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Download or read book LE CINEMA PARLANT. (1932) written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Richard Abel
Publisher : Princeton University Press
ISBN 13 : 9780691000633
Total Pages : 334 pages
Book Rating : 4.0/5 (6 download)
Download or read book French Film Theory and Criticism written by Richard Abel and published by Princeton University Press. This book was released on 1993-09-12 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author : Charles O’Brien
Publisher : Indiana University Press
ISBN 13 : 9780253217202
Total Pages : 222 pages
Book Rating : 4.2/5 (172 download)
Download or read book Cinema's Conversion to Sound written by Charles O’Brien and published by Indiana University Press. This book was released on 2005-01-18 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking look at the transition to sound in the French Cinema.
Author : Richard Abel
Publisher : Princeton University Press
ISBN 13 : 1400828392
Total Pages : 327 pages
Book Rating : 4.4/5 (8 download)
Download or read book French Film Theory and Criticism, Volume 2 written by Richard Abel and published by Princeton University Press. This book was released on 2021-05-11 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author : Hannah Lewis
Publisher : Oxford University Press
ISBN 13 : 0190635991
Total Pages : 265 pages
Book Rating : 4.1/5 (96 download)
Download or read book French Musical Culture and the Coming of Sound Cinema written by Hannah Lewis and published by Oxford University Press. This book was released on 2018-09-05 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
Author : Tami Williams
Publisher : University of Illinois Press
ISBN 13 : 0252096363
Total Pages : 337 pages
Book Rating : 4.2/5 (52 download)
Download or read book Germaine Dulac written by Tami Williams and published by University of Illinois Press. This book was released on 2014-06-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac’s passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory. In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the director’s work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period. This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, women’s studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory.
Author : Library of Congress. Copyright Office
Publisher :
ISBN 13 :
Total Pages : 938 pages
Book Rating : 4.:/5 (34 download)
Download or read book Catalogue of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1932 with total page 938 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Michael W. Thomas
Publisher : Bloomsbury Publishing
ISBN 13 : 1350227420
Total Pages : 288 pages
Book Rating : 4.3/5 (52 download)
Download or read book Popular Ethiopian Cinema written by Michael W. Thomas and published by Bloomsbury Publishing. This book was released on 2022-09-08 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shines much-needed light on the history, structures and films of the Amharic film industry in Ethiopia. Focusing on the rise of the industry from 2002, until today, and embedded in archival, ethnographic and textual research methods, this book offers a sustained and detailed appreciation of Amharic-language cinema. Michael Thomas considers 'fiker'/love as an organising principle in national Ethiopian culture and, by extension, Amharic cinema. Placing 'fiker' as central to understanding Amharic film genres also illuminates the continuous negotiations at play between romantic, familial, patriotic and spiritual notions of love in these films. Thomas considers the production and exhibition of films in Ethiopia, charting fluctuations and continuities between the past and the present. Having done so, he offers detailed textual readings of films, identifying important junctures in the industry's development and the emergence of new genres. The findings of the book detail the affective characteristics that delineate most Amharic genres and the role culturally specific concepts, such as fiker, play in maintaining the relevance of commercial cinemas reliant on domestic audiences.
Author : Library of Congress. Copyright Office
Publisher : Copyright Office, Library of Congress
ISBN 13 :
Total Pages : 2438 pages
Book Rating : 4.F/5 ( download)
Download or read book Catalog of Copyright Entries. New Series written by Library of Congress. Copyright Office and published by Copyright Office, Library of Congress. This book was released on 1933 with total page 2438 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : C. G. Crisp
Publisher : Indiana University Press
ISBN 13 : 9780253215161
Total Pages : 492 pages
Book Rating : 4.2/5 (151 download)
Download or read book Genre, Myth, and Convention in the French Cinema, 1929-1939 written by C. G. Crisp and published by Indiana University Press. This book was released on 2002 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work identifies patterns in the fields of character, narrative, and setting in the French cinema of the early sound period.
Author : Dudley Andrew
Publisher : Princeton University Press
ISBN 13 : 0691239444
Total Pages : 426 pages
Book Rating : 4.6/5 (912 download)
Download or read book Mists of Regret written by Dudley Andrew and published by Princeton University Press. This book was released on 2021-11-09 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.
