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Images Et Pouvoirs
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Download or read book Concept TV written by Luca Bandirali and published by Rowman & Littlefield. This book was released on 2021-11-08 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.
Book Synopsis Images et pouvoirs by : Christiane Raynaud
Download or read book Images et pouvoirs written by Christiane Raynaud and published by Leopard D'Or. This book was released on 1993 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Visualizing Coregency by : Lisa Saladino Haney
Download or read book Visualizing Coregency written by Lisa Saladino Haney and published by BRILL. This book was released on 2020-03-31 with total page 778 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Visualizing Coregency, Lisa Saladino Haney presents both a comprehensive accounting of the evidence for coregency during Egypt’s 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III.
Book Synopsis Didi-Huberman and the image by : Chari Larsson
Download or read book Didi-Huberman and the image written by Chari Larsson and published by Manchester University Press. This book was released on 2020-09-29 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosopher and art historian Georges Didi-Huberman is one of the most innovative and influential critical thinkers writing today. This book is the first English-language study of his writing on images. An image is a form of representation, but what are the philosophical frameworks supporting it? The book considers how Didi-Huberman takes up this question repeatedly over the course of his career. Placing his project in relation to major historical and intellectual contexts, it shows not only how he modifies dominant disciplinary traditions, but also how the study of images is central to a new way of thinking about poststructuralist-inspired art history.
Book Synopsis The Power of Images by : Patrick Boucheron
Download or read book The Power of Images written by Patrick Boucheron and published by John Wiley & Sons. This book was released on 2018-05-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where can the danger be lurking? Two soldiers are huddled together, one gazing up at the sky, the other darting a sideward glance. They derive a tacit reassurance from their weapons, but they are both in their different ways alone and scared. They were painted by Ambrogio Lorenzetti in the Palazzo Pubblico in Siena, and they seem symptomatic of a state of emergency: the year was 1338, and the spectre of the signoria, of rule by one man, was abroad in the city, undermining the very idea of the common good. In this book, distinguished historian Patrick Boucheron uncovers the rich social and political dimensions of the iconic ‘Fresco of Good Government’. He guides the reader through Lorenzetti’s divided city, where peaceful prosperity and leisure sit alongside the ever-present threats of violence, war and despotism. Lorenzetti’s painting reminds us crucially that good government is not founded on the wisdom of principled or virtuous rulers. Rather, good government lies in the visible and tangible effects it has on the lives of its citizens. By subjecting it to scrutiny, we may, at least for a while, be able to hold at bay the dark seductions of tyranny. From fourteenth-century Siena to the present, The Power of Images shows the latent dangers to democracy when our perceptions of the common good are distorted and undermined. It will appeal to students and scholars in art history, politics and the humanities, as well as to anyone interested in the nature of power.
Book Synopsis Picturing the Maghreb by : Mary B. Vogl
Download or read book Picturing the Maghreb written by Mary B. Vogl and published by Rowman & Littlefield Publishers. This book was released on 2003 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Picturing the Maghreb critiques photographic and verbal representations, with a focus on four of the most prominent French-language writers of recent years: Michel Tournier, J.M.G. Le Clézio, Tahar Ben Jelloun and Leïla Sebbar. Their activist writing reframes a picture of Maghreb produced by two centuries of Orientalist misrepresentation. The book explores photography as a metaphor for other sorts of representation and examines the cultural impact of actual photographs.
Book Synopsis Power and Image in Early Modern Europe by : Jessica Goethals
Download or read book Power and Image in Early Modern Europe written by Jessica Goethals and published by Cambridge Scholars Publishing. This book was released on 2009-05-27 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are images and spectacles fundamental mediators of power relationships in the West? This book draws upon the language of cultural studies to investigate a contemporary hypothesis in the shifting ideological landscape of early modern Europe. Apparently aesthetic choices by artists may also have been the means to consolidate and subvert institutionalized or non-institutionalized bodies of power. Meanwhile, communities in Europe reacted to the intrinsic power of the image in literature and letters, commenting upon both its use and abuse. Both diachronic and geographic connections are made among disparate but important moments of image making in the twelfth through seventeenth centuries. The influence of Descartes is traced from La Rochefoucauld and the communal spectacles of the Ancien Régime salon, to the Netherlands and Rembrandt’s sketch, Death of the Virgin. Shakespeare bears similar anxieties about Joan of Arc’s transgression of gender boundaries in Henry VI, as does Castiglione’s Courtier when serving the Renaissance Prince. Spenser’s dilemma about the (non)difference between fiction and history resolves itself in the same way as does the Byzantine rejection of iconoclasm. Other articles in the collection examine anomie in Vatican frescoes by Giorgio Vasari, corporeal decay and the supernatural as spectacle on the early modern English stage, and affective self-perception and subjectivity in the scoring of Italian opera. ""[..] not as "just" a conference volume, but [as] an organic group of essays on early modernity. The essays span an impressive number of cultures – from "Byzantium" to England, Italy and Spain to the Netherlands – and theorize the image from a number of disciplinary vantage points. Not surprisingly, art history and theatre are well-represented, but so are music history and literary studies. Most of the essays are short, but sufficiently developed to allow for thoughtful arguments on the status of the visual in early modern culture: on the stage, on the page, and as artistic and musical representation. […] "they [do] deliver fine close readings and leave me sufficiently intrigued to want to return to, or familiarize myself with, the original "texts." I come away from this collection encouraged about the state of graduate studies in Europe and North America." —Jane Tylus, Professor of Italian and Comparative Literature and Vice Provost for Academic Affairs, New York University "The essays are interdisciplinary and touch upon many themes that lie outside my own field of specialization. I was therefore surprised and pleased to find them not only original and instructive, but also inviting and accessible to the non-specialist. Although they range far with respect to chronology and theoretical suppositions, they are coherently united in their concern for the functioning of the image in the conservation, revision or critique of socio-political power in their respective cultural contexts. I will mention three essays, representing three different fields, as striking examples of disparate images used to consolidate, reconstruct or overthrow the dominant powers of their times. Kathryn Falzareno's essay, "Mother's Milk and Deborah's Sword," is a close reading of Shakespeare's portrayal of Joan of Arc in Henry VI. It is a close analysis of the paradoxical status of Joan, Saint of the French, strumpet for the English, Christian warrior maiden, contrasting with Deborah in the Ancient Testament. The dominant and totally unexpected image which brings together the contradictions embodied by Joan are the breasts, the source of nurture in the figure of Mary, but an encumbrance for the mythological amazons who removed one breast to facilitate their use of the bow. Ljubica Ilic's "Echo and Narcissus: Labyrinths of the Self," is an elegant reading of "echo music," the apparently impossible "translation" of the Ovidian story into music and opera. Ovid's story represents the nymph Echo as the auditory equivalent of Narcissus' reflection -- echoing sound as reflecting light. Ovid's echo myth undoubtedly influenced opera by Jacopo Peri (during the time of the Medici) and then, Monteverdi in the musical setting of "Orfeo." Finally, Elissa Auerbach's "Taking Mary's Pulse: Cartesianism and Modernity in Rembrandt's 'Death of the Virgin' " is a brilliant commentary on the Dutch painter's rendering of an ancient theme, the "dormition" of the Virgin, but at the center of the painting is the figure of a physician taking the pulse of her limp hand. The intrusion of this "scientific" element in the ancient iconography of the event of Mary's death is the unmistakeable sign of the wave of modernity that swept over the Netherlands with the popularity of Cartesian philosophy and science." —John Freccero, Professor of Italian and Comp. Lit., NYU
Book Synopsis Images du pouvoir, pouvoir des images by :
Download or read book Images du pouvoir, pouvoir des images written by and published by . This book was released on 2004 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Time, Narrative & the Fixed Image / Temps, narration & image fixe by :
Download or read book Time, Narrative & the Fixed Image / Temps, narration & image fixe written by and published by BRILL. This book was released on 2021-10-18 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the relationship between time, narrative and the fixed image. As such, it highlights renewed interest in the temporality of the fixed image, probably one of the most important trends in the formal and semiotic analysis of visual media in the past decade. The various essays discuss paintings, the illustrated covers of books, comics or graphic novels, photo-stories, postcards, television and video art, as well as aesthetic practices that defy categorization such as Chris Marker’s masterpiece La Jetée. The range of works and practices examined is reflected in the different theoretical approaches and methods used, with an emphasis on semiology and narratology, and, to a lesser extent, aesthetics and psychoanalysis. The interest of this book, however, does not stem exclusively from the range and scope of the artefacts examined, or the methodological issues that are addressed; its fundamental importance rests in the contributors’ readiness to question the differentiation between fixed and moving images which all too often provides a convenient, if not altogether convincing, starting point for image analysis. . The originality and value of the contribution that Time, Narrative and the Fixed Image/Temps, Narration et image fixe makes to the body of theoretical writing on visual media lies in this challenging and comprehensive approach.
