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Modern Dance Negro Dance
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Book Synopsis Modern Dance, Negro Dance by : Susan Manning
Download or read book Modern Dance, Negro Dance written by Susan Manning and published by U of Minnesota Press. This book was released on 2004 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.
Book Synopsis Dancing in Blackness by : Halifu Osumare
Download or read book Dancing in Blackness written by Halifu Osumare and published by University Press of Florida. This book was released on 2019-02-08 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Society for Aesthetics Selma Jeanne Cohen Prize in Dance Aesthetics Before Columbus Foundation American Book Award Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career. Osumare's story begins in 1960s San Francisco amid the Black Arts Movement, black militancy, and hippie counterculture. It was there, she says, that she chose dance as her own revolutionary statement. Osumare describes her experiences as a young black dancer in Europe teaching "jazz ballet" and establishing her own dance company in Copenhagen. Moving to New York City, she danced with the Rod Rodgers Dance Company and took part in integrating the programs at the Lincoln Center. After doing dance fieldwork in Ghana, Osumare returned to California and helped develop Oakland’s black dance scene. Osumare introduces readers to some of the major artistic movers and shakers she collaborated with throughout her career, including Katherine Dunham, Pearl Primus, Jean-Leon Destine, Alvin Ailey, and Donald McKayle. Now a black studies scholar, Osumare uses her extraordinary experiences to reveal the overlooked ways that dance has been a vital tool in the black struggle for recognition, justice, and self-empowerment. Her memoir is the inspiring story of an accomplished dance artist who has boldly developed and proclaimed her identity as a black woman.
Download or read book What Makes That Black? written by Luana and published by Lulu.com. This book was released on 2016 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti--Backcover.
Book Synopsis Black Dance in America by : James Haskins
Download or read book Black Dance in America written by James Haskins and published by T.Y. Crowell Junior Books. This book was released on 1990 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveys the history of black dance in America, from its beginnings with the ritual dances of African slaves, through tap and modern dance to break dancing. Includes brief biographies of influential dancers and companies.
Download or read book Black Dance written by Edward Thorpe and published by Overlook Books. This book was released on 1990 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in Africa to its influence on ballet and modern dance, Thorpe presents the most comprehensive history of black dance available today. 75 photographs.
Book Synopsis African-American Concert Dance by : John O. Perpener
Download or read book African-American Concert Dance written by John O. Perpener and published by University of Illinois Press. This book was released on 2001 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.
Book Synopsis The Black Tradition in American Modern Dance by : Gerald Eugene Myers
Download or read book The Black Tradition in American Modern Dance written by Gerald Eugene Myers and published by . This book was released on 1988 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Black Tradition in American Dance by : Richard A. Long
Download or read book The Black Tradition in American Dance written by Richard A. Long and published by . This book was released on 1989 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the history, motifs and fashions of Afro-American dance from the early minstrels, through the dance-dramas of Isadata Dafora, to the thriving dance companies of today.
Book Synopsis Dancing Many Drums by : Thomas F. Defrantz
Download or read book Dancing Many Drums written by Thomas F. Defrantz and published by Univ of Wisconsin Press. This book was released on 2002-04-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
Book Synopsis Katherine Dunham by : Joanna Dee Das
Download or read book Katherine Dunham written by Joanna Dee Das and published by Oxford University Press. This book was released on 2017-05-23 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Through both her company and her schools, she influenced generations of performers for years to come, from Alvin Ailey to Marlon Brando to Eartha Kitt. Dunham was also one of the first choreographers to conduct anthropological research about dance and translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was more than a dancer-she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. Author Joanna Dee Das examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. The book analyzes Dunham's multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. It traces Dunham's influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts.
Download or read book Modern Bodies written by Julia L. Foulkes and published by Univ of North Carolina Press. This book was released on 2003-11-03 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.
Book Synopsis Dancing Revelations by : Thomas DeFrantz
Download or read book Dancing Revelations written by Thomas DeFrantz and published by Oxford University Press, USA. This book was released on 2006 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
Book Synopsis Dancing Revelations by : Thomas F. DeFrantz
Download or read book Dancing Revelations written by Thomas F. DeFrantz and published by Oxford University Press, USA. This book was released on 2006 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
Book Synopsis Embodying Liberation by : Dorothea Fischer-Hornung
Download or read book Embodying Liberation written by Dorothea Fischer-Hornung and published by LIT Verlag Münster. This book was released on 2001 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays concerning the black body in American dance, EmBODYing Liberation serves as an important contribution to the growing field of scholarship in African American dance, in particular the strategies used by individual artists to contest and liberate racialized stagings of the black body. The collection features special essays by Thomas DeFrantz and Brenda Dixon Gottschild, as well as an interview with Isaac Julien.
Book Synopsis Black Dance in the United States from 1619 to 1970 by : Lynne Fauley Emery
Download or read book Black Dance in the United States from 1619 to 1970 written by Lynne Fauley Emery and published by . This book was released on 1972 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Black Dance written by Lynne Fauley Emery and published by Princeton. This book was released on 1988 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete history of black dance forms, this book explores folk, ballet, jazz, tap, Broadway/Hollywood, disco, and breakdancing. An ultimate research tool, it includes portraits of hundreds of important black dancers and choreographers.
Book Synopsis Dances of José Limón and Erick Hawkins by : James Moreno
Download or read book Dances of José Limón and Erick Hawkins written by James Moreno and published by Routledge. This book was released on 2020-04-19 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dances of José Limón and Erick Hawkins examines stagings of masculinity, whiteness, and Latinidad in the work of US modern dance choreographers, José Limón (1908-1972) and Erick Hawkins (1908-1994). Focusing on the period between 1945 to 1980, this book analyzes Limón and Hawkins’ work during a time when modern dance was forming new relationships to academic and governmental institutions, mainstream markets, and notions of embodiment. The pre-war expressionist tradition championed by Limón and Hawkins’ mentors faced multiple challenges as ballet and Broadway complicated the tenets of modernism and emerging modern dance choreographers faced an increasingly conservative post-war culture framed by the Cold War and Red Scare. By bringing the work of Limón and Hawkins together in one volume, Dances of José Limón and Erick Hawkins accesses two distinct approaches to training and performance that proved highly influential in creating post-war dialogues on race, gender, and embodiment. This book approaches Limón and Hawkins’ training regimes and performing strategies as social practices symbiotically entwined with their geo-political backgrounds. Limón’s queer and Latino heritage is put into dialogue with Hawkins’ straight and European heritage to examine how their embodied social histories worked co-constitutively with their training regimes and performance strategies to produce influential stagings of masculinity, whiteness, and Latinidad.
