Popular Cinema Of The Third Reich

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Popular Cinema of the Third Reich

Author : Sabine Hake
Publisher : University of Texas Press
ISBN 13 : 9780292734586
Total Pages : 292 pages
Book Rating : 4.7/5 (345 download)

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Book Synopsis Popular Cinema of the Third Reich by : Sabine Hake

Download or read book Popular Cinema of the Third Reich written by Sabine Hake and published by University of Texas Press. This book was released on 2001 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.

Popular Cinema of the Third Reich

Author : Sabine Hake
Publisher : University of Texas Press
ISBN 13 : 0292779224
Total Pages : 292 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Popular Cinema of the Third Reich by : Sabine Hake

Download or read book Popular Cinema of the Third Reich written by Sabine Hake and published by University of Texas Press. This book was released on 2010-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.

Entertaining the Third Reich

Author : Linda Schulte-Sasse
Publisher : Duke University Press
ISBN 13 : 9780822318248
Total Pages : 372 pages
Book Rating : 4.3/5 (182 download)

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Book Synopsis Entertaining the Third Reich by : Linda Schulte-Sasse

Download or read book Entertaining the Third Reich written by Linda Schulte-Sasse and published by Duke University Press. This book was released on 1996 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Nazi cinema

Nazi Film Melodrama

Author : Laura Heins
Publisher : University of Illinois Press
ISBN 13 : 0252095022
Total Pages : 257 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Nazi Film Melodrama by : Laura Heins

Download or read book Nazi Film Melodrama written by Laura Heins and published by University of Illinois Press. This book was released on 2013-09-16 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.

Film in the Third Reich

Author : David Stewart Hull
Publisher : Univ of California Press
ISBN 13 :
Total Pages : 314 pages
Book Rating : 4./5 ( download)

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Book Synopsis Film in the Third Reich by : David Stewart Hull

Download or read book Film in the Third Reich written by David Stewart Hull and published by Univ of California Press. This book was released on 1969 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: History of the film industry in Nazi Germany. Subversion of the Film Industry; Goebbels Shows His Teeth; Interlude; Goebbels Abolishes the Critics; Goebbels Absorbs the Industry War and Escapism; The Antisemitic Film; Films of the Early War Period; Film in Twilight

Ministry of Illusion

Author : Eric Rentschler
Publisher : Harvard University Press
ISBN 13 : 9780674576407
Total Pages : 480 pages
Book Rating : 4.5/5 (764 download)

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Book Synopsis Ministry of Illusion by : Eric Rentschler

Download or read book Ministry of Illusion written by Eric Rentschler and published by Harvard University Press. This book was released on 1996-10 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Overview of Nazi cinema

Rubble Films

Author : Robert Shandley
Publisher : Temple University Press
ISBN 13 : 1592138063
Total Pages : 237 pages
Book Rating : 4.5/5 (921 download)

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Book Synopsis Rubble Films by : Robert Shandley

Download or read book Rubble Films written by Robert Shandley and published by Temple University Press. This book was released on 2001 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: An insightful analysis of German film in the immediate postwar era.

Propaganda and the German Cinema, 1933-1945

Author : David Welch
Publisher : Bloomsbury Publishing
ISBN 13 : 085771595X
Total Pages : 329 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Propaganda and the German Cinema, 1933-1945 by : David Welch

Download or read book Propaganda and the German Cinema, 1933-1945 written by David Welch and published by Bloomsbury Publishing. This book was released on 2001-03-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.

Hitler's Monsters

Author : Eric Kurlander
Publisher : Yale University Press
ISBN 13 : 0300190379
Total Pages : 411 pages
Book Rating : 4.3/5 (1 download)

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Book Synopsis Hitler's Monsters by : Eric Kurlander

Download or read book Hitler's Monsters written by Eric Kurlander and published by Yale University Press. This book was released on 2017-06-06 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review

The Triumph of Propaganda

Author : Hilmar Hoffmann
Publisher : Berghahn Books
ISBN 13 : 9781571811226
Total Pages : 276 pages
Book Rating : 4.8/5 (112 download)

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Book Synopsis The Triumph of Propaganda by : Hilmar Hoffmann

Download or read book The Triumph of Propaganda written by Hilmar Hoffmann and published by Berghahn Books. This book was released on 1996 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seeing German film during the Third Reich as a powerful and sinister tool for both indoctrination and escapist pacification, analyses the pictorial and spoken language to identify the psychological techniques used in the various genres, including news reels, documentaries, features, and cultural films. Two chapters focus on the role of flags, and another explains the rise of Hitler. Not illustrated. No subject index. First published as Und die Fahne fuhrt uns in die Ewigkeit in 1988 by Fischer Taschenbuch Verlag in Frankfurt am Main. Annotation copyright by Book News, Inc., Portland, OR

