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Le Opere Di Giorgio Vasari
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Book Synopsis The Homes of Giorgio Vasari by : Liana Cheney
Download or read book The Homes of Giorgio Vasari written by Liana Cheney and published by Peter Lang. This book was released on 2006 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giorgio Vasari was one of the few artists in the history of art who built, designed, and decorated his homes. This book is the first to focus on Vasari's decorative cycles for his homes in Arezzo and Florence, revealing the significance of the artistic, cultural, and historical milieu of the sixteenth century. This study breaks new ground in two ways: First, in a personal and original manner, the imagery is related to Vasari's artistic ideas on history painting and the role of the artist. And second, Vasari's imagery portrays visual galleries applauding his teachers, antiquity and the creation of art.
Book Synopsis Bibliographical Contributions by : Harvard University. Library
Download or read book Bibliographical Contributions written by Harvard University. Library and published by . This book was released on 1879 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Collector of Lives: Giorgio Vasari and the Invention of Art by : Noah Charney
Download or read book The Collector of Lives: Giorgio Vasari and the Invention of Art written by Noah Charney and published by W. W. Norton & Company. This book was released on 2017-10-03 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art.
Book Synopsis Giorgio Vasari and the Birth of the Museum by : MaiaWellington Gahtan
Download or read book Giorgio Vasari and the Birth of the Museum written by MaiaWellington Gahtan and published by Routledge. This book was released on 2017-07-05 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giorgio Vasari and the Birth of the Museum offers the first dedicated and comprehensive study of Vasari?s original contributions to the making of museums, addressing the subject from the full range of aspects - collecting, installation, conceptual-historical - in which his influence is strongly felt. Uniting specialists of Giorgio Vasari with scholars of historical museology, this collection of essays presents a cross-disciplinary overview of Vasari?s approaches to the collecting and display of art, artifacts and memorabilia. Although the main focus of the book is on the mid-late 16th century, contributors also bring to light that Vasari?s museology enjoyed a substantial afterlife well into the modern museum era. This volume is a fundamental addition to the museum studies literature and a welcome enhancement to the scholarly industry on Giorgio Vasari.
Book Synopsis The Late Paintings of Vel?uez by : Giles Knox
Download or read book The Late Paintings of Vel?uez written by Giles Knox and published by Routledge. This book was released on 2017-07-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
Book Synopsis Giorgio Vasari's Teachers by : Liana Cheney
Download or read book Giorgio Vasari's Teachers written by Liana Cheney and published by Peter Lang. This book was released on 2007 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the artistic, cultural, and historical influence of Giorgio Vasari's teachers, mentors, and patrons on his sacred and profane paintings. As a Maniera artist, Vasari learns to admire and assimilate the art of the ancient masters. With the guidance of Dante's literary writings and Marsilio Ficino's Neoplatonic philosophy, Vasari reveals a moral and didactic vision in his art. Additionally, Vasari's artistic patronage is influenced by the political views of Niccolò Machiavelli. In the integration of both ancient art and myths with the didactic legacy of biblical figures and moral personifications, Vasari manifests his artistic theory and symbolism in his sacred and profane paintings.
Book Synopsis Wives, Widows, Mistresses, and Nuns in Early Modern Italy by : Katherine A. McIver
Download or read book Wives, Widows, Mistresses, and Nuns in Early Modern Italy written by Katherine A. McIver and published by Routledge. This book was released on 2016-12-05 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.
Book Synopsis St. Cecilia Master and his circle by : Richard Offner
Download or read book St. Cecilia Master and his circle written by Richard Offner and published by . This book was released on 1986 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis List of the Principal Books Relating to the Life and Works of Michel Angelo. With Notes by : Charles Eliot Norton
Download or read book List of the Principal Books Relating to the Life and Works of Michel Angelo. With Notes written by Charles Eliot Norton and published by . This book was released on 1879 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis First Proofs of the Universal Catalogue of Books on Art by : National Art Library (Great Britain)
Download or read book First Proofs of the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Illuminating Luke: The infancy narrative in Italian Renaissance painting by : Heidi J. Hornik
Download or read book Illuminating Luke: The infancy narrative in Italian Renaissance painting written by Heidi J. Hornik and published by A&C Black. This book was released on 2003-01-01 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interdisciplinary study of how the infancy narrative in the Gospel of Luke is Portrayed in Italian Renaissance paintings.