Author : Alastair Phillips
Publisher : John Wiley & Sons
ISBN 13 : 1118325338
Total Pages : 794 pages
Book Rating : 4.1/5 (183 download)
Download or read book A Companion to Jean Renoir written by Alastair Phillips and published by John Wiley & Sons. This book was released on 2013-04-11 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Jean Renoir “An extraordinary collection of essays that more than fulfills the aims of its editors, Alastair Phillips and Ginette Vincendeau. The essays offer exciting, original work from younger scholars as well as long-established authorities, all of which offer invaluable insights into the films, writings, and life of Jean Renoir. Receiving particular attention are questions about the singularity or multiplicity of what the editors call the many ‘Renoirs’ (French, American, Indian; even transnational), especially from the early 1930s through the early 1960s. Whether mining relatively unexplored archive materials, deploying newly current methodological approaches, interrogating one of a wide range of topics and issues, or engaging in close textual analysis, the contributors construct a tantalizing series of innovative ‘road maps’ for future researchers to pursue.” Richard Abel, University of Michigan “Alastair Phillips and Ginette Vincendeau have brought together essays that bring new perspectives to both the best-known and the lesser-known of Renoir’s films. Both French cinema specialists and viewers new to Renoir’s work will find much of interest in this outstanding collection.” Judith Mayne, Ohio State University Dubbed simply “the best director”’ by François Truffaut, Jean Renoir is a towering figure in world film history. This exhaustive survey of his work and life features a comprehensive analysis of his films from the multiple critical perspectives of the world’s leading Renoir scholars. Renoir’s career spanned four decades and four countries and included an extraordinary body of films, some of which – La Grande illusion (1937) and La Règle du jeu (1939) – are universally recognized masterpieces. Fathered by the celebrated painter Pierre-Auguste Renoir, the filmmaker lived through much of the twentieth century, beginning his career in the silent era and ending it in full Technicolor. His films are notable for their paradoxical combination of strong internal coherence and thematic breadth and diversity, and they provide a rich source for today’s scholars of film history and French culture. This handbook, the largest volume on Renoir ever produced in the English language, ranges in scope from extreme close-up analysis of individual films to long-shot explorations of his aesthetics and the social and cultural contexts in which he worked. The most ambitious critical study of Renoir to date, this book will appeal to film enthusiasts as much as scholars and specialists.
Author : Phil Powrie
Publisher : Edinburgh University Press
ISBN 13 : 0748629602
Total Pages : 272 pages
Book Rating : 4.7/5 (486 download)
Download or read book Pierre Batcheff and Stardom in 1920s French Cinema written by Phil Powrie and published by Edinburgh University Press. This book was released on 2009-01-19 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first major study of a French silent cinema star. It focuses on Pierre Batcheff, a prominent popular cinema star in the 1920s, the French Valentino, best-known to modern audiences for his role as the protagonist of the avant-garde film classic Un chien andalou. Unlike other stars, he was linked to intellectual circles, especially the Surrealists. The book places Batcheff in the context of 1920s popular cinema, with specific reference to male stars of the period. It analyses the tensions he exemplifies between the 'popular' and the 'intellectual' during the 1920s, as cinema - the subject of intense intellectual interest across Europe - was racked between commercialism and 'art'. A number of the major films are studied in detail: Le Double amour (Epstein, 1925), Feu Mathias Pascal (L'Herbier, 1925), Education de prince (Diamant-Berger, 1927), Le Joueur d'echecs (Bernard, 1927), La Sirene des tropiques (Etievant and Nalpas, 1927), Les Deux timides (Clair, 1928), Un chien andalou (Bunuel, 1929), Monte-Cristo (Fescourt, 1929), and Baroud (Ingram, 1932).Key features:*The first major study of a French silent cinema star.*Provides an in-depth analysis of star performance.*Includes extensive appendices of documents from popular cinema magazines of the period.
Author : Lucy Mazdon
Publisher : Berghahn Books
ISBN 13 : 1845458559
Total Pages : 301 pages
Book Rating : 4.8/5 (454 download)
Download or read book Je T’Aime... Moi Non Plus written by Lucy Mazdon and published by Berghahn Books. This book was released on 2010-11-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary ‘extreme’ French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.
Author : Brett Bowles
Publisher : Manchester University Press
ISBN 13 : 1526162830
Total Pages : 361 pages
Book Rating : 4.5/5 (261 download)
Download or read book Marcel Pagnol written by Brett Bowles and published by Manchester University Press. This book was released on 2021-06-15 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895–1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, now available in paperback, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Author : Robert J. Berg
Publisher : Yale University Press
ISBN 13 : 0300158718
Total Pages : 311 pages
Book Rating : 4.3/5 (1 download)
Download or read book À la rencontre du cinéma français written by Robert J. Berg and published by Yale University Press. This book was released on 2010-07-27 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: À la rencontre du cinéma français: analyse, genre, histoire is intended to serve as the core textbook in a wide variety of upper-level undergraduate and graduate French cinema courses. In contrast to content-, theme-, or issue-based approaches to film, Professor Berg stresses “the cinematically specific, the warp and fabric of the film itself, the stuff of which it is made.' Sufficient proficiency in French is the sole prerequisite: “No previous background in film studies is assumed, nor is any prior acquaintance with French cinema. It will help, of course, to like movies, and to have seen quite a few…' (from the preface).
Author : Martin M. Winkler
Publisher : Cambridge University Press
ISBN 13 : 0521518601
Total Pages : 363 pages
Book Rating : 4.5/5 (215 download)
Download or read book Cinema and Classical Texts written by Martin M. Winkler and published by Cambridge University Press. This book was released on 2009-02-12 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.
