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Plagiarism And Imitation During The English Renaissance
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Book Synopsis Plagiarism and Imitation During the English Renaissance by : Harold Ogden White
Download or read book Plagiarism and Imitation During the English Renaissance written by Harold Ogden White and published by Routledge. This book was released on 2013-10-28 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book defines the attitude of English writers between 1500 and 1625 toward the question of literary property rights, of imitation, of what today is called plagiarism.
Book Synopsis Plagiarism and Imitation During the English Renaissance by : Harold Ogden White
Download or read book Plagiarism and Imitation During the English Renaissance written by Harold Ogden White and published by Routledge. This book was released on 2013-10-28 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book defines the attitude of English writers between 1500 and 1625 toward the question of literary property rights, of imitation, of what today is called plagiarism.
Book Synopsis The Plagiarism Allegation in English Literature from Butler to Sterne by : R. Terry
Download or read book The Plagiarism Allegation in English Literature from Butler to Sterne written by R. Terry and published by Springer. This book was released on 2010-09-22 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributing to the growth in plagiarism studies, this timely new book highlights the impact of the allegation of plagiarism on the working lives of some of the major writers of the period, and considers plagiarism in relation to the emergence of literary copyright and the aesthetic of originality.
Book Synopsis Quotation and Modern American Poetry by : Elizabeth Gregory
Download or read book Quotation and Modern American Poetry written by Elizabeth Gregory and published by Texas A&M University Press. This book was released on 1996-07 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume Elizabeth Gregory addresses a number of key issues surrounding the formation of the American poetic canon. Taking as her primary examples T. S. Eliot's Waste Land, William Carlos Williams' Paterson, and selected poems by Marianne Moore, she examines the ways in which modern American writers struggled with questions of literary authority and cultural identity in relation to pre-existing European models. Gregory focuses on these issues through analysis of the use of quotation in modern and postmodern literature, a practice that was strikingly divergent from the accepted use of literary allusion. Her introduction traces a history of quotation as it has been practiced in literature from classical to modern times. She then focuses on the texts of Eliot, Williams, and Moore--three central figures of American modernism whose work the author believes represents a spectrum of responses to the established European model of poetical discourse. Gregory's selection of Moore also allows her to deal with feminist concerns as they emerge in the more general modernist dialogue. How was a female writer to make use of a literary canon that traditionally excluded female participation? "The implications of Gregory's argument . . . will surely be of especial interest to feminist scholars of American poetry."--Lois Parkinson Zamora, University of Houston.
Book Synopsis Pragmatic Plagiarism by : Marilyn Randall
Download or read book Pragmatic Plagiarism written by Marilyn Randall and published by University of Toronto Press. This book was released on 2001-01-01 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this illuminating study, Marilyn Randall takes on the question of why some cases of literary repetition become great art, while others are relegated to the ignominy of plagiarism. Her discussion reveals that plagiarism is not the objective textual fact it is often taken for, but a phenomenon governed by the norms and conventions of literary reception. Randall turns her focus on the critical debates surrounding cases of perceived plagiarism. Charting the progress of plagiarism in the history of Western letters, her study ranges over centuries, from the notion's first apperance in Roman times to contemporary disputes about intellectual property. Randall considers the development of copyright law and the notion of authorship, presents a wide range of texts, and draws aptly on Foucault's notion of the discursive construction of authorship. Just as Foucault studied insanity to find out what was meant by sanity, says Randall, so the study of plagiarism can reveal what was meant by the term "literary" at various cultural moments. She shows that perceived instances of plagiarism are aspects of an ongoing power struggle in the literary field. And as she reveals, it is not the plagiarist but the accuser who is most concerned with achieving profit and power.
Book Synopsis Playwrights and Plagiarists in Early Modern England by : Laura J. Rosenthal
Download or read book Playwrights and Plagiarists in Early Modern England written by Laura J. Rosenthal and published by Cornell University Press. This book was released on 2019-05-15 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists.
Book Synopsis Rethinking Mimesis by : Saija Isomaa
Download or read book Rethinking Mimesis written by Saija Isomaa and published by Cambridge Scholars Publishing. This book was released on 2012-04-25 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary mimesis is an age-old concept which has been variously interpreted and at times highly contested, and which has recently been brought back to the forefront of scholarly interest. The debate around mimesis has been reactivated by approaches that re-evaluate its meaning both in the ancient texts in which it first appeared, and in the contemporary discussions of the power of literary representation. This volume presents a selection of central contributions to both the theoretical debate on mimesis and to its up-to-date critical practice. This volume approaches mimesis by emphasising the principles of knowledge, understanding and imagination that have been associated with mimesis since Aristotle’s Poetics. The articles consider the various aspects of the concept throughout history, and explore the ways in which literature produces its peculiar reality effects and negotiates its relationship to value systems connecting it to the world of everyday experience and ethics, as well as to different ideologies, emotions, world views and fields of knowledge. Building on this rich theoretical background, the articles examine the limits and possibilities of mimesis through detailed textual analyses that present acute challenges to our current understanding of literary representation.
