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Irish National Cinema
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Book Synopsis Irish National Cinema by : Ruth Barton
Download or read book Irish National Cinema written by Ruth Barton and published by Routledge. This book was released on 2004-07-31 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.
Book Synopsis Irish National Cinema by : Ruth Barton
Download or read book Irish National Cinema written by Ruth Barton and published by Psychology Press. This book was released on 2004 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ruth Barton argues that in order to understand the position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the Irish diaspora and engage with its cinema.
Download or read book Irish Film written by Martin McLoone and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Book Synopsis The Myth of an Irish Cinema by : Michael Patrick Gillespie
Download or read book The Myth of an Irish Cinema written by Michael Patrick Gillespie and published by Syracuse University Press. This book was released on 2009-01-19 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
Book Synopsis Irish Cinema in the Twenty-First Century by : Ruth Barton
Download or read book Irish Cinema in the Twenty-First Century written by Ruth Barton and published by . This book was released on 2019-03-25 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city.
Book Synopsis Men and Masculinities in Irish Cinema by : D. Ging
Download or read book Men and Masculinities in Irish Cinema written by D. Ging and published by Springer. This book was released on 2012-12-03 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen.
Book Synopsis A Companion to British and Irish Cinema by : John Hill
Download or read book A Companion to British and Irish Cinema written by John Hill and published by John Wiley & Sons. This book was released on 2019-05-07 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Book Synopsis Cinema and Ireland by : Kevin Rockett
Download or read book Cinema and Ireland written by Kevin Rockett and published by Routledge. This book was released on 2014-01-21 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This was the first comprehensive study of film production in Ireland from the silent period to the present day, and of representations of Ireland and ‘Irishness’ in native, British, and American films. It remains an authority on the topic. The book focuses on Irish history and politics to examine the context and significance of such films as Irish Destiny, The Quiet Man, Ryan’s Daughter, Man of Aran, Cal, The Courier, and The Dead.
Book Synopsis Irish Film Censorship by : Kevin Rockett
Download or read book Irish Film Censorship written by Kevin Rockett and published by Four Courts Press. This book was released on 2004 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005
Book Synopsis Screening Ireland by : Lance Pettitt
Download or read book Screening Ireland written by Lance Pettitt and published by Manchester University Press. This book was released on 2000 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.
Book Synopsis Irish Queer Cinema by : Allison Macleod
Download or read book Irish Queer Cinema written by Allison Macleod and published by Edinburgh University Press. This book was released on 2018-05-15 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Identifies an emerging genre within the contemporary Egyptian novel that reflects a new consciousness
Download or read book Genre and Cinema written by Brian McIlroy and published by Routledge. This book was released on 2012-08-06 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.
Book Synopsis The Irish National Cinema and Its Relationship to Irish Nationalism by : Martin Christopher Dolan
Download or read book The Irish National Cinema and Its Relationship to Irish Nationalism written by Martin Christopher Dolan and published by . This book was released on 1979 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Black Irish Onscreen by : Zélie Asava
Download or read book The Black Irish Onscreen written by Zélie Asava and published by Reimagining Ireland. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the position of black and mixed-race characters in Irish film culture. Exploring key film and TV productions from the 1990s to the present day, the author interrogates concepts of Irish identity, history and nation, making a significant theoretical contribution to scholarly work on representation and identity in Irish film.
Book Synopsis Contemporary Irish Film by : Werner Huber
Download or read book Contemporary Irish Film written by Werner Huber and published by . This book was released on 2011 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Last Bohemian by : Lance Pettitt
Download or read book The Last Bohemian written by Lance Pettitt and published by Syracuse University Press. This book was released on 2023-06-12 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
Book Synopsis The Myth of an Irish Cinema by : Michael Patrick Gillespie
Download or read book The Myth of an Irish Cinema written by Michael Patrick Gillespie and published by Syracuse University Press. This book was released on 2009-01-19 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
