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Book Synopsis Artemisia Gentileschi and the Authority of Art : Critical Reading and Catalogue Raisonné by : R. Ward Bissell
Download or read book Artemisia Gentileschi and the Authority of Art : Critical Reading and Catalogue Raisonné written by R. Ward Bissell and published by Penn State Press. This book was released on 1999 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis I Know What I Am by : Gina Siciliano
Download or read book I Know What I Am written by Gina Siciliano and published by Fantagraphics Books. This book was released on 2019-09-11 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Amhighlights a fierce artist who stood up to a shameful social status quo.
Book Synopsis A Companion to the Renaissance in Southern Italy (1350–1600) by : Bianca de Divitiis
Download or read book A Companion to the Renaissance in Southern Italy (1350–1600) written by Bianca de Divitiis and published by BRILL. This book was released on 2023-01-09 with total page 799 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to the Renaissance in Southern Italy offers readers unfamiliar with Southern Italy an introduction to different aspects of the fifteenth- and sixteenth-century history and culture of this vast and significant area of Europe, situated at the center of the Mediterranean. Commonly regarded as a backward, rural region untouched by the Italian Renaissance, the essays in this volume paint a rather different picture. The expert-written contributions present a general survey of the most recent research on the centers of southern Italy, as well as insight into the ground-breaking debates on wider themes, such as the definition of the city, continuity and discontinuity at the turn of the sixteenth century, and the effects of dynastic changes from the Angevin and Aragonese Kingdom to the Spanish Viceroyalty. Taken together, they form an essential resource on an important, yet all too often overlooked or misunderstood part of Renaissance Italy. Contributors: Giancarlo Abbamonte, David Abulafia, Guido Cappelli, Chiara De Caprio, Bianca de Divitiis, Fulvio Delle Donne, Teresa D’Urso, Dinko Fabris, Guido Giglioni, Antonietta Iacono, Fulvio Lenzo, Lorenzo Miletti, Francesco Montuori, Pasquale Palmieri, Eleni Sakellariou, Francesco Senatore, Francesco Storti, Pierluigi Terenzi, Carlo Vecce, Giuliana Vitale, and Andrea Zezza.
Book Synopsis The Ethics of Ornament in Early Modern Naples by : J.Nicholas Napoli
Download or read book The Ethics of Ornament in Early Modern Naples written by J.Nicholas Napoli and published by Routledge. This book was released on 2017-07-05 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks? and the artists? expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.
Book Synopsis Becoming Neapolitan by : John A. Marino
Download or read book Becoming Neapolitan written by John A. Marino and published by JHU Press. This book was released on 2011-01-03 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2011 Winner of the Phyllis Goodhart Gordan Book Prize of the Renaissance Society of America Naples in the sixteenth and seventeenth centuries managed to maintain a distinct social character while under Spanish rule. John A. Marino's study explores how the population of the city of Naples constructed their identity in the face of Spanish domination. As Western Europe’s largest city, early modern Naples was a world unto itself. Its politics were decentralized and its neighborhoods diverse. Clergy, nobles, and commoners struggled to assert political and cultural power. Looking at these three groups, Marino unravels their complex interplay to show how such civic rituals as parades and festival days fostered a unified Neapolitan identity through the assimilation of Aragonese customs, Burgundian models, and Spanish governance. He discusses why the relationship between mythical and religious representations in ritual practices allowed Naples's inhabitants to identify themselves as citizens of an illustrious and powerful sovereignty and explains how this semblance of stability and harmony hid the city's political, cultural, and social fissures. In the process, Marino finds that being and becoming Neapolitan meant manipulating the city's rituals until their original content and meaning were lost. The consequent widening of divisions between rich and poor led Naples's vying castes to turn on one another as the Spanish monarchy weakened. Rich in source material and tightly integrated, this nuanced, synthetic overview of the disciplining of ritual life in early modern Naples digs deep into the construction of Neapolitan identity. Scholars of early modern Italy and of Italian and European history in general will find much to ponder in Marino's keen insights and compelling arguments.
