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Cubism And Its Enemies
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Book Synopsis Cubism and Its Histories by : David Cottington
Download or read book Cubism and Its Histories written by David Cottington and published by Manchester University Press. This book was released on 2004 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.
Book Synopsis Cubism and Its Enemies by : Christopher Green
Download or read book Cubism and Its Enemies written by Christopher Green and published by . This book was released on 1987 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Cubism & Its Enemies, Modern Movements & Reaction .... by : Christopher Green
Download or read book Cubism & Its Enemies, Modern Movements & Reaction .... written by Christopher Green and published by . This book was released on 1987 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Cubism and Reality by : Christopher Green
Download or read book Cubism and Reality written by Christopher Green and published by Bloomsbury Visual Arts. This book was released on 2025-02-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What was Cubism? How did this strange new way of making paintings and sculptures enable artists so decisively to change the trajectory of 'Modern Art'? In responding to these questions, distinguished art historian Christopher Green presents a bold new interpretation of the movement and three of its key protagonists. Stemming from a critical re-evaluation of the author's own first responses to Cubist artworks, as a student of the late artist and critic John Golding, Cubism and Reality challenges the commonly-held view of Cubism as either a retreat from reality into abstraction, or an invitation to convert the real into the 'surreal', arguing instead that Georges Braque, Pablo Picasso, and Juan Gris wanted, above all, to find ways of intensifying and expanding painting's capacity to give viewers more, not less, of their lived experience of the world. Lavishly illustrated and filled with rich new insights and approaches to the artwork that are the product of decades' worth of research, Green argues that, for the three artists, 'reality' was not objectively always there, but was created by their own perceptions, and could be transformed by their imaginations. The artwork becomes not merely a dead material fact, but somewhere into which wishes, lived experiences and memories can enter – ours, over a century later, as well as theirs. Green explores how Cubist artworks ask us to reflect in far-reaching ways on visual art's relationship to everyday visual experience and questions how it is that we still believe that drawings, paintings and sculptures can represent the world as we see and know it. In doing so Cubism and Reality tackles a fundamental issue that has preoccupied artists, critics and art enthusiasts for over a century, well into our present age: the survival of hand-made representational artworks in the epoch of photography, film and, latterly, digital reproduction.
Book Synopsis Cubism in the Shadow of War by : David Cottington
Download or read book Cubism in the Shadow of War written by David Cottington and published by Yale University Press. This book was released on 1998-01-01 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking book provides a major reassessment of the history and significance of cubism. David Cottington examines the cubist movement and sets it within the complex political, economic, and cultural forces of pre-World War I France. Cubism, as a part of the Parisian artistic avant-garde, played an integral role in the turbulent Belle Epoque. The author focuses on cubisms relation to the particular discourses?of nationalism, aestheticism, gender, the social purpose of art?that gave meaning to the experience of modernity in Paris in the decade before the war. In Part I of the book, the author discusses the "cubist conjuncture," the years that followed the collapse of the Bloc des Gauches. The Bloc, more than a parliamentary alliance, represented an effort of collaboration between the liberal middle class and sectors of the working class led by Parisian intellectuals and artists (future cubists among them). In the wake of the Blocs failure, workers withdrew into trade unionism and artists into aesthetic avant-gardism. Cottington analyzes this consolidation of the artistic avant-garde, its relation to the expanding dealer-centered art market, and the dominant and counter discourses of the day. In Part II, he considers specific aspects of cubist art and the cubist movement?from the conservative modernism of the paintings of Le Fauconnier and Gleizes to the aestheticism of Picassos papiers-collés to the collective architectural and interior design project of the "cubist house." These examples and others, Cottington concludes, reveal cubism as a contradictory and unstable constellation of interests and practices, sometimes complicit with dominant social and political forces, sometimes opposed to them, but in every case shaped by them.
Book Synopsis Academics, Pompiers, Official Artists and the Arrière-garde by : Natalie Adamson
Download or read book Academics, Pompiers, Official Artists and the Arrière-garde written by Natalie Adamson and published by Cambridge Scholars Publishing. This book was released on 2020-06-12 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modernity? What was the role of an artist’s institutional positioning in determining expectations for his or her art? What light is thrown on the structure of the French art world by considering artists from abroad who worked in Paris? How did the war alter modernist and avant-garde paradigms and force crucial changes upon art production in the postwar period to 1960? Particular attention is paid to the terms academic, pompier, official, and arrière-garde, originally used to situate the more conservative artists and works as second-rate or as the negative foil to the assumed radicalism of the avant-garde. By re-evaluating the work of artists pushed to the historical margins by such polemical descriptors, and by proposing alternative understandings of the aesthetic, economic, institutional and political factors that drive our ideas of avant-gardism and the modernist narrative in France, this collection of essays offers new routes to explore the terrain of twentieth-century art in France.
