Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

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Publisher : Getty Publications
ISBN 13 : 1606066676
Total Pages : 426 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World by : Samuel van Hoogstraten

Download or read book Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World written by Samuel van Hoogstraten and published by Getty Publications. This book was released on 2021-01-19 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.

The Visible World

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Publisher : Amsterdam University Press
ISBN 13 : 9089640274
Total Pages : 477 pages
Book Rating : 4.0/5 (896 download)

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Book Synopsis The Visible World by : Thijs Weststeijn

Download or read book The Visible World written by Thijs Weststeijn and published by Amsterdam University Press. This book was released on 2008 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.

The Universal Art of Samuel Van Hoogstraten (1627-1678)

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Publisher :
ISBN 13 : 9789089645234
Total Pages : 0 pages
Book Rating : 4.6/5 (452 download)

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Book Synopsis The Universal Art of Samuel Van Hoogstraten (1627-1678) by : Thijs Weststeijn

Download or read book The Universal Art of Samuel Van Hoogstraten (1627-1678) written by Thijs Weststeijn and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The versatile painter, poet, courtier and European traveller Samuel van Hoogstraten (1627-1678), one of Rembrandt's pupils, has received much scholarly attention in the last two decades. Whereas older historians allotted him a marginal role as a minor figure in his master's studio, he is now recognized for his central position in the world of art and letters in the Dutch Golden Age. This new evaluation is mainly due to careful studies of his treatise on painting, 'Inleyding tot de Hooge Schoole der Schilderkonst' (Introduction to the Academy of Painting, 1678). His book has been mined for unique insights not only into Rembrandt's working methods but also into profounder problems relative to Dutch art and culture, such as pictorial realism, imitation and illusion, the rise of landscape and still life and the status of the 'learned artist'.

Artifice and Illusion

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Publisher : University of Chicago Press
ISBN 13 : 9780226077857
Total Pages : 466 pages
Book Rating : 4.0/5 (778 download)

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Book Synopsis Artifice and Illusion by : Celeste Brusati

Download or read book Artifice and Illusion written by Celeste Brusati and published by University of Chicago Press. This book was released on 1995-11 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.

Renaissance Theories of Vision

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409486516
Total Pages : 258 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Renaissance Theories of Vision by : Dr Charles H Carman

Download or read book Renaissance Theories of Vision written by Dr Charles H Carman and published by Ashgate Publishing, Ltd.. This book was released on 2012-10-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

Dutch Seventeenth-century Genre Painting

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Publisher : Yale University Press
ISBN 13 : 0300102372
Total Pages : 342 pages
Book Rating : 4.3/5 (1 download)

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Book Synopsis Dutch Seventeenth-century Genre Painting by : Wayne E. Franits

Download or read book Dutch Seventeenth-century Genre Painting written by Wayne E. Franits and published by Yale University Press. This book was released on 2004-01-01 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.

Vermeer's Camera

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Publisher :
ISBN 13 : 9780192803023
Total Pages : 238 pages
Book Rating : 4.8/5 (3 download)

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Book Synopsis Vermeer's Camera by : Philip Steadman

Download or read book Vermeer's Camera written by Philip Steadman and published by . This book was released on 2002 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

An Entrance for the Eyes

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Publisher : Univ of California Press
ISBN 13 : 0520221354
Total Pages : 293 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis An Entrance for the Eyes by : Martha Hollander

Download or read book An Entrance for the Eyes written by Martha Hollander and published by Univ of California Press. This book was released on 2002-03-20 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hooch. Very few recent books on Dutch art are as rich as this; and few are written in such lucid, unpretentious prose. What shines forth from every page is a genuine love of the pictures. Here is art history well tempered to the objects it interprets."—Joseph L. Koerner, author of The Moment of Self-Portraiture in German Renaissance Art "In recent years, scholars have explored how space signifies in seventeenth-century Dutch art and culture; Hollander's fascinating study is the most comprehensive to date. It examines space--as conceived in the writings of Dutch art theorists, constructed in contemporary architecture, and disposed and made meaningful in the work of Gerard Dou, Nicolaes Maes, Pieter de Hooch, and Karel van Mander. An Entrance for the Eyes lays a firm foundation for research on this intriguing and hitherto understudied aspect of Dutch art."—Wayne E. Franits, author of Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art

Rembrandt: The Painter Thinking

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Publisher : Univ of California Press
ISBN 13 : 0520290259
Total Pages : 348 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Rembrandt: The Painter Thinking by : Ernst van de Wetering

Download or read book Rembrandt: The Painter Thinking written by Ernst van de Wetering and published by Univ of California Press. This book was released on 2016-04-18 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.

