Felice Giardini And Professional Music Culture In Mid Eighteenth Century London

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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London

Author : Cheryll Duncan
Publisher : Taylor & Francis
ISBN 13 : 1000732827
Total Pages : 102 pages
Book Rating : 4.0/5 (7 download)

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Book Synopsis Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London by : Cheryll Duncan

Download or read book Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London written by Cheryll Duncan and published by Taylor & Francis. This book was released on 2019-10-10 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini’s influence on British musical life through his multifaceted career as performer, teacher, composer, concert promoter and opera impresario. The crux of the study is a detailed account of Giardini’s partnership with the music seller/publisher John Cox during the 1750s, presented using new biographical information which contextualizes their business dealings and subsequent disaccord. The resulting litigation, the details of which have only recently come to light, is explored here via a complex set of archival materials. The findings offer new information about the economics of professional music culture at the time, including detailed figures for performers’ fees, the printing and binding of music scores, the charges arising from the administration of concerts and operas, the sale, hire and repair of various instruments and the cost of what today we would call intellectual property rights. This is a fascinating study for musicologists and followers of Giardini, as well as for readers with an interest in classical music, social history and legal history.

Music, Books and Theatre in Eighteenth-Century Exton

Author : Colin Timms
Publisher : Taylor & Francis
ISBN 13 : 1003860079
Total Pages : 117 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Music, Books and Theatre in Eighteenth-Century Exton by : Colin Timms

Download or read book Music, Books and Theatre in Eighteenth-Century Exton written by Colin Timms and published by Taylor & Francis. This book was released on 2023-12-20 with total page 117 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.

Music by Subscription

Author : Simon D.I. Fleming
Publisher : Routledge
ISBN 13 : 1000519988
Total Pages : 310 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Music by Subscription by : Simon D.I. Fleming

Download or read book Music by Subscription written by Simon D.I. Fleming and published by Routledge. This book was released on 2021-12-30 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.

Return to Riemann

Author : J. P. E. Harper-Scott
Publisher : Taylor & Francis
ISBN 13 : 1003861415
Total Pages : 99 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Return to Riemann by : J. P. E. Harper-Scott

Download or read book Return to Riemann written by J. P. E. Harper-Scott and published by Taylor & Francis. This book was released on 2024-02-16 with total page 99 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a music-theoretical and critical-theoretical study of late tonal music, and, in particular, of the music of Wagner’s Götterdämmerung. First, in terms of music theory, it proposes a new theory of tonal function that returns to the theories of Hugo Riemann to rediscover a development of his thought that has been covered over by the recent project of neo-Riemannian theory. Second, in terms of its philosophical approach, it reawakens the critical-theoretical examination of the relation between music and the late capitalist society that is sedimented in the musical materials themselves, and which the music, in turn, subjects to aesthetically embodied critique. The music, the theory, and the listeners and critics who respond to them are all radically reimagined. This book will be of interest to professional music theorists, undergraduates, and technically inclined musicians and listeners, that is, anyone who is fascinated by the chromatic magic of late-nineteenth-century music.

Authorship and Identity in Late Thirteenth-Century Motets

Author : Catherine A. Bradley
Publisher : Routledge
ISBN 13 : 1000581438
Total Pages : 130 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Authorship and Identity in Late Thirteenth-Century Motets by : Catherine A. Bradley

Download or read book Authorship and Identity in Late Thirteenth-Century Motets written by Catherine A. Bradley and published by Routledge. This book was released on 2022-03-30 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.

The Malmariée in the Thirteenth-Century Motet

Author : Dolores Pesce
Publisher : Taylor & Francis
ISBN 13 : 1000826619
Total Pages : 159 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis The Malmariée in the Thirteenth-Century Motet by : Dolores Pesce

Download or read book The Malmariée in the Thirteenth-Century Motet written by Dolores Pesce and published by Taylor & Francis. This book was released on 2023-02-08 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.

Music Theory in Late Medieval Avignon

Author : Karen M. Cook
Publisher : Routledge
ISBN 13 : 1000398803
Total Pages : 129 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Music Theory in Late Medieval Avignon by : Karen M. Cook

Download or read book Music Theory in Late Medieval Avignon written by Karen M. Cook and published by Routledge. This book was released on 2021-06-04 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to late medieval music theory. Its numerous copies of significant texts have been the focus of substantial scholarly attention to date, but the shorter, unattributed, or fragmentary works have not yet received the same scrutiny. In this monograph, Cook demonstrates that a small group of such works, linked to the otherwise unknown Magister Johannes Pipudi, is in fact much more noteworthy than previous scholarship has observed. The not one but two copies of De arte cantus are in fact one of the earliest known sources for the Libellus cantus mensurabilis, purportedly by Jean des Murs and the most widely copied music theory treatise of its day, while Regulae contrapunctus, Nota quod novem sunt species contrapunctus, and a concluding set of notes in Catalan are early witnesses to the popular Ars contrapuncti treatises also attributed to des Murs. Disclosing newly discovered biographical information, it is revealed that Pipudi is most likely one Johannes Pipardi, familiar to Cardinal Jean de Blauzac, Vicar-General of Avignon. Cook provides the first biographical assessment for him and shows that late fourteenth-century Avignon was a plausible chronological and geographical milieu for the Seville treatises, hinting provocatively at a possible route of transmission for the Libellus from Paris to Italy. The monograph concludes with new transcriptions and the first English translations of the treatises.

Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)

Author : Florian Bassani
Publisher : Routledge
ISBN 13 : 100048713X
Total Pages : 114 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772) by : Florian Bassani

Download or read book Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772) written by Florian Bassani and published by Routledge. This book was released on 2021-12-24 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: Neither Spem in alium, the widely acclaimed ‘songe of fortie partes’ by Thomas Tallis, nor Alessandro Striggio’s forty-part Mass is the largest-scale counterpoint work in Western music. The actual winner is Gregorio Ballabene, a relatively unknown Roman maestro di cappella, a contemporary of Giovanni Paisiello, Joseph Haydn and Luigi Boccherini, who composed in forty-eight parts for twelve choirs. His Mass saw only a public rehearsal and was never performed liturgically despite all of Ballabene’s efforts to promote it. On closer inspection, however, the work deserves special consideration as a piece of outstanding combinatory creativity – the product of a talent able to conceive, structure and realise a project of colossal dimensions. It might even be claimed that if Charles Burney had gained knowledge of it, all derogatory comments by nineteenth-century music historians would not have succeeded in extinguishing the interest of later generations. Ballabene’s Mass has remained completely unstudied until today, even though the score survives in prominent collections. This study offers, for the first time, a historical and analytical perspective on this overlooked manifestation of a very individual musical intelligence.

Disinformation in Mass Media

Author : Beverly Jerold
Publisher : Routledge
ISBN 13 : 1000088065
Total Pages : 96 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Disinformation in Mass Media by : Beverly Jerold

Download or read book Disinformation in Mass Media written by Beverly Jerold and published by Routledge. This book was released on 2020-10-27 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: The founding in 1777 of the Journal de Paris, France’s first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division. To attract a large readership and bar competition for C.W. Gluck’s works at the Paris Opéra, it launched a prolonged campaign of anonymous lies, mockery, and defamation against two prominent members of the Académie Française who wished the Opéra to be open to all deserving composers but lacked a comparable daily forum with which to defend themselves. In this unique episode, music served as a smokescreen for nefarious activity. No musical knowledge is necessary to follow this purely political drama.

British Music, Musicians and Institutions, C. 1630-1800

Author : Julian Rushton
Publisher : Boydell & Brewer
ISBN 13 : 1783276479
Total Pages : 317 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis British Music, Musicians and Institutions, C. 1630-1800 by : Julian Rushton

Download or read book British Music, Musicians and Institutions, C. 1630-1800 written by Julian Rushton and published by Boydell & Brewer. This book was released on 2021 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.

The Eighteenth-century Diaspora of Italian Music and Musicians

Author : Reinhard Strohm
Publisher : Brepols Publishers
ISBN 13 :
Total Pages : 384 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis The Eighteenth-century Diaspora of Italian Music and Musicians by : Reinhard Strohm

Download or read book The Eighteenth-century Diaspora of Italian Music and Musicians written by Reinhard Strohm and published by Brepols Publishers. This book was released on 2001 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: On an eighteenth-century map of European culture, Italian musicians would be found almost everywhere. Unlike in earlier ages, they now provided an intrinsic part of the international exchange: no longer exotic birds, but not yet the representatives of a single nation, they helped other Europeans to forget traditional frontiers in music. In this fascinating book, eight specialised music historians investigate several important aspects of the Italian contribution, highlighting local musical practices, the aesthetic of genres, and the larger patterns of musical cultivation and patronage.

Charles Avison in Context

Author : Roz Southey
Publisher : Routledge
ISBN 13 : 131716833X
Total Pages : 390 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Charles Avison in Context by : Roz Southey

Download or read book Charles Avison in Context written by Roz Southey and published by Routledge. This book was released on 2017-10-31 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.

The Violinist in London's Concert Life, 1750-1784

Author : Simon McVeigh
Publisher : Garland Publishing
ISBN 13 :
Total Pages : 448 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis The Violinist in London's Concert Life, 1750-1784 by : Simon McVeigh

Download or read book The Violinist in London's Concert Life, 1750-1784 written by Simon McVeigh and published by Garland Publishing. This book was released on 1989 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music and the Benefit Performance in Eighteenth-Century Britain

Author : Matthew Gardner
Publisher : Cambridge University Press
ISBN 13 : 1108492932
Total Pages : 303 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner

Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

The Concerto and London's Musical Culture in the Late Eighteenth Century

Author : Thomas B. Milligan
Publisher :
ISBN 13 :
Total Pages : 404 pages
Book Rating : 4.:/5 (43 download)

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Book Synopsis The Concerto and London's Musical Culture in the Late Eighteenth Century by : Thomas B. Milligan

Download or read book The Concerto and London's Musical Culture in the Late Eighteenth Century written by Thomas B. Milligan and published by . This book was released on 1983 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Hurdy-Gurdy in Eighteenth-Century France

Author : Robert A. Green
Publisher : Indiana University Press
ISBN 13 : 0253025133
Total Pages : 146 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis The Hurdy-Gurdy in Eighteenth-Century France by : Robert A. Green

Download or read book The Hurdy-Gurdy in Eighteenth-Century France written by Robert A. Green and published by Indiana University Press. This book was released on 2016-10-31 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.

Opera in Seventeenth-Century Venice

Author : Ellen Rosand
Publisher : Univ of California Press
ISBN 13 : 0520254260
Total Pages : 712 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Opera in Seventeenth-Century Venice by : Ellen Rosand

Download or read book Opera in Seventeenth-Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi