Memory Subjectivity And Independent Chinese Cinema

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Memory, Subjectivity and Independent Chinese Cinema

Author : Qi Wang
Publisher : Edinburgh University Press
ISBN 13 : 0748692347
Total Pages : 264 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Memory, Subjectivity and Independent Chinese Cinema by : Qi Wang

Download or read book Memory, Subjectivity and Independent Chinese Cinema written by Qi Wang and published by Edinburgh University Press. This book was released on 2014-09-19 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covering directors such as Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film.

The Chinese Cinema Book

Author : Song Hwee Lim
Publisher : Bloomsbury Publishing
ISBN 13 : 1911239554
Total Pages : 337 pages
Book Rating : 4.9/5 (112 download)

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Book Synopsis The Chinese Cinema Book by : Song Hwee Lim

Download or read book The Chinese Cinema Book written by Song Hwee Lim and published by Bloomsbury Publishing. This book was released on 2020-04-30 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.

Historical Dictionary of Chinese Cinema

Author : Dan Luo
Publisher : Rowman & Littlefield
ISBN 13 : 1538157306
Total Pages : 433 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis Historical Dictionary of Chinese Cinema by : Dan Luo

Download or read book Historical Dictionary of Chinese Cinema written by Dan Luo and published by Rowman & Littlefield. This book was released on 2024-09-23 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.

The Formation of Chinese Art Cinema

Author : Li Yang
Publisher : Springer
ISBN 13 : 3319972111
Total Pages : 233 pages
Book Rating : 4.3/5 (199 download)

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Book Synopsis The Formation of Chinese Art Cinema by : Li Yang

Download or read book The Formation of Chinese Art Cinema written by Li Yang and published by Springer. This book was released on 2018-10-31 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers. Through an exploration of the production and consecration mechanisms of the new art wave and its representative styles, this book argues that the art wave of the 1990s fundamentally defined Chinese art cinema. In particular, this vital art wave was not enabled by democratic liberalism, but by the specific industrial development, in which the film system transitioned from Socialist propaganda into a commercialized entity. Allowing Chinese art film to grow but at the same time denying its legitimacy, this paradoxical transition process shaped Chinese art film’s institutional and aesthetical alternative positioning, which eventually helped consolidate the art wave into art cinema. Ultimately, this book is a history of the Chinese portion of global art cinema, which also reveals the complex Chinese cultural experiences during the Reform Era.

Political Theory and Film

Author : Ian Fraser
Publisher : Rowman & Littlefield
ISBN 13 : 178348165X
Total Pages : 206 pages
Book Rating : 4.7/5 (834 download)

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Book Synopsis Political Theory and Film by : Ian Fraser

Download or read book Political Theory and Film written by Ian Fraser and published by Rowman & Littlefield. This book was released on 2018-01-15 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films? This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.

The Cinema of Wang Bing

Author : Bruno Lessard
Publisher : Hong Kong University Press
ISBN 13 : 9888805770
Total Pages : 189 pages
Book Rating : 4.8/5 (888 download)

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Book Synopsis The Cinema of Wang Bing by : Bruno Lessard

Download or read book The Cinema of Wang Bing written by Bruno Lessard and published by Hong Kong University Press. This book was released on 2023-11-02 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Having made documentary films screened at the most prestigious film festivals in the West, Chinese documentary filmmaker Wang Bing presents a unique case of independent filmmaking. In The Cinema of Wang Bing, Bruno Lessard examines the documentarian’s most important films, focusing on the two obsessions at the heart of his oeuvre—the legacy of Maoist China in the present and the transformation of labor since China’s entry into the market economy—and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang Bing is a minjian (grassroots) intellectual whose films document the impact of Mao’s Great Leap Forward on Chinese collective memory and register the repercussions of China’s turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, the author shows how Wang Bing’s practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not benefitted from China’s neoliberal policies—from laid-off workers to migrant workers. The films discussed include some of Wang Bing’s most celebrated works such as West of the Tracks and Dead Souls, as well as neglected documentaries such as Coal Money and Bitter Money. “Bruno Lessard analyzes Wang Bing’s documentary masterpieces through the twin lens of history and labor. Incisively framing them as a sustained critical intervention in how China understands itself through the legacy of Maoism and Deng Xiaoping’s neoliberal reform project, The Cinema of Wang Bing makes me want to watch the films again.” —Chris Berry, King’s College London “Professor Lessard offers an original and comprehensive study of Wang Bing’s contribution to Chinese documentary as a mode of observation and reflection on some of the most crucial periods of China’s recent and present history . . . I certainly felt that reading the films through a sociohistorical approach produced a more vibrant understanding of Wang Bing’s oeuvre.” —Cecília Mello, University of São Paulo