The Learned Eye

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Publisher : Amsterdam University Press
ISBN 13 : 9053567135
Total Pages : 229 pages
Book Rating : 4.0/5 (535 download)

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Book Synopsis The Learned Eye by : Marieke van den Doel

Download or read book The Learned Eye written by Marieke van den Doel and published by Amsterdam University Press. This book was released on 2005 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'learned eye' or oculus eruditus was a concept used by seventeenth-century writers on painting. It illustrated their view that the ideal artist was not only skilled in painting techniques, but also had knowledge of the history of art and an interest i.

Rembrandt and His Circle

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Publisher :
ISBN 13 : 9789462984004
Total Pages : 0 pages
Book Rating : 4.9/5 (84 download)

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Book Synopsis Rembrandt and His Circle by : Stephanie Dickey

Download or read book Rembrandt and His Circle written by Stephanie Dickey and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book owes its genesis to a series of conferences held in 2009, 2011, and 2013 at Queen's University's Bader International Study Centre at Herstmonceux Castle in East Sussex, UK." (Acknowledgements).

Perilous Chastity

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Publisher : Cornell University Press
ISBN 13 : 1501735764
Total Pages : 332 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Perilous Chastity by : Laurinda S. Dixon

Download or read book Perilous Chastity written by Laurinda S. Dixon and published by Cornell University Press. This book was released on 2019-01-24 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bearing such titles as The Doctor's Visit or The Lovesick Maiden, certain seventeenth-century Dutch paintings are familiar to museum browsers: an attractive young woman—well dressed, but pale and listless—reclines in a chair, languishes in bed, or falls to the floor in a faint. Weathered crones or impish boys leer suggestively in the background. These paintings traditionally have been viewed as commentary on quack doctors or unmarried pregnant women. The first book to examine images of women and illness in the light of medical history, Perilous Chastity reveals a surprising new interpretation. In an engaging analysis enhanced by abundant illustrations-including eight pages of color plates—Laurinda S. Dixon shows how paintings reflect changing medical theories concerning women. While she illuminates a tradition stretching from antiquity to the present, she concentrates on art from the thirteenth through the eighteenth centuries, and particularly on paintings from seventeenth-century Leiden. Dixon suggests how the assumptions of a predominantly male medical establishment have influenced prevailing notions of women's social place. She traces the evolution of the belief that women's illnesses were caused by "hysteria," so named in ancient Greece after the notion that the uterus had a tendency to wander in the body. All women were considered prone to hysteria-strong emotions, idleness, intellectual activity, or unladylike pursuits could cause it—but it was most commonly diagnosed among celibates. Analyzing paintings of women's sickrooms by Jan Steen, Dirck Hals, Gabriel Metsu, Jacob Ochtervelt, Godfried Schalcken, Samuel van Hoogstraten, and Franz van Mieris, Dixon perceives metaphoric identifications of the womb as the source of illness. She also documents changing fashions in cures for hysteria and discusses allusions to the debilitating effects of women's passions not only in paintings, but also in madrigals by John Dowland and Henry Purcell. In conclusion, Dixon argues that her study has strong ramifications of attitudes towards women and illness today. She takes up images in twentieth-century culture as well and calls attention to a resurgence of female "hysteria" after World War II.

Deceptions and Illusions

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Publisher : Ben Uri Gallery & Museum
ISBN 13 :
Total Pages : 414 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Deceptions and Illusions by : S. Ebert-Schifferer

Download or read book Deceptions and Illusions written by S. Ebert-Schifferer and published by Ben Uri Gallery & Museum. This book was released on 2002 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., Oct. 13, 2002-Mar. 2, 2003.

