Four Dialogues on Painting

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Publisher :
ISBN 13 :
Total Pages : 110 pages
Book Rating : 4.:/5 (29 download)

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Book Synopsis Four Dialogues on Painting by : Francisco de Holanda

Download or read book Four Dialogues on Painting written by Francisco de Holanda and published by . This book was released on 1928 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Four Dialogues on Painting

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Author :
Publisher :
ISBN 13 :
Total Pages : 110 pages
Book Rating : 4.:/5 (186 download)

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Book Synopsis Four Dialogues on Painting by : Francisco de Hollanda

Download or read book Four Dialogues on Painting written by Francisco de Hollanda and published by . This book was released on 1988 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Four Dialogues on Painting

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Author :
Publisher :
ISBN 13 :
Total Pages : 110 pages
Book Rating : 4.:/5 (561 download)

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Book Synopsis Four Dialogues on Painting by : Francisco de Hollanda

Download or read book Four Dialogues on Painting written by Francisco de Hollanda and published by . This book was released on 1928 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Last Judgment

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Publisher : Macmillan + ORM
ISBN 13 : 0230622674
Total Pages : 202 pages
Book Rating : 4.2/5 (36 download)

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Book Synopsis The Last Judgment by : James A. Connor

Download or read book The Last Judgment written by James A. Connor and published by Macmillan + ORM. This book was released on 2009-06-23 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Painted on the altar wall of the Sistine Chapel, 28 years after Michelangelo completed the glorious and hopeful ceiling, The Last Judgment is full of stark images depicting the End of Days. James Connor uses the famous fresco as the lens by which to view the end of the Renaissance, arguing that Michelangelo's imagery and composition reflect the religious and political upheavals of the time. Combining his flair for storytelling with incisive historical analysis, Connor demonstrates how the Counter-Reformation arose from the ashes of Renaissance Italy, and how that sea change altered the course of Western history.

On Antique Painting

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Publisher : Penn State University Press
ISBN 13 : 9780271059655
Total Pages : 0 pages
Book Rating : 4.0/5 (596 download)

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Book Synopsis On Antique Painting by : Francisco de Hollanda

Download or read book On Antique Painting written by Francisco de Hollanda and published by Penn State University Press. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francisco de Hollanda completed Da pintura antigua in 1548, eight years after the young Portuguese humanist, painter, and architect had spent two years in Italy. Book I is the first Portuguese treatise on the theory and practice of painting. In contrast to Italian texts on artistic theory, which define painting as the imitation of nature, Hollanda's treatise, influenced by Neoplatonism, develops a theory of the painter as an original creator guided by divine inspiration. Book II, "Dialogues in Rome," is a record of three conversations with Michelangelo, Vittoria Colonna, and members of their circle and a fourth with Giulio Clovio. It is the most informative and intimate intellectual portrait of Michelangelo before the biographies by Vasari and Condivi.

The Nature of Landscape

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Publisher : 010 Publishers
ISBN 13 : 9789064504082
Total Pages : 184 pages
Book Rating : 4.5/5 (4 download)

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Book Synopsis The Nature of Landscape by : Han Lörzing

Download or read book The Nature of Landscape written by Han Lörzing and published by 010 Publishers. This book was released on 2001 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Italian Art, 1500-1600

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Publisher : Northwestern University Press
ISBN 13 : 9780810108523
Total Pages : 220 pages
Book Rating : 4.1/5 (85 download)

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Book Synopsis Italian Art, 1500-1600 by : Robert Klein

Download or read book Italian Art, 1500-1600 written by Robert Klein and published by Northwestern University Press. This book was released on 1989 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.

Platonism

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Publisher : BRILL
ISBN 13 : 9004437428
Total Pages : 363 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Platonism by : Valery Rees

Download or read book Platonism written by Valery Rees and published by BRILL. This book was released on 2020-11-30 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Platonism, Ficino to Foucault explores some key chapters in the history Platonic philosophy from the revival of Plato in the fifteenth century to the new reading of Platonic dialogues promoted by the so-called ‘Critique of Modernity’.

Painting and Devotion in Golden Age Iberia

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Publisher : University of Wales Press
ISBN 13 : 1786836041
Total Pages : 255 pages
Book Rating : 4.7/5 (868 download)

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Book Synopsis Painting and Devotion in Golden Age Iberia by : Jean Andrews

Download or read book Painting and Devotion in Golden Age Iberia written by Jean Andrews and published by University of Wales Press. This book was released on 2020-06-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is the first monograph in English on Luis de Morales since the 1960s, which is essential for those who do not read Spanish because most of the literature on Morales is in Spanish It provides an extended consideration of the relationship between Morales’ paintings and the devotional practices of his times, using devotional writing aimed at a lay readership and sermons It highlights the importance of Portuguese cultural influences on his work and notes the significance of his work in Portugal as an influence on Portuguese painters and style.

Judaism and Christian Art

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Publisher : University of Pennsylvania Press
ISBN 13 : 0812208366
Total Pages : 456 pages
Book Rating : 4.8/5 (122 download)

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Book Synopsis Judaism and Christian Art by : Herbert L. Kessler

Download or read book Judaism and Christian Art written by Herbert L. Kessler and published by University of Pennsylvania Press. This book was released on 2012-10-08 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"—more figurative than real—in order to conquer, defend, and explore its own territory.

Peasant Scenes and Landscapes

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Publisher : University of Pennsylvania Press
ISBN 13 : 0812207432
Total Pages : 393 pages
Book Rating : 4.8/5 (122 download)

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Book Synopsis Peasant Scenes and Landscapes by : Larry Silver

Download or read book Peasant Scenes and Landscapes written by Larry Silver and published by University of Pennsylvania Press. This book was released on 2012-01-31 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern viewers take for granted the pictorial conventions present in easel paintings and engraved prints of such subjects as landscapes or peasants. These generic subjects and their representational conventions, however, have their own origins and early histories. In sixteenth-century Antwerp, painting and the emerging new medium of engraving began to depart from traditional visual culture, which had been defined primarily by wall paintings, altarpieces, and portraits of the elite. New genres and new media arose simultaneously in this volatile commercial and financial capital of Europe, home to the first open art market near the city Bourse. The new pictorial subjects emerged first as hybrid images, dominated by religious themes but also including elements that later became pictorial categories in their own right: landscapes, food markets, peasants at work and play, and still-life compositions. In addition to being the place of the origin and evolution of these genres, the Antwerp art market gave rise to the concept of artistic identity, in which favorite forms and favorite themes by an individual artist gained consumer recognition. In Peasant Scenes and Landscapes, Larry Silver examines the emergence of pictorial kinds—scenes of taverns and markets, landscapes and peasants—and charts their evolution as genres from initial hybrids to more conventionalized artistic formulas. The relationship of these new genres and their favorite themes reflect a burgeoning urbanism and capitalism in Antwerp, and Silver analyzes how pictorial genres and the Antwerp marketplace fostered the development of what has come to be known as "signature" artistic style. By examining Bosch and Bruegel, together with their imitators, he focuses on pictorial innovation as well as the marketing of individual styles, attending particularly to the growing practice of artists signing their works. In addition, he argues that consumer interest in the style of individual artists reinforced another phenomenon of the later sixteenth century: art collecting. While today we take such typical artistic formulas as commonplace, along with their frequent use of identifying signatures (a Rothko, a Pollock), Peasant Scenes and Landscapes shows how these developed simultaneously in the commercial world of early modern Antwerp.

The Discovery of Pictorial Composition

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Publisher : Yale University Press
ISBN 13 : 9780300081565
Total Pages : 358 pages
Book Rating : 4.0/5 (815 download)

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Book Synopsis The Discovery of Pictorial Composition by : Thomas Puttfarken

Download or read book The Discovery of Pictorial Composition written by Thomas Puttfarken and published by Yale University Press. This book was released on 2000-01-01 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and Its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.

Art and the Religious Image in El Greco’s Italy

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Publisher : Penn State Press
ISBN 13 : 0271064811
Total Pages : 480 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Art and the Religious Image in El Greco’s Italy by : Andrew R. Casper

Download or read book Art and the Religious Image in El Greco’s Italy written by Andrew R. Casper and published by Penn State Press. This book was released on 2015-06-13 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and the Religious Image in El Greco’s Italy is the first book-length examination of the early career of one of the early modern period’s most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name “El Greco,” for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper’s examination of this period allows us to gain a proper understanding of El Greco’s entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco’s Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.

An Artful Relic

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Publisher : Penn State Press
ISBN 13 : 0271091088
Total Pages : 217 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis An Artful Relic by : Andrew R. Casper

Download or read book An Artful Relic written by Andrew R. Casper and published by Penn State Press. This book was released on 2021-09-09 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2022 Roland H. Bainton Book Prize from the Sixteenth Century Society & Conference In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.

In Michelangelo's Mirror

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Publisher : Penn State Press
ISBN 13 : 0271056401
Total Pages : 238 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis In Michelangelo's Mirror by : Morten Steen Hansen

Download or read book In Michelangelo's Mirror written by Morten Steen Hansen and published by Penn State Press. This book was released on 2013 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.

Pictures & Tears

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Publisher : Psychology Press
ISBN 13 : 9780415970532
Total Pages : 300 pages
Book Rating : 4.9/5 (75 download)

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Book Synopsis Pictures & Tears by : James Elkins

Download or read book Pictures & Tears written by James Elkins and published by Psychology Press. This book was released on 2004 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

Vision, Reflection, and Desire in Western Painting

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Publisher : UNC Press Books
ISBN 13 :
Total Pages : 224 pages
Book Rating : 4.8/5 (98 download)

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Book Synopsis Vision, Reflection, and Desire in Western Painting by : David Summers

Download or read book Vision, Reflection, and Desire in Western Painting written by David Summers and published by UNC Press Books. This book was released on 2015-12-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning more than 2,500 years in the history of art, Vision, Reflection, and Desire in Western Painting demonstrates how the rise and diffusion of the science of optics in ancient Greece and the Mediterranean world correlated to pictorial illusion in the development of Western painting from Hellenistic Greece to the present. Using examples from the late Middle Ages and the Renaissance, David Summers argues that scene-painting (architectural backdrops) and shadow-painting (in which forms are modeled or shown as if in relation to a source of light) not only evolved in close association with geometric optics toward the end of the fifth century B.C.E., but also contributed substantially to the foundations of the new science. The spread of understanding of how light is transmitted, reflected, and refracted is evident in the works of artists such as Brunelleschi, van Eyck, Alberti, and Leonardo. The interplay between optics and painting that influenced the course of Western art, Summers says, persisted as a framework for the realism of Caravaggio, Rembrandt, and Goya and continues today in modern photography and film.