Post War Cinema And Modernity

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Post-war Cinema and Modernity

Author : John Orr
Publisher : Edinburgh University Press
ISBN 13 : 1474471471
Total Pages : 464 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Post-war Cinema and Modernity by : John Orr

Download or read book Post-war Cinema and Modernity written by John Orr and published by Edinburgh University Press. This book was released on 2019-08-06 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. Its distinguishing feature is the focus on the close connections between history, theory and textual criticism. The first section, on Film Theory and Film Form, begins with a sustained group of theory readings. Bazin and Telotte critique new post-war forms of film narrative, while Metz and Birch respond to the filmic innovations of the 1960s and the question of modernism. Pasolini's landmark polemic on the cinema of poetry is a vital springboard for the later critiques by Deleuze and Tarkovsky of time and the image, and for Kawin and De Lauretis of subjectivities and their narrative transformation, while Jameson deals with the topical question of film and postmodernity. There follows a series of essays grouped around different aspects of film form. General discussion of changes in film technology and cinematic perception can be seen in the essays by Virilio, Wollen, Aumont and Bukatman, and is extended to a discussion of film documentary. Finally, there is a focus on cinematographers and their filmic collaboration, with a specially commissioned essay on post-war British cinematography, and readings featuring the work of Michael Chapman with Martin Scorsese and Nestor Almendros with Terrence Malick.The second section looks at International Cinema, placing filmmaking and filmmakers in a social and a national context, as well as taking up many aspects of film theory. It brings together landmark essays which contextualise feature films historically, yet also highlight their aesthetic power and their wider cultural importance. Filmmakers discussed include Ozu, Bresson, Hitchcock, Godard, Fassbinder and Zhang Yimou. There is a new translation of Kieslowski's essay on Bergman's The Silence and an essay specially commissioned for the volume on the work of Theo Angelopoulos.Features* Filmmaking and filmmakers are placed in social, nat

Post-War Modernist Cinema and Philosophy

Author : H. Ford
Publisher : Springer
ISBN 13 : 1137283521
Total Pages : 284 pages
Book Rating : 4.1/5 (372 download)

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Book Synopsis Post-War Modernist Cinema and Philosophy by : H. Ford

Download or read book Post-War Modernist Cinema and Philosophy written by H. Ford and published by Springer. This book was released on 2012-10-29 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation.

Schooling in Modernity

Author : Paola Bonifazio
Publisher : University of Toronto Press
ISBN 13 : 1442669489
Total Pages : 322 pages
Book Rating : 4.4/5 (426 download)

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Book Synopsis Schooling in Modernity by : Paola Bonifazio

Download or read book Schooling in Modernity written by Paola Bonifazio and published by University of Toronto Press. This book was released on 2014-05-27 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1948 and the end of the 1950s, Italian and American government agencies and corporations commissioned hundreds of short films for domestic and foreign consumption on topics such as the fight against unemployment, the transformation of rural and urban spaces, and the re-establishment of democratic regimes in Italy and throughout Europe. In Schooling in Modernity, Paola Bonifazio investigates the ways in which these sponsored films promoted a particular vision of modernization and industry and functioned as tools to govern the Italian people. The author uses extensive archival research and various theoretical approaches to examine the politics of sponsored filmmaking in postwar Italy. Among the many topics explored are target audiences and audience response, sources of funding, censorship, debates on cinematic realism, and the connections and differences between American and Italian strategies and styles of documentary filmmaking. Insightful and richly detailed, Schooling in Modernity shows the importance of these under-appreciated films in the postwar modernization process, the transition from Fascism to democracy, and Italy’s involvement in the Cold War.

Cinema and Modernity

Author : Murray Pomerance
Publisher : Rutgers University Press
ISBN 13 : 0813538165
Total Pages : 386 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Cinema and Modernity by : Murray Pomerance

Download or read book Cinema and Modernity written by Murray Pomerance and published by Rutgers University Press. This book was released on 2006 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings together several essays by seventeen scholars to explore the complexity of the essential connection between film and modernity. This volume shows us the significant ways that film has both grown in the context of the modern world and played a central role in reflecting and shaping our interactions with it.

Split Screen Korea

Author : Steven Chung
Publisher : U of Minnesota Press
ISBN 13 : 1452941513
Total Pages : 240 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Split Screen Korea by : Steven Chung

Download or read book Split Screen Korea written by Steven Chung and published by U of Minnesota Press. This book was released on 2014-03-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.

Cinema, Audiences and Modernity

Author : Daniel Biltereyst
Publisher : Routledge
ISBN 13 : 1136642005
Total Pages : 226 pages
Book Rating : 4.1/5 (366 download)

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Book Synopsis Cinema, Audiences and Modernity by : Daniel Biltereyst

Download or read book Cinema, Audiences and Modernity written by Daniel Biltereyst and published by Routledge. This book was released on 2013-03 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book confronts theoretical models on cinema as both a product and a catalyst of European modernity with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition.

Cinema and Modernity

Author : John Orr
Publisher : Polity
ISBN 13 : 9780745611860
Total Pages : 240 pages
Book Rating : 4.6/5 (118 download)

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Book Synopsis Cinema and Modernity by : John Orr

Download or read book Cinema and Modernity written by John Orr and published by Polity. This book was released on 1993-12-08 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the complex relation between modernity and cinema drawing particularly upon the European and American cinema during the second half of the twentieth century. Orr attempts to rethink the relation of film-making to the contemporary world challenging many of the critical complacencies of post-modernism and offering a fresh perspective upon the development of the modern cinema.