Non-Cinema

Author : William Brown
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501327275
Total Pages : 309 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Non-Cinema by : William Brown

Download or read book Non-Cinema written by William Brown and published by Bloomsbury Publishing USA. This book was released on 2018-07-12 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.

The Poetics of Chinese Cinema

Author : Gary Bettinson
Publisher : Springer
ISBN 13 : 113755309X
Total Pages : 236 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis The Poetics of Chinese Cinema by : Gary Bettinson

Download or read book The Poetics of Chinese Cinema written by Gary Bettinson and published by Springer. This book was released on 2016-10-05 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking.

Popular Memories of the Mao Era

Author : Sebastian Veg
Publisher : Hong Kong University Press
ISBN 13 : 9888390767
Total Pages : 257 pages
Book Rating : 4.8/5 (883 download)

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Book Synopsis Popular Memories of the Mao Era by : Sebastian Veg

Download or read book Popular Memories of the Mao Era written by Sebastian Veg and published by Hong Kong University Press. This book was released on 2019-01-10 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present volume provides an overview of new forms of popular memory, in particular critical memory, of the Mao era. Focusing on the processes of private production, public dissemination, and social sanctioning of narratives of the past in contemporary China, it examines the relation between popular memories and their social construction as historical knowledge. The three parts of the book are devoted to the shifting boundary between private and public in the press and media, the reconfiguration of elite and popular discourses in cultural productions (film, visual art, and literature), and the emergence of new discourses of knowledge through innovative readings of unofficial sources. Popular memories pose a challenge to the existing historiography of the first thirty years of the People’s Republic of China. Despite the recent backlash, these more critical reflections are beginning to transform the mainstream narrative of the Mao era in China. Public discussions of key episodes in the history of the People’s Republic, in particular the Anti-Rightist Movement of 1957, the Great Famine of 1959–1961, and the Cultural Revolution, have proliferated in the last fifteen years. These discussions are qualitatively different from previous expressions of traumatic or nostalgic memories of Mao in the 1980s and the 1990s respectively. They reflect a growing dissatisfaction with the authoritarian control over history exercised by the Chinese state, and often they make use of the new spaces provided for counter-hegemonic narratives by social media and the growing private economy in the 2000s. Unofficial or independent journals, self-published books, social media groups, independent documentary films, private museums, oral history projects, and archival research by amateur historians, all of which analyzed in this collection, have contributed to these embryonic public or semi-public dialogues. “An excellent guide to the independent journalism, cultural production, and amateur histories that are transforming the mainstream narrative of the Mao era in China. Rich in detail and sound in analysis, these studies document the emergence of critical memory in Chinese society. A valuable resource for students and scholars.” —Timothy Cheek, University of British Columbia; author of The Intellectual in Modern Chinese History “Popular memories of the Mao era are signposts of contemporary politics and culture. This volume features exciting new research by distinguished scholars. Extremely rich and readable, the chapters in this collection illuminate both China’s past and present. A timely and important contribution.” —Guobin Yang, University of Pennsylvania; author of The Red Guard Generation and Political Activism in China

Fragmented Memories and Screening Nostalgia for the Cultural Revolution

Author : Jing Meng
Publisher : Hong Kong University Press
ISBN 13 : 9888528467
Total Pages : 175 pages
Book Rating : 4.8/5 (885 download)

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Book Synopsis Fragmented Memories and Screening Nostalgia for the Cultural Revolution by : Jing Meng

