Modern Art and Scientific Thought

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Author :
Publisher : Urbana : University of Illinois Press
ISBN 13 :
Total Pages : 220 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Modern Art and Scientific Thought by : John Adkins Richardson

Download or read book Modern Art and Scientific Thought written by John Adkins Richardson and published by Urbana : University of Illinois Press. This book was released on 1971 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author argues that the ideational relationships between the arts and sciences that many critics and historians attest to are delusional. He proposes new and surprising theories that encompass Cubism and the logics of Russell, Hilbert, and Brouwer; Seurat and new notions of reality; the common ground upon which The Bauhaus, Expressionism, Nazism, and Mannheim's Sociology of Knowledge stand on; Cezanne and non-Euclidean geometries.

Imagery in Scientific Thought Creating 20th-Century Physics

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Author :
Publisher : Birkhäuser
ISBN 13 : 1468405454
Total Pages : 364 pages
Book Rating : 4.4/5 (684 download)

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Book Synopsis Imagery in Scientific Thought Creating 20th-Century Physics by : MILLER

Download or read book Imagery in Scientific Thought Creating 20th-Century Physics written by MILLER and published by Birkhäuser. This book was released on 2013-12-21 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:

German Art History and Scientific Thought

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Author :
Publisher : Routledge
ISBN 13 : 1351565729
Total Pages : 209 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis German Art History and Scientific Thought by : MitchellB. Frank

Download or read book German Art History and Scientific Thought written by MitchellB. Frank and published by Routledge. This book was released on 2017-07-05 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.

Reductionism in Art and Brain Science

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Publisher : Columbia University Press
ISBN 13 : 0231542089
Total Pages : 237 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Reductionism in Art and Brain Science by : Eric R. Kandel

Download or read book Reductionism in Art and Brain Science written by Eric R. Kandel and published by Columbia University Press. This book was released on 2016-08-30 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are art and science separated by an unbridgeable divide? Can they find common ground? In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism—the distillation of larger scientific or aesthetic concepts into smaller, more tractable components—has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals. In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time—the brain—has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.

Marx and Contemporary Scientific Thought

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3111558533
Total Pages : 624 pages
Book Rating : 4.1/5 (115 download)

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Book Synopsis Marx and Contemporary Scientific Thought by : International Council for Philosophy and Humanistic Studies

Download or read book Marx and Contemporary Scientific Thought written by International Council for Philosophy and Humanistic Studies and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-09-06 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "Marx and Contemporary Scientific Thought".

The Shock of Recognition

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Publisher : BRILL
ISBN 13 : 9004325735
Total Pages : 666 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis The Shock of Recognition by : Lewis Pyenson

Download or read book The Shock of Recognition written by Lewis Pyenson and published by BRILL. This book was released on 2020-10-12 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Shock of Recognition, Lewis Pyenson examines art and science together to shed new light on common motifs in Picasso’s and Einstein’s education, in European material culture, and in the intellectual life of one nation-state, Argentina.

Einstein for the 21st Century

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Publisher : Princeton University Press
ISBN 13 : 0691177902
Total Pages : 384 pages
Book Rating : 4.6/5 (911 download)

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Book Synopsis Einstein for the 21st Century by : Peter L. Galison

Download or read book Einstein for the 21st Century written by Peter L. Galison and published by Princeton University Press. This book was released on 2018-02-27 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty years after his death, Albert Einstein's vital engagement with the world continues to inspire others, spurring conversations, projects, and research, in the sciences as well as the humanities. Einstein for the 21st Century shows us why he remains a figure of fascination. In this wide-ranging collection, eminent artists, historians, scientists, and social scientists describe Einstein's influence on their work, and consider his relevance for the future. Scientists discuss how Einstein's vision continues to motivate them, whether in their quest for a fundamental description of nature or in their investigations in chaos theory; art scholars and artists explore his ties to modern aesthetics; a music historian probes Einstein's musical tastes and relates them to his outlook in science; historians explore the interconnections between Einstein's politics, physics, and philosophy; and other contributors examine his impact on the innovations of our time. Uniquely cross-disciplinary, Einstein for the 21st Century serves as a testament to his legacy and speaks to everyone with an interest in his work. The contributors are Leon Botstein, Lorraine Daston, E. L. Doctorow, Yehuda Elkana, Yaron Ezrahi, Michael L. Friedman, Jürg Fröhlich, Peter L. Galison, David Gross, Hanoch Gutfreund, Linda D. Henderson, Dudley Herschbach, Gerald Holton, Caroline Jones, Susan Neiman, Lisa Randall, Jürgen Renn, Matthew Ritchie, Silvan S. Schweber, and A. Douglas Stone.

