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Giuseppe Tornatore
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Book Synopsis The Films of Giuseppe Tornatore by : William Hope
Download or read book The Films of Giuseppe Tornatore written by William Hope and published by Troubador Publishing. This book was released on 2001 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt: This booklet examines the origins of the affective power of Tornatore's work upon audiences on a film by film basis. Particular attention is paid to the director's experimentation with genre, to the psychological implications to the intensely subjective character perspectives that emerge in his work and his use of mise-en-scene, montage and other filmic techniques.
Book Synopsis Giuseppe Tornatore by : William Hope
Download or read book Giuseppe Tornatore written by William Hope and published by Cambridge Scholars Publishing. This book was released on 2006 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nature of the spectatorâ (TM)s emotional and intellectual engagement with films has attracted increasing critical scrutiny over the past decade, and theoretical frameworks have been elaborated to analyse how and why viewers are moved by what they see on screen. Viewer responses are influenced by factors including genre expectations, involuntary physiological reactions to what is seen and heard, shifting attachments towards screen characters, and by specific devices within a filmâ (TM)s mise-en-scène, such as lighting and colour. Giuseppe Tornatore: Emotion; Cognition; Cinema is a film-by-film analysis of the work of the Oscar-winning director, a study that examines the nature of the strong affective charge that characterizes his films, and which also explores the cognitive and intellectual appeal of Tornatoreâ (TM)s cinema. The volume illustrates the ways in which an affective and intellectual synergy can develop between a filmâ (TM)s aesthetics and its conceptual agenda, as instantiated by films such as the celebrated Cinema Paradiso. The affective power that characterizes Tornatoreâ (TM)s work has long been acknowledged by critics, and while analysing the configurations of visual, aural, and narrative devices that generate such intensely poignant viewing experiences, the volume also elucidates the ways in which the directorâ (TM)s stylistic approach intensifies the significance of a range of social and cultural questions affecting Western society, issues that lie at the heart of his films. Reviews of the Book: Giuseppe Tornatore is one of the few authentically original voices to emerge in the cinematic world over the past quarter century. He champions community values, solidly grounded in emotional engagement and interaction, over the brash, loud, self-proclaiming egocentricity that has increasingly dominated western societies since the nineteen-eighties and, paradoxically, isolated the individual ever more intensely within his own subjective world. Yet, viewed superficially, his narratives appear old-fashioned, flirting frequently and precariously with overt melodrama and sentimentalism while managing nevertheless to mount a powerful critique of what our societies have become and what they have sacrificed that makes them the poorer. Eschewing the alienating, ironical deconstructionism of most of his contemporaries, Tornatore subtly employs every technical device at his disposal to enforce the spectatorâ (TM)s identification with the wistfulness of his protagonists, in their growing awareness of a sense of personal loss and nostalgia. Yet, this fulfils only part of his intention, for having snared us in a tangle of emotions, he then, in Pirandellian fashion, propels us towards the moment of intellectually-charged reflection, in which the filmâ (TM)s apparently negative terminus ad quem is transformed into the forceful negation of those contemporary values that have brought about the protagonistâ (TM)s sense of moral and affective dislocation. William Hopeâ (TM)s authoritative study carefully charts these processes as they unfold within individual films and across successive films, not neglecting, when appropriate, to comment on Tornatoreâ (TM)s continual refinements and extensions of his conceptual framework and applications of his visual techniques. However, this book goes well beyond illustration of a thesis for it is also concerned with how we watch films and react to them and how, through carefully judged juxtapositions of his material, use of cameras, variations in intensity of music or silences, and so on, Tornatore is able to make use of this essentially psychological knowledge to manoeuvre his spectators towards a realisation of his own cinematic, which is to say, moral vision of the contemporary world. Professor Doug Thompson, University of Hull William Hope's work gives to the cinema of Tornatore the degree of analytical thoroughness that it merits, (but which, until now, has not been afforded to this important contemporary director). The book offers a clear overview of Tornatore's films, and of the social and cultural context within which they are produced. Hope assesses the relevance of contemporary critical theory to the reception of Tornatore's work and especially to Cinema Paradiso. In so doing, he makes a valuable contribution to our understanding of Tornatore as a film-maker. Pauline Small, Queen Mary College, University of London
Book Synopsis The Great Dictators by : Angela Baldassarre
Download or read book The Great Dictators written by Angela Baldassarre and published by Guernica Editions. This book was released on 1999 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 21 separate interviews, two with director Bernado Bertolucci, this well-known movie critic sheds light on what motivates film-makers in their work. Focusing on Italian directors as well as American directors of Italian descent, unearths a variety of personalities and dreams (including Roberto Benigni and Life is Beautiful).
Download or read book Italian Cinema written by William Hope and published by Peter Lang. This book was released on 2005 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book explores the evolution of Italian cinema over the last twenty years, with particular reference to modern masterpieces such as Tornatore's Oscar-winning Nuovo cinema paradiso. The volume focuses on the work of some of the most prominent directors of recent times, combining an auteurist perspective with an incisive overview of the most important thematic and stylistic developments in modern Italian film-making." --book cover.
Book Synopsis Composing for the Cinema by : Ennio Morricone
Download or read book Composing for the Cinema written by Ennio Morricone and published by Scarecrow Press. This book was released on 2013-10-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Download or read book 英文影视赏析(高校英语选修课系列教材) written by and published by 清华大学出版社有限公司. This book was released on 2005 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: 高校英语选修课系列教材
Book Synopsis Ennio Morricone by : Alessandro De Rosa
Download or read book Ennio Morricone written by Alessandro De Rosa and published by Oxford University Press. This book was released on 2019-02-01 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."
Book Synopsis Beyond the Latin Lover by : Jacqueline Reich
Download or read book Beyond the Latin Lover written by Jacqueline Reich and published by Indiana University Press. This book was released on 2004-03-19 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marcello Mastroianni is considered by many to be the consummate symbol of Italian masculinity. In this work, Jacqueline Reich goes behind the popular image to reveal a figure at odds with and out of place in the unstable political, social and sexual climate of post-war Italy.
Book Synopsis Encyclopedia of Italian Literary Studies: A-J by : Gaetana Marrone
Download or read book Encyclopedia of Italian Literary Studies: A-J written by Gaetana Marrone and published by Taylor & Francis. This book was released on 2007 with total page 2258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Author :Jenny Lofters Publisher :AuthorHouse ISBN 13 :1438927274 Total Pages :238 pages Book Rating :4.4/5 (389 download)
Download or read book written by Jenny Lofters and published by AuthorHouse. This book was released on 2009-01-01 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis After Fellini by : Millicent Joy Marcus
Download or read book After Fellini written by Millicent Joy Marcus and published by JHU Press. This book was released on 2002-06-05 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this work, Marcus interprets a body of work that managed to transcend the decline of Italian cinema's prominence within the industry during the last two decades of the 20th-century.
Book Synopsis Women, Desire, and Power in Italian Cinema by : M. Cottino-Jones
Download or read book Women, Desire, and Power in Italian Cinema written by M. Cottino-Jones and published by Springer. This book was released on 2010-02-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women, Desire, and Power in Italian Cinema offers, for the first time in Italian Cinema criticism, a contextual study of the representation of women in twentieth-century Italian films. Marga Cottino-Jones argues that the ways women are depicted on screen reflects a subconscious "sexual conservatism" typical of an Italian society rooted within a patriarchal ideology. The book then follows the slow but constant process of social awareness in the Italian society through women in film, especially after the 1950s. Comprehensive in scope, this book analyzes the films of internationally known male and female directors, such as Antonioni, Fellini, Rossellini, Visconti, Bertolucci, Benigni, Cavani, Wertmuller, Comencini, and Archibugi. Special consideration is given to the actresses and actors that have become the icons of Italian femininity and masculinity, such as Sofia Loren, Gina Lollobrigida, Silvana Mangano, Gian Carlo Giannini, Marcello Mastroianni, and Alberto Sordi.
Download or read book Marvelous Bodies written by Vetri Nathan and published by Purdue University Press. This book was released on 2017-08-15 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically a source of emigrants to Northern Europe and the New World, Italy has rapidly become a preferred destination for immigrants from the global South. Life in the land of la dolce vita has not seemed so sweet recently, as Italy struggles with the cultural challenges caused by this surge in immigration. Marvelous Bodies by Vetri Nathan explores thirteen key full-length Italian films released between 1990 and 2010 that treat this remarkable moment of cultural role reversal through a plurality of styles. In it, Nathan argues that Italy sees itself as the quintessential internal Other of Western Europe, and that this subalternity directly influences its cinematic response to immigrants, Europe's external Others. In framing his case to understand Italy's cinematic response to immigrants, Nathan first explores some basic questions: Who exactly is the Other in Italy? Does Italy's own past partial alterity affect its present response to its newest subalterns? Drawing on Homi Bhabha's writings and Italian cinematic history, Nathan then posits the existence of marvelous bodies that are momentarily neither completely Italian nor completely immigrant. This ambivalence of forms extends to the films themselves, which tend to be generic hybrids. The persistent curious presence of marvelous bodies and a pervasive generic hybridity enact Italy's own chronic ambivalence that results from its presence at the cultural crossroads of the Mediterranean.
Book Synopsis The Cinema of Francesco Rosi by : Gaetana Marrone
Download or read book The Cinema of Francesco Rosi written by Gaetana Marrone and published by Oxford University Press. This book was released on 2020-10-16 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francesco Rosi is one of the great realist artists of post-war Italian, indeed post-war world cinema. In this book, author Gaetana Marrone explores the rich visual language in which the Neapolitan filmmaker expresses the cultural icons that constitute his style and images. Over the years, Rosi has offered us films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading ineluctably to a designated end and solution. Rosi's logical investigations are conducted by an omniscient eye and translated into a cinematic approach that embraces the details of material reality with the panoramic perspective of a dispassionate observer. This book offers intertextual analyses within such fields as history, politics, literature, and photography, along with production information gleaned from Rosi's personal archives and interviews. It examines Rosi's creative use of film as document, and as spectacle). It is also a study of the specific cinematic techniques that characterize Rosi's work and that visually, compositionally, express his vision of history and the elusive "truth" of past and present social and political realities.
Book Synopsis Historical Dictionary of Italian Cinema by : Gino Moliterno
Download or read book Historical Dictionary of Italian Cinema written by Gino Moliterno and published by Rowman & Littlefield. This book was released on 2020-12-08 with total page 751 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only continued to grow in the following years as Italian films were feted worldwide. Ironically, they were celebrated nowhere more than in the United States, where Italian films consistently garnered the lion's share of the Oscars, with Lina Wertmüller becoming the first woman to ever be nominated for the Best Director award. This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. This book is an excellent resource for students, researchers, and anyone wanting to know more about Italian Cinema.
Book Synopsis The Cinema of Italy by : Giorgio Bertellini
Download or read book The Cinema of Italy written by Giorgio Bertellini and published by Wallflower Press. This book was released on 2004 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.
Book Synopsis The Films of Federico Fellini by : Peter Bondanella
Download or read book The Films of Federico Fellini written by Peter Bondanella and published by Cambridge University Press. This book was released on 2002-01-17 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the cinematic vision of the renowned Italian filmmaker.
