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Book Synopsis Bollywood Sounds by : Jayson Beaster-Jones
Download or read book Bollywood Sounds written by Jayson Beaster-Jones and published by Oxford University Press. This book was released on 2014-10-09 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema.
Book Synopsis Hindi Film Songs and the Cinema by : Anna Morcom
Download or read book Hindi Film Songs and the Cinema written by Anna Morcom and published by Routledge. This book was released on 2017-07-05 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
Book Synopsis Hindi Film Song by : Ashok Damodar Ranade
Download or read book Hindi Film Song written by Ashok Damodar Ranade and published by Bibliophile South Asia. This book was released on 2006 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Hindi Film Songs and the Cinema by : Anna Morcom
Download or read book Hindi Film Songs and the Cinema written by Anna Morcom and published by Ashgate Publishing, Ltd.. This book was released on 2007-01-01 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since their beginnings in the 1930s, Hindi films and film songs have dominated popular culture in South Asia and the diaspora and more recently gained popularity in Russia, the Middle East, parts of Africa, Britain and the US. Anna Morcom examines Hindi f
Book Synopsis Bollywood Melodies by : Ganesh Anantharaman
Download or read book Bollywood Melodies written by Ganesh Anantharaman and published by Penguin Random House India. This book was released on 2008-02-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: A delightful history of the Hindi film song and its hold over popular psyche De de Khuda ke naam pe' sang Wazir Mohammed Khan in Alam Ara (1931), giving birth to a phenomenon—the Hindi film song. Over the years, the Hindi film song has travelled a long way, influencing and being influenced by popular taste. Considered downmarket not so long ago, it is undoubtedly the most popular musical genre in India today, pervading almost all aspects of Indian life—weddings, funerals, religious festivals, get-togethers and political conventions—and emerging as a medium to articulate every shade of joy and sorrow, love and longing, hope and despair. "Bollywood Melodies traces the evolution of the Hindi film song to its present status as the cultural barometer of the country, through an evaluation of the work of over fifty outstanding composers, singers and lyricists—from K.L. Saigal to Sonu Nigam, Naushad to A.R. Rahman, Sahir Ludhianvi to Javed Akhtar. Placing the song in the social context of the times, Gancsh Anantharaman looks at the influences that shaped it in each era: Rabindra Sangcct in the 1930s, the folk-inspired 1940s, the classical strains of the following decade and the advent of Western beats in the late 1960s. The author also chronicles the decline of music in Hindi films over the next twenty years before a new crop of musicians and singers gave the film song a new lease of life." Erudite yet lively, and including insightful interviews with icons like Lata Mangeshkar, Dev Anand, Gulzar, Manna Dey and Pyarelal, Bollywood Melodies is not only a treasure trove of information for music lovers but also an invaluable guide to understanding the nation’s enduring love affair with the Hindi film song.
Download or read book Global Bollywood written by Sangita Gopal and published by U of Minnesota Press. This book was released on 2008 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.
Book Synopsis Gaata Rahe Mera Dil by : Balaji Vittal
Download or read book Gaata Rahe Mera Dil written by Balaji Vittal and published by Harper Collins. This book was released on 2015-06-01 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Look behind the scenes of fifty celebrated songs, from an estimated repository of over one lakh!'De de khuda ke naam pe': when Wazir Mohammed Khan sang these words in India's first talkie, Alam Ara, he gave birth to a whole new industry of composers, lyricists and singers, as well as an entirely new genre of film-making that is quintessentially Indian: the song-and-dance film. In the eight decades and more since then, Hindi film songs have enraptured listeners all over the world. From 'Babul mora, naihar chhooto jaye' (Street Singer, 1938) to 'Dil hai chhota sa' (Roja, 1992); from the classical strains of 'Ketaki gulab' (Basant Bahar, 1956) featuring Bhimsen Joshi to the disco beats of Nazia Hassan's 'Aap jaisa koi' (Qurbani, 1981); from the pathos of 'Waqt ne kiya' (Kaagaz Ke Phool, 1959) to the exuberance of the back-to-back numbers in Hum Kisise Kum Naheen (1977), here is an extraordinary compilation, peppered with trivia, anecdotes and, of course, the sheer joy of music. Find out answers to questions like:With which unreleased film did Kishore Kumar turn composer?In which song picturization was dry ice first used?Which all-time classic musical was initially titled Full Boots?Where was the title song of An Evening in Paris shot?The idea for which song originated when the film-maker visited Tiffany's in London?Which major musical partnership resulted from the celebrations around an award function for a commercial jingle for Leo Coffee? How many of your favourites find mention here? Make your own list!
Book Synopsis Music in Contemporary Indian Film by : Jayson Beaster-Jones
Download or read book Music in Contemporary Indian Film written by Jayson Beaster-Jones and published by Taylor & Francis. This book was released on 2016-10-04 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.
Book Synopsis Film Music in the Sound Era by : Jonathan Rhodes Lee
Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Book Synopsis AKASHVANI by : All India Radio (AIR), New Delhi
Download or read book AKASHVANI written by All India Radio (AIR), New Delhi and published by All India Radio (AIR),New Delhi. This book was released on 1979-05-06 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 06 MAY, 1979 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XLIV. No. 18 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 4-28, 41-66 ARTICLE: 1. Farm Research in India 2. Each Child Should be Wanted 3. Handlooms Development 4. Blood Will Tell 5. Computer in Musicology 6. Nutrition and Cancer 7. Contemporary Radio Plays 8. Mushroom Production 9. Preserving the Past AUTHOR: 1. Dr. M. S. Swaminathan 2. Mother Teresa 3. R. Srinivasan 4. Dr. C. I. Jhala 5. Dr. R. Srinivasan 6. Dr. P. P Nair 7. Monoj Mitra 8. T. V. Satyanarayanan 9. N. Harinarayana Document ID : APE-1979 (A-J) Vol-II-06 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Download or read book Note by Note written by A. Bhardwaj and published by Harper Collins. This book was released on 2018-07-10 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of India, over the past seven decades, has been one of development and social and political change, which has often been forgotten, pushed to the recesses of our memories. Ankur, Seema and Sushant refresh those memories in Note by Note, linking the events of each year to a significant film song. For in a country that has a song for every season, every emotion, nothing qualifies as much as the film song to be a metaphor for the nation.The Hindi film song has uncannily encapsulated the sentiment of its era, reflecting, as well as forming, the consciousness of the country's identity and mood. From the afsana the country was articulating in 'Afsana likh rahee hoon', even as Jawaharlal Nehru gave voice to India's tryst with destiny, to the mood of socialist India in 'Awara hoon', to the political and social unrest of the 1970s as reflected in 'Zindagi kaisi yeh paheli hai', to the dreams of a new and young India, it is all here. A tribute to India and the exceptional republic that it has been, Note by Note captures the rhythm of modern Indian history -- to the beat of popular film music.
Book Synopsis Behind the Curtain by : Gregory D. Booth
Download or read book Behind the Curtain written by Gregory D. Booth and published by Oxford University Press. This book was released on 2008-10-13 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, "the original fusion music." They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name "Bollywood," but the musicians themselves remain, in their own words, "behind the curtain"--the anonymous and unseen performers of one of the world's most celebrated popular music genres. Now, Gregory D. Booth offers a compelling account of the Bollywood film music industry from the perspective of the musicians who both experienced and shaped its history. In a rare insider's look at the process of musical production from the late 1940s to the mid 1990s, before the advent of digital recording technologies, Booth explains who these unknown musicians were and how they came to join the film music industry. On the basis of a fascinating set of first-hand accounts from the musicians themselves, he reveals how the day-to-day circumstances of technology and finance shaped both the songs and the careers of their creator and performers. Booth also unfolds the technological, cultural, and industrial developments that led to the enormous studio orchestras of the 1960s-90s as well as the factors which ultimately led to their demise in contemporary India. Featuring an extensive companion website with video interviews with the musicians themselves, Behind the Curtain is a powerful, ground-level view of this globally important music industry.
Book Synopsis The Routledge Companion to Screen Music and Sound by : Miguel Mera
Download or read book The Routledge Companion to Screen Music and Sound written by Miguel Mera and published by Taylor & Francis. This book was released on 2017-05-25 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Screen Music and Sound provides a detailed and comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music and sound" allows readers to explore the intersections and connections between various types of media and music and sound, reflecting the current state of scholarship and the future of the field. A diverse range of international scholars have contributed an impressive set of forty-six chapters that move from foundational knowledge to cutting edge topics that highlight new key areas. The companion is thematically organized into five cohesive areas of study: Issues in the Study of Screen Music and Sound—discusses the essential topics of the discipline Historical Approaches—examines periods of historical change or transition Production and Process—focuses on issues of collaboration, institutional politics, and the impact of technology and industrial practices Cultural and Aesthetic Perspectives—contextualizes an aesthetic approach within a wider framework of cultural knowledge Analyses and Methodologies—explores potential methodologies for interrogating screen music and sound Covering a wide range of topic areas drawn from musicology, sound studies, and media studies, The Routledge Companion to Screen Music and Sound provides researchers and students with an effective overview of music’s role in narrative media, as well as new methodological and aesthetic insights.
Book Synopsis Continuum Encyclopedia of Popular Music of the World, Volume 1 by : John Shepherd
Download or read book Continuum Encyclopedia of Popular Music of the World, Volume 1 written by John Shepherd and published by A&C Black. This book was released on 2003-03-06 with total page 833 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Book Synopsis International Film Musical by : Corey K Creekmur
Download or read book International Film Musical written by Corey K Creekmur and published by Edinburgh University Press. This book was released on 2012-01-17 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comparative consideration of the musical's role within national cinema traditions. While the musical is one cinema's few genuinely international genres, it has often functioned as an explicitly local or national form, drawing upon distinct traditions understood as 'native' rather than 'international'. Simultaneously, musicals from around the world have often imitated Hollywood models, resulting in their easy dismissal as culturally 'impure' and demonstrating the creative and ideological tension between promoting and abandoning traditional cultural forms and styles. This productive tension between local and global elements lies at the heart of international film musicals, which typically acknowledge the dominant Hollywood model while claiming their own cultural specificity.
Download or read book Popular Music in India written by and published by South Asia Books. This book was released on 1988 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Oxford Handbook of Cinematic Listening by : Carlo Cenciarelli
Download or read book The Oxford Handbook of Cinematic Listening written by Carlo Cenciarelli and published by Oxford University Press. This book was released on 2021 with total page 789 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.
