Roman Polanski

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Publisher : University of Illinois Press
ISBN 13 : 0252095812
Total Pages : 210 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Roman Polanski by : James Morrison

Download or read book Roman Polanski written by James Morrison and published by University of Illinois Press. This book was released on 2022-08-15 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new take on an eclectic and controversial director James Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of work. Tracing the filmmaker's remarkably diverse career from its beginnings to 2007, the book provides commentary on all of Polanski's major films in their historical, cultural, social, and artistic contexts. Morrison locates Polanski's work within the genres of comedy and melodrama, arguing that he is not merely obsessed with the theme of repression, but that his true interest is in the concrete—what is out in the open—and why we so rarely see it. The range of Polanski's filmmaking challenges traditional divisions between high and low culture. For example, The Ninth Gate is a brash pastiche of the horror genre, while The Pianist is an Academy Award-winner about the Holocaust. Dubbing Polanski a relentless critic of modernity, Morrison concludes that his career is representative of the fissures, victories, and rehabilitations of the last fifty years of international cinema. A volume in the series Contemporary Film Directors, edited by James Naremore

Operatic and the Everyday in Postwar Italian Film Melodrama

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Publisher : Edinburgh University Press
ISBN 13 : 1474402879
Total Pages : 241 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Operatic and the Everyday in Postwar Italian Film Melodrama by : Louis Bayman

Download or read book Operatic and the Everyday in Postwar Italian Film Melodrama written by Louis Bayman and published by Edinburgh University Press. This book was released on 2015-03-05 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.

Carlo Ludovico Ragghianti and the cinematic nature of vision

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Publisher :
ISBN 13 :
Total Pages : 364 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Carlo Ludovico Ragghianti and the cinematic nature of vision by : Carlo Ludovico Ragghianti

Download or read book Carlo Ludovico Ragghianti and the cinematic nature of vision written by Carlo Ludovico Ragghianti and published by . This book was released on 2000 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study looks at artistic expressions that are often not directly related, such as art, dance, architecture and cinema. Ragghianti's study of cinema, the electronic image and art brings together a series of images under the heading "the art of vision". His theories have reinterpreted art history and continue to be relevant in the late 1990s. In this volume, architectural and set drawings, choreography sketches, theatrical maquettes, film and video installations are placed next to 200 works of major European artists of the 20th century.

The Oxford History of World Cinema

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Publisher : OUP Oxford
ISBN 13 : 0191518182
Total Pages : 847 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis The Oxford History of World Cinema by : Geoffrey Nowell-Smith

Download or read book The Oxford History of World Cinema written by Geoffrey Nowell-Smith and published by OUP Oxford. This book was released on 1996-10-17 with total page 847 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of World Cinema is the most authoritative, up-to-date history of the Cinema ever undertaken. It traces the history of the twentieth-century's most enduringly popular entertainment form, covering all aspects of its development, stars, studios, and cultural impact. The book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the Avant-Garde, and from Hollywood to Hong Kong, with an international team of distinguished film historians telling the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel. Other chapters outline the evolution of national cinemas round the world - the varied and distinctive filmic traditions that have developed alongside Hollywood. Also included are over 140 special inset features on the film-makers and personalities - Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman - who have had an enduring impact in popular memory and cinematic lore. With over 300 illustrations, a full bibliography, and an extensive index, The Oxford History of World Cinema is an invaluable and entertaining guide and resource for the student and general reader.

Encounters with the Real in Contemporary Italian Literature and Cinema

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443862282
Total Pages : 395 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Encounters with the Real in Contemporary Italian Literature and Cinema by : Loredana Di Martino

Download or read book Encounters with the Real in Contemporary Italian Literature and Cinema written by Loredana Di Martino and published by Cambridge Scholars Publishing. This book was released on 2017-01-06 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the Italian contribution to the current global phenomenon of a “return to reality” by examining the country’s rich cultural production in literature and cinema. The focus is particularly on works from the period spanning the Nineties to the present day which offer alternatives to notions of reality as manufactured by the collusion between the neo-liberal state and the media. The book also discusses Italy’s relationship with its own cultural past by investigating how Italian authors deal with the return of the specter of Neorealism as it haunts the modern artistic imagination in this new epoch of crisis. Furthermore, the volume engages in dialogue with previous works of criticism on contemporary Italian realism, while going beyond them in devoting equal attention to cinema and literature. The resulting interactions will aid the reader in understanding how the critical arts respond to the triumph of hyperrealism in the current era of the virtual spectacle as they seek new ways to promote cognitive transformations and foster ethical interventions.

