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Patronage Of British Art
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Book Synopsis Patronage of British Art by : John Pye
Download or read book Patronage of British Art written by John Pye and published by . This book was released on 1845 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the autumn of 1846 a correspondence was opened in 'The Times' on the subject of the cleaning and restoration of the national pictures. The Keeper of the Gallery, Mr. Charles Eastlake, was accused of restoring good pictures and purchasing bad ones. The attack was led by the picture-dealer and former artist, Mr. Morris Moore, writing first under the pseudonym of "Verax" and later his own name.--Cf. Ruskin.
Book Synopsis Patronage of British Art, an historical sketch: comprising an account of the rise and progress of Art and Artists in London, from the beginning of the reign of George the Second: together with a History of the Society for the management and distribution of the Artists Fund ... Illustrated with notes, historical, biographical, and explanatory by : John PYE (Engraver.)
Download or read book Patronage of British Art, an historical sketch: comprising an account of the rise and progress of Art and Artists in London, from the beginning of the reign of George the Second: together with a History of the Society for the management and distribution of the Artists Fund ... Illustrated with notes, historical, biographical, and explanatory written by John PYE (Engraver.) and published by . This book was released on 1845 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis British Art and the East India Company by : Geoff Quilley
Download or read book British Art and the East India Company written by Geoff Quilley and published by Boydell & Brewer. This book was released on 2020 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state. This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "school" of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, through maritime imagery, landscape, genre painting and print-making. It also considers how, for artists such as William Hodges and Arthur William Devis, the East India Company, and its provision of a wealthy market in British India, provided opportunities for career advancement, through alignment with Company commercial principles. In this light, the book's main concern is to address the conflicted and ambiguous nature of art produced in the service of a corporation that was the "scandal of empire" for most of its existence, and how this has shaped and distorted our understanding of the history of British art in relation to the concomitant rise of Britain as a self-consciously commercial and maritime nation, whose prosperity relied upon global expansion, increasing colonialism and the development of mercantile organisations.
Book Synopsis Painting in Britain, 1500-1630 by : Tarnya Cooper
Download or read book Painting in Britain, 1500-1630 written by Tarnya Cooper and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This overview answers key questions about the production and consumption of art in Britain in the 16th and early 17th century, integrating art history, history and conservation science. The illustrations allow the reader to engage directly and to see some of the most famous Tudor and Jacobean paintings in a new light.
Download or read book The History of British Art written by and published by . This book was released on 2008 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Paul Mellon's Legacy by : John Baskett
Download or read book Paul Mellon's Legacy written by John Baskett and published by Yale University Press. This book was released on 2007-01-01 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paul Mellon (1907--1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study center he founded to house it, rivals those in Britain’s national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Mellon’s extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 148 of the most exquisite and important paintings, watercolors, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center’s collection, including major works by Thomas Gainsborough, Joshua Reynolds, George Stubbs, John Constable, and J. M. W. Turner.
Book Synopsis Art, Identity and Devotion in Fourteenth-century England by : Kathryn Ann Smith
Download or read book Art, Identity and Devotion in Fourteenth-century England written by Kathryn Ann Smith and published by University of Toronto Press. This book was released on 2003-01-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.
Book Synopsis Visions of the Courtly Body by : Christiane Hille
Download or read book Visions of the Courtly Body written by Christiane Hille and published by Walter de Gruyter. This book was released on 2013-01-09 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1603, the beginning of the Stuart reign, painting was of minor importance at the English court, where the elaborately designed masques of Inigo Jones served as the prime medium of royal representation. Only two decades later, their most celebrated performer, George Villiers, the First Duke of Buckingham had assembled one of the largest and most significant collections of painting in early seventeenth-century Europe. His career as the personal and political favourite of two succeeding monarchs – James I and Charles I – coincides with the commission of a number of highly ambitious portraits from the hands of Peter Paul Rubens and Anthony van Dyck that displayed his body in spectacular manner. As the first comprehensive study of Buckingham’s patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship.
