Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Download Lullys Armide At The Paris Opera full books in PDF, epub, and Kindle. Read online Lullys Armide At The Paris Opera ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author : Lois Rosow
Publisher :
ISBN 13 :
Total Pages : 1494 pages
Book Rating : 4.:/5 (321 download)
Download or read book Lully's Armide at the Paris Opéra written by Lois Rosow and published by . This book was released on 1981 with total page 1494 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Lois Rosow
Publisher :
ISBN 13 :
Total Pages : 788 pages
Book Rating : 4.:/5 (318 download)
Download or read book Lully's Armide at the Paris Opéra: Chapter I-V (xiv, p. 1-339) written by Lois Rosow and published by . This book was released on 1981 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : James R. Anthony
Publisher : Cambridge University Press
ISBN 13 : 9780521352635
Total Pages : 360 pages
Book Rating : 4.3/5 (526 download)
Download or read book Jean-Baptiste Lully and the Music of the French Baroque written by James R. Anthony and published by Cambridge University Press. This book was released on 1989-02-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Author : Lois Rosow
Publisher :
ISBN 13 :
Total Pages : 764 pages
Book Rating : 4.:/5 (318 download)
Download or read book Lully's Armide at the Paris Opéra: Chapter VI- (p. 340-716) written by Lois Rosow and published by . This book was released on 1981 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Guy A. Marco
Publisher : Routledge
ISBN 13 : 113557801X
Total Pages : 655 pages
Book Rating : 4.1/5 (355 download)
Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Author : Richard Templar Semmens
Publisher : Pendragon Press
ISBN 13 : 9781576470343
Total Pages : 228 pages
Book Rating : 4.4/5 (73 download)
Download or read book The Bals Publics at the Paris Opéra in the Eighteenth Century written by Richard Templar Semmens and published by Pendragon Press. This book was released on 2004 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The range of possibilities for what was termed a ball in eighteenth-century France was quite considerable. At one extreme were the carefully regulated bals parés at the other were the elaborately staged bals masqués. Alternatively, a bal could also be an entirely impromptu affair. Throughout this colorful range of possibilities, the repertoire of dance styles and types was generally shared: danses figures, new as well as old, for couples; and group dances, among which the contredanse reigned supreme.There was another kind of ball, however, that has not yet been examined systematically by scholars. The bals publics held at the opera house in Paris were initiated not long after Louis XIV's death in 1715, and remained popular until the fall of the ancienne régime. This book explores the advent and early development of the bal public through 1763, when a fire destroyed the home of the Académie Royale de Musique (the 'Opera'). The bal public was unlike any other kind of ball, although, as with bals masqués, those in attendance were masked. This study aims, in part, to explore how the bal public might have influenced social dancing more generally. By 1744, there was a dramatic shift in social modeling from the royal balls at Versailles (and elsewhere) to the public balls at the Opera.
Author : Library of Congress. Music Division
Publisher :
ISBN 13 :
Total Pages : 516 pages
Book Rating : 4.:/5 (319 download)
Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1911 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Rebecca Harris-Warrick
Publisher : Cambridge University Press
ISBN 13 : 9780521020220
Total Pages : 364 pages
Book Rating : 4.0/5 (22 download)
Download or read book Musical Theatre at the Court of Louis XIV written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2005-09-29 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.
Author : Rebecca Harris-Warrick
Publisher : Cambridge University Press
ISBN 13 : 1107137896
Total Pages : 505 pages
Book Rating : 4.1/5 (71 download)
Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Author : Oscar George Theodore Sonneck
Publisher :
ISBN 13 :
Total Pages : 516 pages
Book Rating : 4.5/5 (321 download)
Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Oscar George Theodore Sonneck and published by . This book was released on 1914 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Georgia Cowart
Publisher : University of Chicago Press
ISBN 13 : 0226116387
Total Pages : 332 pages
Book Rating : 4.2/5 (261 download)
Download or read book The Triumph of Pleasure written by Georgia Cowart and published by University of Chicago Press. This book was released on 2008-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
Author : John Spitzer
Publisher : Oxford University Press
ISBN 13 : 0198164343
Total Pages : 635 pages
Book Rating : 4.1/5 (981 download)
Download or read book The Birth of the Orchestra written by John Spitzer and published by Oxford University Press. This book was released on 2004-04-29 with total page 635 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and ArcangeloCorelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon.Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.
Author : Charles Dill
Publisher : Routledge
ISBN 13 : 1351555731
Total Pages : 530 pages
Book Rating : 4.3/5 (515 download)
Download or read book Opera Remade, 1700-1750 written by Charles Dill and published by Routledge. This book was released on 2017-07-05 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
Author : John Hajdu Heyer
Publisher : Cambridge University Press
ISBN 13 : 9780521621830
Total Pages : 356 pages
Book Rating : 4.6/5 (218 download)
Download or read book Lully Studies written by John Hajdu Heyer and published by Cambridge University Press. This book was released on 2000-12-07 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents the best research on the life and work of Baroque composer Jean-Baptiste Lully.
Author : Charles Dill
Publisher : Princeton University Press
ISBN 13 : 140086481X
Total Pages : 220 pages
Book Rating : 4.4/5 (8 download)
Download or read book Monstrous Opera written by Charles Dill and published by Princeton University Press. This book was released on 2014-07-14 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : Music History and Literature San Francisco Conservatory of Music John Spitzer Chair
Publisher : Oxford University Press, USA
ISBN 13 : 9780199719914
Total Pages : 670 pages
Book Rating : 4.7/5 (199 download)
Download or read book The Birth of the Orchestra : History of an Institution, 1650-1815 written by Music History and Literature San Francisco Conservatory of Music John Spitzer Chair and published by Oxford University Press, USA. This book was released on 2005-08-05 with total page 670 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.
Author : Shirley Thompson
Publisher : Routledge
ISBN 13 : 135155641X
Total Pages : 510 pages
Book Rating : 4.3/5 (515 download)
Download or read book New Perspectives on Marc-Antoine Charpentier written by Shirley Thompson and published by Routledge. This book was released on 2017-07-05 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.
