11-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kimberley Reynolds and Nicola Humble here provide a radical revision of Victorian constructions of femininity. Using a wide range of textual examples (including children's literature, sensations fiction, diaries, and autobiography) as well as visual illustrations, Victorian Heroines offers a new look at the representation of women and sexuality in nineteenth-century literature and painting. Arguing against the conventional dyadic model that interprets Victorian fiction in terms of a rigid distinction between the good and bad, the sexual and asexual woman, the authors suggest a more complex paradigm, simultaneously concealing and revealing contradictory attitudes to Victorian womanhood. The book explores the highly erotic fantasy elements frequently found in widely disseminated orthodox female images, and effectively demonstrates how both male and female writers used similar techniques to subvert this orthodoxy. Drawing on contemporary critical and cultural theories, Victorian Heroines is a lucid and accessible analysis of the depiction of women during this period, challenging the prevalent views of recent decades.
Book Synopsis Impressionism and the Modern Landscape by : James H. Rubin
Download or read book Impressionism and the Modern Landscape written by James H. Rubin and published by Univ of California Press. This book was released on 2008-04-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Book Synopsis Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures by : L. Calè
Download or read book Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures written by L. Calè and published by Springer. This book was released on 2009-12-09 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.
Book Synopsis Critical Issues In American Art by : Mary Ann Calo
Download or read book Critical Issues In American Art written by Mary Ann Calo and published by Routledge. This book was released on 2018-02-12 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology of essays on different critical approaches and methodologies for the analysis and interpretation of American art and artists is designed for students and teachers in American art history and American studies programs. It contains twenty selections from academic journals on American art from colonial times to 1940. Mary Ann Calo provides an introduction to the anthology, explaining its purpose and organization, and each selection has a brief introduction about its main focus and scholarly approach. These case studies show the diversity of scholarly thinking about interpreting American works of art, which should be useful for teachers and comprehensible and interesting for students.This anthology contains twenty articles on American art from colonial times to 1940. The selections are mainly from academic journals and aim to provide the student and teacher with different critical approaches and methodologies for the analysis and interpretation of American art and artists. Mary Ann Calo's preface to the anthology explains its purpose and organization, and each article will have a brief introduction about its main focus and scholarly approach.This text meets the need in American art history studies for an anthology of essays on critical approaches and methodologies.
Download or read book The Deceivers written by Aviva Briefel and published by Cornell University Press. This book was released on 2006 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities - both authentic and fake - that emerged from the Victorian culture of forgery."--BOOK JACKET.
Book Synopsis Race-ing Art History by : Kymberly N. Pinder
Download or read book Race-ing Art History written by Kymberly N. Pinder and published by Routledge. This book was released on 2013-04-15 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Book Synopsis Painting the Dark Side by : Sarah Burns
Download or read book Painting the Dark Side written by Sarah Burns and published by . This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sarah Burns examines the presentation of the gothic in 19th century American painting. Dismissing notions that gothic was the work only of misfits, she shows how it influenced romantic and realist painters, and at how gothic painters such as Quidor, Blythe and Rimmer participated in the development of American art.
Book Synopsis A Theory of the Tache in Nineteenth-Century Painting by : Dr Øystein Sjåstad
Download or read book A Theory of the Tache in Nineteenth-Century Painting written by Dr Øystein Sjåstad and published by Ashgate Publishing, Ltd.. This book was released on 2014-07-25 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists’ rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cézanne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist’s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art.