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Oper Und Film
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Book Synopsis Opera, Ideology and Film by : Jeremy Tambling
Download or read book Opera, Ideology and Film written by Jeremy Tambling and published by Manchester University Press. This book was released on 1987 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis When Opera Meets Film by : Marcia J. Citron
Download or read book When Opera Meets Film written by Marcia J. Citron and published by Cambridge University Press. This book was released on 2010-05-27 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.
Book Synopsis Diegetic Music in Opera and Film by : Robbert Adrianus Jacobus van der Lek
Download or read book Diegetic Music in Opera and Film written by Robbert Adrianus Jacobus van der Lek and published by Rodopi. This book was released on 1991 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Between Opera and Cinema by : Jeongwon Joe
Download or read book Between Opera and Cinema written by Jeongwon Joe and published by Routledge. This book was released on 2012-12-06 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Download or read book Opera on Screen written by Ken Wlaschin and published by . This book was released on 1997 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a guide in book form and on CD-ROM to the thousands of films and videos featuring operas and opera singers in the last one hundred years. The guide has been organized alphabetically as an encyclopedia with entries on operas, operettas, zarzuelas, singers, composers, writers, conductors and subjects of interest. Special subject entries include animated opera, best opera on film, best operetta on film, castratos, divas, directors of opera on film, directors of opera on TV, filmmakers on stage, first operas on film, first operas on TV, imaginary operas in films, operas and operettas about the movies, operas as movies, operas based on movies, operetta, puppet opera, silent films about opera, silent films of operas, television operas, vitaphone opera films, voice of firestone, worst opera on film, worst operetta on film, zarzuelas. [from Introduction]
Download or read book Opera on Film written by Richard Fawkes and published by Bloomsbury Academic. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating study of opera within the history of cinema, charts the great film makers's obsession with this most glamorous medium and its stars
Book Synopsis Cinema's Illusions, Opera's Allure by : David Schroeder
Download or read book Cinema's Illusions, Opera's Allure written by David Schroeder and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
Book Synopsis Cinema's Illusions, Opera's Allure by : David P. Schroeder
Download or read book Cinema's Illusions, Opera's Allure written by David P. Schroeder and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The allure of opera to cinema early in the century held up through the silent era, into sound films, through the golden age of movies and into the most recent approaches to cinema. This book explores the many different ways that this has happened.
Download or read book Italian Film written by Marcia Landy and published by Cambridge University Press. This book was released on 2000-04-13 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the extraordinary cinematic tradition of Italy, from the silent era to the present.
Book Synopsis Maschinen für die Oper. Der Komponist Max Brand by : Elisabeth Schimana
Download or read book Maschinen für die Oper. Der Komponist Max Brand written by Elisabeth Schimana and published by Hollitzer Wissenschaftsverlag. This book was released on 2016-05-23 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Als Zeitgenosse von Arnold Schönberg und Kurt Weill war Max Brand eine Figur zwischen Spätromantik, Futurismus und aufbrechendem Elektronikzeitalter. Der Kulturbruch durch die Nationalsozialisten, vor denen er ab 1937 aus Wien floh und schließlich in Rio de Janeiro landete, setzte einer viel versprechenden Karriere als Opernkomponist ein Ende. 1940 siedelte er sich in New York an, wo er seinen Visionen einer elektronischen Musikmaschine für die Bühne nachging. Viele Versuche führten nicht weiter, einer davon war ein optischer Synthesizer mit selbstgezeichneten Kurvenformen, schließlich das Moogtonium, ein an das Mixturtrautonium Oskar Salas angelehnter, von Robert A. Moog gebauter Synthesizer. Die Entwicklungsarbeit an der Maschine zog sich viel zu lange hin, sodass Brand seinen Traum, ein elektronisches Ein-Mann-Orchester für die Opernbühne zu haben, nie realisieren konnte. 1975 kehrte er nach Österreich zurück, wo er in Langenzersdorf lebte und 1980 verstarb. As a contemporary of Arnold Schönberg and Kurt Weill, Max Brand was a figure shaped by late romanticism, futurism, and the early electronic age. The cultural upheaval caused by the Nazis, from whom he fled from Vienna to Rio de Janeiro in 1937, put an end to a very promising career as an opera composer. In 1940 he settled in New York, where he worked to realize his visions of an electronic music machine for the stage. There were many attempts, which all fell short, one of these was an optical synthesizer with waveforms he drew himself, and finally the Moogtonium, a synthesizer based on Oskar Sala's Mixtur-Trautonium and engineered by Robert A. Moog. But development took much too long, and Brand was never able to fulfill his dream of an electronic one-man-orchestra for the opera stage. In 1975 he returned to Austria, where he lived in Langenzersdorf until his death in 1980.