Arthur Dove

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Publisher : Other Distribution
ISBN 13 : 9780300251654
Total Pages : 392 pages
Book Rating : 4.2/5 (516 download)

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Book Synopsis Arthur Dove by : Debra Bricker Balken

Download or read book Arthur Dove written by Debra Bricker Balken and published by Other Distribution. This book was released on 2021-02-23 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: New insights into the transformative work of this visionary modern artist accompany a comprehensive documentation of his paintings and assemblages

Light and Shade in Dutch and Flemish Art

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Publisher : Brepols Publishers
ISBN 13 : 9782503549446
Total Pages : 0 pages
Book Rating : 4.5/5 (494 download)

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Book Synopsis Light and Shade in Dutch and Flemish Art by : Ulrike Kern

Download or read book Light and Shade in Dutch and Flemish Art written by Ulrike Kern and published by Brepols Publishers. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the first systematic analysis of artistic techniques and terminology related to the rendering of light and shade in Dutch and Flemish art from the early-seventeenth to the mid-eighteenth century. It traces a shift in aesthetic perception, which is visible in the handling of chiaroscuro in Dutch and Flemish art in the course of 150 years, and challenges the view, widespread since Julius von Schlosser's influential survey of European art and literarure, that Netherlandish art was mainly uninventive. In their discussions Netherlandish writers of art theory drew on a) earlier and foreign art literature, b) their insights, mainly as painters, into workshop practice, c) observation of nature (including natural sciences) and d) aesthetic judgement. This volume investigates the different extents to which Netherlandisch writers on art depended on these four aspects as they devised their concepts of chiaroscuro and how this relates to contemporary pictorial practice. Statements on chiaroscuro in the writings of Karel van Mander, Philips Angel, Willem Goeree, Samuel van Hoogstraten, Gerard de Lairesse, Arnold Houbraken and Jacob Campo Weyerman have been compared with paintings of the period to test the writers' statements against the artists'methods. The comparison shows that writers of art theory described partly the same or similar methods to achieve effects of chiaroscuro that artists used in their works, which is understandable, given that most of them were active as artists themselves. Yet there are also divergences, especially when it comes to the question whether artists should value rendering natural effects over pictorial coherence. Dutch writers of art regarded natural impression as a crucial aim of art, but they often struggled with reconciling nature and aesthetic requirements in their arguments. In the art of the Netherlands, however, we can observe frequently that aesthetic and pictorial composition came before nature.

Vermeer and the Delft School

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Author :
Publisher : Metropolitan Museum of Art
ISBN 13 : 0870999737
Total Pages : 642 pages
Book Rating : 4.8/5 (79 download)

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Book Synopsis Vermeer and the Delft School by : Walter A. Liedtke

Download or read book Vermeer and the Delft School written by Walter A. Liedtke and published by Metropolitan Museum of Art. This book was released on 2001 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.

Still-life Paintings from the Netherlands, 1550-1720

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Author :
Publisher : University of Washington Press
ISBN 13 :
Total Pages : 324 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Still-life Paintings from the Netherlands, 1550-1720 by : Alan Chong

Download or read book Still-life Paintings from the Netherlands, 1550-1720 written by Alan Chong and published by University of Washington Press. This book was released on 1999 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This stunning book presents the very best still lifes produced in the Netherlands at the height of the genre, from the early beginnings in the 16th century, with Pieter Aertsen and Joachim Beuckelaer, to the late highlights in the 18th century, with Rachel Ruysch and Jan van Huysum. Despite the popularity and abundance of flower paintings in modern collections, the book includes a wide range of subjects and styles, from the simple to the complex, the charmingly small to the opulent and extravagant, and from flowers to hunting still lifes or objects in the corner of a painter's studio, along with an occasional trompe l'oeil. The visual delights of still-life painting have a strong historical context. Collectors and connoisseurs purchased them because of their realism, visual appeal, and relevance to their own lives. Poets praised the wonders of still-life paintings and evoked the power of painting to transcend the seasons and the passing of time. Contemporary observers lauded the expensive and elaborate objects often on display. The book therefore considers the visual achievement of the Netherlandish still life painters in the context of contemporary reactions to pictures, art theory, and issues of patronage. Numerous artists were tempted to try their hand at still life, drawn by a new and enchanting genre that allowed an artist to create independent worlds of inanimate objects on the flat surface of a picture -- imaginary realms that had an exceptional following among connoisseurs of the time. These images continue to work their magic on present-day art lovers.