Hollywood

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1493037064
Total Pages : 401 pages
Book Rating : 4.4/5 (93 download)

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Book Synopsis Hollywood by : Jill Tietjen

Download or read book Hollywood written by Jill Tietjen and published by Rowman & Littlefield. This book was released on 2019-04-26 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.

Women Filmmakers in Early Hollywood

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Author :
Publisher : JHU Press
ISBN 13 : 1421402092
Total Pages : 474 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis Women Filmmakers in Early Hollywood by : Karen Ward Mahar

Download or read book Women Filmmakers in Early Hollywood written by Karen Ward Mahar and published by JHU Press. This book was released on 2008-08-25 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of how and why women in early twentieth-century Hollywood went from having plenty of filmmaking opportunities to very few. Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar’s study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate “big business” of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women. “With meticulous scholarship and fluid writing, Mahar tells the story of this golden era of female filmmaking . . . Women Filmmakers in Early Hollywood is not to be missed.” —Samantha Barbas, Women’s Review of Books “Mahar views the business of making movies from the inside-out, focusing on questions about changing industrial models and work conventions. At her best, she shows how the industry’s shifting business history impacted women’s opportunities, recasting current understanding about the American film industry's development.” —Hilary Hallett, Reviews in American History “A scrupulously researched and argued analysis of how and why women made great professional and artistic gains in the U.S. film industry from 1906 to the mid-1920s and why they lost most of that ground until the late twentieth century.” —Kathleen Feeley, Journal of American History “Women Filmmakers in Early Hollywood offers convincing evidence of how economic forces shaped women’s access to film production and presents a complex and engaging story of the women who took advantage of those opportunities.” —Pennee Bender, Business History Review

The Silent Feminists

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1538165538
Total Pages : 199 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis The Silent Feminists by : Anthony Slide

Download or read book The Silent Feminists written by Anthony Slide and published by Rowman & Littlefield. This book was released on 2022-03-15 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: American women who contributed their talents to the silent film industry are still largely unrecognized, in spite of their great influence. This book, with a new foreword by the author, details the lives and careers of America’s first women directors, unveiling the history of those who helped pave the way for females in the film industry today.

Early Women Directors

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Author :
Publisher : Da Capo Press, Incorporated
ISBN 13 :
Total Pages : 128 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Early Women Directors by : Anthony Slide

Download or read book Early Women Directors written by Anthony Slide and published by Da Capo Press, Incorporated. This book was released on 1984-01-21 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Women Filmmakers in Early Hollywood

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Author :
Publisher : JHU Press
ISBN 13 : 0801890845
Total Pages : 332 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Women Filmmakers in Early Hollywood by : Karen Ward Mahar

Download or read book Women Filmmakers in Early Hollywood written by Karen Ward Mahar and published by JHU Press. This book was released on 2008-08-25 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.

Silent Women

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Author :
Publisher : Aurora Metro Publications Ltd.
ISBN 13 : 0993220703
Total Pages : 353 pages
Book Rating : 4.9/5 (932 download)

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Book Synopsis Silent Women by : Kevin Brownlow

Download or read book Silent Women written by Kevin Brownlow and published by Aurora Metro Publications Ltd.. This book was released on 2017-01-10 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection

Liberating Hollywood

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Author :
Publisher : Rutgers University Press
ISBN 13 : 0813587492
Total Pages : 364 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Liberating Hollywood by : Maya Montañez Smukler

Download or read book Liberating Hollywood written by Maya Montañez Smukler and published by Rutgers University Press. This book was released on 2018-12-14 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.

