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Music Poetry In The Early Tudor Court
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Book Synopsis Music & Poetry in the Early Tudor Court by : John Stevens
Download or read book Music & Poetry in the Early Tudor Court written by John Stevens and published by CUP Archive. This book was released on 1961 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music & Poetry in the Early Tudor Court by : John Stevens
Download or read book Music & Poetry in the Early Tudor Court written by John Stevens and published by . This book was released on 1961 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and Poetry in the Early Tudor Court by : John Stevens
Download or read book Music and Poetry in the Early Tudor Court written by John Stevens and published by . This book was released on 1961 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the music of the Elizabethans is widely known, that of the early Tudors is still mostly unpublished. Dr. Stevens provides a scholarly study of this un-accountably neglected subject, and gives the first full description of three song-books which contain virtually all that remains of English secular song from 1480-1530. Beginning with a detailed description of the song-books, he goes on to discuss the relationship between music and poetry during the period before the Reformation. This is followed by a description of the tradition of the 'courtly makers' from Chaucer to Wyatt, including an important section on the social manifestations of courtly love, and he deals thoroughly with the role of the musician and the quality of musical life at the time. This is a book which for the first time provides the relevant musical and social information on which a fresh assessment of the poetry of the early Tudors can be based. Dr. Stevens's conclusions lead him to question the prevailing view that there was an idealized union of poetry and music in early Tudor England which led up to and culminated in the great Elizabethans. The literary text of the songs in the three song-books is given in an appendix, together with a commentary, a first-line index of some 370 songs, and a list of sources.
Book Synopsis Music & Poetry in the Early Tudor Court by : John E 1921- Stevens
Download or read book Music & Poetry in the Early Tudor Court written by John E 1921- Stevens and published by Hassell Street Press. This book was released on 2021-09-09 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Book Synopsis Early Music History: Volume 17 by : Iain Fenlon
Download or read book Early Music History: Volume 17 written by Iain Fenlon and published by Cambridge University Press. This book was released on 1999-03-04 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
Download or read book Musico-Poetics in Perspective written by and published by BRILL. This book was released on 2021-11-08 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume is dedicated to the memory of the late Calvin S. Brown of the University of Georgia, author of the first systematically conceived survey - Music and Literature: A Comparison of the Arts (1948) - of the branch of interart studies now generally known as Melopoetics. Part One consists of six original contributions by experts from Austria, Belgium, France, and the United States. Authored by a novelist and a composer/scholar, respectively, the first two essays - Jean Libis's “Inspiration musicale et composition littéraire: Réflexions sur un roman schubertien” and David M. Hertz's “The Composer's Musico-Literary Experience: Reflections on Song Writing” - focus, not surprisingly, on the creative process. The third piece - Francis' Claudon's review of the pertinent research done between 1970 and 1990 - complements the honoree's analogous report on the preceding decades, reprinted in the present volume, whereas the fourth - Jean-Louis Cupers' “Métaphores de l'écho et de l'ombre: Regards sur l'évolution des études musico-littéraires” - surveys the plethora of metaphorical applications, in music and literature, of two significant natural phenomena, the one acoustic and the other optical. Linked to each other, the two remaining papers - Ulrich Weisstein's ”The Miracle of Interconnectedness: Calvin S. Brown, a Critical Biography” and Walter Bernhart's “A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar” - offer critical accounts of the honoree's theoretical and methodological stance as viewed, in the first case, from a biographical angle and, in the second, in the light of subsequent scholarly practice. Part Two bundles eleven of Professor Brown's previously uncollected articles, covering a period of nearly half a century of significant scholarly activity in the field. The selection demonstrates Brown's poignant interest in transpositions d'art exemplifying the “musicalization” of literature in the formal and structural, rather than thematic, domain as culminating in his trenchant critique of “music in poetry” as understood, somewhat naïvely, by Mallarmé and his critics, and, to a slightly lesser extent, by his translation of Josef Weinhebers' variations on Friedrich Hölderlin's ode “An die Parzen”. Just as Professor Brown's successive anatomies of melopoetic theory and practice illustrate his steadily growing sophistication and the maturing of his mind, so his Bloomington lecture “The Writing and Reading of Language and Music: Thoughts on Some Parallels Between two Artistic Media” reflects his unique ability to assemble, and organize, vast materials and comprehensive data in such a way as to reveal the underlying pattern.
Book Synopsis English Poetry of the Sixteenth Century by : Gary F. Waller
Download or read book English Poetry of the Sixteenth Century written by Gary F. Waller and published by Routledge. This book was released on 2014-07-15 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.
Book Synopsis Composers and their Songs, 1400–1521 by : David Fallows
Download or read book Composers and their Songs, 1400–1521 written by David Fallows and published by Taylor & Francis. This book was released on 2023-05-31 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment. Another theme concerns the various different ways in which particular songs have their impact on the next generations. Yet another concerns the authorshop of poems that were set to music by Binchois and Ciconia in particular. A group of essays on Josquin were parerga to the author's edition of his four-voice secular music for the New Josquin Edition (2005) and to his monograph on the composer (2009).
Book Synopsis Henry V and the Earliest English Carols: 1413–1440 by : David Fallows
Download or read book Henry V and the Earliest English Carols: 1413–1440 written by David Fallows and published by Routledge. This book was released on 2018-06-14 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a distinctive and attractive musical repertory, the hundred-odd English carols of the fifteenth century have always had a ready audience. But some of the key viewpoints about them date back to the late 1920s, when Richard L. Greene first defined the poetic form; and little has been published about them since the burst of activity around 1950, when a new manuscript was found and when John Stevens published his still definitive edition of all the music, both giving rise to substantial publications by major scholars in both music and literature. This book offers a new survey of the repertory with a firmer focus on the form and its history. Fresh examination of the manuscripts and of the styles of the music they contain leads to new proposals about their dates, origins and purposes. Placing them in the context of the massive growth of scholarly research on other fifteenth-century music over the past fifty years gives rise to several fresh angles on the music.
Book Synopsis Henry Howard, the Poet Earl of Surrey by : William A. Sessions
Download or read book Henry Howard, the Poet Earl of Surrey written by William A. Sessions and published by . This book was released on 2003 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this biography of Henry Howard, the Poet Earl of Surrey, the author assesses his role in Tudor society and examines his image of the Renaissance courtier, his representation of nobility and his poetic work and creation of poetic forms.
Book Synopsis A New Companion to English Renaissance Literature and Culture by : Michael Hattaway
Download or read book A New Companion to English Renaissance Literature and Culture written by Michael Hattaway and published by John Wiley & Sons. This book was released on 2010-05-10 with total page 1267 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revised and greatly expanded edition of the Companion, 80 scholars come together to offer an original and far-reaching assessment of English Renaissance literature and culture. A new edition of the best-selling Companion to English Renaissance Literature, revised and updated, with 22 new essays and 19 new illustrations Contributions from some 80 scholars including Judith H. Anderson, Patrick Collinson, Alison Findlay, Germaine Greer, Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, Robert Miola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literary and cultural territories the Companion offers new readings of both ‘literary’ and ‘non-literary’ texts Features essays discussing material culture, sectarian writing, the history of the body, theatre both in and outside the playhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advanced students and faculty with new directions for their research All of the essays from the first edition, along with the recommendations for further reading, have been reworked or updated
Download or read book John Taverner written by Hugh Benham and published by Routledge. This book was released on 2017-07-05 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Taverner was the leading composer of church music under Henry VIII. His contributions to the mass and votive antiphon are varied, distinguished and sometimes innovative; he has left more important settings for the office than any of his predecessors, and even a little secular music survives. Hugh Benham, editor of Taverner?s complete works for Early English Church Music, now provides the first full-length study of the composer for over twenty years. He places the music in context, with the help of biographical information, discussion of Taverner?s place in society, and explanation of how each piece was used in the pre-Reformation church services. He investigates the musical language of Taverner?s predecessors as background for a fresh examination and appraisal of the music in the course of which he traces similarities with the work of younger composers. Issues confronting the performer are considered, and the music is also approached from the listener?s point of view, initially through close analytical inspection of the celebrated votive antiphon Gaude plurimum.
Book Synopsis A Social History of English Music by : Eric David Mackerness
Download or read book A Social History of English Music written by Eric David Mackerness and published by Routledge. This book was released on 2013-10-28 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2006. The social history of music first makes an appearance—even if only sporadically—in treatises which during the seventeenth and eighteenth centuries gave some account of the manners and morals of specific periods, and of these socio-historical writings one of the most comprehensive is Voltaire's Siele de Louis XIV (1751). In this volume the author, without going over too much familiar ground, presents a view of English musical history from the Middle Ages.
Book Synopsis Revival: Old English Instruments of Music (1910) by : Francis W. Galphin
Download or read book Revival: Old English Instruments of Music (1910) written by Francis W. Galphin and published by Routledge. This book was released on 2018-05-08 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of musical instruments now no longer with us is necessary, not only for the musician and composer, but for the man of letters, the artist, and the chronicler of our national life; for many allusions to customs of bygone times cannot otherwise be understood, and we should be spared such a trying ordeal as we were recently subjected to by one of our leading illustrated papers, which introduced into a thirteenth century scene a twentieth century mandoline with an up to date mechanism.
Book Synopsis Reverberating Song in Shakespeare and Milton by : Erin Minear
Download or read book Reverberating Song in Shakespeare and Milton written by Erin Minear and published by Routledge. This book was released on 2016-04-08 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Book Synopsis Music in Elizabethan Court Politics by : Katherine Butler (Music tutor)
Download or read book Music in Elizabethan Court Politics written by Katherine Butler (Music tutor) and published by Boydell & Brewer Ltd. This book was released on 2015 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Book Synopsis Music in Shakespearean Tragedy by : Frederick William Sternfeld
Download or read book Music in Shakespearean Tragedy written by Frederick William Sternfeld and published by Psychology Press. This book was released on 2005 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.