Book Synopsis Cinéma&Cie. International Film Studies Journal by : Aa. Vv.
Download or read book Cinéma&Cie. International Film Studies Journal written by Aa. Vv. and published by Mimesis. This book was released on 2016-01-19T00:00:00+01:00 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: The images of atrocity, either analog or digital, are always the trace of an encounter between the gaze of a photographer or a cameraman and a human being sufferingfrom the painful effects of man-made violence. The archive images resulting from such an encounter raise some inevitable questions: who took them and for what purpose? Is it possible to retrace the process that led to these shots? What do they hide behind what the eye can see? This special issue of Cinéma & Cie will not only focus on the production of such images, but also on their persistence on the synchronic level (in the media: newspapers, magazines, cinema, television, the Internet, museums...) as well as on the diachronic level (across time: mutation, re-editing, inversion...). From propaganda to counter-propaganda, from purposes of memory to artistic aims, the circulation of these images proves that repetition always implies difference.
Book Synopsis Hito Steyerl: I Will Survive by : Hito Steyerl
Download or read book Hito Steyerl: I Will Survive written by Hito Steyerl and published by Spector Books. This book was released on 2021-05-04 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Artand The Wretched of the Screen Over the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated--from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image--and the implications these mutations have had for the representation of wars, genocides and the flow of capital. "We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand," writes Brian Kuan Wood of the digital visual worlds that the artist presents. At nearly 500 pages, this book--the first substantial overview on Steyerl--looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist's unflagging interrogation of the politics of the image.
Book Synopsis Vie et mort de l'image by : Régis Debray
Download or read book Vie et mort de l'image written by Régis Debray and published by Gallimard Education. This book was released on 1992 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: "L'oeil occidental a une histoire et chaque époque son inconscient. Le statut de l'image et ses pouvoirs ont varié au gré des évolutions techniques et des croyances collectives.
Book Synopsis S. Thomas D'Aquin by : A.-D. Sertillanges
Download or read book S. Thomas D'Aquin written by A.-D. Sertillanges and published by . This book was released on 1925 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis An Anthropology of Images by : Hans Belting
Download or read book An Anthropology of Images written by Hans Belting and published by Princeton University Press. This book was released on 2014-07-21 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling theory that places the origin of human picture making in the body In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function. The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
Book Synopsis Images of the Art Museum by : Eva-Maria Troelenberg
Download or read book Images of the Art Museum written by Eva-Maria Troelenberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-02-06 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, the emerging field of museum studies has seen rapid expansion in the critical study of museums and scholars started to question the institution and its functions. To contribute differentiated viewpoints to the currently evolving meta-discourse on the museum, this volume aims to investigate how the institution of the museum has been visualized and translated into different kinds of images and how these images have affected our perception of these institutions. In this interdisciplinary collection, scholars from a variety of academic backgrounds, including art history, heritage, museums studies and architectural history, explore a broad range of case studies stretching across the globe. The volume opens up debate about the epistemological and historiographical significance of a variety of different images and representations of the Art Museum, including the transformation or adaptation of the image of the art museum across periods and cultures. In this context, this volume aims to develop a new theoretical framework while proposing new methodological tools and resources for the analysis of museological representations on a global scale.
Download or read book Le pouvoir de l'image + written by and published by . This book was released on 2001 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Moving Images written by John Fullerton and published by Indiana University Press. This book was released on 2000-06-22 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventeen essays examining the impact of new media on the history of cinema. In 1888, Thomas Edison announced that he was experimenting on “an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion.” Just as Edison’s investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation and reception that have framed the development of moving images in the last one hundred years. Three concerns are of particular interest: the contexts of innovation and reception for moving image technologies; the role of the observer, whose vision and cognitive processes define some of the limits of inquiry and epistemological insight; and the role of new media, which, engaging with the domestic sphere as cultural interface, are transforming our understanding of public and private spheres. The seventeen previously unpublished essays in Moving Images represent the best of current research in the history of this field. They make a timely and stimulating contribution to debates concerning the impact of new media on the history of cinema. Contributors include: William Boddy, Carlos Bustamante, Warren Buckland, Valeria Camporesi, Bent Fausing, Oliver Gaycken, Alison Griffiths, Christopher Hales, Jan Holmberg, Solveig Jülich, Frank Kessler, Jay Moman, Sheila C. Murphy, Pelle Snickars, Paul C. Spehr, Björn Thuresson, and Åke Walldius.
