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La Tapisserie Flamande
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Book Synopsis Flemish Tapestry Weavers Abroad by : Guy Delmarcel
Download or read book Flemish Tapestry Weavers Abroad written by Guy Delmarcel and published by Leuven University Press. This book was released on 2002 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thirteen specialists on the history of tapestry offer a detailed survey of the lives and works of the Flemish weavers and of their relations with foreign patrons and artists.
Book Synopsis Flemish Tapestry from the 15th to the 18th Century by : Guy Delmarcel
Download or read book Flemish Tapestry from the 15th to the 18th Century written by Guy Delmarcel and published by Lannoo Uitgeverij. This book was released on 1999 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Histoire de la tapisserie by : Jules Guiffrey
Download or read book Histoire de la tapisserie written by Jules Guiffrey and published by . This book was released on 1886 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Tapestry in the Baroque by : Thomas P. Campbell
Download or read book Tapestry in the Baroque written by Thomas P. Campbell and published by Metropolitan Museum of Art. This book was released on 2007 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Companion to Renaissance and Baroque Art by : Babette Bohn
Download or read book A Companion to Renaissance and Baroque Art written by Babette Bohn and published by John Wiley & Sons. This book was released on 2012-01-02 with total page 797 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
Download or read book The Studio written by and published by . This book was released on 1911 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art in Flanders written by Max Rooses and published by . This book was released on 1914 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Magic and Divination at the Courts of Burgundy and France by : Jan R. Veenstra
Download or read book Magic and Divination at the Courts of Burgundy and France written by Jan R. Veenstra and published by BRILL. This book was released on 1998 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a critical edition of Laurens Pignon's treatise "Contre les devineurs" (1411) and examines its literary and historical context of courtly magic and astrology in Burgundy and France during the reign of Charles VI.
Book Synopsis Cultural Heritage by : Hani Hayajneh
Download or read book Cultural Heritage written by Hani Hayajneh and published by LIT Verlag Münster. This book was released on 2023-04 with total page 868 pages. Available in PDF, EPUB and Kindle. Book excerpt: Human heritage is an endless mine of knowledge, skills, ethos and accomplishments, which visualize and examine the power of human creativity and innovation throughout the history. The contributions cast an insight into the human psyche to perceive its Weltanschauung, and its way of thinking and making artefacts associated with knowledge, existence and identity in the context of other existing systems in the world. They demonstrate the diversity of topics as well as the state-of-the art of interdisciplinary approaches that participants of the Humboldt-Kolleg use in their research on cultural heritage, and confirm, once again, that the strengths of the Alexander von Humboldt Network should be celebrated and honoured. The present volume invites us to seek more novel research approaches that aim towards an understanding of the complex nature of human inheritance.
Book Synopsis Individuals and Materials in the Greco-Roman Cults of Isis (SET) by : Valentino Gasparini
Download or read book Individuals and Materials in the Greco-Roman Cults of Isis (SET) written by Valentino Gasparini and published by BRILL. This book was released on 2018-10-16 with total page 1191 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Individuals and Materials in the Greco-Roman Cults of Isis Valentino Gasparini and Richard Veymiers present a collection of reflections on the individuals and groups which animated one of Antiquity’s most dynamic, significant and popular religious phenomena: the reception of the cults of Isis and other Egyptian gods throughout the Hellenistic and Roman worlds. These communities, whose members seem to share the same religious identity, for a long time have been studied in a monolithic way through the prism of the Cumontian category of the “Oriental religions”. The 26 contributions of this book, divided into three sections devoted to the “agents”, their “images” and their “practices”, shed new light on this religious movement that appears much more heterogeneous and colorful than previously recognized.
Book Synopsis Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries by : Annetta Alexandridis
Download or read book Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries written by Annetta Alexandridis and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-09-06 with total page 667 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.