Download or read book Albert Gleizes written by Peter Brooke and published by Yale University Press. This book was released on 2001-01-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gleizes was also one of the few French painters of the 1920s to recognise nonrepresentational painting as the logical development of Cubism." "His work as a painter is accompanied by an immense body of theoretical work, addressing the question posed so starkly by Duchamp and Picabia: why should we paint? What is the justification for the work of art? Over his life he touches on many spheres of human activity - religious, political and cultural history, physics and the philosophy of work.".
Book Synopsis The Cubist Painters by : Guillaume Apollinaire
Download or read book The Cubist Painters written by Guillaume Apollinaire and published by Univ of California Press. This book was released on 2004-10-25 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a new, authoritative translation and critical edition of one of the twentieth-century's most important and poetically resonant books on Picasso, Braque, Cubism, and the beginnings of modern art.
Book Synopsis Painting and Sculpture in Europe, 1880-1940 by : George Heard Hamilton
Download or read book Painting and Sculpture in Europe, 1880-1940 written by George Heard Hamilton and published by Yale University Press. This book was released on 1993-01-01 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Book Synopsis Léonce Rosenberg’s Cubism by : Giovanni Casini
Download or read book Léonce Rosenberg’s Cubism written by Giovanni Casini and published by Penn State Press. This book was released on 2023-08-31 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.
Book Synopsis A History of Experimental Film and Video by : A.L. Rees
Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Book Synopsis The Making of Modern Art by : Michael Peppiatt
Download or read book The Making of Modern Art written by Michael Peppiatt and published by Yale University Press. This book was released on 2020-05-05 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new collection of key texts from a leading critic of modern art The critic Michael Peppiatt has been described by Art Newspaper as “the best art writer of his generation.” For more than 50 years, he has written trenchant and lively dispatches from the center of the international art world. In this new volume of key works, Peppiatt gives his unique insight into the making, collection, display, and interpretation of modern art. Covering the whole spectrum of modern art—from pioneers such as Gustav Klimt and Chaim Soutine, to collectors and dealers who played a pivotal role in the modern art world, to artists such as Francis Bacon, Bill Jacklin, and Frank Auerbach, with whom he had close relationships—Peppiatt interweaves personal anecdote with critical judgment. Each text is accompanied by a new short introduction, written in Peppiatt’s signature vivid and jargon-free style, in which he contextualizes his writings and reflects on significant moments in a lifetime of artistic engagement. This volume will provide readers with an exhilarating tour of 20th-century art.
Book Synopsis The Liberation of Painting by : Patricia Leighten
Download or read book The Liberation of Painting written by Patricia Leighten and published by University of Chicago Press. This book was released on 2013-11-08 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
Book Synopsis Body, Subject & Subjected by : Dr Debra D Andrist
Download or read book Body, Subject & Subjected written by Dr Debra D Andrist and published by Liverpool University Press. This book was released on 2016-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The book illuminates some "selfies". This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures -- the Iberian Peninsula to pre-Columbian America and Hispanic America -- analysing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behaviour and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures. The result, complex and unique, is that what is viewed -- the visual art and literature under discussion -- becomes a mirror image, indistinguishable from the component viewing apparatus, the "lens".
Book Synopsis Art and Social Change by : Klare Scarborough
Download or read book Art and Social Change written by Klare Scarborough and published by Lulu.com. This book was released on 2015-10 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The scholarly essays in this book focus on the theme of art and social change in Western art from the Renaissance to about 1950. The edited volume includes contributions by scholars with a range of professional backgrounds and affiliations. Their essays address some aspect of the theme and engage with one or more artworks in the collection of La Salle University Art Museum. Topics include religious iconography, portraiture, landscape, journal illustrations, and Modernist abstraction. These essays on the collection add to the body of scholarship which situates works of art in contexts that help reveal and explain changes in social, political or cultural values. The book is lavishly illustrated, with 104 color illustrations.
Book Synopsis The Art Book Tradition in Twentieth-Century Europe by : Kathryn Brown
Download or read book The Art Book Tradition in Twentieth-Century Europe written by Kathryn Brown and published by Routledge. This book was released on 2017-07-05 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigating the complex history of visual art?s engagement with literature, this collection demonstrates that the art of the book is a fully interdisciplinary and distinctly modern form. The essays in the collection develop new critical approaches to the analysis of twentieth-century bookworks and explore ways in which European writers and painters challenged the boundary between visual and linguistic expression in the content, production, and physical form of books. The Art Book Tradition in Twentieth-Century Europe offers a detailed examination of word-image relations in forms ranging from the livre d?artiste to personal diaries and almanacs. It analyzes innovative attempts to challenge familiar hierarchies between texts and images, to fuse different expressive media, and to reconceptualize traditional notions of ekphrasis. Giving consideration to the material qualities of books, the works discussed in this collection also test and celebrate the act of reading, while locating it in the context of other sensory experiences. Essays examine works by Dufy, Matisse, Beckett, Kandinsky, Braque, and Ponge, among other European artists and writers active during the twentieth century.
Book Synopsis Picasso and the Painting That Shocked the World by : Miles J. Unger
Download or read book Picasso and the Painting That Shocked the World written by Miles J. Unger and published by Simon & Schuster. This book was released on 2019-03-26 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