Book Synopsis The Varnish and the Glaze by : Marjolijn Bol
Download or read book The Varnish and the Glaze written by Marjolijn Bol and published by University of Chicago Press. This book was released on 2023-04-21 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new history of the techniques, materials, and aesthetic ambitions that gave rise to the radiant verisimilitude of Jan van Eyck’s oil paintings on panel. Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze. For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more. The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.
Book Synopsis Lorenzo de' Medici and the Art of Magnificence by : F. W. Kent
Download or read book Lorenzo de' Medici and the Art of Magnificence written by F. W. Kent and published by JHU Press. This book was released on 2007-02-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the past half century scholars have downplayed the significance of Lorenzo de' Medici (1449–1492), called "the Magnificent," as a patron of the arts. Less wealthy than his grandfather Cosimo, the argument goes, Lorenzo was far more interested in collecting ancient objects of art than in commissioning contemporary art or architecture. His earlier reputation as a patron was said to be largely a construct of humanist exaggeration and partisan deference. Although some recent studies have taken issue with this view, no synthesis of Lorenzo as art patron and art lover has yet emerged. In Lorenzo de' Medici and the Art of Magnificence historian F. W. Kent offers a new look at Lorenzo's relationship to the arts, aesthetics, collecting, and building—especially in the context of his role as the political boss (maestro della bottega) of republican Florence and a leading player in Renaissance Italian diplomacy. As a result of this approach, which pays careful attention to the events of his short but dramatic life, a radically new chronology of Lorenzo's activities as an art patron emerges, revealing them to have been more extensive and creative than previously thought. Kent's Lorenzo was broadly interested in the arts and supported efforts to beautify Florence and the many Medici lands and palaces. His expertise was well regarded by guildsmen and artists, who often turned to him for advice as well as for patronage. Lorenzo himself was educated in the arts by such men, and Kent explores his aesthetic education and taste, taking into account what is known of Lorenzo's patronage of music and manuscripts, and of his own creative work as a major Quattrocento poet. Richly illustrated with photographs of Medici landmarks by Ralph Lieberman, Lorenzo de' Medici and the Art of Magnificence offers a masterful portrait of Lorenzo as a man whose achievements might have rivaled his grandfather's had he not died so young.
Book Synopsis The Power and the Glorification by : Jan L. de Jong
Download or read book The Power and the Glorification written by Jan L. de Jong and published by Penn State Press. This book was released on 2015-09-22 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy’s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer’s experience is central to De Jong’s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and they would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters’ advisors did their best to “manipulate” the viewer accordingly, and De Jong discusses their strategies and methods.
Download or read book Art Forgery written by Thierry Lenain and published by Reaktion Books. This book was released on 2012-01-15 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.
Book Synopsis The Traveling Artist in the Italian Renaissance by : David Young Kim
Download or read book The Traveling Artist in the Italian Renaissance written by David Young Kim and published by Yale University Press. This book was released on 2014-12-23 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this important and revelatory book, David Young Kim examines how mobility and travel affected the identities and artistic styles of artists such as Giotto, Brunelleschi, Donatello, Lotto, Michelangelo, Raphael, and Titian. It is well known that Italian Renaissance artists traveled; this book considers the cultural and historical contexts of their voyages. Kim establishes connections between artists’ travel and responses to their work in early modern literature, with critical analysis of 16th-century written culture. Relevant themes in Giorgio Vasari’s monumental Lives of the Artists are explored in depth. Through new readings of critical ideas, prejudices, and entire biographies in Renaissance art literature, Kim makes a groundbreaking case for the circuitous development of the artists’ individual styles, offering a complex understanding of how the concepts of mobility and identity were changing in a shifting and widening world.
Book Synopsis The Absolute Artist by : Catherine M. Soussloff
Download or read book The Absolute Artist written by Catherine M. Soussloff and published by U of Minnesota Press. This book was released on 1997 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing the myth of the artist in western culture, this work considers the social construction of the artist from the 15th century to the present.