Book Synopsis Artemisia Gentileschi and the Business of Art by : Christopher R. Marshall
Download or read book Artemisia Gentileschi and the Business of Art written by Christopher R. Marshall and published by Princeton University Press. This book was released on 2024-06-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new account of the renowned Baroque painter, revealing how her astute professional decisions shaped her career, style, and legacy Art has long been viewed as a calling—a quasi-religious vocation that drives artists to seek answers to humanity’s deepest questions. Yet the art world is a risky, competitive business that requires artists to make strategic decisions, especially if the artist is a woman. In Artemisia Gentileschi and the Business of Art, Christopher Marshall presents a new account of the life, work, and legacy of the Italian Baroque painter, revealing how she built a successful four-decade career in a male-dominated field—and how her business acumen has even influenced the resurrection of her reputation today, when she has been transformed from a footnote of art history to a globally famous artist and feminist icon. Combining the most recent research with detailed analyses of newly attributed paintings, the book highlights the business considerations behind Gentileschi’s development of a trademark style as she marketed herself to the public across a range of Italian artistic centers. The disguised self-portraits in her early Florentine paintings are reevaluated as an effort to make a celebrity brand of her own image. And, challenging the common perception that Gentileschi’s only masterpieces are her early Caravaggesque paintings, the book emphasizes the importance of her neglected late Neapolitan works, which are reinterpreted as innovative responses to the conventional practices of Baroque workshops. Artemisia Gentileschi and the Business of Art shows that Gentileschi’s remarkable success as a painter was due not only to her enormous talent but also to her ability to respond creatively to the continuously evolving trends and challenges of the Italian Baroque art world.
Book Synopsis New Approaches to Naples c.1500-c.1800 by : Helen Hills
Download or read book New Approaches to Naples c.1500-c.1800 written by Helen Hills and published by Routledge. This book was released on 2016-04-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early modern Naples has been characterized as a marginal, wild and exotic place on the fringes of the European world, and as such an appropriate target of attempts, by Catholic missionaries and others, to ’civilize’ the city. Historiographically bypassed in favour of Venice, Florence and Rome, Naples is frequently seen as emblematic of the cultural and political decline in the Italian peninsula and as epitomizing the problems of southern Italy. Yet, as this volume makes plain, such views blind us to some of its most extraordinary qualities, and limit our understanding, not only of one of the world's great capital cities, but also of the wider social, cultural and political dynamics of early modern Europe. As the centre of Spanish colonial power within Europe during the vicerealty, and with a population second only to Paris in early modern Europe, Naples is a city that deserves serious study. Further, as a Habsburg dominion, it offers vital points of comparison with non-European sites which were subject to European colonialism. While European colonization outside Europe has received intense scholarly attention, its cultural impact and representation within Europe remain under-explored. Too much has been taken for granted. Too few questions have been posed. In the sphere of the visual arts, investigation reveals that Neapolitan urbanism, architecture, painting and sculpture were of the highest quality during this period, while differing significantly from those of other Italian cities. For long ignored or treated as the subaltern sister of Rome, this urban treasure house is only now receiving the attention from scholars that it has so long deserved. This volume addresses the central paradoxes operating in early modern Italian scholarship. It seeks to illuminate both the historiographical pressures that have marginalized Naples and to showcase important new developments in Neapolitan cultural history and art history. Those developments showcased here include bot
Book Synopsis The Artful Hermitage by : Arnold Alexander Witte