Book Synopsis British Art and the Seven Years' War by : Douglas Fordham
Download or read book British Art and the Seven Years' War written by Douglas Fordham and published by University of Pennsylvania Press. This book was released on 2010-09-10 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
Book Synopsis Anton Raphael Mengs by : Steffi Roettgen
Download or read book Anton Raphael Mengs written by Steffi Roettgen and published by Philip Wilson Publishers. This book was released on 1993 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the Seven Years' War cut off Mengs's official source of income from the Elector of Saxony, he was probably grateful to be able to turn to the lucrative field of Grand Tour portraiture.
Book Synopsis The Worlds of the East India Company by : H. V. Bowen
Download or read book The Worlds of the East India Company written by H. V. Bowen and published by Boydell & Brewer. This book was released on 2002 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays on the history and relationships of the East India Company from 1600 to the early 1800s.
Book Synopsis Artists and Patrons in Post-war Britain by : Courtauld Institute of Art
Download or read book Artists and Patrons in Post-war Britain written by Courtauld Institute of Art and published by Routledge. This book was released on 2017-11-01 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.
Book Synopsis Robert Dudley, Earl of Leicester, and the World of Elizabethan Art by : Elizabeth Goldring
Download or read book Robert Dudley, Earl of Leicester, and the World of Elizabethan Art written by Elizabeth Goldring and published by Paul Mellon Ctr for Studies. This book was released on 2014 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first comprehensive survey of aristocratic art collecting and patronage in Elizabethan England, as seen through the activities of Robert Dudley, Earl of Leicester (ca. 1532-1588). One of the most fascinating and controversial people of his day, Leicester was also the most important patron of painters at the Elizabethan court. He amassed a substantial art collection, including commissioned works by Nicholas Hilliard, Paolo Veronese, and Federico Zuccaro; helped foster the birth of an English vernacular discourse on the visual arts; and was an early exponent, in England, of the Italian Renaissance view of the painter as the practitioner of a liberal art and, thus, fit company for the educated and well-born. Although Leicester’s picture collection and personal papers were widely dispersed after his death, this volume’s pioneering research reconstructs his lost world and, with it, a turning point in the history of British art. Some of the paintings featured here are little-known images from private collections, never before reproduced in color.
Book Synopsis The Development of the Art Market in England by : Thomas M Bayer
Download or read book The Development of the Art Market in England written by Thomas M Bayer and published by Routledge. This book was released on 2015-10-06 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth- and nineteenth-century Britain.
Book Synopsis Church and Patronage in 20th Century Britain by : Peter Webster
Download or read book Church and Patronage in 20th Century Britain written by Peter Webster and published by Springer. This book was released on 2017-11-07 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first full-length treatment of Walter Hussey's work as a patron between 1943 and 1978, first for the Anglican parish church of St Matthew in Northampton, and then at Chichester Cathedral. He was responsible for the most significant sequence of works of art commissioned for the British churches in the twentieth century. They included music by Benjamin Britten, Leonard Bernstein and William Walton, visual art by Henry Moore, Graham Sutherland and Marc Chagall, and poetry by W. H. Auden. Placing Hussey in theological context and in a period of rapid cultural change, it explores the making and reception of the commissions, and the longer-term influence of his work, still felt today. As well as contributing to the religious and cultural history of Britain, and of Anglo-Catholicism and the cathedrals in particular, the book will be of interest to all those concerned with the relationship between theology and the arts, and to historians of music and the visual arts.
Book Synopsis A Companion to British Art by : David Peters Corbett
Download or read book A Companion to British Art written by David Peters Corbett and published by John Wiley & Sons. This book was released on 2016-02-16 with total page 599 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
Book Synopsis Contemporary British Art by : Grant Pooke
Download or read book Contemporary British Art written by Grant Pooke and published by Routledge. This book was released on 2012-11-12 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices – painting; sculpture and installation; and film, video and performance. The first chapter explores aspects of the contemporary art market and some of the contexts within which art is made, supported and exhibited. The chapters that discuss various genres of art practice also mention books that may be useful to support further reading. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.