Film Noir and the Spaces of Modernity

Author : Edward Dimendberg
Publisher : Harvard University Press
ISBN 13 : 0674261577
Total Pages : 342 pages
Book Rating : 4.6/5 (742 download)

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Book Synopsis Film Noir and the Spaces of Modernity by : Edward Dimendberg

Download or read book Film Noir and the Spaces of Modernity written by Edward Dimendberg and published by Harvard University Press. This book was released on 2004-06-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.

Post-War Italian Cinema

Author : Daniela Treveri Gennari
Publisher : Routledge
ISBN 13 : 1135894965
Total Pages : 409 pages
Book Rating : 4.1/5 (358 download)

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Book Synopsis Post-War Italian Cinema by : Daniela Treveri Gennari

Download or read book Post-War Italian Cinema written by Daniela Treveri Gennari and published by Routledge. This book was released on 2011-02-23 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the Italian production and distribution industries satisfied the American political and economic interests. American political and cultural ideology of the post-1945 era, is compared with the Roman Catholic ideology in order to assess their cultural propaganda. This is followed by studies of the roles played by key individuals, such as Giulio Andreotti, and institutions such as ANICA and A.G.I.S. involved in formulating the policies and regulations that affected the production and distribution of American and Italian films in the post-1945 era, as well as the involvement of the Roman Catholic Church in this process.

Cinema, Memory, Modernity

Author : Russell J.A. Kilbourn
Publisher : Routledge
ISBN 13 : 1134550154
Total Pages : 289 pages
Book Rating : 4.1/5 (345 download)

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Book Synopsis Cinema, Memory, Modernity by : Russell J.A. Kilbourn

Download or read book Cinema, Memory, Modernity written by Russell J.A. Kilbourn and published by Routledge. This book was released on 2013-10-18 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology — an art of memory for the twentieth-century and beyond.

Screening Modernism

Author : András Bálint Kovács
Publisher : University of Chicago Press
ISBN 13 : 0226451631
Total Pages : 441 pages
Book Rating : 4.2/5 (264 download)

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Book Synopsis Screening Modernism by : András Bálint Kovács

Download or read book Screening Modernism written by András Bálint Kovács and published by University of Chicago Press. This book was released on 2007 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday. Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.

Gender Meets Genre in Postwar Cinemas

Author : Christine Gledhill
Publisher : University of Illinois Press
ISBN 13 : 0252036611
Total Pages : 290 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Gender Meets Genre in Postwar Cinemas by : Christine Gledhill

Download or read book Gender Meets Genre in Postwar Cinemas written by Christine Gledhill and published by University of Illinois Press. This book was released on 2012-01-19 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and post-feminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as means of putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality come into view as elements fuelling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Drawing on the intensifying transnational context of film production and on postcolonial thinking, this volume includes essays that explore the transformational transactions between gender and genre as world-circulating Hollywood generic practices intersect with and are stimulated by American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between centre and periphery, between feminism and generic filmmaking, and the supposed gendering of genres, filmmakers and their audiences. Contributors are Ira Bhaskar, Xiangyang Chen, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, and Deborah Thomas.

Film and Literary Modernism

Author : Robert P. McParland
Publisher : Cambridge Scholars Publishing
ISBN 13 : 144386644X
Total Pages : 255 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Film and Literary Modernism by : Robert P. McParland

Download or read book Film and Literary Modernism written by Robert P. McParland and published by Cambridge Scholars Publishing. This book was released on 2014-08-26 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Film and Literary Modernism, the connections between film, modernist literature, and the arts are explored by an international group of scholars. The impact of cinema upon our ways of seeing the world is highlighted in essays on city symphony films, avant-garde cinema, European filmmaking and key directors and personalities from Charlie Chaplin, Sergei Eisenstein and Alain Renais to Alfred Hitchcock and Mae West. Contributors investigate the impact of film upon T. S. Eliot, time and stream of consciousness in Virginia Woolf and Henri Bergson, the racial undercurrents in the film adaptations of Ernest Hemingway’s fiction, and examine the film writing of William Faulkner, James Agee, and Graham Greene. Robert McParland assembles an international group of researchers including independent film makers, critics and professors of film, creative writers, teachers of architecture and design, and young doctoral scholars, who offer a multi-faceted look at modernism and the art of the film.

The Cold War and Asian Cinemas

Author : Poshek Fu
Publisher : Routledge
ISBN 13 : 0429757298
Total Pages : 317 pages
Book Rating : 4.4/5 (297 download)

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Book Synopsis The Cold War and Asian Cinemas by : Poshek Fu

Download or read book The Cold War and Asian Cinemas written by Poshek Fu and published by Routledge. This book was released on 2019-11-28 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.

Slow Cinema

Author : Tiago de Luca
Publisher : Edinburgh University Press
ISBN 13 : 0748696032
Total Pages : 320 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Slow Cinema by : Tiago de Luca

Download or read book Slow Cinema written by Tiago de Luca and published by Edinburgh University Press. This book was released on 2015-12-31 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.

American Stranger

Author : Will Scheibel
Publisher : SUNY Press
ISBN 13 : 1438464118
Total Pages : 260 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis American Stranger by : Will Scheibel

Download or read book American Stranger written by Will Scheibel and published by SUNY Press. This book was released on 2017-01-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconstructs how Ray became a "rebel auteur" in cinema culture.

Modernism

Author : Ástráður Eysteinsson
Publisher : John Benjamins Publishing
ISBN 13 : 9789027234544
Total Pages : 584 pages
Book Rating : 4.2/5 (345 download)

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Book Synopsis Modernism by : Ástráður Eysteinsson

Download or read book Modernism written by Ástráður Eysteinsson and published by John Benjamins Publishing. This book was released on 2007 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.