Post Independence Indian Theatres

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Theatres of Independence

Author : Aparna Bhargava Dharwadker
Publisher : University of Iowa Press
ISBN 13 : 158729642X
Total Pages : 505 pages
Book Rating : 4.5/5 (872 download)

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Book Synopsis Theatres of Independence by : Aparna Bhargava Dharwadker

Download or read book Theatres of Independence written by Aparna Bhargava Dharwadker and published by University of Iowa Press. This book was released on 2009-11 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.

New Indian Cinema in Post-Independence India

Author : Anuradha Dingwaney Needham
Publisher : Routledge
ISBN 13 : 1135021333
Total Pages : 264 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis New Indian Cinema in Post-Independence India by : Anuradha Dingwaney Needham

Download or read book New Indian Cinema in Post-Independence India written by Anuradha Dingwaney Needham and published by Routledge. This book was released on 2013-11-26 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.

New Indian Cinema in Post-Independence India

Author : Anuradha Needham
Publisher : Routledge
ISBN 13 : 1135021341
Total Pages : 238 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis New Indian Cinema in Post-Independence India by : Anuradha Needham

Download or read book New Indian Cinema in Post-Independence India written by Anuradha Needham and published by Routledge. This book was released on 2013-11-26 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.

Theatre and National Identity in Colonial India

Author : Sharmistha Saha
Publisher : Springer
ISBN 13 : 9811311773
Total Pages : 183 pages
Book Rating : 4.8/5 (113 download)

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Book Synopsis Theatre and National Identity in Colonial India by : Sharmistha Saha

Download or read book Theatre and National Identity in Colonial India written by Sharmistha Saha and published by Springer. This book was released on 2018-11-03 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.

Mourning the Nation

Author : Bhaskar Sarkar
Publisher : Duke University Press
ISBN 13 : 0822392216
Total Pages : 385 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Mourning the Nation by : Bhaskar Sarkar

Download or read book Mourning the Nation written by Bhaskar Sarkar and published by Duke University Press. This book was released on 2009-05-20 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.

Theatre of Roots

Author : Erin B. Mee
Publisher : Seagull Books Pvt Ltd
ISBN 13 : 9781905422760
Total Pages : 436 pages
Book Rating : 4.4/5 (227 download)

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Book Synopsis Theatre of Roots by : Erin B. Mee

Download or read book Theatre of Roots written by Erin B. Mee and published by Seagull Books Pvt Ltd. This book was released on 2008 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.

Postdramatic Theatre and India

Author : Ashis Sengupta
Publisher : Bloomsbury Publishing
ISBN 13 : 1350154105
Total Pages : 216 pages
Book Rating : 4.3/5 (51 download)

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Book Synopsis Postdramatic Theatre and India by : Ashis Sengupta

Download or read book Postdramatic Theatre and India written by Ashis Sengupta and published by Bloomsbury Publishing. This book was released on 2022-01-27 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book revisits Hans-Thies Lehmann's theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American model of postdramatic theatre, but many have used its vocabulary and apparatus in innovative, transnational ways. Their principal aim was to invigorate the language of Indian urban theatre, which had turned stale under the stronghold of realism inherited from colonial stage practice or prescriptive under the decolonizing drive of the 'theatre of roots' movement after independence. Emerging out of a set of different historical and cultural contexts, their productions have eventually expanded and diversified the postdramatic framework by crosspollinating it with regional performance forms. Theatre in India today includes devised performance, storytelling across forms, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so on. The book balances theory, context and praxis, developing a new area of scholarship in Indian theatre. Interspersed throughout are Indian theatre-makers' clarifications of their own practices vis-à-vis those in Europe and the US.