Download or read book The Artful Hermitage written by Arnold Alexander Witte and published by L'ERMA di BRETSCHNEIDER. This book was released on 2008 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: INTRODUCTION: Lanfranco's Camerino degli Eremiti; 1. Architecture, Decoration and Typology of the Palazzetto Farnese: Camerino and Palazzetto: a reconstruction; Decoration of the Palazzetto; The giardino segreto as 'theatre of nature'; The tradition of studioli; Pliny's diaeta and its Cinquecento imitations; Studiolo, garden, and the genre of landscape-painting; The typology of the Palazzetto Farnese; Camerino and Palazzetto - decorative or functional relations?; 2. THE CARDINAL'S RETREAT: Palazzo Farnese at Caprarola; The Stanza della Solitudine; The Stanza della Penitenza; Rome: the Casa Professa-apartment; Iconography of the Cappellina Farnese; Ignatius' exemplarity; Jesuit devotional retreats; Caprarola: the Palazzina Farnese; Grottaferrata: the Palazzo Abbaziale; Camaldoli; 3. PATRONAGE, PROTECTORATE AND REGULAR REFORMS: Orazione e Morte; The Arciconfraternita and its cardinal protectors; The Quarant'Ore and the Camerino; Sixteenth-century concepts of protectorate; Impending abolition and renewal of the protectorate in 1606; Between regular reform and curial changes; Odoardo Farnese's protectorates; Discalced Carmelites and the mission; The Camerino's Eucharistic message; Saints, protectorates and paintings; 4. GARDENS FOR THE SOUL: Cardinals retreating: Sfondrato, Borromeo and Bellarmino; Bellarmino's urban retreat; Funeral monuments as models of devotion; Bellarmino's 'Ladder of Nature'; The garden of Sant'Andrea al Quirinale; Spiritual Paintings of the Universe; Scenes of martyrdom in San Vitale; Functions of the Sant'Andrea complex; Christian Doctrine and the argument of nature; Pilgrimage and the real world; Missionary theory and natural philosophy; Allegorical gardens in Seicento Rome; The Palazzetto as metaphorical Scala; 6. THE IMAGINARY, THE REAL AND THE EXEMPLARY HERMITAGE: Images of hermits; Cinquecento realities of solitary life; The case of Fra Pelagio; De-historicising the hermit; Itinerant hermits in and around Rome; Sant'Onofrio: the monk redressing as hermit; Ephemeral landscapes and theatrical hermits; Giacinto da Casale in Piacenza; Casale's grotto and the Camerino degli Eremiti.
Book Synopsis Stravinsky's Pulcinella by : Igor Stravinsky
Download or read book Stravinsky's Pulcinella written by Igor Stravinsky and published by A-R Editions, Inc.. This book was released on 2010-01-01 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains all of the known musical sources and sketches for Stravinsky¿s Pulcinella (1919-1920) representing over 250 facsimile pages from the combined holdings of the Paul Sacher Stiftung (Basel) and the British Library (London) with invited essays by Lynn Garafola, , Ulrich Mosch, Jeanne Chenault Porter and Richard Taruskin. This publication was enhanced by the research of the late Barry Brook and by an appendix of song texts in the Neapolitan dialect by Dale Monson.Numerous tables in this publication provide efficient access to the entries on each page of the facsimile: according to the source groups, sketches, sources and sketches in order of the sources and sources and sketches in order of the published edition.In her commentary Maureen Carr discusses: the genesis of the idea for Pulcinella, the sources chosen by Stravinsky and those that he discarded, the sketches, as well as analytical perspectives on Stravinsky¿s compositional process for this work. In addition to the musical sources and sketches, other documents in this volume, such as a preliminary outline of the work in the hand of the painter, Pablo Picasso (Musée Picasso) and a more detailed scenario written out by the choreographer, Leonide Massine (Basel), will help scholars to understand the nature of the collaboration among these luminaries [the composer Igor Stravinsky (1882-1971), the Spanish painter Pablo Picasso (1881¿1973), the Russian choreographer Léonide Massine (Miasin; 1895¿1979), and the Russian impresario Sergei Diaghilev (1872¿1929)] that resulted in this astonishing dramatic work for dance and song. Book URL: https://www.areditions.com/books/MC002.html
Book Synopsis Medieval and Renaissance Lactations by : Jutta Gisela Sperling
Download or read book Medieval and Renaissance Lactations written by Jutta Gisela Sperling and published by Routledge. This book was released on 2016-04-22 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.