Book Synopsis Raphael’s Ostrich by : Una Roman D’Elia
Download or read book Raphael’s Ostrich written by Una Roman D’Elia and published by Penn State Press. This book was released on 2016-04-27 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Raphael’s Ostrich begins with a little-studied aspect of Raphael’s painting—the ostrich, which appears as an attribute of Justice, painted in the Sala di Costantino in the Vatican. Una Roman D’Elia traces the cultural and artistic history of the ostrich from its appearances in ancient Egyptian hieroglyphs to the menageries and grotesque ornaments of sixteenth-century Italy. Following the complex history of shifting interpretations given to the ostrich in scientific, literary, religious, poetic, and satirical texts and images, D’Elia demonstrates the rich variety of ways in which people made sense of this living “monster,” which was depicted as the embodiment of heresy, stupidity, perseverance, justice, fortune, gluttony, and other virtues and vices. Because Raphael was revered as a god of art, artists imitated and competed with his ostrich, while religious and cultural critics complained about the potential for misinterpreting such obscure imagery. This book not only considers the history of the ostrich but also explores how Raphael’s painting forced viewers to question how meaning is attributed to the natural world, a debate of central importance in early modern Europe at a time when the disciplines of modern art history and natural history were developing. The strangeness of Raphael’s ostrich, situated at the crossroads of art, religion, myth, and natural history, both reveals lesser-known sides of Raphael’s painting and illuminates major cultural shifts in attitudes toward nature and images in the Renaissance. More than simply an examination of a single artist or a single subject, Raphael’s Ostrich offers an accessible, erudite, and charming alternative to Vasari’s pervasive model of the history of sixteenth-century Italian art.
Book Synopsis Greek and Roman Small Size Sculpture by : Giovanni Colzani
Download or read book Greek and Roman Small Size Sculpture written by Giovanni Colzani and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-10-23 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholarship on Classical Art, few notions appear to be as elusive as that of “small sculpture”, often treated with a certain degree of diffidence well summarized in the formula Klein, aber Kunst? In fact, a large and heterogeneous variety of objects corresponds to this definition: all kinds of small sculpture, from statuettes to miniatures, in a variety of materials including stone, bronze, and terracotta, associated with a great array of functions and contexts, and with extremely different levels of manufacture and patronage. It would be a major misunderstanding to think of these small sculptures in general as nothing more than a cheap and simplified alternative to larger scale statues. Compared with those, their peculiar format allowed for a wider range of choices, in terms, for example, of use of either cheap or extremely valuable materials (not only marble and bronze, but also gold and silver, ivory, hard stones, among others), methods of production (combining seriality and variation), modes of fruition (such as involving a degree of intimacy with the beholder, rather than staging an illusion of “presence”). Furthermore, their pervasive presence in both private and public spaces at many levels of Greek and Roman society presents us with a privileged point of view on the visual literacy of a large and varied public. Although very different in many respects, small-sized sculptures entertained often a rather ambivalent relationship with their larger counterparts, drawing from them at the same time schemes, forms and iconographies. By offering a fresh, new analysis of archaeological evidence and literary sources, through a variety of disciplinary approaches, this volume helps to illuminate this rather complex dynamic and aims to contribute to a better understanding of the status of Greek and Roman small size sculpture within the general development of ancient art.
Book Synopsis Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century by : Geneviève Souchal
Download or read book Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century written by Geneviève Souchal and published by Metropolitan Museum of Art. This book was released on 1974 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.
Download or read book 1668 written by Peter Sahlins and published by Princeton University Press. This book was released on 2017-11-17 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Download or read book The Troyes Mémoire written by Tina Kane and published by Boydell & Brewer. This book was released on 2010 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive. The "Troyes Mémoire", a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated intoEnglish for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval Troyes: the Account Books of the Church of Sainte-Madeleine, whichintroduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art. Tina Kane is Conservator, Metropolitan Museum of Art, Department of Textile Conservation.
Author :Fine Arts Museums of San Francisco Publisher :Fine Arts Museum of San Francisco ISBN 13 : Total Pages :352 pages Book Rating :4.3/5 (91 download)
Book Synopsis Five Centuries of Tapestry from the Fine Arts Museums of San Francisco by : Fine Arts Museums of San Francisco
Download or read book Five Centuries of Tapestry from the Fine Arts Museums of San Francisco written by Fine Arts Museums of San Francisco and published by Fine Arts Museum of San Francisco. This book was released on 1992 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the evolution of tapestry as a unique and enduring art form, from the late Middle Ages through the twentieth century.