Book Synopsis German All-in-One For Dummies by : Wendy Foster
Download or read book German All-in-One For Dummies written by Wendy Foster and published by John Wiley & Sons. This book was released on 2013-06-05 with total page 727 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn to speak German? Easy. German All-in-One For Dummies conveniently combines titles from the German Dummies library into one handy guide that covers all of the bases of the German language. For those looking to master fluency in this popular language, this book and CD combo are an efficient and logical choice. German All-in-One For Dummies brings together content from German For Dummies, 2nd Edition, German For Dummies Audio Set, German Phrases For Dummies, Intermediate German For Dummies, and German Essentials For Dummies. ??Plus, it includes a new CD that allows for even more opportunities to practice speaking the language, as well as additional content on grammar and usage to empower you to use and speak German like a native. Offers instruction and practice exercises for both speaking and writing German Helps you prepare to demonstrate proficiency in conversational German If you want to improve your German, whether it's for work, travel, or enjoyment, German All-in-One For Dummies has you covered.
Book Synopsis Opera on Screen by : Marcia J. Citron
Download or read book Opera on Screen written by Marcia J. Citron and published by Yale University Press. This book was released on 2000-01-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The author draws on ideas from diverse fields, including media studies and gender studies, to examine issues ranging from the relationship between sound and image to the place of the viewer in relation to the spectacle. As she raises questions about divisions between high art and popular art and about the tensions between live and reproduced art forms, Citron reveals how screen treatments reinforce opera's vitality in a media-intensive age."--BOOK JACKET.
Download or read book Wagner and Cinema written by Jeongwon Joe and published by Indiana University Press. This book was released on 2010-02-26 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.
Book Synopsis Gian Carlo Menotti on Screen by : Ken Wlaschin
Download or read book Gian Carlo Menotti on Screen written by Ken Wlaschin and published by . This book was released on 1999 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the creator of the first television opera (Amahl and the Night Visitors), Menotti (1911- ) went on win two Pulitzer Prizes for Broadway operas and found the Spoleto Festivals. The American Film Institute's director of creative affairs supplies the production history, plot synopses, and photos for the 21 operas and stage works to date, as well as discussing Menotti as a director and his major collaborators. Appends a list of sources for available works. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Ariane & Bluebeard by : Matthew G. Brown
Download or read book Ariane & Bluebeard written by Matthew G. Brown and published by Indiana University Press. This book was released on 2022-11 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: — Matthew Brown developed this project through his founding of TableTopOpera, a group of scholars and performers committed to performing multimedia projects promoting classical music to general audiences. TableTop's production, a reductionist fantasy based on Ariane et Barbe-bleue, played an adaptation of Paul Dukas's original score while panels of P. Craig Russell's popular graphic novel Ariane and Bluebeard, Op. 26 streaked across the auditorium screen. Brown wrote the score and the show was called "a miracle of collaborative creation" thanks to "all editing decisions made in regard not only to Brown's profound knowledge of the epoch and Russell's passion for the opera but of the demanding virtuosos who would be playing it, for the multimedia skills it would require – and for a strong commitment to the integrity of the original score." Th. Emil Homerin produced the show. This book, based off the performance project, already is being marketed through TableTopOpera. Contributors to the volume include an opera singer and instructor from the Metropolitan Opera's production of Bluebeard's Castle, the celebrated comic and graphic artist P. Craig Russell, and scholars in classics, religion, history, women and gender studies, and rare books. — Although the premier of Ariane et Barbe-bleue is frequently lauded as a landmark in operatic history, there is at present no book devoted solely to its history, structure, reception, and cultural implications. — This book will stand out on our music list and contribute to our reputation for publishing books on multimedia topics by touching on such diverse subjects as opera, comic books, and animated movies. Further, it contributes to our list of significant works on women and gender studies. — Our target audience includes students, scholars, and readers interested in musicology, particularly Paul Dukas, French music, and multimedia opera. Other related interests include histories of print, multimedia, and comic works, philosophical discussion of Plato and mysticism, and French symbolist literature.
Book Synopsis Official Gazette of the United States Patent Office by : United States. Patent Office
Download or read book Official Gazette of the United States Patent Office written by United States. Patent Office and published by . This book was released on 1961 with total page 1754 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis When Opera Meets Film by : Marcia J. Citron
Download or read book When Opera Meets Film written by Marcia J. Citron and published by . This book was released on 2010 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Ceremonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films"--