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Indian Film
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Download or read book Indian Film written by Erik Barnouw and published by . This book was released on 2000-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Indian Films in Soviet Cinemas by : Sudha Rajagopalan
Download or read book Indian Films in Soviet Cinemas written by Sudha Rajagopalan and published by Indiana University Press. This book was released on 2008 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding the Soviet public's love of Indian popular film
Book Synopsis Indian Popular Cinema by : K. Gokulsing
Download or read book Indian Popular Cinema written by K. Gokulsing and published by . This book was released on 2004 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Indian Film Stars by : Michael Lawrence
Download or read book Indian Film Stars written by Michael Lawrence and published by Bloomsbury Publishing. This book was released on 2020-05-28 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.
Author :Mónica García Blizzard Publisher :State University of New York Press ISBN 13 :143848805X Total Pages :209 pages Book Rating :4.4/5 (384 download)
Book Synopsis The White Indians of Mexican Cinema by : Mónica García Blizzard
Download or read book The White Indians of Mexican Cinema written by Mónica García Blizzard and published by State University of New York Press. This book was released on 2022-04-01 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7153
Book Synopsis History of Indian Cinema by : Renu Saran
Download or read book History of Indian Cinema written by Renu Saran and published by Diamond Pocket Books Pvt Ltd. This book was released on 2014-03-04 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.
Book Synopsis 100 Essential Indian Films by : Rohit K. Dasgupta
Download or read book 100 Essential Indian Films written by Rohit K. Dasgupta and published by Rowman & Littlefield. This book was released on 2018-12-15 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.
Book Synopsis Understanding Indian Movies by : Patrick Colm Hogan
Download or read book Understanding Indian Movies written by Patrick Colm Hogan and published by University of Texas Press. This book was released on 2009-06-03 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information about Indian history, Hindu metaphysics, Islamic spirituality, Sanskrit aesthetics, and other Indian traditions to provide necessary cultural contexts for understanding Indian films. Hogan analyzes eleven important films, using them as the focus to explore the topics of plot, theme, emotion, sound, and visual style in Indian cinema. These films draw on a wide range of South Asian cultural traditions and are representative of the greater whole of Indian cinema. By learning to interpret these examples with the tools Hogan provides, the reader will be able to take these skills and apply them to other Indian films. But this study is not simply culturalist. Hogan also takes up key principles from cognitive neuroscience to illustrate that all cultures share perceptual, cognitive, and emotional elements that, when properly interpreted, can help to bridge gaps between seemingly disparate societies. Hogan locates the specificity of Indian culture in relation to human universals, and illustrates this cultural-cognitive synthesis through his detailed interpretations of these films. This book will help both scholars and general readers to better understand and appreciate Indian cinema.
Book Synopsis Introduction to List of highest-grossing Indian films by : Gilad James, PhD
Download or read book Introduction to List of highest-grossing Indian films written by Gilad James, PhD and published by Gilad James Mystery School. This book was released on with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Indian film industry, popularly known as Bollywood, is one of the largest in the world in terms of output and revenue. The Indian film industry is driven by its large domestic audience, which is estimated to be around 1.3 billion. The industry has produced several blockbusters that have earned massive revenues both in India and abroad. The list of highest-grossing Indian films is a compilation of such movies that have made a significant impact on the audience and have resulted in monumental revenues for their makers. The first Indian film, Raja Harishchandra, was made in 1913, and since then, the film industry has come a long way. From silent films to talkies, from black and white movies to Technicolor, from conventional storytelling to experimental cinema, the Indian film industry has evolved over the years. With changing times, the Indian audience has also evolved, and filmmakers have adapted themselves to cater to the changing tastes and preferences of the viewers. The List of highest-grossing Indian films is a testimony to the success of these filmmakers as it showcases the most successful and profitable movies made in India.
Book Synopsis Focus On: 100 Most Popular Indian Drama Films by : Wikipedia contributors
Download or read book Focus On: 100 Most Popular Indian Drama Films written by Wikipedia contributors and published by e-artnow sro. This book was released on with total page 859 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Encyclopedia of Indian Cinema by : Ashish Rajadhyaksha
Download or read book Encyclopedia of Indian Cinema written by Ashish Rajadhyaksha and published by Routledge. This book was released on 2014-07-10 with total page 3189 pages. Available in PDF, EPUB and Kindle. Book excerpt: The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Book Synopsis Mourning the Nation by : Bhaskar Sarkar
Download or read book Mourning the Nation written by Bhaskar Sarkar and published by Duke University Press. This book was released on 2009-05-20 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
Book Synopsis Music in Contemporary Indian Film by : Jayson Beaster-Jones
Download or read book Music in Contemporary Indian Film written by Jayson Beaster-Jones and published by Taylor & Francis. This book was released on 2016-10-04 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.
Book Synopsis Hindi Film Song by : Ashok Damodar Ranade
Download or read book Hindi Film Song written by Ashok Damodar Ranade and published by Bibliophile South Asia. This book was released on 2006 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Philosophical Issues in Indian Cinema by : MK Raghavendra
Download or read book Philosophical Issues in Indian Cinema written by MK Raghavendra and published by Taylor & Francis. This book was released on 2020-12-13 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs, action, comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’, ‘family’ and ‘patriotism’ by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.
Book Synopsis Encyclopaedia of Hindi Cinema by : Gulazāra
Download or read book Encyclopaedia of Hindi Cinema written by Gulazāra and published by Popular Prakashan. This book was released on 2003 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.
Book Synopsis Hindi Film Songs and the Cinema by : Anna Morcom
Download or read book Hindi Film Songs and the Cinema written by Anna Morcom and published by Routledge. This book was released on 2017-07-05 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.