A Feminist Reader in Early Cinema

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Author :
Publisher : Duke University Press
ISBN 13 : 9780822329992
Total Pages : 604 pages
Book Rating : 4.3/5 (299 download)

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Book Synopsis A Feminist Reader in Early Cinema by : Jennifer M. Bean

Download or read book A Feminist Reader in Early Cinema written by Jennifer M. Bean and published by Duke University Press. This book was released on 2002-11-21 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen

International Women Stage Directors

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Author :
Publisher : University of Illinois Press
ISBN 13 : 0252095855
Total Pages : 625 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis International Women Stage Directors by : Anne Fliotsos

Download or read book International Women Stage Directors written by Anne Fliotsos and published by University of Illinois Press. This book was released on 2013-10-15 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating study of women in the arts, International Women Stage Directors is a comprehensive examination of women directors in twenty-four diverse countries. Organized by country, chapters provide historical context and emphasize how social, political, religious, and economic factors have impacted women's rise in the theatre, particularly in terms of gender equity. Contributors tell the stories of their home country's pioneering women directors and profile the most influential women directors practicing today, examining their career paths, artistry, and major achievements. Contributors are Ileana Azor, Dalia Basiouny, Kate Bredeson, Mirenka Cechová, Marié-Heleen Coetzee, May Farnsworth, Anne Fliotsos, Laura Ginters, Iris Hsin-chun Tuan, Maria Ignatieva, Adam J. Ledger, Roberta Levitow, Jiangyue Li, Lliane Loots, Diana Manole, Karin Maresh, Gordon McCall, Erin B. Mee, Ursula Neuerburg-Denzer, Claire Pamment, Magda Romanska, Avra Sidiropoulou, Margaretta Swigert-Gacheru, Alessandra Vannucci, Wendy Vierow, Vessela S. Warner, and Brenda Werth.

Women Film Directors

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Author :
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313368422
Total Pages : 489 pages
Book Rating : 4.3/5 (133 download)

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Book Synopsis Women Film Directors by : Gwendolyn A. Foster

Download or read book Women Film Directors written by Gwendolyn A. Foster and published by Bloomsbury Publishing USA. This book was released on 1995-11-14 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, one-stop resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.

Doing Women's Film History

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Author :
Publisher : University of Illinois Press
ISBN 13 : 0252097777
Total Pages : 297 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Doing Women's Film History by : Christine Gledhill

Download or read book Doing Women's Film History written by Christine Gledhill and published by University of Illinois Press. This book was released on 2015-10-30 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.

Celluloid Ceiling

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Author :
Publisher : Aurora Metro Publications Ltd.
ISBN 13 : 0956632955
Total Pages : 385 pages
Book Rating : 4.9/5 (566 download)

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Book Synopsis Celluloid Ceiling by : Gabrielle Kelly

Download or read book Celluloid Ceiling written by Gabrielle Kelly and published by Aurora Metro Publications Ltd.. This book was released on 2014-05-27 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions. Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them. From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere. ***** "BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW" - Diane, Amazon ***** "Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking." - D.A. Morris, Amazon ***** "This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world." - UCF Film "The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar. To this end, the arrival of a new book, "The Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors." - Matthew Hammett Knott, indiewire

Independent Female Filmmakers

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Author :
Publisher : Routledge
ISBN 13 : 1351244299
Total Pages : 296 pages
Book Rating : 4.3/5 (512 download)

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Book Synopsis Independent Female Filmmakers by : Michele Meek

Download or read book Independent Female Filmmakers written by Michele Meek and published by Routledge. This book was released on 2018-12-21 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Independent Female Filmmakers collects original and previously published essays, interviews, and manifestos from some of the most defining and groundbreaking independent female filmmakers of the last 40 years. Featuring material from the seminal magazine The Independent Film and Video Monthly—a leading publication for independent filmmakers for several decades—as well as new interviews conducted with the filmmakers, this book, edited by Michele Meek, presents a unique perspective into the ethnically and culturally diverse voices of women filmmakers whose films span narrative, documentary, and experimental genres and whose work remains integral to independent film history from the 1970s to the present. Independent Female Filmmakers also includes a biographical profile of each filmmaker, as well as an online resource with links to additonal interviews and a sample course syllabus. The filmmakers in this book include: • Lisa Cholodenko (High Art, The Kids Are All Right) • Martha Coolidge (Valley Girl, Real Genius, Introducing Dorothy Dandridge) • Cheryl Dunye (The Watermelon Woman, Stranger Inside) • Miranda July (The Future, Me And You And Everyone We Know) • Barbara Kopple (Harlan County USA, Wild Man Blues) • Maria Maggenti (The Incredibly True Adventures of Two Girls in Love) • Deepa Mehta (Fire, Earth, Water) • Trinh T. Minh-ha (Surname Viet, Given Name Nam, Night Passage) . . . and more!