Download or read book Fragmented Memories and Screening Nostalgia for the Cultural Revolution written by Jing Meng and published by Hong Kong University Press. This book was released on 2020-08-19 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fragmented Memories and Screening Nostalgia for the Cultural Revolution argues that films and TV dramas about the Cultural Revolution made after China’s accession to the WTO in 2001 tend to represent personal memories in a markedly sentimental, nostalgic, and fragmented manner. This new trend is a significant departure from earlier films about the subject, which are generally interpreted as national allegories, not private expressions of grief, regret or other personal feelings. With China entering a postsocialist era, the ideological conflation of socialism and global capitalism has generated enough cultural ambiguity to allow a space for the expression of personalized reminiscences of the past. By presenting these personal memories—in effect alternative narratives to official history—on screen, individuals now seem to have some agency in narrating and constructing history. At the same time such autonomy can be easily undermined since the promotion of the sentiment of nostalgia is often subjected to commodification. Sentimental treatments of the past may simply be a marketing strategy. Underplaying political issues is also a ‘safer’ way for films and TV dramas to secure public release in mainland China. Meng concludes that the new mode of representing the past is shaped by the current sociopolitical conditions: these personal memories and micro-narratives can be understood as the defining ways of remembering in China’s postsocialist era. ‘Fragmented Memories and Screening Nostalgia for the Cultural Revolution takes a comprehensive look at contemporary screen depictions of the Cultural Revolution. The book convincingly ties close readings of the works analysed with broader social and cultural phenomena that already are hot topics of study and debate, offering something original while also being closely engaged with existing scholarship.’ —Jason McGrath, University of Minnesota ‘Breaking through the tired dichotomy between personal and collective narratives, individual memory and grand history, this refreshing book sheds much light on film memories of the Cultural Revolution in the post-socialist millennium. In a limpid and engaging style, Jing Meng probes memory’s nostalgia and imbrication with the collective destiny, and critiques the personal focus aligned with neoliberal economy and commodification.’ —Ban Wang, Stanford University

Screen Media and the Construction of Nostalgia in Post-Socialist China

Author : Zhun Gu
Publisher : Springer Nature
ISBN 13 : 9811974942
Total Pages : 246 pages
Book Rating : 4.8/5 (119 download)

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Book Synopsis Screen Media and the Construction of Nostalgia in Post-Socialist China by : Zhun Gu

Download or read book Screen Media and the Construction of Nostalgia in Post-Socialist China written by Zhun Gu and published by Springer Nature. This book was released on 2023-01-31 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the cultural transformation of nostalgia on the Chinese screen over the past three decades. It explores how filmmakers from different generations have engaged politically with China’s rapidly changing post-socialist society as it has been formed through three mutually constitutive frameworks: political discourse, popular culture and state-led media commercialisation. The book offers a new, critical model for understanding relationships between filmmakers, industry and the State.

Independent Chinese Documentary

Author : Dan Edwards
Publisher : Edinburgh University Press
ISBN 13 : 074869563X
Total Pages : 224 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Independent Chinese Documentary by : Dan Edwards

Download or read book Independent Chinese Documentary written by Dan Edwards and published by Edinburgh University Press. This book was released on 2015-05-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through detailed analyses of key contemporary documentary titles, this book reveals the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in China's state-sanctioned media.

Filming the Everyday

Author : Paul G. Pickowicz
Publisher : Rowman & Littlefield
ISBN 13 : 144227025X
Total Pages : 213 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Filming the Everyday by : Paul G. Pickowicz

Download or read book Filming the Everyday written by Paul G. Pickowicz and published by Rowman & Littlefield. This book was released on 2016-12-15 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: This cutting-edge book examines the rapidly developing scene of Chinese independent documentary, arguably the most courageous player in contemporary Chinese visual culture. The authors explore two areas that are of special interest to China studies and film studies, respectively: (1) filming the everyday in twenty-first-century China to foreground contestation and diversity and (2) exploring the aesthetic of remembering in an embodied documentary practice, which turns the gaze on artists themselves and encourages the viewer’s engagement with the filmed subjects and environment. Highlighting documentary contestation in China, the book traces its cacophony of expressions, some of it featuring confrontations with domineering elites, some of it highlighting negotiations among the independent filmmakers themselves. Their goal is not a “movement” that seeks to establish and impose a single truth, but rather a creative dynamic that fosters a community of tolerance and respects diverse forms of expression. Independent documentary is quite literally a moving target that is witnessing ongoing and widening diversity and complexity when it comes to directors, themes, aesthetics, human subjects, audiences, and impact. The authors stress the enormous potential of cultural production that features non-elites (including amateurs) and that dwells on the everyday, the bottom up, the grassroots, the seemingly mundane, and the apparently marginal. The book’s emphasis on contemporary issues and its discussion of aesthetic experiments will appeal to all readers interested in China’s culture, media, politics, and society.

Moving Figures

Author : Corey Kai Nelson Schultz
Publisher : Edinburgh Studies in East Asian Film
ISBN 13 : 9781474455121
Total Pages : 208 pages
Book Rating : 4.4/5 (551 download)

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Book Synopsis Moving Figures by : Corey Kai Nelson Schultz

Download or read book Moving Figures written by Corey Kai Nelson Schultz and published by Edinburgh Studies in East Asian Film. This book was released on 2019-11-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 1979, China has been undergoing a period of immense social and economic change, transitioning from state-run economics to free market capitalism. This book focuses on how the 'Reform Era' has been constructed in the work of the director Jia Zhangke, analysing the archetypal class figures of worker, peasant, soldier, intellectual and entrepreneur that are found in his films. Examining how these figures are represented, and how Jia's cinematography creates those 'structures of feeling' that concretise around a particular time and place, the book argues that Jia's cinema should be understood not just as narratives that represent Chinese social transition, but also as an effort to engage the audience's emotional responses through representation, symbolism and the affective experience of specific cinematic tropes. Making an important contribution to scholarship about the Reform Era, and opening up many new areas in the larger fields of Chinese visual culture, cultural studies and the affective qualities of film, this is groundbreaking work about a cinematic culture in a period of profound transformation.

Chinese Film in the Twenty-First Century

Author : Corey Schultz
Publisher : Taylor & Francis
ISBN 13 : 1000986233
Total Pages : 244 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Chinese Film in the Twenty-First Century by : Corey Schultz

Download or read book Chinese Film in the Twenty-First Century written by Corey Schultz and published by Taylor & Francis. This book was released on 2023-10-13 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Chinese film in the twenty-first century. Organized around the themes "movements," "genres," and "intermedia," it reflects on how Chinese cinema has changed, adapted, and evolved over past decades and prognosticates as to its future trajectories. It considers how established film genres in China have adapted and transformed themselves, and discusses current shifts in documentary filmmaking, the ethos and practices of "grassroots intellectual" independent filmmakers, and the adaption of foreign film genres to serve the ideological and political needs of the present. It also explores how film is drawing on the socio-historical and political contexts of the past to create new cinematic discourses and the ways film is providing a voice to previously marginalised ethnic groups. In addition, the book analyses the influences of past aesthetic traditions on the creative and artistic expressions of twenty-first-century films and cinema’s relation to other media forms, including folktales, moving image installations, architecture, and painting. Throughout, the book assesses how Chinese films have been conceptualized, examined, and communicated domestically and abroad and emphasizes the importance of new directions in Chinese film, thus highlighting the plurality, vitality, and hybridity of Chinese cinema in the twenty-first century. Chapter 10 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

DV-Made China

Author : Zhen Zhang
Publisher : University of Hawaii Press
ISBN 13 : 0824854314
Total Pages : 410 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis DV-Made China by : Zhen Zhang

Download or read book DV-Made China written by Zhen Zhang and published by University of Hawaii Press. This book was released on 2015-05-31 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century. The volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non-fiction, art and politics, China and the world. Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids. At every turn, the book confronts digital ironies: On the one hand, its portability facilitates forms of radically private film production and audience habits of small-screen consumption. Yet it also simultaneously links up makers and consumers, curators and censors allowing for speedier circulation, more discussion, and quicker formations of public political and aesthetic discourses. DV-Made China introduces new frameworks in a Chinese setting that range from aesthetics to ethical activism, from digital shooting and editing techniques to the politics of film circulation in festivals and online. Politics, the authors urge, travels along paths of aesthetic excitement, and aesthetic choices, conversely, always bear ethical consequences. The films, their makers, their audiences and their distributional pathways all harbor implications for social change that are closely intertwined with the fate of media culture in the new century of a world that both contains and is influenced by China.

On Women's Films

Author : Ivone Margulies
Publisher : Bloomsbury Publishing USA
ISBN 13 : 150133249X
Total Pages : 407 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis On Women's Films by : Ivone Margulies

Download or read book On Women's Films written by Ivone Margulies and published by Bloomsbury Publishing USA. This book was released on 2019-07-25 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Women's Films looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world.