Hitchcock as Philosopher of the Erotic

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Publisher :
ISBN 13 : 9781032451206
Total Pages : 0 pages
Book Rating : 4.4/5 (512 download)

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Book Synopsis Hitchcock as Philosopher of the Erotic by : Richard Allen Gilmore

Download or read book Hitchcock as Philosopher of the Erotic written by Richard Allen Gilmore and published by . This book was released on 2024 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book reads Alfred Hitchcock as a philosopher of what constitutes the erotic. The author argues that Hitchcock is doing a post-Nietzschean, postmodern kind of philosophy in which he is exploring and creating possibilities of what the erotic can feel like and how the erotic can be expressed. The erotic is a pervasive phenomenon in Hitchcock's films. It involves irony, play, and sophistication, and there can be erotic failures as well as erotic successes. The erotic is most complexly explored by Hitchcock in his two masterpieces from the 1950's: Vertigo (1958), a story of the failure of the erotic, and North by Northwest (1959), in which the erotic is consummated in marriage. The author argues that Hitchcock has a philosophical theory about what makes the difference. It is a version of existential philosophy that understands what a person is to be based on what they make of themselves through their choices. The author argues that the erotic for Hitchcock is a process of mutual, reciprocal creation of the personality of the other person. This process is complicated by the fact that as one attempts to create the person one desires, one is simultaneously being created by that other person, and so what one desires is also in a process of being recreated in the mutual reciprocal dance of the erotic entanglement. There is a moral dimension to this because erotic failure is, in a way, a failure of the human, not in the sense of a human essence, but in the sense of realizing human possibilities that can make our lives more satisfying, complete, and full. Hitchcock as Philosopher of the Erotic will appeal to scholars and advanced students working on philosophy of film, film studies, and philosophy of love and sex"--

Hitchcock as Philosopher of the Erotic

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Publisher : Taylor & Francis
ISBN 13 : 1040041353
Total Pages : 175 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Hitchcock as Philosopher of the Erotic by : Richard Gilmore

Download or read book Hitchcock as Philosopher of the Erotic written by Richard Gilmore and published by Taylor & Francis. This book was released on 2024-06-07 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reads Alfred Hitchcock as a philosopher of what constitutes the erotic. The author argues that Hitchcock is doing a post-Nietzschean, postmodern kind of philosophy in which he is exploring and creating possibilities of what the erotic can feel like and how the erotic can be expressed. The erotic is a pervasive phenomenon in Hitchcock’s films. It involves irony, play, and sophistication, and there can be erotic failures as well as erotic successes. The erotic is most complexly explored by Hitchcock in his two masterpieces from the 1950s: Vertigo (1958), a story of the failure of the erotic, and North by Northwest (1959), in which the erotic is consummated in marriage. The author argues that Hitchcock has a philosophical theory about what makes the difference. It is a version of existential philosophy that understands what a person is to be based on what they make of themselves through their choices. The author argues that the erotic for Hitchcock is a process of mutual, reciprocal creation of the personality of the other person. This process is complicated by the fact that as one attempts to create the person one desires, one is simultaneously being created by that other person, and so what one desires is also in a process of being recreated in the mutual reciprocal dance of the erotic entanglement. There is a moral dimension to this because erotic failure is, in a way, a failure of the human, not in the sense of a human essence, but in the sense of realizing human possibilities that can make our lives more satisfying, complete, and full. Hitchcock as Philosopher of the Erotic will appeal to scholars and advanced students working on philosophy of film, film studies, and philosophy of love and sex.

Psycho-Sexual

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Publisher : University of Texas Press
ISBN 13 : 0292742029
Total Pages : 312 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Psycho-Sexual by : David Greven

Download or read book Psycho-Sexual written by David Greven and published by University of Texas Press. This book was released on 2013-01-02 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argues that Alfred Hitchcock's themes of heterosexual male ambivalence and homoeroticism influence some of the films of directors Brian De Palma, Martin Scorcese and William Friedkin.

Hitchcock and Philosophy

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Publisher : Open Court Publishing
ISBN 13 : 0812696166
Total Pages : 288 pages
Book Rating : 4.8/5 (126 download)

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Book Synopsis Hitchcock and Philosophy by : David Baggett

Download or read book Hitchcock and Philosophy written by David Baggett and published by Open Court Publishing. This book was released on 2007 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The mystery of everyday life -- Horrors without end -- The reeling mind -- Hitchcock's ethical dilemmas -- What's it all about, Alfred?

Hitchcock's Moral Gaze

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Publisher : State University of New York Press
ISBN 13 : 1438463863
Total Pages : 344 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Hitchcock's Moral Gaze by : R. Barton Palmer

Download or read book Hitchcock's Moral Gaze written by R. Barton Palmer and published by State University of New York Press. This book was released on 2017-01-30 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers new and compelling perspectives on the deeply moral nature of Hitchcock’s films. In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral—if not amoral or immoral—world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker’s moral gaze and the inflection point it provides for modern cinema. R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University. His previous books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein) and Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd), both also published by SUNY Press. Homer B. Pettey is Professor of Film and Literature at the University of Arizona. His previous books include Film Noir and International Noir, both coedited with R. Barton Palmer. Steven M. Sanders is Professor Emeritus of Philosophy at Bridgewater State University. He is the author or editor of many books, including The Philosophy of Michael Mann (coedited with Aeon J. Skoble and R. Barton Palmer) and The Philosophy of Steven Soderbergh (coedited with R. Barton Palmer).