The Film Career of Alain Robbe-Grillet

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Publisher : Taylor & Francis
ISBN 13 : 9780913178591
Total Pages : 228 pages
Book Rating : 4.1/5 (785 download)

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Book Synopsis The Film Career of Alain Robbe-Grillet by : William F. Van Wert

Download or read book The Film Career of Alain Robbe-Grillet written by William F. Van Wert and published by Taylor & Francis. This book was released on 1977 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Theories of Cinema, 1945-1995

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Publisher : University of Texas Press
ISBN 13 : 9780292712072
Total Pages : 382 pages
Book Rating : 4.7/5 (12 download)

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Book Synopsis Theories of Cinema, 1945-1995 by : Francesco Casetti

Download or read book Theories of Cinema, 1945-1995 written by Francesco Casetti and published by University of Texas Press. This book was released on 1999 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays on the principal ideologies in film studies.

Intimate Relationships in Cinema, Literature and Visual Culture

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Publisher : Springer
ISBN 13 : 3319552813
Total Pages : 245 pages
Book Rating : 4.3/5 (195 download)

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Book Synopsis Intimate Relationships in Cinema, Literature and Visual Culture by : Gilad Padva

Download or read book Intimate Relationships in Cinema, Literature and Visual Culture written by Gilad Padva and published by Springer. This book was released on 2017-10-04 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume is an inquiry into the representation of intimate relationships in a diverse array of media including cinema, arts, literature, picture books, advertising and popular music. It examines artistic portrayal of intimate relationships as a subversion of the boundaries between the representable and the non-representable, the real and the surreal, the visceral and the ideal, the embodied and the abstracted, the configured and transfigured. The essays focus on artistic mediation of intimacy in diverse relationships, including heterosexual, same-sex, familial, sibling' , political, and sadomasochistic. The collection offers new interdisciplinary and multicultural perspectives on current trends in the study of popular representations of intimacy; representations that affect and formulate people's most personal inspirations, desires, angsts, dreams and nightmares in an increasingly alienated, industrialized world.

Cinema, Religion and the Romantic Legacy

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Publisher : Taylor & Francis
ISBN 13 : 135195153X
Total Pages : 225 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Cinema, Religion and the Romantic Legacy by : Paul Coates

Download or read book Cinema, Religion and the Romantic Legacy written by Paul Coates and published by Taylor & Francis. This book was released on 2017-07-05 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).

The Russian Cinema Reader

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Publisher : Academic Studies PRess
ISBN 13 :
Total Pages : 452 pages
Book Rating : 4.8/5 (871 download)

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Book Synopsis The Russian Cinema Reader by : Rimgaila Salys

Download or read book The Russian Cinema Reader written by Rimgaila Salys and published by Academic Studies PRess. This book was released on 2023-09-12 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten’ka Razin, The Cameraman’s Revenge, The Merchant Bashkirov’s Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin’s Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Authors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood

The American Roman Noir

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Publisher : University of Georgia Press
ISBN 13 : 0820320811
Total Pages : 329 pages
Book Rating : 4.8/5 (23 download)

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Book Synopsis The American Roman Noir by : William Marling

Download or read book The American Roman Noir written by William Marling and published by University of Georgia Press. This book was released on 1998-10-01 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture. Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation. At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in the country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality. Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society. Marling then considers six noir classics, relating them to their authors' own lives and to the milieu of prodigality that produced them and which they sought to explain: Dashiell Hammett's Red Harvest and The Maltese Falcon, James M. Cain's The Postman Always Rings Twice and Double Indemnity, and Raymond Chandler's The Big Sleep and Farewell My Lovely. Reading these narratives first as novels, then as films, Marling shows how they employed the prodigality fabula's variations and ancillary value systems to help Americans adapt--for better or worse--to a society driven by economic and technological forces beyond their control.

Vital Crises in Italian Cinema

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Publisher : Oxford University Press
ISBN 13 : 0199324107
Total Pages : 283 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Vital Crises in Italian Cinema by : P. Adams Sitney

Download or read book Vital Crises in Italian Cinema written by P. Adams Sitney and published by Oxford University Press. This book was released on 2013-03-01 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the landmark works that ushered in Italy's golden age of cinema, P. Adams Sitney provides a stylish, historically rich survey of the epochal films made by Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Federico Fellini, Michelangelo Antonioni, and others in the years after World War II. Remarking on the period in 1957, Pier Paolo Pasolini wrote that its films reflected a "vital crisis" in Italian culture after the fall of Fascism. Sitney expands this conceit to demonstrate the multivalent social and political forces behind a range of movies made from the mid-1940s through the1960s that includes Paisa, La terra trema, Ladri di biciclette, L'Avventura, and La dolce vita. Throughout its pages, the book considers how the nation's cinema depicts the convergence of Christian and Resistance iconography; contemplates the debate over dialect and a national language; deploys cinematic effects for the purposes of political allegory; and incorporates insights from the psychoanalytic discourse that became popular in Italy during the fifties and sixties. This new edition includes an epilogue that extends the range of the study into the 1970s with discussions of Nanni Moretti's Io sono autaurchico, the Tavianis' Padre Padrone, and Ermanno Olmi's L'albero degli zoccoli.

A History of Experimental Film and Video

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838714189
Total Pages : 431 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis A History of Experimental Film and Video by : A.L. Rees

Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

Building Interactive Worlds in 3D

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Publisher : Taylor & Francis
ISBN 13 : 113614398X
Total Pages : 442 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Building Interactive Worlds in 3D by : Jean-Marc Gauthier

Download or read book Building Interactive Worlds in 3D written by Jean-Marc Gauthier and published by Taylor & Francis. This book was released on 2013-05-02 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Building Interactive Worlds in 3D readers will find turnkey tutorials that detail all the steps required to build simulations and interactions, utilize virtual cameras, virtual actors (with self-determined behaviors), and real-time physics including gravity, collision, and topography. With the free software demos included, 3D artists and developers can learn to build a fully functioning prototype. The book is dynamic enough to give both those with a programming background as well as those who are just getting their feet wet challenging and engaging tutorials in virtual set design, using Virtools. Other software discussed is: Lightwave, and Maya. The book is constructed so that, depending on your project and design needs, you can read the text or interviews independently and/or use the book as reference for individual tutorials on a project-by-project basis. Each tutorial is followed by a short interview with a 3D graphics professional in order to provide insight and additional advice on particular interactive 3D techniques-from user, designer, artist, and producer perspectives.

Film Language

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Publisher : University of Chicago Press
ISBN 13 : 9780226521305
Total Pages : 290 pages
Book Rating : 4.5/5 (213 download)

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Book Synopsis Film Language by : Christian Metz

Download or read book Film Language written by Christian Metz and published by University of Chicago Press. This book was released on 1991 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen

Landscape and Memory in Post-Fascist Italian Film

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Author :
Publisher : Routledge
ISBN 13 : 1135104816
Total Pages : 264 pages
Book Rating : 4.1/5 (351 download)

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Book Synopsis Landscape and Memory in Post-Fascist Italian Film by : Giuliana Minghelli

Download or read book Landscape and Memory in Post-Fascist Italian Film written by Giuliana Minghelli and published by Routledge. This book was released on 2014-06-11 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study argues that neorealism’s visual genius is inseparable from its almost invisible relation to the Fascist past: a connection inscribed in cinematic landscapes. While largely a silent narrative, neorealism’s complex visual processing of two decades of Fascism remains the greatest cultural production in the service of memorialization and comprehension for a nation that had neither a Nuremberg nor a formal process of reconciliation. Through her readings of canonical neorealist films, Minghelli unearths the memorial strata of the neorealist image and investigates the complex historical charge that invests this cinema. This book is both a formal analysis of the new conception of the cinematic image born from a crisis of memory, and a reflection on the relation between cinema and memory. Films discussed include Ossessione (1943) Paisà (1946), Ladri di biciclette (1948), and Cronaca di un amore (1950).

Peter Greenaway's Postmodern / Poststructuralist Cinema

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Publisher : Scarecrow Press
ISBN 13 : 0810862271
Total Pages : 447 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Peter Greenaway's Postmodern / Poststructuralist Cinema by : Paula Willoquet-Maricondi

Download or read book Peter Greenaway's Postmodern / Poststructuralist Cinema written by Paula Willoquet-Maricondi and published by Scarecrow Press. This book was released on 2008-07-17 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.