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Medieval And Early Renaissance Art
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Book Synopsis Gestures of Despair in Medieval and Early Renaissance Art by : Moshe Barasch
Download or read book Gestures of Despair in Medieval and Early Renaissance Art written by Moshe Barasch and published by New York : New York University Press. This book was released on 1976-01-01 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Drawing in Early Renaissance Italy by : Francis Ames-Lewis
Download or read book Drawing in Early Renaissance Italy written by Francis Ames-Lewis and published by Yale University Press. This book was released on 2000-01-01 with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.
Book Synopsis Medieval and Early Renaissance Art by : Los Angeles county museum of art
Download or read book Medieval and Early Renaissance Art written by Los Angeles county museum of art and published by . This book was released on with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Book Illumination in the Middle Ages by : Otto Pächt
Download or read book Book Illumination in the Middle Ages written by Otto Pächt and published by . This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.
Book Synopsis Art and Politics in Late Medieval and Early Renaissance Italy, 1250-1500 by : Charles M. Rosenberg
Download or read book Art and Politics in Late Medieval and Early Renaissance Italy, 1250-1500 written by Charles M. Rosenberg and published by University of Notre Dame Press. This book was released on 1990 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: A series of papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships.
Book Synopsis The Utrecht Psalter in Medieval Art by :
Download or read book The Utrecht Psalter in Medieval Art written by and published by BRILL. This book was released on 1996 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: With authorative contributions on the historical, stylistic, and iconographic context of this masterpiece of Carolingian Renaissance by R. McKitterick, K. van der Horst, K. Corrigan, F. Mütherich, and W. Noel, and including the catalogue of the 1996 exhibition on the Utrecht Psalter at the Museum Catharijneconvent, Utrecht.
Book Synopsis Transformations of Time and Temporality in Medieval and Renaissance Art by : Simona Cohen
Download or read book Transformations of Time and Temporality in Medieval and Renaissance Art written by Simona Cohen and published by BRILL. This book was released on 2014-03-10 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.
Book Synopsis The Illustrated History of Art by : David Piper
Download or read book The Illustrated History of Art written by David Piper and published by . This book was released on 2004 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique visual resource with over 2,000 illustrations.
Book Synopsis Studies in Medieval and Early Renaissance Art History (HMSAH). by :
Download or read book Studies in Medieval and Early Renaissance Art History (HMSAH). written by and published by . This book was released on 1972 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Medieval and Early Renaissance Medicine by : Nancy G. Siraisi
Download or read book Medieval and Early Renaissance Medicine written by Nancy G. Siraisi and published by University of Chicago Press. This book was released on 2009-05-15 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western Europe supported a highly developed and diverse medical community in the late medieval and early Renaissance periods. In her absorbing history of this complex era in medicine, Siraisi explores the inner workings of the medical community and illustrates the connections of medicine to both natural philosophy and technical skills.
Book Synopsis Early Medieval Art by : Lawrence Nees
Download or read book Early Medieval Art written by Lawrence Nees and published by Oxford University Press, USA. This book was released on 2002 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Book Synopsis RENAISSANCE METAPAINTING; ED. BY PETER BOKODY. by : Péter Bokody
Download or read book RENAISSANCE METAPAINTING; ED. BY PETER BOKODY. written by Péter Bokody and published by Harvey Miller. This book was released on 2020 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume offers an overview of meta-pictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art. Meta-painting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naïve moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation.
Book Synopsis Renaissance Artists & Antique Sculpture by : Phyllis Pray Bober
Download or read book Renaissance Artists & Antique Sculpture written by Phyllis Pray Bober and published by Harvey Miller Pub. This book was released on 2010 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook documents the antique works of art known to Renaissance artists up to 1527. More than 500 illustrations show Greek and Roman statues, mythological, and historical reliefs together with Renaissance drawings, engravings, bronzes, and paintings to demonstrate where these classical monuments were discovered.
Book Synopsis The Interaction of Art and Relics in Late Medieval and Early Modern Art by : Livia Stoenescu
Download or read book The Interaction of Art and Relics in Late Medieval and Early Modern Art written by Livia Stoenescu and published by . This book was released on 2020-09-12 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance. Recent studies in the material culture of artifacts from these periods have drawn increasing attention to a sense of material tangibility derived from relics. Putting that conclusion into perspective, this edited collection focuses on the aesthetic meaning generated by a specific material culture of sanctity - one in which artists based their practice upon the nature, variety, and history of relics. Works of art that contained relics shared in the aura of the relics, defining themselves as non-substitutable signs, or signs that preserved the physical relationship to the immutable nature and origin of relics. As studied in this volume, funerary monuments, chapel decorations, altarpieces, liturgical objects, and sacred sites yielded an unordinary aesthetic meaning, one that captured and at the same time transmitted the histories linked to a relic. Each chapter emphasizes the specific history contained within works of art premised upon relics and thus forever embedded in the relics' status as sacred originals..
Book Synopsis Painting as a Modern Art in Early Renaissance Italy by : Robert Brennan
Download or read book Painting as a Modern Art in Early Renaissance Italy written by Robert Brennan and published by Harvey Miller. This book was released on 2019 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Book Synopsis Painted Palaces: The Rise of Secular Art in Early Renaissance Italy by :
Download or read book Painted Palaces: The Rise of Secular Art in Early Renaissance Italy written by and published by Penn State Press. This book was released on 2009 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.
Book Synopsis Painting and Patronage in Cologne, 1300-1500 by : Brigitte Corley
Download or read book Painting and Patronage in Cologne, 1300-1500 written by Brigitte Corley and published by Harvey Miller. This book was released on 2000 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cologne in the later Middle Ages was an elegant and wealthy mercantile city much favoured by popes and emperors. The largest town in Northern Europe, the site of an important university and seat of a major archbishopric, it had a cosmopolitan population of painters, illuminators, sculptors and goldsmiths and a patrician class who were sophisticated collectors and knowledgeable patrons of art. This book - the first such study in English - traces the development of the Cologne school of painting over two centuries. It begins with the period before 1400, when the adaption of French ideas to the indige- nous tradition produced an elegant, genteel art, characterized by elongated figures and graceful gestures. A change was heralded by the Veronica Master's introduction of the International Courtly Style around 1400, with its sophisticated iconography, costly pigments, exquisite punchwork, gesso jewels and precious brocade fabrics, and by the Dombild Master's introduction around 1440 of Eyckian proportions and realism. In the final phase of this development, the Master of the St Bartholomew Altarpiece opened the door to the Renaissance with his highly distinctive style and innovative iconography. The book is fully illustrated and accompanied by a translation of the guild regulations; a biographical index of archbishops and lay patrons; and a hand- list of cited panels grouped according to location.