Book Synopsis Transformations of Time and Temporality in Medieval and Renaissance Art by : Simona Cohen
Download or read book Transformations of Time and Temporality in Medieval and Renaissance Art written by Simona Cohen and published by BRILL. This book was released on 2014-03-10 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.
Book Synopsis A Study of the Iconography of Jusepe de Ribera's Madonna with Child and Saint Bruno by : Cynthia O. Perkins
Download or read book A Study of the Iconography of Jusepe de Ribera's Madonna with Child and Saint Bruno written by Cynthia O. Perkins and published by Institut Fur Ethik Und Sozialwissenschaften. This book was released on 1999 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lavinia Fontana’s Mythological Paintings by : Liana De Girolami Cheney
Download or read book Lavinia Fontana’s Mythological Paintings written by Liana De Girolami Cheney and published by Cambridge Scholars Publishing. This book was released on 2020-08-18 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates emblematic and art-historical issues in Lavinia Fontana’s mythological paintings. Fontana is the first female painter of the sixteenth century in Italy to depict female nudes, as well as mythological and emblematic paintings associated with concepts of beauty and wisdom. Her paintings reveal an appropriation of the antique, a fusion between patronage and culture, and a humanistic pursuit of Mannerist conceits. Fontana’s secular imagery provides a challenging paragone with the male tradition of history painting during the sixteenth century and paves the way for new subjects to be depicted and interpreted by female painters of the seventeenth century.
Book Synopsis The Good, the Bold, and the Beautiful by : Dan W. Clanton, Jr.
Download or read book The Good, the Bold, and the Beautiful written by Dan W. Clanton, Jr. and published by Bloomsbury Publishing USA. This book was released on 2006-04-19 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of Susanna and the Elders is one of the most interpreted and reproduced tales from the Apocrypha, and for good reason. In its compact narrative, it touches on attempted rape, female sexuality, abuse of power, punishment for the wicked, and voyeurism. The Good, the Bold, the Beautiful argues that the story of Susanna was written in the first century BCE, and Clanton provides a brief description of that century. He performs a narrative-rhetorical reading of Susanna and illustrates that the story uses sexual anxiety and desire to set up a moral dilemma for Susanna. That moral dilemma is resolved in two ways: Susanna's refusal to allow herself to be raped, and Daniel's intervention. Clanton argues that although the story has many mimetic features, it is the thematic function that is overriding, especially after Daniel's appearance. Put another way, the story's emphasis on Susanna, the Elders, and Daniel as "plausible people" is secondary to its stress on what those characters represent and the message it is relaying through those representations. Clanton analyzes chronologically selected aesthetic interpretations of the story found in the Renaissance. He shows that the prevailing artistic interpretation during the Renaissance focused on the mimetic, sexual aspects of the story because it deals with issues of patronage, and sex/gender that were current at the time. The Good, the Bold, the Beautiful argues that several Renaissance renderings provide counter readings that focus more on the value and themes in the story. These renderings provide models for readers to resist the sexually exploitative features of both the narrative and its interpretations. Clanton reflects on the need for the reader to resist potentially harmful interpretation, especially those that focus on the mimetic level of the story's rhetoric.