Decolonizing Science in Latin American Art

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Publisher : UCL Press
ISBN 13 : 178735976X
Total Pages : 286 pages
Book Rating : 4.7/5 (873 download)

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Book Synopsis Decolonizing Science in Latin American Art by : Joanna Page

Download or read book Decolonizing Science in Latin American Art written by Joanna Page and published by UCL Press. This book was released on 2021-04-15 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.

Scientific Examination of Art

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Publisher : National Academies Press
ISBN 13 : 0309096251
Total Pages : 254 pages
Book Rating : 4.3/5 (9 download)

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Book Synopsis Scientific Examination of Art by :

Download or read book Scientific Examination of Art written by and published by National Academies Press. This book was released on 2005-01-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.

Exploring the Invisible

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Publisher : Princeton University Press
ISBN 13 : 0691191050
Total Pages : 528 pages
Book Rating : 4.6/5 (911 download)

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Book Synopsis Exploring the Invisible by : Lynn Gamwell

Download or read book Exploring the Invisible written by Lynn Gamwell and published by Princeton University Press. This book was released on 2020-03-17 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: How science changed the way artists understand reality Exploring the Invisible shows how modern art expresses the first secular, scientific worldview in human history. Now fully revised and expanded, this richly illustrated book describes two hundred years of scientific discoveries that inspired French Impressionist painters and Art Nouveau architects, as well as Surrealists in Europe, Latin America, and Japan. Lynn Gamwell describes how the microscope and telescope expanded the artist's vision into realms unseen by the naked eye. In the nineteenth century, a strange and exciting world came into focus, one of microorganisms in a drop of water and spiral nebulas in the night sky. The world is also filled with forces that are truly unobservable, known only indirectly by their effects—radio waves, X-rays, and sound-waves. Gamwell shows how artists developed the pivotal style of modernism—abstract, non-objective art—to symbolize these unseen worlds. Starting in Germany with Romanticism and ending with international contemporary art, she traces the development of the visual arts as an expression of the scientific worldview in which humankind is part of a natural web of dynamic forces without predetermined purpose or meaning. Gamwell reveals how artists give nature meaning by portraying it as mysterious, dangerous, or beautiful. With a foreword by Neil deGrasse Tyson and a wealth of stunning images, this expanded edition of Exploring the Invisible draws on the latest scholarship to provide a global perspective on the scientists and artists who explore life on Earth, human consciousness, and the space-time universe.

The Psychology of Contemporary Art

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Publisher : Cambridge University Press
ISBN 13 : 110701932X
Total Pages : 409 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis The Psychology of Contemporary Art by : Gregory Minissale

Download or read book The Psychology of Contemporary Art written by Gregory Minissale and published by Cambridge University Press. This book was released on 2013-10-10 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how contemporary artworks can affect our psychology, producing immersive experiences.

Modern Art

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Publisher : Parragon Publishing
ISBN 13 : 9780752553566
Total Pages : 260 pages
Book Rating : 4.5/5 (535 download)

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Book Synopsis Modern Art by : Robin Blake

Download or read book Modern Art written by Robin Blake and published by Parragon Publishing. This book was released on 2003-06 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern art. Variety of artistic disciplines. Detailed look at work of many important modern masters. Detailed commentary.

