Motet No. 4

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Publisher : Alfred Music Publishing
ISBN 13 : 9780757913525
Total Pages : 32 pages
Book Rating : 4.9/5 (135 download)

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Book Synopsis Motet No. 4 by :

Download or read book Motet No. 4 written by and published by Alfred Music Publishing. This book was released on 1985-03 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Salve, mater Salvatoris

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Publisher : A-R Editions, Inc.
ISBN 13 : 1987208692
Total Pages : 69 pages
Book Rating : 4.9/5 (872 download)

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Book Synopsis Salve, mater Salvatoris by : Franchinus Gaffurius

Download or read book Salve, mater Salvatoris written by Franchinus Gaffurius and published by A-R Editions, Inc.. This book was released on with total page 69 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Of the six motetti missales cycles in the Milanese Libroni, which were copied under the supervision of Franchinus Gaffurius (1451–1522), only the cycle Salve, mater Salvatoris was composed by Gaffurius himself. Unlike the other five motetti missales cycles in the Libroni, Salve, mater Salvatoris consists not of eight motets but only four, each with two to three internal subsections. Also distinct among the motetti missales cycles is Gaffurius’s choice of texts, which, though still on Marian themes, are not centones but adaptations of two twelfth-century sequences with interpolations from the Litany of Loreto.

The Motet in the Late Middle Ages

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Publisher : Oxford University Press
ISBN 13 : 0190063777
Total Pages : 777 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis The Motet in the Late Middle Ages by : Margaret Bent

Download or read book The Motet in the Late Middle Ages written by Margaret Bent and published by Oxford University Press. This book was released on 2023 with total page 777 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book ranges widely over French, English and Italian motets, mostly between the 1310s and the 1420s. About half the chapters are previously unpublished, the remainder revised to varying degrees from previous publications and now organised into Parts devoted to compositional techniques, Fauvel and Vitry, Machaut, the Musician motets, English motets, Italian motets, music for popes and courts. Transcriptions of entire motets complement the musical analyses, many downloadable from the companion website. Chapters vary in their technical demands, allowing readers to select as appropriate. The five Musician motets of Part IV (chs. 15-21) praise over sixty musicians and range over many decades, each playing off its predecessors with citation, allusion and modelling. Motets of this period are individual conceptions, virtuosic creations of multi-layered words and music as tightly constructed as Chinese puzzles. Many chapters are devoted to individual motets, drawing on a multitude of new analytic directions and giving close attention to the detailed fit and juxtapositions of words and music. Verbal texts borrow musical techniques of repetition and recapitulation, words which may then be underlined musically by melodic or rhythmic 'leitmotives'. Alliteration and onomatopoeia abound, and there is a wider range of ingenious word painting than has usually been recognised, including puns on number and structural joins. Segments of chant are often chosen for their musical characteristics (number, symmetries, cadencing opportunities, melodic qualities) as well as their textual suitability to the pre-compositional materia"--

The Masses and Motets of William Byrd

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Publisher : Univ of California Press
ISBN 13 : 9780520040335
Total Pages : 362 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis The Masses and Motets of William Byrd by : Joseph Kerman

Download or read book The Masses and Motets of William Byrd written by Joseph Kerman and published by Univ of California Press. This book was released on 1981-01-01 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this, the first of a three-volume study of Byrd's complete output, under the general title The Music of William Byrd, the author essays a first full-scale historical and critical assessment of Byrd's sacred music to Latin words - one of the great glories of the Elizabethan Age. Each of the approximately 175 compositions is considered, at least briefly, with fuller appreciation accorded to such masterpieces as Emendemus in Melius, Tristitia et anxietas, Iusorum animae, Ave verum corpus, the lamentations and the three famous masses. There are more than sixty musical examples, some of considerable length. In critical prose that slights neither technicalities nor the intense emotional qualities of his subject matter, the author sheds fresh and often unexpected illumination on Byrd's musical rhetoric and on his powerful, endlessly inventive musical structures. Re-examining the known facts of Byrd's life in relation to the patronage and politics of the time, the author boldly argues that while the impetus behind Byrd's early motets was primarily traditionalist and technical, that behind his Cantiones sacrae motets of the 1580s was essentially political: they were covert laments and protests on behalf of the embattled recusant community.

Hearing the Motet

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Publisher : Oxford University Press
ISBN 13 : 0195351657
Total Pages : 393 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Hearing the Motet by : Dolores Pesce

Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.

The Motet in the Age of Du Fay

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Publisher : Cambridge University Press
ISBN 13 : 9780521543378
Total Pages : 440 pages
Book Rating : 4.5/5 (433 download)

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Book Synopsis The Motet in the Age of Du Fay by : Julie E. Cumming

Download or read book The Motet in the Age of Du Fay written by Julie E. Cumming and published by Cambridge University Press. This book was released on 2003-10-16 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-evaluation of the Latin-texted motet during the age of Du Fay.