Brazilian Women's Filmmaking

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Author :
Publisher : University of Illinois Press
ISBN 13 : 0252094379
Total Pages : 251 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Brazilian Women's Filmmaking by : Leslie Marsh

Download or read book Brazilian Women's Filmmaking written by Leslie Marsh and published by University of Illinois Press. This book was released on 2012-10-30 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works. Filling this void, Brazilian Women's Filmmaking focuses on women's film production in Brazil from the mid-1970s to the current era. Leslie L. Marsh explains how women's filmmaking contributed to the reformulation of sexual, cultural, and political citizenship during Brazil's fight for the return and expansion of civil rights during the 1970s and 1980s and the recent questioning of the quality of democracy in the 1990s and 2000s. She interprets key films by Ana Carolina and Tizuka Yamasaki, documentaries with social themes, and independent videos supported by archival research and extensive interviews with Brazilian women filmmakers. Despite changes in production contexts, recent Brazilian women's films have furthered feminist debates regarding citizenship while raising concerns about the quality of the emergent democracy. Brazilian Women's Filmmaking offers a unique view of how women's audiovisual production has intersected with the reconfigurations of gender and female sexuality put forth by the women's movements in Brazil and continuing demands for greater social, cultural, and political inclusion.

Universal Women

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Author :
Publisher : University of Illinois Press
ISBN 13 : 0252035224
Total Pages : 266 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Universal Women by : Mark Garrett Cooper

Download or read book Universal Women written by Mark Garrett Cooper and published by University of Illinois Press. This book was released on 2010-03-10 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one still worked in the film industry at all. This book explores how corporate movie studios interpret and act on institutional culture in deciding what it means to work as a man or woman. In focusing on issues of institutional change, the author challenges interpretations that explain women's exile from the film industry as the inevitable result of a transhistorical sexism or as an effect of a broadly cultural revision of gendered work roles. He examines the relationship between institutional organization and aesthetic conventions during the formative years when women filmmakers such as Ruth Ann Baldwin, Cleo Madison, Ruth Stonehouse, Elise Jane Wilson and Ida May Park directed films for Universal.

Women Film Editors

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Author :
Publisher : McFarland
ISBN 13 : 1476625204
Total Pages : 232 pages
Book Rating : 4.4/5 (766 download)

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Book Synopsis Women Film Editors by : David Meuel

Download or read book Women Film Editors written by David Meuel and published by McFarland. This book was released on 2016-05-16 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the movie business adopted some of the ways of other big industries in 1920s America, women--who had been essential to the industry's early development--were systematically squeezed out of key behind-the-camera roles. Yet, as female producers and directors virtually disappeared for decades, a number of female film editors remained and rose to the top of their profession, sometimes wielding great power and influence. Their example inspired a later generation of women to enter the profession at mid-century, several of whom were critical to revolutionizing filmmaking in the 1960s and 1970s with contributions to such classics as Bonnie and Clyde, Jaws and Raging Bull. Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.

Lois Weber

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Author :
Publisher : Greenwood
ISBN 13 :
Total Pages : 200 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Lois Weber by : Anthony Slide

Download or read book Lois Weber written by Anthony Slide and published by Greenwood. This book was released on 1996 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major contribution to film scholarship and women's studies, this is the first critical biography of America's first native-born female director. It fully documents the career of Lois Weber as a director from 1908 through 1934 and notes the impressive number of short subjects and feature films that she made. Largely forgotten and often maligned, Lois Weber has received scant attention in recent years, yet this study points out that she was one of the cinema's genuine auteurs, not only directing, but also writing and often starring in her films. She was one of the first committed filmmakers who utilized the motion picture to express her views on subjects as varied as birth control, abortion, capital punishment, hypocrisy, and racial intolerance. Lois Weber's career is an extraordinary one, arguably unsurpassed by any other woman director before or since. Acclaimed film historian Anthony Slide presents us with an important reminder of the role women played in the American silent film industry and places Weber's preeminence in film history.