Thematic Origins of Scientific Thought

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Publisher : Harvard University Press
ISBN 13 : 9780674877481
Total Pages : 514 pages
Book Rating : 4.8/5 (774 download)

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Book Synopsis Thematic Origins of Scientific Thought by : Gerald Holton

Download or read book Thematic Origins of Scientific Thought written by Gerald Holton and published by Harvard University Press. This book was released on 1988-05-25 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: The highly acclaimed first edition of this major work convincingly established Gerald Holton’s analysis of the ways scientific ideas evolve. His concept of “themata,” induced from case studies with special attention to the work of Einstein, has become one of the chief tools for understanding scientific progress. It is now one of the main approaches in the study of the initiation and acceptance of individual scientific insights. Three principal consequences of this perspective extend beyond the study of the history of science itself. It provides philosophers of science with the kind of raw material on which some of the best work in their field is based. It helps intellectual historians to redefine the place of modern science in contemporary culture by identifying influences on the scientific imagination. And it prompts educators to reexamine the conventional concepts of education in science. In this new edition, Holton has masterfully reshaped the contents and widened the coverage. Significant new material has been added, including a penetrating account of the advent of quantum physics in the United States, and a broad consideration of the integrity of science, as exemplified in the work of Niels Bohr. In addition, a revised introduction and a new postscript provide an updated perspective on the role of themata. The result of this thoroughgoing revision is an indispensable volume for scholars and students of scientific thought and intellectual history.

Axiomatics

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Publisher : University of Chicago Press
ISBN 13 : 0226824195
Total Pages : 300 pages
Book Rating : 4.2/5 (268 download)

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Book Synopsis Axiomatics by : Alma Steingart

Download or read book Axiomatics written by Alma Steingart and published by University of Chicago Press. This book was released on 2023-01-17 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first history of postwar mathematics, offering a new interpretation of the rise of abstraction and axiomatics in the twentieth century. Why did abstraction dominate American art, social science, and natural science in the mid-twentieth century? Why, despite opposition, did abstraction and theoretical knowledge flourish across a diverse set of intellectual pursuits during the Cold War? In recovering the centrality of abstraction across a range of modernist projects in the United States, Alma Steingart brings mathematics back into the conversation about midcentury American intellectual thought. The expansion of mathematics in the aftermath of World War II, she demonstrates, was characterized by two opposing tendencies: research in pure mathematics became increasingly abstract and rarified, while research in applied mathematics and mathematical applications grew in prominence as new fields like operations research and game theory brought mathematical knowledge to bear on more domains of knowledge. Both were predicated on the same abstractionist conception of mathematics and were rooted in the same approach: modern axiomatics. For American mathematicians, the humanities and the sciences did not compete with one another, but instead were two complementary sides of the same epistemological commitment. Steingart further reveals how this mathematical epistemology influenced the sciences and humanities, particularly the postwar social sciences. As mathematics changed, so did the meaning of mathematization. Axiomatics focuses on American mathematicians during a transformative time, following a series of controversies among mathematicians about the nature of mathematics as a field of study and as a body of knowledge. The ensuing debates offer a window onto the postwar development of mathematics band Cold War epistemology writ large. As Steingart’s history ably demonstrates, mathematics is the social activity in which styles of truth—here, abstraction—become synonymous with ways of knowing.

The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition

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Author :
Publisher : MIT Press
ISBN 13 : 0262536552
Total Pages : 759 pages
Book Rating : 4.2/5 (625 download)

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Book Synopsis The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition by : Linda Dalrymple Henderson

Download or read book The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition written by Linda Dalrymple Henderson and published by MIT Press. This book was released on 2018-05-18 with total page 759 pages. Available in PDF, EPUB and Kindle. Book excerpt: The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.

Information Arts

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Publisher : MIT Press
ISBN 13 : 9780262731584
Total Pages : 980 pages
Book Rating : 4.7/5 (315 download)

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Book Synopsis Information Arts by : Stephen Wilson

Download or read book Information Arts written by Stephen Wilson and published by MIT Press. This book was released on 2003-02-28 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.

The Domain of Images

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Publisher : Cornell University Press
ISBN 13 : 1501723901
Total Pages : 307 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis The Domain of Images by : James Elkins

Download or read book The Domain of Images written by James Elkins and published by Cornell University Press. This book was released on 2018-08-06 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.