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Images Of Humanist Ideals In Italian Renaissance Art
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Book Synopsis Images of Humanist Ideals in Italian Renaissance Art by : Charles H. Carman
Download or read book Images of Humanist Ideals in Italian Renaissance Art written by Charles H. Carman and published by . This book was released on 2000 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carman (art history, State U. of New York-Buffalo) finds in civic humanism a resolution to a tension between an active life and one devoted to heavenly contemplation in 15th-century Italy, and uses it as a frame to view Renaissance culture. He explores the role artists played and the extent to which their painting, sculpture, and architecture expresses some sense of both experiential and spiritual consciousness. Each of the six essays, many first delivered as papers, analyzes a particular quality in some of the major works within the canon. Their topics include human dignity, a Renaissance microcosm, the poetry of painting, and the mind triumphant. The text is double spaced; the reproductions are monochrome. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Words for Pictures by : Michael Baxandall
Download or read book Words for Pictures written by Michael Baxandall and published by Yale University Press. This book was released on 2003-01-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: He offers seven thought-provoking pieces, three of which are new and written specifically for this book. While Baxandall focuses on works of the fifteenth century, his essays transcend this period and show with fresh insight how words match the experience of looking at paintings and sculptures."--BOOK JACKET.
Book Synopsis Leon Battista Alberti and Nicholas Cusanus by : Charles H. Carman
Download or read book Leon Battista Alberti and Nicholas Cusanus written by Charles H. Carman and published by Routledge. This book was released on 2016-04-22 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus - particularly his Vision of God (1450) - this study reveals a shared epistemology of vision. And, the author argues, it is one that reflects a more deeply Christian Neoplatonic ideal than is typically accorded Alberti. Whether regarding his purpose in teaching the use of a geometric single point perspective system, or more broadly in rendering forms naturalistically, the emphasis leans toward the ideal of Renaissance art as highly rational. There remains the impression that the principle aim of the painter is to create objective, even illusionistic images. A close reading of Alberti’s text, however, including some adjustments in translation, points rather towards an emphasis on discerning the spiritual in the material. Alberti’s use of the tropes Minerva and Narcissus, for example, indicates the opposing characteristics of wisdom and sense certainty that function dialectically to foster the traditional importance of seeing with the eye of the intellect rather than merely with physical eyes. In this sense these figures also set the context for his, and, as the author explains, Brunelleschi’s earlier invention of this perspective system that posits not so much an objective seeing as an opposition of finite and infinite seeing, which, moreover, approximates Cusanus’s famous notion of a coincidence of opposites. Together with Alberti’s and Cusanus’s ideals of vision, extensive analysis of art works discloses a ubiquitous commitment to stimulating an intellectual perception of divine, essential, and unseen realities that enliven the visible material world.
Book Synopsis The Art of Renaissance Europe by : Bosiljka Raditsa
Download or read book The Art of Renaissance Europe written by Bosiljka Raditsa and published by Metropolitan Museum of Art. This book was released on 2000 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Book Synopsis The Intellectual Education of the Italian Renaissance Artist by : Angela Dressen
Download or read book The Intellectual Education of the Italian Renaissance Artist written by Angela Dressen and published by Cambridge University Press. This book was released on 2021-09-02 with total page 731 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars have traditionally viewed the Italian Renaissance artist as a gifted, but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor. These assumptions are, in part, based on research that has focused primarily on the artist's social rank and workshop training. In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Renaissance artist. Considering artistic formation within the history of education, Dressen focuses on the training of highly skilled, average artists, revealing a general level of learning that was much more substantial than has been assumed. She emphasizes the role of mediators who had a particular interest in augmenting artists' knowledge, and highlights how artists used Latin and vernacular texts to gain additional knowledge that they avidly sought. Dressen's volume brings new insights into a topic at the intersection of early modern intellectual, educational, and art history.
Book Synopsis Low and High Style in Italian Renaissance Art by : Patricia Emison
Download or read book Low and High Style in Italian Renaissance Art written by Patricia Emison and published by Routledge. This book was released on 2013-10-28 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
Book Synopsis Review Journal of Political Philosophy, Volume 8.1 by : J. Jeremy Wisnewski
Download or read book Review Journal of Political Philosophy, Volume 8.1 written by J. Jeremy Wisnewski and published by Cambridge Scholars Publishing. This book was released on 2013-02-21 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: This journal has been discontinued. Any issues are available to purchase separately.
Book Synopsis Revaluing Renaissance Art by : Gabriele Neher
Download or read book Revaluing Renaissance Art written by Gabriele Neher and published by Routledge. This book was released on 2017-11-22 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.
Book Synopsis Women in Italian Renaissance Art by : Paola Tinagli
Download or read book Women in Italian Renaissance Art written by Paola Tinagli and published by Manchester University Press. This book was released on 1997-06-15 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Author :British Academy Wolfson Research Professor Department of the History of Art Martin Kemp Publisher :Yale University Press ISBN 13 :9780300071955 Total Pages :336 pages Book Rating :4.0/5 (719 download)
Book Synopsis Behind the Picture by : British Academy Wolfson Research Professor Department of the History of Art Martin Kemp
Download or read book Behind the Picture written by British Academy Wolfson Research Professor Department of the History of Art Martin Kemp and published by Yale University Press. This book was released on 1997-01-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considers the business of picture-making in the Renaissance. In particular, the text discusses the role of the artist and the functions of works of art in relation to their various kinds of audience.
