Pictorialism in Cinema

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443814377
Total Pages : 430 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Pictorialism in Cinema by : Jarmo Valkola

Download or read book Pictorialism in Cinema written by Jarmo Valkola and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies. Pictorialism is motivated by the commitment to develop and increase the function and effectiveness of images, sounds, and performances that aesthetically formulate, translate, and change the effects of contemporary cinema to higher dimensions and qualities of art. The book’s main focus is when pictorialism as such is the major aesthetic convention used in filmmaking practice, and when pictorialism itself forms the key element of the narrative, considering a number of theoretical and practical issues of filmic narration, including: What are the main challenges of pictorial communication? How is pictorialism used in films? How far is the “pictorial image” a combination of the bodily performance of the characters, the surrounding landscape, and the evocative use of the soundscape? More generally, what is the state of image studies today? The first part of this book deals with the conventions of pictorialist connections in architecture, painting and photography, and their influences on cinematic representations and on film studies and film theory. The films analysed here combine various styles, but the focus is tracking down pictorialism’s influences through a large spectre of matters. The next section explores pictorialism’s development in Hollywood cinema, in European Cinema, in avant-garde film, and in documentary. Finally, the book concludes with three large sections devoted to the developers of modern pictorialist cinema, namely Theo Angelopoulos, Aki Kaurismäki and Béla Tarr. As such, this study offers a way to understand the main ideas, subjects and stylisation of pictorialism in cinema, to explore the main ingredients of this phenomenon, and to focus on narratives that are in the service of pictorial matters.

Theatre to Cinema

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Publisher : Oxford University Press, USA
ISBN 13 : 9780198182672
Total Pages : 256 pages
Book Rating : 4.1/5 (826 download)

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Book Synopsis Theatre to Cinema by : Ben Brewster

Download or read book Theatre to Cinema written by Ben Brewster and published by Oxford University Press, USA. This book was released on 1997 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the relationship between early cinema and 19th century theatre.

European Film Theory and Cinema

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Publisher : Indiana University Press
ISBN 13 : 9780253340436
Total Pages : 278 pages
Book Rating : 4.3/5 (44 download)

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Book Synopsis European Film Theory and Cinema by : Ian Aitken

Download or read book European Film Theory and Cinema written by Ian Aitken and published by Indiana University Press. This book was released on 2001 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.

The Classical Hollywood Cinema

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Publisher : Routledge
ISBN 13 : 1134988087
Total Pages : 1338 pages
Book Rating : 4.1/5 (349 download)

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Book Synopsis The Classical Hollywood Cinema by : David Bordwell

Download or read book The Classical Hollywood Cinema written by David Bordwell and published by Routledge. This book was released on 2003-09-02 with total page 1338 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.

The Image in Early Cinema

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Publisher : Indiana University Press
ISBN 13 : 0253034426
Total Pages : 406 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis The Image in Early Cinema by : Scott Curtis

Download or read book The Image in Early Cinema written by Scott Curtis and published by Indiana University Press. This book was released on 2018-03-22 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.

A History of Experimental Film and Video

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838714197
Total Pages : 210 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis A History of Experimental Film and Video by : A.L. Rees

Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

Critical Dictionary of Film and Television Theory

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Author :
Publisher : Routledge
ISBN 13 : 1134716982
Total Pages : 731 pages
Book Rating : 4.1/5 (347 download)

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Book Synopsis Critical Dictionary of Film and Television Theory by : Roberta Pearson

Download or read book Critical Dictionary of Film and Television Theory written by Roberta Pearson and published by Routledge. This book was released on 2005-12-08 with total page 731 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Dictionary lays out the major theoretical approaches deployed in the study of the moving image as well as defining key theoretical terms. Contextual entries range from 500 to 3,000 words.

The Oxford Handbook of Silent Cinema

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Publisher : Oxford University Press
ISBN 13 : 019049669X
Total Pages : 825 pages
Book Rating : 4.1/5 (94 download)

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Book Synopsis The Oxford Handbook of Silent Cinema by : Charlie Keil

Download or read book The Oxford Handbook of Silent Cinema written by Charlie Keil and published by Oxford University Press. This book was released on 2024 with total page 825 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Silent Cinema is a collection of new scholarship that investigates the first decades of motion-picture history from diverse perspectives and methodologies. Featuring over thirty essays by leading scholars in the field, the Handbook offers a comprehensive overview of cinema's earliest years while also illuminating how cinema derived strength from competing cultural forms, becoming in the process the most influential mass medium of the early twentieth century.

Art History for Filmmakers

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474246206
Total Pages : 647 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Art History for Filmmakers by : Gillian McIver

Download or read book Art History for Filmmakers written by Gillian McIver and published by Bloomsbury Publishing. This book was released on 2017-03-23 with total page 647 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

Representing the Rural

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Publisher : Wayne State University Press
ISBN 13 : 0814335624
Total Pages : 382 pages
Book Rating : 4.8/5 (143 download)

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Book Synopsis Representing the Rural by : Catherine Fowler

Download or read book Representing the Rural written by Catherine Fowler and published by Wayne State University Press. This book was released on 2006-09-13 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Students and film scholars will appreciate this unique volume.

A Modernist Cinema

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Publisher : Oxford University Press
ISBN 13 : 0190912138
Total Pages : 337 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis A Modernist Cinema by : Scott W. Klein

Download or read book A Modernist Cinema written by Scott W. Klein and published by Oxford University Press. This book was released on 2021-10-01 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors - Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles - these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art of filmmaking; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography.

Silent Cinema

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Publisher : Columbia University Press
ISBN 13 : 0231543506
Total Pages : 182 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Silent Cinema by : Lawrence Napper

Download or read book Silent Cinema written by Lawrence Napper and published by Columbia University Press. This book was released on 2017-09-05 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed—all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927).

Making Movies into Art

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Publisher : Bloomsbury Publishing
ISBN 13 : 183871703X
Total Pages : 324 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Making Movies into Art by : Kaveh Askari

Download or read book Making Movies into Art written by Kaveh Askari and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on early cinema's relationship with the pictorial arts, this pioneering study explores how cinema's emergence was grounded in theories of picture composition, craft and arts education – from magic lantern experiments in 1890s New York through to early Hollywood feature films in the 1920s. Challenging received notions that the advent of cinema was a celebration of mechanisation and a radical rejection of nineteenth-century traditions of representation, Kaveh Askari instead emphasises the overlap between craft traditions and modernity in early film. Opening up valuable new perspectives on the history of film as art, Askari links American silent cinema with the practice of teaching the public how to appreciate fine art; charts its entrance into arts education via art schools and university film courses; shows how concepts of artistic production entered films through a material interest in the studio; and examines the way in which Maurice Tourneur and Rex Ingram made early art films by shaping an image of the film director around the idea of the fine artist.

From Camera Lens To Critical Lens

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443804010
Total Pages : 261 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis From Camera Lens To Critical Lens by : Rebecca Housel

Download or read book From Camera Lens To Critical Lens written by Rebecca Housel and published by Cambridge Scholars Publishing. This book was released on 2009-01-14 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation, edited by Rebecca Housel, takes the reader through films by directors like Alfred Hitchcock to examining the relevance of twenty-first century British politics with current film; from screenwriter Charlie Kaufman to author Virginia Woolf; and, examining new theoretical approaches to international film adaptations from China, Japan, Britain, Canada, and France, as well as films like Eternal Sunshine of the Spotless Mind and Daughters of the Dust. The collection is derived from the Popular Culture Association (PCA) film-adaptation-area conference papers, researched and written by fourteen diverse scholars from all over the world, who gathered together in San Diego, California in April 2005 to further their research by presenting their ideas on film adaptation, now in full text versions within this exciting new volume. Accessible, engaging and informative, any audience may read and enjoy this edited collection on film adaptation. The volume would also work well for pedagogical purposes, both in and out of the classroom. Such a volume may easily be used in courses for English, film studies, gender studies, women’s studies, fine art, psychology, political science, history, and more. A work of diverse international voices, this collection represents the very best on film adaptation today.

Film Form

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Publisher : HMH
ISBN 13 : 0547539479
Total Pages : 303 pages
Book Rating : 4.5/5 (475 download)

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Book Synopsis Film Form by : Sergei Eisenstein

Download or read book Film Form written by Sergei Eisenstein and published by HMH. This book was released on 2014-06-17 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.

Encyclopedia of Early Cinema

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Author :
Publisher : Taylor & Francis
ISBN 13 : 0415234409
Total Pages : 824 pages
Book Rating : 4.4/5 (152 download)

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Book Synopsis Encyclopedia of Early Cinema by : Richard Abel

Download or read book Encyclopedia of Early Cinema written by Richard Abel and published by Taylor & Francis. This book was released on 2005 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt: One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Reframing British Cinema, 1918-1928

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Publisher : British Film Institute
ISBN 13 :
Total Pages : 232 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Reframing British Cinema, 1918-1928 by : Christine Gledhill

Download or read book Reframing British Cinema, 1918-1928 written by Christine Gledhill and published by British Film Institute. This book was released on 2003 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: No Marketing Blurb