Mapping the Motet in the Post-Tridentine Era

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Publisher : Routledge
ISBN 13 : 1315463075
Total Pages : 288 pages
Book Rating : 4.3/5 (154 download)

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Book Synopsis Mapping the Motet in the Post-Tridentine Era by : Esperanza Rodríguez-García

Download or read book Mapping the Motet in the Post-Tridentine Era written by Esperanza Rodríguez-García and published by Routledge. This book was released on 2018-09-03 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).

A Critical Companion to Medieval Motets

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Publisher : Boydell & Brewer
ISBN 13 : 1783273070
Total Pages : 422 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis A Critical Companion to Medieval Motets by : Jared C. Hartt

Download or read book A Critical Companion to Medieval Motets written by Jared C. Hartt and published by Boydell & Brewer. This book was released on 2018 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Musical Times and Singing Class Circular

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Publisher :
ISBN 13 :
Total Pages : 792 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Musical Times and Singing Class Circular by :

Download or read book Musical Times and Singing Class Circular written by and published by . This book was released on 1890 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Upper-Voice Structures and Compositional Process in the Ars Nova Motet

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Publisher : Routledge
ISBN 13 : 1351398601
Total Pages : 158 pages
Book Rating : 4.3/5 (513 download)

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Book Synopsis Upper-Voice Structures and Compositional Process in the Ars Nova Motet by : Anna Zayaruznaya

Download or read book Upper-Voice Structures and Compositional Process in the Ars Nova Motet written by Anna Zayaruznaya and published by Routledge. This book was released on 2018-05-11 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used to refer to the independent repetition of rhythms and pitches, respectively. The presence in the upper voices of the periodically repeating rhythmic patterns, often referred to as "isorhythm," has been characterized as an amplification of tenor structure. But a fresh look at the medieval treatises suggests a revised analytical vocabulary: for many fourteenth- and fifteenth-century writers, both color and talea involved rhythmic repetition, the latter in the upper voices specifically. And attention to upper-voice taleae independently of tenor structures brings renewed emphasis to the significant portion of the repertory in which upper voices evince formal schemes that differ from those in the tenors. These structures in turn suggest a revision of the presumed compositional process for motets, implying that in some cases upper-voice text and forms may have preceded the selection and organization of tenors. Such revisions have implications for hermeneutic endeavors, since not only the forms of motet voices but the meanings of their texts change, depending on whether analysis proceeds from the tenor up, or from the top down. Where the presumed compositional and structural primacy afforded to tenors has encouraged a strand of interpretation that reads the upper-voice poetry as conforming to, and amplifying, the tenor text snippets and their liturgical contexts, a "bottom-down" view casts tenors in a supporting role and reveals the poetic impulse of the upper voices as the organizing principle of motets.

The Musical Times and Singing-class Circular

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Publisher :
ISBN 13 :
Total Pages : 784 pages
Book Rating : 4.3/5 (117 download)

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Book Synopsis The Musical Times and Singing-class Circular by :

Download or read book The Musical Times and Singing-class Circular written by and published by . This book was released on 1890 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cantus Firmus in Mass and Motet, 1420-1520

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Publisher : Univ of California Press
ISBN 13 :
Total Pages : 522 pages
Book Rating : 4./5 ( download)

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Book Synopsis Cantus Firmus in Mass and Motet, 1420-1520 by : Edgar H. Sparks

Download or read book Cantus Firmus in Mass and Motet, 1420-1520 written by Edgar H. Sparks and published by Univ of California Press. This book was released on 1963 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Studies on the Origin of Harmonic Tonality

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Publisher : Princeton University Press
ISBN 13 : 1400861314
Total Pages : 406 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis Studies on the Origin of Harmonic Tonality by : Carl Dahlhaus

Download or read book Studies on the Origin of Harmonic Tonality written by Carl Dahlhaus and published by Princeton University Press. This book was released on 2014-07-14 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Authorship and Identity in Late Thirteenth-Century Motets

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Publisher : Routledge
ISBN 13 : 1000581438
Total Pages : 130 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Authorship and Identity in Late Thirteenth-Century Motets by : Catherine A. Bradley

Download or read book Authorship and Identity in Late Thirteenth-Century Motets written by Catherine A. Bradley and published by Routledge. This book was released on 2022-03-30 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.

Selected Anthems and Motet Recompositions

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Publisher : A-R Editions, Inc.
ISBN 13 : 0895793938
Total Pages : 146 pages
Book Rating : 4.8/5 (957 download)

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Book Synopsis Selected Anthems and Motet Recompositions by : Henry Aldrich

Download or read book Selected Anthems and Motet Recompositions written by Henry Aldrich and published by A-R Editions, Inc.. This book was released on 1998-01-01 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Giovanni Pierluigi da Palestrina

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Publisher : Routledge
ISBN 13 : 1135617619
Total Pages : 504 pages
Book Rating : 4.1/5 (356 download)

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Book Synopsis Giovanni Pierluigi da Palestrina by : Clara Marvin

Download or read book Giovanni Pierluigi da Palestrina written by Clara Marvin and published by Routledge. This book was released on 2013-10-15 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.

Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston

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Publisher :
ISBN 13 :
Total Pages : 606 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston by : Boston Public Library. Allen A. Brown Collection of Music

Download or read book Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1910 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: