Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984

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Author :
Publisher : Macmillan Reference USA
ISBN 13 :
Total Pages : 632 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984 by :

Download or read book Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984 written by and published by Macmillan Reference USA. This book was released on 1987 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index

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Publisher :
ISBN 13 :
Total Pages : 656 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index by :

Download or read book Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index written by and published by . This book was released on 1987 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rivals and Conspirators

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 144386370X
Total Pages : 457 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Rivals and Conspirators by : Fae Brauer

Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.

Gordon's Print Price Annual

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Publisher :
ISBN 13 :
Total Pages : 804 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Gordon's Print Price Annual by :

Download or read book Gordon's Print Price Annual written by and published by . This book was released on 1984 with total page 804 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Gordon's Print Price Annual, 1983

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Publisher :
ISBN 13 : 9780931036118
Total Pages : 786 pages
Book Rating : 4.0/5 (361 download)

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Book Synopsis Gordon's Print Price Annual, 1983 by : Thomas Wolf

Download or read book Gordon's Print Price Annual, 1983 written by Thomas Wolf and published by . This book was released on 1984 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Landscape Painting in Revolutionary France

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Publisher : Routledge
ISBN 13 : 1351859064
Total Pages : 155 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Landscape Painting in Revolutionary France by : Steven Adams

Download or read book Landscape Painting in Revolutionary France written by Steven Adams and published by Routledge. This book was released on 2019-09-25 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: The French Revolution had a marked impact on the ways in which citizens saw the newly liberated spaces in which they now lived. Painting, gardening, cinematic displays of landscape, travel guides, public festivals, and tales of space flight and devilabduction each shaped citizens’ understanding of space. Through an exploration of landscape painting over some 40 years, Steven Adams examines the work of artists, critics and contemporary observers who have largely escaped art historical attention to show the importance of landscape as a means of crystallising national identity in a period of unprecedented political and social change.

National Art Library Catalogue, Victoria and Albert Museum, London, England: Pre-1890 A - Z

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Publisher :
ISBN 13 :
Total Pages : 532 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis National Art Library Catalogue, Victoria and Albert Museum, London, England: Pre-1890 A - Z by : National Art Library (Great Britain)

Download or read book National Art Library Catalogue, Victoria and Albert Museum, London, England: Pre-1890 A - Z written by National Art Library (Great Britain) and published by . This book was released on 1972 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Art and Auctions

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Publisher :
ISBN 13 :
Total Pages : 564 pages
Book Rating : 4.:/5 (29 download)

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Book Synopsis Art and Auctions by :

Download or read book Art and Auctions written by and published by . This book was released on 1967 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Annual Bibliography of Modern Art

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Publisher :
ISBN 13 :
Total Pages : 598 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Annual Bibliography of Modern Art by : Museum of Modern Art (New York, N.Y.). Library

Download or read book Annual Bibliography of Modern Art written by Museum of Modern Art (New York, N.Y.). Library and published by . This book was released on 2000 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Design Encyclopedia

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Publisher :
ISBN 13 :
Total Pages : 684 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Design Encyclopedia by : Mel Byars

Download or read book The Design Encyclopedia written by Mel Byars and published by . This book was released on 1994-08-12 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes photographs.

The Troubled Republic

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Publisher : Yale University Press
ISBN 13 : 9780300104653
Total Pages : 282 pages
Book Rating : 4.1/5 (46 download)

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Book Synopsis The Troubled Republic by : Richard Thomson

Download or read book The Troubled Republic written by Richard Thomson and published by Yale University Press. This book was released on 2004-01-01 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating book examines how artists in fin-de-siècle France dealt with four hotly debated issues in society: national decadence, crowds and mass unrest, religious imagery, and revenge against Germany.

A Century of Artists Books

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Publisher : ABRAMS
ISBN 13 : 9780810961814
Total Pages : 0 pages
Book Rating : 4.9/5 (618 download)

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Book Synopsis A Century of Artists Books by : Riva Castleman

Download or read book A Century of Artists Books written by Riva Castleman and published by ABRAMS. This book was released on 1997-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

Guide to Microforms in Print

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Publisher :
ISBN 13 :
Total Pages : 748 pages
Book Rating : 4.:/5 (31 download)

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Book Synopsis Guide to Microforms in Print by :

Download or read book Guide to Microforms in Print written by and published by . This book was released on 1990 with total page 748 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Historical Painting Techniques, Materials, and Studio Practice

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Publisher : Getty Publications
ISBN 13 : 0892363223
Total Pages : 241 pages
Book Rating : 4.8/5 (923 download)

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Book Synopsis Historical Painting Techniques, Materials, and Studio Practice by : Arie Wallert

Download or read book Historical Painting Techniques, Materials, and Studio Practice written by Arie Wallert and published by Getty Publications. This book was released on 1995-08-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

The Genius of Architecture, Or, The Analogy of that Art with Our Sensations

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Publisher : Getty Publications
ISBN 13 : 9780892362356
Total Pages : 228 pages
Book Rating : 4.3/5 (623 download)

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Book Synopsis The Genius of Architecture, Or, The Analogy of that Art with Our Sensations by : Nicolas Le Camus de Mézières

Download or read book The Genius of Architecture, Or, The Analogy of that Art with Our Sensations written by Nicolas Le Camus de Mézières and published by Getty Publications. This book was released on 1992 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Camus's description of the French hotel argues that architecture should please the senses and the mind.

Pierre Puvis de Chavannes

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Publisher :
ISBN 13 :
Total Pages : 500 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Pierre Puvis de Chavannes by : Aimée Brown Price

Download or read book Pierre Puvis de Chavannes written by Aimée Brown Price and published by . This book was released on 2010 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: An artist of pivotal importance to the generation of post-Impressionists from Seurat and Gauguin to Matisse and Picasso, Pierre Puvis de Chavannes (1824 - 1898) played a crucial role in the history of late-19th-century French art and the development of modernism. He was an artist of great range, originality, and idiosyncratic invention who executed mural complexes, compelling easel paintings, and numerous works on paper. These two companion volumes--a critical study of the artist's life and art, and a catalogue raisonn of his paintings--introduce many of Puvis's works for the first time, assess his contribution, and restore him to the pantheon of modern masters. Volume I situates Puvis and his work in his time. With a wealth of new documentation, it addresses the theories, forces, and events that impinged on his art. Volume II is a complete compendium of Puvis's easel paintings and mural cycles for civic buildings throughout France as well as for the Boston Public Library.

In Defiance of Painting

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Publisher : Yale University Press
ISBN 13 : 9780300051094
Total Pages : 318 pages
Book Rating : 4.0/5 (51 download)

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Book Synopsis In Defiance of Painting by : Christine Poggi

Download or read book In Defiance of Painting written by Christine Poggi and published by Yale University Press. This book was released on 1992-01-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.