Book Synopsis Artemisia Gentileschi Around 1622 by : Mary D. Garrard
Download or read book Artemisia Gentileschi Around 1622 written by Mary D. Garrard and published by Univ of California Press. This book was released on 2001-02-21 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this admirable work, at once passionately argued and lucidly written, Professor Garrard effectively considers the social, psychological, and formal complexity of the shaping and reshaping not only of the artist's feminine and feminist identity in the misogynistic society of the seventeenth century, but also of that identity in the discipline of art history today."—Steven Z. Levine, author of Monet, Narcissus, and Self-Reflection "Mary Garrard's detailed investigation into attribution problems in two Artemisia Gentileschi paintings brilliantly interweaves connoisseurship, constructions of gender and artistic identity, and historical analysis. The result is a richer and more nuanced vision of the best-known female artist in western history before the modern era, and an important contribution to feminist studies." —Whitney Chadwick, author of Women, Art, and Society "In her new book, Garrard has taken two bold steps that challenge much received opinion in the 'discipline' of art history. Analyzing two of Gentileschi's least violent but most moving images, Garrard argues that the painter's personality is discernible no less in the subjects and their interpretation than in the 'style' of the works; consideration of both aspects is essential to understanding the meaning of these extraordinary pictures and her authorship. Perhaps even more important, Garrard makes crystal clear that Artemisia Gentileschi, far from a 'good woman painter,' was one of the major visual thinkers of her time."—Irving Lavin, co-author with Marilyn Aronberg Lavin, of La Liturgia d'Amore: Immagini dal Canto dei Cantici nell'arte di Cimabue, Michelangelo, e Rembrandt (Modena, 2000) "Developing her earlier methodologies and revising some conclusions, Garrard clarifies her distinct theoretical approach and voice among feminist critiques of art history. In this text, which reads in part like a forensic mystery, Garrard builds not only an argument for attributions of particular works, but a new understanding of Gentileschi herself at a particular moment in history."—Hilary Robinson, editor of Visibly Female: Feminism and Art Today "One of our most distinguished feminist art historians brings contemporary gender studies to bear on traditional paintings connoisseurship to show how attributions to female artists have often been governed by tacit cultural assumptions about the limitations of women. Her case makes compelling reading for anyone interested in early modern society, culture, women and art in Italy, and in the problematics of feminism and art history."—Kathleen Weil-Garris Brandt, author of Leonardo e la Scultura "By revealing a great woman painter's ways of expressing uniqueness while negotiating expectations, Mary Garrard helps each of us with the subtleties of remaining authentic while living in the world. Artemisia Gentileschi around 1622 is art history to live by."—Gloria Steinem
Book Synopsis Caravaggio: A Life Sacred and Profane by : Andrew Graham-Dixon
Download or read book Caravaggio: A Life Sacred and Profane written by Andrew Graham-Dixon and published by W. W. Norton & Company. This book was released on 2011-11-10 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New York Times Book Review Editors' Choice and a Washington Post Notable Book of the Year "This book resees its subject with rare clarity and power as a painter for the 21st century." —Hilary Spurling, New York Times Book Review Michelangelo Merisi da Caravaggio (1571–1610) lived the darkest and most dangerous life of any of the great painters. This commanding biography explores Caravaggio’s staggering artistic achievements, his volatile personal trajectory, and his tragic and mysterious death at age thirty-eight. Featuring more than eighty full-color reproductions of the artist’s best paintings, Caravaggio is a masterful profile of the mercurial painter.
Book Synopsis Giorgio Vasari's Teachers by : Liana Cheney
Download or read book Giorgio Vasari's Teachers written by Liana Cheney and published by Peter Lang. This book was released on 2007 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the artistic, cultural, and historical influence of Giorgio Vasari's teachers, mentors, and patrons on his sacred and profane paintings. As a Maniera artist, Vasari learns to admire and assimilate the art of the ancient masters. With the guidance of Dante's literary writings and Marsilio Ficino's Neoplatonic philosophy, Vasari reveals a moral and didactic vision in his art. Additionally, Vasari's artistic patronage is influenced by the political views of Niccolò Machiavelli. In the integration of both ancient art and myths with the didactic legacy of biblical figures and moral personifications, Vasari manifests his artistic theory and symbolism in his sacred and profane paintings.