Utpal Dutt and Political Theatre in Postcolonial India

Author : Mallarika Sinha Roy
Publisher :
ISBN 13 : 1009264087
Total Pages : 84 pages
Book Rating : 4.0/5 (92 download)

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Book Synopsis Utpal Dutt and Political Theatre in Postcolonial India by : Mallarika Sinha Roy

Download or read book Utpal Dutt and Political Theatre in Postcolonial India written by Mallarika Sinha Roy and published by . This book was released on 2024-04-15 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929-1993), was an early exponent of rethinking colonial history through political theatre. Dutt envisaged political theatre as part of the larger Marxist project, and his incorporation of new developments in Marxist thinking, including the contributions of Antonio Gramsci, makes it possible to conceptualise his protagonists as insurgent subalterns. A decolonial approach to staging history remained a significant element in Dutt's artistic project. This Element examines Dutt's passionate engagement with Marxism and explores how this sense of urgency was actioned through the writing and producing of plays about the peasant revolts and armed anti-colonial movements which took place during the period of British rule. Drawing on contemporary debates in political theatre regarding the autonomy of the spectator and the performance of history, the author locates Dutt's political theatre in a historical frame.

A Theatre of Their Own: Indian Women Playwrights in Perspective

Author : Dr. Pinaki Ranjan Das
Publisher : Partridge Publishing
ISBN 13 : 1543707688
Total Pages : 232 pages
Book Rating : 4.5/5 (437 download)

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Book Synopsis A Theatre of Their Own: Indian Women Playwrights in Perspective by : Dr. Pinaki Ranjan Das

Download or read book A Theatre of Their Own: Indian Women Playwrights in Perspective written by Dr. Pinaki Ranjan Das and published by Partridge Publishing. This book was released on 2021-04-29 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an age where academic curriculum has essentially pushed theatre studies into ‘post-script’, and the cultural ‘space’ of making and watching theatre has been largely usurped by the immense popularity of television and ‘mainstream’ cinemas, it is important to understand why theatre still remains a ‘space’ to be reckoned as one’s ‘own’. This book argues for a ‘theatre’ of ‘their own’ of the Indian women playwrights (and directors), and explores the possibilities that modern Indian theatre can provide as an instrument of subjective as well as social/ political/ cultural articulations and at the same time analyses the course of Indian theatre which gradually underwent broadening of thematic and dramaturgic scope in order to accommodate the independent voices of the women playwrights and directors.

Shakespeare and Indian Theatre

Author : Vikram Singh Thakur
Publisher : Bloomsbury Publishing
ISBN 13 : 9389812658
Total Pages : 232 pages
Book Rating : 4.3/5 (898 download)

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Book Synopsis Shakespeare and Indian Theatre by : Vikram Singh Thakur

Download or read book Shakespeare and Indian Theatre written by Vikram Singh Thakur and published by Bloomsbury Publishing. This book was released on 2021-12-30 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.

Post Independence India

Author : Muzaffar H. Syed , Anil kumar, B.D. Usmani & Pramod Gupta
Publisher : K.K. Publicaitons
ISBN 13 :
Total Pages : 428 pages
Book Rating : 4./5 ( download)

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Book Synopsis Post Independence India by : Muzaffar H. Syed , Anil kumar, B.D. Usmani & Pramod Gupta

Download or read book Post Independence India written by Muzaffar H. Syed , Anil kumar, B.D. Usmani & Pramod Gupta and published by K.K. Publicaitons. This book was released on 2022-01-09 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Post Independence India India gained independence from Great Britain in 1947, but the British provinces, under the crown, were partitioned into two dominions of India and Pakistan and all princely states acceded to either of the two dominions. After Independence, a new era began. Pt. Nehru took the reins of the newly independent nation. Nehru era made a new history. Later, came on the scene, Indira Gandhi. Her eventful period was followed by Janata Party rule and thus, the story went on. There are a lot of books on Indian History, already published and stacks in libraries are packed with them. But, it is always felt that a seriously composed, compact and not so lengthy book on the subject could always create a niche for itself. Hence, this endeavor. Contents: Introduction • India before Independence • Dawn of Freedom • Significant Developments after Independence • Prime Ministers • Indo-Pakistan Conflicts and Wars • System of Governance in India • National Symbols of India

Indian Theatre

Author : Ralph Yarrow
Publisher : Psychology Press
ISBN 13 : 070071412X
Total Pages : 246 pages
Book Rating : 4.7/5 (7 download)

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Book Synopsis Indian Theatre by : Ralph Yarrow

Download or read book Indian Theatre written by Ralph Yarrow and published by Psychology Press. This book was released on 2001 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work discusses why so many western theatre workers have come to India and what they were looking for. It identifies Indian theatre as a site of reappraisal and renewal both in India and in the world of performance.