Book Synopsis The Living Image in Renaissance Art by : Fredrika H. Jacobs
Download or read book The Living Image in Renaissance Art written by Fredrika H. Jacobs and published by Cambridge University Press. This book was released on 2005-04-11 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining research and ideas from the histories of art, medicine, and natural philosophy, this book demonstrates the significance of "lifelikeness" in Renaissance art and considers the implications of claims that a work of art is "a living thing." Critical language describing such works became codified. This period also witnessed the advent of early modern medicine and anatomical science. Sixteenth-century Italian Renaissance artists rendered images in painting and sculpture that are so higholy mimetic as to be nearly lifelike.
Book Synopsis Italian Renaissance Art by : Christiane L. Joost-Gaugier
Download or read book Italian Renaissance Art written by Christiane L. Joost-Gaugier and published by John Wiley & Sons. This book was released on 2013-03-04 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
Book Synopsis Looking at the Renaissance by : Charles R. Mack
Download or read book Looking at the Renaissance written by Charles R. Mack and published by University of Michigan Press. This book was released on 2005 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Mack examines the evolving context of Renaissance art while offering fresh insight into the meaning of the Renaissance.
Book Synopsis Lorenzo Ghiberti's Gates of Paradise by : Amy R. Bloch
Download or read book Lorenzo Ghiberti's Gates of Paradise written by Amy R. Bloch and published by Cambridge University Press. This book was released on 2016-02-09 with total page 1088 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.
Book Synopsis Italian Art, 1250-1550 by : Bruce Cole
Download or read book Italian Art, 1250-1550 written by Bruce Cole and published by HarperCollins. This book was released on 1987-01-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This survey of Italian Renaissance art, from a new and different perspective, shows how art was a vital part of society and how all types of art and artists reflected the needs and aspirations of the culture from which they arose. Most books on Renaissance art are based on a chronological study of the major artists and their works. In this book, Bruce Cole covers the major types of art from c. 1250 to c. 1550, discusses their origins and development, documents their use and function, and describes their form and how and why the artists shaped them that way. Art is thus firmly connected with the life and society of the Renaissance rather than viewed as a separate entity: painting and sculpture are seen in their proper context. After a wide-ranging introduction, there are chapters on Italian Renaissance art in relation to domestic life, worship, civic life, death and afterlife, and Renaissance images and ideals.
Book Synopsis The Cave and the Light by : Arthur Herman
Download or read book The Cave and the Light written by Arthur Herman and published by Random House Trade Paperbacks. This book was released on 2014-06-03 with total page 705 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive sequel to New York Times bestseller How the Scots Invented the Modern World is a magisterial account of how the two greatest thinkers of the ancient world, Plato and Aristotle, laid the foundations of Western culture—and how their rivalry shaped the essential features of our culture down to the present day. Plato came from a wealthy, connected Athenian family and lived a comfortable upper-class lifestyle until he met an odd little man named Socrates, who showed him a new world of ideas and ideals. Socrates taught Plato that a man must use reason to attain wisdom, and that the life of a lover of wisdom, a philosopher, was the pinnacle of achievement. Plato dedicated himself to living that ideal and went on to create a school, his famed Academy, to teach others the path to enlightenment through contemplation. However, the same Academy that spread Plato’s teachings also fostered his greatest rival. Born to a family of Greek physicians, Aristotle had learned early on the value of observation and hands-on experience. Rather than rely on pure contemplation, he insisted that the truest path to knowledge is through empirical discovery and exploration of the world around us. Aristotle, Plato’s most brilliant pupil, thus settled on a philosophy very different from his instructor’s and launched a rivalry with profound effects on Western culture. The two men disagreed on the fundamental purpose of the philosophy. For Plato, the image of the cave summed up man’s destined path, emerging from the darkness of material existence to the light of a higher and more spiritual truth. Aristotle thought otherwise. Instead of rising above mundane reality, he insisted, the philosopher’s job is to explain how the real world works, and how we can find our place in it. Aristotle set up a school in Athens to rival Plato’s Academy: the Lyceum. The competition that ensued between the two schools, and between Plato and Aristotle, set the world on an intellectual adventure that lasted through the Middle Ages and Renaissance and that still continues today. From Martin Luther (who named Aristotle the third great enemy of true religion, after the devil and the Pope) to Karl Marx (whose utopian views rival Plato’s), heroes and villains of history have been inspired and incensed by these two master philosophers—but never outside their influence. Accessible, riveting, and eloquently written, The Cave and the Light provides a stunning new perspective on the Western world, certain to open eyes and stir debate. Praise for The Cave and the Light “A sweeping intellectual history viewed through two ancient Greek lenses . . . breezy and enthusiastic but resting on a sturdy rock of research.”—Kirkus Reviews “Examining mathematics, politics, theology, and architecture, the book demonstrates the continuing relevance of the ancient world.”—Publishers Weekly “A fabulous way to understand over two millennia of history, all in one book.”—Library Journal “Entertaining and often illuminating.”—The Wall Street Journal
Book Synopsis Italian Renaissance Art by : Laurie Schneider Adams
Download or read book Italian Renaissance Art written by Laurie Schneider Adams and published by Routledge. This book was released on 2018-05-04 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