Nazi-retro Film

Author : Robert Charles Reimer
Publisher : Twayne Publishers
ISBN 13 :
Total Pages : 296 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Nazi-retro Film by : Robert Charles Reimer

Download or read book Nazi-retro Film written by Robert Charles Reimer and published by Twayne Publishers. This book was released on 1992 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Nazi-retro Film: How German Narrative Cinema Remembers the Past, Robert and Carol Reimer cite the more than 100 German films made since 1946 that, like Salomon Perel, look back on those years in an effort to comprehend them. "Since the end of World War II and the collapse of the Third Reich, Germans have been trying to come to terms with the legacy bequeathed them by Hitler and the Nazis," the Reimers write, "The essence of the legacy is so powerful that single words convey the hold the past has on the psyche: Auschwitz, genocide, the Holocaust.".

The Rise and Fall of the Third Reich

Author : William L. Shirer
Publisher :
ISBN 13 :
Total Pages : 1272 pages
Book Rating : 4.:/5 (6 download)

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Book Synopsis The Rise and Fall of the Third Reich by : William L. Shirer

Download or read book The Rise and Fall of the Third Reich written by William L. Shirer and published by . This book was released on 2011-10-11 with total page 1272 pages. Available in PDF, EPUB and Kindle. Book excerpt: History of Nazi Germany.

Nazi Cinema as Enchantment

Author : Mary-Elizabeth O'Brien
Publisher : Boydell & Brewer
ISBN 13 : 9781571133342
Total Pages : 308 pages
Book Rating : 4.1/5 (333 download)

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Book Synopsis Nazi Cinema as Enchantment by : Mary-Elizabeth O'Brien

Download or read book Nazi Cinema as Enchantment written by Mary-Elizabeth O'Brien and published by Boydell & Brewer. This book was released on 2006 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nazi regime did not merely terrorize its citizens into submission; it also seduced them by offering stability, a traditional value system, a sense of belonging, and hope of a better standard of living. Nazi cinema's popularity rested on its ability to express positive social fantasies and promote the enchantment of reality, so that one would want to share in the dream at any price. This is an interdisciplinary study, written for scholars and students in the fields of film studies, German studies, history, critical studies, and political science, that explores how cinema participated in the larger framework of everyday fascism. The book examines how five film genres - the historical musical, the foreign adventure film, the home-front film, the melodrama, and the problem film - enchanted audiences and enacted shared stories that can tell us much about how family, community, history, the nation, and the war were imagined in Nazi Germany. The book analyzes thirteen motion pictures, many of which are not well known to English-speaking audiences: Wunschkonzert, Die große Liebe, Tanz auf dem Vulkan, Damals, Die Degenhardts, Opfergang, Kautschuk, Robert und Bertram, Verklungene Melodie, Frauen für Golden Hill, Das Leben kann so schön sein, Der verzauberte Tag, and Via Mala. Based on exhaustive research in German archives, the book examines, in addition to the films themselves, articles from the propaganda ministry's official organ, Der deutsche Film, daily trade sheets, fan magazines, and even studio press packages for individual stars and films. Mary-Elizabeth O'Brien is Professor of German at Skidmore College, Saratoga Springs, New York.

Nazis and the Cinema

Author : Susan Tegel
Publisher : Bloomsbury Continuum
ISBN 13 :
Total Pages : 352 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Nazis and the Cinema by : Susan Tegel

Download or read book Nazis and the Cinema written by Susan Tegel and published by Bloomsbury Continuum. This book was released on 2007-08 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive account of the films made in Nazi Germany from 1933 to 1945, including the notorious feature film, Jud Suss, and the compilation documentary Der Ewige Jude.

Hollywood and Hitler, 1933-1939

Author : Thomas Doherty
Publisher : Columbia University Press
ISBN 13 : 0231535147
Total Pages : 449 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Hollywood and Hitler, 1933-1939 by : Thomas Doherty

Download or read book Hollywood and Hitler, 1933-1939 written by Thomas Doherty and published by Columbia University Press. This book was released on 2013-04-02 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

Antisemitism in Film Comedy in Nazi Germany

Author : Valerie Weinstein
Publisher : Indiana University Press
ISBN 13 : 0253040736
Total Pages : 298 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Antisemitism in Film Comedy in Nazi Germany by : Valerie Weinstein

Download or read book Antisemitism in Film Comedy in Nazi Germany written by Valerie Weinstein and published by Indiana University Press. This book was released on 2019-03-05 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

Screen Nazis

Author : Sabine Hake
Publisher : University of Wisconsin Pres
ISBN 13 : 0299287130
Total Pages : 325 pages
Book Rating : 4.2/5 (992 download)

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Book Synopsis Screen Nazis by : Sabine Hake

Download or read book Screen Nazis written by Sabine Hake and published by University of Wisconsin Pres. This book was released on 2012-08-31 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.