Adapting Chekhov

Author : J. Douglas Clayton
Publisher : Routledge
ISBN 13 : 0415509696
Total Pages : 336 pages
Book Rating : 4.4/5 (155 download)

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Book Synopsis Adapting Chekhov by : J. Douglas Clayton

Download or read book Adapting Chekhov written by J. Douglas Clayton and published by Routledge. This book was released on 2013 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practices of the new millennium, highlighting our epoch's need to engage with the history of dramatic forms and their evolution. The collection demonstrates that adaptation as the practice of transformation and as a re-thinking of habitual dramatic norms and genre definitions leads to the rejuvenation of existing dramatic and performative standards, pioneering the creation of new traditions and expectations. As the major mode of the storytelling imagination, adaptation can build upon and drive the audience's horizons of expectations in theatre aesthetics. Hence, this volume investigates the original and transformative knowledge that the story of Chekhov's drama in mutations offers to scholars of drama and performance, to students of modern literatures and cultures, and to theatre practitioners worldwide.

Art Cinema and India’s Forgotten Futures

Author : Rochona Majumdar
Publisher : Columbia University Press
ISBN 13 : 0231553900
Total Pages : 222 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Art Cinema and India’s Forgotten Futures by : Rochona Majumdar

Download or read book Art Cinema and India’s Forgotten Futures written by Rochona Majumdar and published by Columbia University Press. This book was released on 2021-10-12 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.

India and South Africa

Author : Javed Majeed
Publisher : Routledge
ISBN 13 : 1317294130
Total Pages : 113 pages
Book Rating : 4.3/5 (172 download)

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Book Synopsis India and South Africa by : Javed Majeed

Download or read book India and South Africa written by Javed Majeed and published by Routledge. This book was released on 2017-10-02 with total page 113 pages. Available in PDF, EPUB and Kindle. Book excerpt: South Africa and India constitute two key nodes in the global south and have inspired new modes of non-Western transnational history. Themes include anti-imperial movements; Gandhian ideas; comparisons of race and caste; Afro-Asian ideals; Indian Ocean public spheres. This volume extends these debates into the cultural and linguistic terrain. The book combines the methods of Indian Ocean studies and Comparative Cultural Studies, both committed to moving beyond the nation state. Case studies explore classics and concomitant ideas of civilisation, colonial linguistics and the history of languages, and theatre. Topics include the use of classics by colonisers and the colonised in British India and South Africa differences between South African Indian English and Indian English how the Linguistic Survey of India conflicted with colonial and nationalist mappings of India and its references to African languages the rise of ‘Hinglish’ in contemporary India a South African play dealing with African-Indian interactions. This bookw as published as a special issue of African Studies.

Mapping South Asia through Contemporary Theatre

Author : A. Sengupta
Publisher : Springer
ISBN 13 : 1137375140
Total Pages : 235 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Mapping South Asia through Contemporary Theatre by : A. Sengupta

Download or read book Mapping South Asia through Contemporary Theatre written by A. Sengupta and published by Springer. This book was released on 2014-09-11 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.

Evacuee Cinema

Author : Salma Siddique
Publisher : Cambridge University Press
ISBN 13 : 1009175521
Total Pages : 280 pages
Book Rating : 4.0/5 (91 download)

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Book Synopsis Evacuee Cinema by : Salma Siddique

Download or read book Evacuee Cinema written by Salma Siddique and published by Cambridge University Press. This book was released on 2022-11-30 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new history of partition and South Asian cinema is narrated through the careers of émigré film personnel, as well as through the distinctive genres and ancillary ventures that accompanied the aftershocks of partition. Moving beyond arguments about social contingency and political intent, the book suggests that the creative energies, production and subsequent circulation of popular cinema can offer fresh insights into partition. Pointing to regional connections across national boundaries, this book asserts that the cinemas of India and Pakistan must be explored in tandem to uncover the legacy of partition for the culture industries of the region, one that is not hewn out of national erasures. The leitmotifs of émigré personnel, gossip and satire in film print culture, the partisan repertoire of a theatre company, the film genres of the Muslim social, romantic comedies and charba (remakes), and the unruly film archives of postcolonial nation–states, when accessed through the lens of a divisive decolonization, reveal the parallaxes and confabulations of the 'national' on both sides.