Book Synopsis Shakespeare Between the World Wars by : Robert Sawyer
Download or read book Shakespeare Between the World Wars written by Robert Sawyer and published by Springer. This book was released on 2019-02-06 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare Between the World Wars draws parallels between Shakespearean scholarship, criticism, and production from 1920 to 1940 and the chaotic years of the Interwar era. The book begins with the scene in Hamlet where the Prince confronts his mother, Gertrude. Just as the closet scene can be read as a productive period bounded by devastation and determination on both sides, Robert Sawyer shows that the years between the World Wars were equally positioned. Examining performance and offering detailed textual analyses, Sawyer considers the re-evaluation of Shakespeare in the Anglo-American sphere after the First World War. Instead of the dried, barren earth depicted by T. S. Eliot and others in the 1920s and 1930s, this book argues that the literary landscape resembled a paradoxically fertile wasteland, for just below the arid plain of the time lay the seeds for artistic renewal and rejuvenation which would finally flourish in the later twentieth century.
Book Synopsis Copyright and Piracy by : Lionel Bently
Download or read book Copyright and Piracy written by Lionel Bently and published by Cambridge University Press. This book was released on 2010-10-28 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?
Book Synopsis The Oxford History of Classical Reception in English Literature by : David Hopkins
Download or read book The Oxford History of Classical Reception in English Literature written by David Hopkins and published by Oxford University Press. This book was released on 2012 with total page 803 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Book Synopsis Originality and Intellectual Property in the French and English Enlightenment by : Reginald McGinnis
Download or read book Originality and Intellectual Property in the French and English Enlightenment written by Reginald McGinnis and published by Routledge. This book was released on 2013-10-17 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.
Download or read book Handel written by Anthony Hicksd and published by Springer. This book was released on 1988-03-08 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Handel, Tercentenary Collection by : Stanley Sadie
Download or read book Handel, Tercentenary Collection written by Stanley Sadie and published by University Rochester Press. This book was released on 1987 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis English Fictions of Communal Identity, 1485–1603 by : Joshua Phillips
Download or read book English Fictions of Communal Identity, 1485–1603 written by Joshua Phillips and published by Routledge. This book was released on 2016-05-13 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging a long-standing trend that sees the Renaissance as the end of communal identity and constitutive group affiliation, author Joshua Phillips explores the perseverance of such affiliation throughout Tudor culture. Focusing on prose fiction from Malory's Morte Darthur through the works of Sir Philip Sidney and Thomas Nashe, this study explores the concept of collective agency and the extensive impact it had on English Renaissance culture. In contrast to studies devoted to the myth of early modern individuation, English Fictions of Communal Identity, 1485-1603 pays special attention to primary communities-monastic orders, printing house concerns, literary circles, and neighborhoods-that continued to generate a collective sense of identity. Ultimately, Phillips offers a new way of theorizing the relation between collaboration and identity. In terms of literary history, this study elucidates a significant aspect of novelistic discourse, even as it accounts for the institutional disregard of often brilliant works of early modern fiction.
Book Synopsis The Oxford History of Poetry in English by : Catherine Bates
Download or read book The Oxford History of Poetry in English written by Catherine Bates and published by Oxford University Press. This book was released on 2022-04-29 with total page 681 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Book Synopsis Shakespeare and the Origins of English by : Neil Rhodes
Download or read book Shakespeare and the Origins of English written by Neil Rhodes and published by Oxford University Press, USA. This book was released on 2004 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: What existed before there was a subject known as English? How did English eventually come about? Focusing specifically on Shakespeare's role in the origins of the subject, Rhodes addresses the evolution of English from the early modern period up to the late eighteenth century. He deals with the kinds of literary and educational practices that would have formed Shakespeare's experience and shaped his work and traces the origins of English in certain aspects of the educational regime that existed before English literature became an established part of the curriculum. Rhodes then presents Shakespeare both as a product of Renaissance rhetorical teaching and as an agent of the transformation of rhetoric in the eighteenth century into the subject that emerged as the modern study of English. By transferring terms from contemporary disciplines, such as 'media studies' and 'creative writing', or the technology of computing, to earlier cultural contexts Rhodes aims both to invite further reflection on the nature of the practices themselves, and also to offer new ways of thinking about their relationship to the discipline of English. Shakespeare and the Origins of English attempts not only an explanation of where English came from, but suggests how some of the things that we do now in the name of 'English' might usefully be understood in a wider historical perspective. By extending our view of its past, we may achieve a clearer view of its future.
Book Synopsis The Birth and Death of the Author by : Andrew J. Power
Download or read book The Birth and Death of the Author written by Andrew J. Power and published by Routledge. This book was released on 2020-07-09 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Birth and Death of the Author is a work about the changing nature of authorship as a concept. In eight specialist interventions by a diverse group of the finest international scholars it tells a history of print authorship in a set of author case studies from the fifteenth to the twenty-first century. The introduction surveys the prehistory of print authorship and sets the historical and theoretical framework that opens the discussion for the seven succeeding chapters. Engaging particularly with the history of the materials and technology of authorship it places this in conversation with the critical history of the author up to and beyond the crisis of Barthes' 'Death of the Author'. As a multi-authored history of authorship itself, each subsequent chapter takes a single author or work from every century since the advent of print and focuses in on the relationship between the author and the reader. Thus they explore the complexities of the concept of authorship in the works of Thomas Hoccleve and John Lydgate (Andrew Galloway, Cornell University), William Shakespeare and Christopher Marlowe (Rory Loughnane, University of Kent), John Taylor, "the Water Poet" (Edel Semple, University College Cork), Samuel Richardson (Natasha Simonova, University of Oxford), Herman Melville (and his reluctant scrivener ‘Bartleby’) (William E. Engel, Sewanee, The University of the South), James Joyce (Brad Tuggle, University of Alabama), and Grant Morrison (Darragh Greene, University College Dublin).
