Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Interplay And Improvisation On The Drums
Download Interplay And Improvisation On The Drums full books in PDF, epub, and Kindle. Read online Interplay And Improvisation On The Drums ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Interplay and Improvisation on the Drums by : Gary Husband
Download or read book Interplay and Improvisation on the Drums written by Gary Husband and published by . This book was released on 1998 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Interaction, Improvisation, and Interplay in Jazz by : Robert Hodson
Download or read book Interaction, Improvisation, and Interplay in Jazz written by Robert Hodson and published by Routledge. This book was released on 2007-01-18 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interaction, Improvisation, and Interplay in Jazz Performance offers a new and exciting way to listen to and understand jazz. When describing a performance, most jazz writers focus on the improvised lines of the soloist and their underlying harmonic progressions. This approach overlooks the basic fact that when you listen to jazz, you almost never hear a single line, but rather a musical fabric woven by several musicians in real time. While it is often pragmatic to single out an individual solo line, it is important to remember that an improvised solo is but one thread in that fabric; and it is a thread supported by, responded to, and responsive of the parts being played by the other musicians in the group. Interaction, Improvisation, and Interplay in Jazz Performance explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music, including: jazz improvisation through theory and analysis musical roles, behaviours and relationships harmony, interaction and performance Interaction, Improvisation, and Interplay in Jazz Performance will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience.
Book Synopsis Drums in the Rhythm Section by : Steve Houghton
Download or read book Drums in the Rhythm Section written by Steve Houghton and published by Alfred Music Publishing. This book was released on 1997-06 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book & CD focuses on the drumset as it relates to the rest of the rhythm section. Various scenarios are discussed and represented in diagram form, including setups and drum tuning suggestions. Various styles of music, such as medium swing, up-tempo swing, rock, fusion, Latin styles, vocal jazz, and odd time are then studied. Throughout each style of music, the author discusses, from a drummer's perspective, numerous techniques and approaches that apply (for example, left-hand triplet interplay). Soloing, improvisation, chart reading, and ear training are also covered. The CD play-along allows the reader the opportunity to read, listen, and practice what is discussed.
Book Synopsis Interaction and Improvisation by : Robert Dean Hodson
Download or read book Interaction and Improvisation written by Robert Dean Hodson and published by . This book was released on 2000 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Saying Something written by Ingrid Monson and published by University of Chicago Press. This book was released on 2009-02-15 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.
Book Synopsis A Listener's Guide to Free Improvisation by : John Corbett
Download or read book A Listener's Guide to Free Improvisation written by John Corbett and published by University of Chicago Press. This book was released on 2016-03-13 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Hyper-insightful and . . . thoroughly entertaining . . . an essential read for anyone interested in the complex yet accessible world of musical improvisation.” —Glenn Kotche, drummer and composer, Wilco Improvisation rattles some listeners. Maybe they’re even suspicious of it. John Coltrane’s saxophonic flights of fancy, Jimi Hendrix’s feedback drenched guitar solos, Ravi Shankar’s sitar extrapolations—all these sounds seem like so much noodling or jamming, indulgent self-expression. For these music fans, it seems natural that music is meant to be composed. John Corbett’s A Listener’s Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious music lover how to really listen, and he encourages them to enjoy the human impulse to make up music on the spot. Providing fundamentals as well as advanced techniques, listening exercises to hone musical attentiveness and lists of accessible resources, this concise, humorous and inspiring guide will help transform one of the world’s most notoriously unapproachable artforms into a rewarding and enjoyable experience. “Corbett [combines] deep musicological knowledge, heavy-lifting reportage, and crystalline prose of Peter Guralnick with the unbridled passion and joy of Lester Bangs.” —Jim DeRogatis, cohost of Sound Opinions “This book is a small marvel. . . . immensely readable, enjoyable, and practical. . . . an excellent, accessible introduction.” —David Grubbs, author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
Book Synopsis c Composed improvisation by : John Cage
Download or read book c Composed improvisation written by John Cage and published by . This book was released on 1990 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Composed improvisation for one-sided drums with or without jangles by : John Cage
Download or read book Composed improvisation for one-sided drums with or without jangles written by John Cage and published by . This book was released on 1990 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Improvising with Words by : Stephen Neville
Download or read book Improvising with Words written by Stephen Neville and published by . This book was released on 2015 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: The project uses prerecorded speech as a theme in a jazz context and demonstrates through performance: 1) the musical potential of the qualities of speech; that is the sound of speech, and the meanings it carries and moods it conveys, 2) the ways in which speech can be used either directly, or as a source of inspiration in improvisation, and 3) how playing with speech patterns has impacted my drumming. The first recital centres on the performance of pieces that are structured around excerpts of recorded speech. These pieces aim to show how recorded speech can inspire free improvisation. The second recital demonstrates how the study of speech patterns has effected my drumming in a contemporary jazz setting. The outcomes of the recitals are discussed in selected case studies in this accompanying exegesis. The overarching aim is to incorporate speech and speech patterns into my playing in order to achieve a method of phrasing that is not restricted by time signature, subdivisions or conventional jazz rhythms.
Book Synopsis Exploring Jazz Drums by : Clark Tracey
Download or read book Exploring Jazz Drums written by Clark Tracey and published by Schott & Company Limited. This book was released on 2012-11-01 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Miscellaneous Percussion Music - Mixed Levels
Book Synopsis Drum Set Improvisation by : John E. B. Brownell
Download or read book Drum Set Improvisation written by John E. B. Brownell and published by . This book was released on 1999 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis c Composed improvisation by : John Cage
Download or read book c Composed improvisation written by John Cage and published by . This book was released on 1990 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Percussive Notes written by and published by . This book was released on 1999 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Drum Set Improvisation by : John Brownell
Download or read book Drum Set Improvisation written by John Brownell and published by . This book was released on 1994 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Easy Jazz Conception Drums by : Jim Snidero
Download or read book Easy Jazz Conception Drums written by Jim Snidero and published by . This book was released on with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Saying Something written by Ingrid Monson and published by University of Chicago Press. This book was released on 1997-03-15 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.
Download or read book Friday Night Jam written by Nowick Gray and published by CreateSpace. This book was released on 2014-05 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: Friday Night Jam is a kind of anecdotal, instructional how-to (and sometimes painful how-not-to) guide to group improvisation, based on the firsthand learning experiences of author and African drummer Nowick Gray in a weekly open jam in rural British Columbia, in the early 1990s. African drumming was booming in popularity then but not well integrated into conventional Western music mixes. This chronicle conveys the challenge of merging diverse musical instruments, genres and personalities; of attempting to produce quality music in a venue that welcomes relative beginners, lifelong amateurs, and random drop-ins for the night. The elusive magic of group improvisation, so sensitive to the interplay of diverse factors, proves emblematic of all human relations. Nowick offers an experiential overview of the confluence and conflict of different musical styles and expectations: acoustic/electric, world beat/rock, drummers/guitarists, perfectionists/amateurs, safe/risk, stoned/straight, standards/improvisation, men/women, fifties/sixties, tight/free. At the core of the journey is the learning of the limited individual ego, with its unique talents and limitations, to negotiate the free and structured spaces with others, to merge in the greater group striving for excellence and beyond, ecstatic union. In rendering this spirit and process, the words too can speak for themselves, players in the mix, jamming on the universal pulse.