Hitchcock as Philosopher

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Publisher : McFarland
ISBN 13 : 0786482303
Total Pages : 217 pages
Book Rating : 4.7/5 (864 download)

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Book Synopsis Hitchcock as Philosopher by : Robert J. Yanal

Download or read book Hitchcock as Philosopher written by Robert J. Yanal and published by McFarland. This book was released on 2010-06-28 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: The films of Alfred Hitchcock deal heavily with psychological and philosophical themes, and one needn't look very far into the canon to find them. In Psycho, for example, the personality metamorphosis in Marion Crane that leads her into grand larceny is a pale double of the murderous oedipal divide in Norman Bates. In The Birds, overbearing natural mutations turn what might have been a "creature feature" into a film about fear of the unknowable. This book looks at 12 Hitchcock films and the positions they put forth on three problem areas of epistemology: deception, knowledge of mind, and problematic knowledge of the external world. These philosophical concepts are explained and woven into the author's thorough and thought-provoking discussion of each film. Descartes and Wittengenstein star; Plato, Locke, Hume, Kant and Kierkegaard also make appearances in this new "philosopher's cut" of the master's works.

The Share of Perspective

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Publisher : Taylor & Francis
ISBN 13 : 1040102395
Total Pages : 245 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis The Share of Perspective by : Emmanuel Alloa

Download or read book The Share of Perspective written by Emmanuel Alloa and published by Taylor & Francis. This book was released on 2024-08-02 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared. Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselves—all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of art—from ancient painting, trompe l’oeil, and Brunelleschi’s experiment in Renaissance Florence—to the issue of perspective in the work of contemporary artists such as Robert Smithson. The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.

Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films

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Publisher : Rowman & Littlefield
ISBN 13 : 1498563511
Total Pages : 412 pages
Book Rating : 4.4/5 (985 download)

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Book Synopsis Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films by : Mark William Padilla

Download or read book Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films written by Mark William Padilla and published by Rowman & Littlefield. This book was released on 2018-12-12 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book treats six beloved films of Hitchcock: The 39 Steps, Saboteur, and North by Northwest, plus Dial M for Murder, Rear Window, and To Catch a Thief. Padilla reviews their production histories with an eye to classical influences, and then analyzes their links with Greek art, poetry, and philosophy.

Alfred Hitchcock

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474221327
Total Pages : 216 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Alfred Hitchcock by : Mark William Roche

Download or read book Alfred Hitchcock written by Mark William Roche and published by Bloomsbury Publishing. This book was released on 2022-05-19 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitchcock was a masterful director, popular with audiences of all ages and critically acclaimed both during and after his unusually long career. What may have been sensed by many viewers but not fully articulated until now is the extent to which his works subtly engage philosophical themes: What is evil, and how does it shield and reveal itself? Can we know what is inside the mind of another person? What is at stake when one knows the truth but cannot speak of it or cannot persuade others? How is Hitchcock's loving critique of humanity manifested in his films? Why are Hitchcock's works so often ambiguous? What is the hidden purpose and theory behind his use of humor? Hitchcock employs cinematic techniques–from camera angles and use of light to editing and sound–partly to convey suspense and drama but also to engage and advance philosophical issues, ranging from identity crises to moral ugliness. Roche unlocks Hitchcock's engagement with philosophical themes, and he does so in a way that appeals to both the novice and the seasoned philosopher, as well as enthusiastic admirers of Hitchcock's films.

Intimate Violence

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Publisher : Oxford University Press
ISBN 13 : 0190214171
Total Pages : 297 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis Intimate Violence by : David Greven

Download or read book Intimate Violence written by David Greven and published by Oxford University Press. This book was released on 2017 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. Decentering the authority of the male hero, Hitchcock's films allow his female and queer characters to vie for narrative power, often in conflict with one another. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock. Using the theories of Melanie Klein, Greven argues that Hitchcock's work thematizes a constant battle between desires to injure and to repair the loved object. Greven develops a theory of sexual hegemony. The feminine versus the queer conflict, as he calls it, in Hitchcock films illuminates the shared but rivalrous struggles for autonomy and visibility on the part of female and queer subjects. The heroine is vulnerable to misogyny, but she often gains an access to agency that the queer subject longs for, mistaking her partial autonomy for social power. Hitchcock's queer personae, however, wield a seductive power over his heterosexual subjects, having access to illusion and masquerade that the knowledge-seeking heroine must destroy. Freud's theory of paranoia, understood as a tool for the dissection of cultural homophobia, illuminates the feminine versus the queer conflict, the female subject position, and the consistent forms of homoerotic antagonism in the Hitchcock film. Through close readings of such key Hitchcock works as North by Northwest, Psycho, Strangers on a Train, Spellbound, Rope, Marnie, and The Birds, Greven explores the ongoing conflicts between the heroine and queer subjects and the simultaneous allure and horror of same-sex relationships in the director's films.

The Philosophical Hitchcock

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Publisher : University of Chicago Press
ISBN 13 : 022650378X
Total Pages : 155 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis The Philosophical Hitchcock by : Robert B. Pippin

Download or read book The Philosophical Hitchcock written by Robert B. Pippin and published by University of Chicago Press. This book was released on 2017-12-21 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock’s 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock’s films. Hitchcock’s characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others—or even ourselves—very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, Pippin argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness. A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.

Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)

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Publisher : Verso Books
ISBN 13 : 1789601851
Total Pages : 362 pages
Book Rating : 4.7/5 (896 download)

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Book Synopsis Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) by : Slavoj Zizek

Download or read book Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) written by Slavoj Zizek and published by Verso Books. This book was released on 2020-05-05 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, analyzing movies such as Rear Window and Psycho. Starting from the premise that 'everything has meaning,' the authors examine the films' ostensible narrative content and formal procedures to discover a rich proliferation of hidden ideological and psychic mechanisms. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning. An extraordinary landmark in Hitchcock studies, this new edition features a brand-new essay by philosopher Slavoj Zizek, presenter of Sophie Fiennes's three-part documentary The Pervert's Guide to Cinema.

Hitchcock's Bi-Textuality

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Publisher : SUNY Press
ISBN 13 : 9780791436103
Total Pages : 180 pages
Book Rating : 4.4/5 (361 download)

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Book Synopsis Hitchcock's Bi-Textuality by : Robert Samuels

Download or read book Hitchcock's Bi-Textuality written by Robert Samuels and published by SUNY Press. This book was released on 1998-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uses close readings of Hitchcock's films to combine an articulation of Lacan's theory of ethics with a discussion of recent theories of feminine subjectivity and queer textuality.

Hitchcock's Romantic Irony

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Publisher : Columbia University Press
ISBN 13 : 0231509677
Total Pages : 463 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Hitchcock's Romantic Irony by : Richard Allen

Download or read book Hitchcock's Romantic Irony written by Richard Allen and published by Columbia University Press. This book was released on 2007-10-16 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

Must We Kill the Thing We Love?

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Publisher : Columbia University Press
ISBN 13 : 0231537301
Total Pages : 317 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Must We Kill the Thing We Love? by : William Rothman

Download or read book Must We Kill the Thing We Love? written by William Rothman and published by Columbia University Press. This book was released on 2014-04-08 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Rothman argues that the driving force of Hitchcock’s work was his struggle to reconcile the dark vision of his favorite Oscar Wilde quote, “Each man kills the thing he loves,” with the quintessentially American philosophy, articulated in Emerson’s writings, that gave classical Hollywood movies of the New Deal era their extraordinary combination of popularity and artistic seriousness. A Hitchcock thriller could be a comedy of remarriage or a melodrama of an unknown woman, both Emersonian genres, except for the murderous villain and godlike author, Hitchcock, who pulls the villain’s strings—and ours. Because Hitchcock believed that the camera has a murderous aspect, the question “What if anything justifies killing?,” which every Hitchcock film engages, was for him a disturbing question about his own art. Tracing the trajectory of Hitchcock’s career, Rothman discerns a progression in the films’ meditations on murder and artistic creation. This progression culminates in Marnie (1964), Hitchcock’s most controversial film, in which Hitchcock overcame his ambivalence and fully embraced the Emersonian worldview he had always also resisted. Reading key Emerson passages with the degree of attention he accords to Hitchcock sequences, Rothman discovers surprising affinities between Hitchcock’s way of thinking cinematically and the philosophical way of thinking Emerson’s essays exemplify. He finds that the terms in which Emerson thought about reality, about our “flux of moods,” about what it is within us that never changes, about freedom, about America, about reading, about writing, and about thinking are remarkably pertinent to our experience of films and to thinking and writing about them. He also reflects on the implications of this discovery, not only for Hitchcock scholarship but also for film criticism in general.

Three Philosophical Filmmakers

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Publisher : MIT Press (MA)
ISBN 13 : 9780262195010
Total Pages : 279 pages
Book Rating : 4.1/5 (95 download)

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Book Synopsis Three Philosophical Filmmakers by : Irving Singer

Download or read book Three Philosophical Filmmakers written by Irving Singer and published by MIT Press (MA). This book was released on 2004 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reassesses the different visions of filmmakers Alfred Hitchcock, Orson Welles, and Jean Renoir, drawing on their writings and movies to reveal how they became sophisticated theorists on film and its place in the human experience.

Hitchcock and the Cinema of Sensations

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857730940
Total Pages : 248 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Hitchcock and the Cinema of Sensations by : Paul Elliott

Download or read book Hitchcock and the Cinema of Sensations written by Paul Elliott and published by Bloomsbury Publishing. This book was released on 2011-08-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.